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#fandom manifesto
ghostsandmermaids · 29 days
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Fandom Manifesto: Hello From The Hallowoods
(Originally written for the Fandomanifesto community on Pillowfort.)
Here's a (mostly spoiler-free) fandom manifesto for my favorite podcast, Hello From The Hallowoods. (Please try to keep the comments on this post spoiler-free as well.)
What is a fandom manifesto?
Inspired by ship manifestos, a fandom manifesto is an essay meant to introduce people to a fandom and promote it by explaining its appeal. It's a really fun tradition that I would love to keep going.
What is Hello From The Hallowoods?
Darker than your dreams, and farther North than you remember, there is a forest where life and death meet…
Hello From The Hallowoods is a queer horror podcast written and produced by William A. Wellman (they/them). This is the official description (taken from Spotify):
Come walk between the black pines! In this award-winning queer fiction podcast, a cosmic narrator follows the increasingly connected residents of the forest at the end of the world. It's a bittersweet story that explores queer identity, horror genre tropes, and finding hope in humanity's last moments.
It's set in a forest in northern Canada (the Hallowoods) in a post-apocalyptic world plagued by the black rains. The story follows the inhabitants of the Hallowoods—only some of whom are alive and human—as their lives become increasingly interconnected. 
The podcast is narrated by Nikignik (he/they), also known as One Hundred Eyes in the Dark, an eldritch god who speaks directly to the listener via their nightmares. He begins to tell these stories because he's grieving his partner, another god called Marolmar (he/him), and humans were the last thing Marolmar created. Over time, Nikignik changes from a more passive narrator to an active character in the story.
There are a lot of characters, including but not limited to:
a nonbinary Frankenstein's creature piercing together their identity
a trans ghost dealing with his occultist father
an invisible man finding love at first sight
a genderfluid storm witch trying to prove themself
a retired rockstar and her punk butch lesbian daughter
a floral-suit-wearing demon on a celestial audit of earth
a starwolf on a mission to kill said demon
a killer robot skull and his pet dead seagull
an unkindness of ravens (yes, they are one character)
… and many, many more.
How scary is it?
It's a horror podcast, so there are some scary moments, but for me, the story feels very comforting and bittersweet as it explores horror tropes in a really unique way. According to the website:
It's been described as a show that helps you sleep easier, rather than one that keeps you up at night.
The story also explores themes like religious trauma, isolation, death, grief, and queerphobia, so please check the content warnings at the end of each episode description or at the start of each episode transcript. Transcripts are available on the website.
Why should I listen to it?
If the description above didn't convince you, here are some more reasons why you should listen to Hello From The Hallowoods. 
There is so much content! I often complain about books being almost always standalones or duologies lately and TV seasons only being 8-10 episodes. If I really like something, I want to spend as much time with it as possible!
With HFTH, I don't have that problem because there is so much to listen to! There are currently (almost) 150 episodes available (plus a few live shows and bonus episodes), and new episodes come out every Wednesday. There are also weekly 100-word bonus stories on Patreon, and a tie-in novel called One Hundred Eyes In The Dark is currently in the works, so if you're looking for a story you can get really invested in (or if you're angry that all your favorite shows have been canceled), HFTH is perfect for you!
There are so many queer characters, disabled characters, and characters of color! If you're looking for a really diverse show, you will love HFTH. (I cried when I heard a character describe herself as aromantic.) But even aside from the diversity, the characters are just amazing. I mean, "What if Frankenstein's creature got love and support and was an absolute cinnamon roll?" is the perfect character concept. The villains are also really compelling and well-written. 
It's a great introduction to podcasts, especially for book lovers, because it often feels like a very immersive audiobook! The voice acting and music are incredible, and even though there are a lot of characters, you can tell them apart very easily by their voices. If you like fantasy and horror books, this could be your introduction to the world of audio dramas. 
That being said, if you have listened to other horror podcasts before, you will still love this one! It sometimes reminds me of Welcome To Night Vale, but the setting and characters are very unique, and the writing is so, so beautiful. 
It's also a great introduction to horror! I used to avoid horror media because I get scared very easily, but horror podcasts (and especially Hello From The Hallowoods) made me discover how much I actually enjoy horror. HFTH explores horror tropes in such a kind, unique, and hopeful way, and as sappy as that sounds, listening to it makes the horrors of everyday life a little easier to deal with. 
If you like Malevolent (another really great horror podcast), Harlan Guthrie has a guest role in HFTH! You might also recognize Mx. Wellman's voice from other podcasts like WOE.BEGONE, The Silt Verses or Old Gods of Appalachia. 
The fandom is amazing! Everyone is so kind and talented, and we always have a lot of fun theorizing about what will happen next. There's even a fan-run Discord server!
We also have a fan wiki, and in addition to the official information, we also have a "fun gender" for each character. Here are some of my favorites:
Tumblr Sexyman (Official)
Eye-Affiliated Podcast Host
Deer that will fuck you up
Whatever the hell was going on with the guy from Shape Of Water
Nightmare Personality
Hot Topic Goth
Dilf Automobile
How do I listen to it?
You can listen to Hello From The Hallowoods on the podcatcher of your choice. Here are some suggestions from the Hallowoods website:
Spotify
Apple Podcasts
Podbean
YouTube
Google Podcasts
It's not an anthology, so please listen to it from the beginning to see how the different characters and plot threads come together. 
The show is entirely ad-free and sponsor-free, so if you like it and want to financially support it, please consider joining the show’s Patreon.
And that's it! There are many things I didn't include for spoiler reasons, but this should give you a basic idea of what HFTH is about and why I love it so much. 
I hope I convinced you to listen to Hello From The Hallowoods, and maybe you will love it as much as I do!
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accidentalkilljoys · 9 months
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Around the World in 80 Days
Hello! Can I interest you in a miniseries where David Tennant is various levels of disheveled and/or in peril? Do you like OT3s? Let me tell you about Around the World in 80 Days.
This post DOES include spoilers up to and including the end of the show, so if you don't want to know whether they make it back in time, please just scroll past.
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Phileas Fogg is a sad, rich, lovable twit who cannot button his own shirt.
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Everything is not fine. He spontaneously decides to travel around the world in 80 days, a feat that has only then been estimated to be possible, given advances in British colonialism and travel technology.
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He is joined by Abigail Fix (Leonie Benesch), a plucky lady journalist;
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and Passepartout (Ibrahim Koma, who deserves better lighting), a working-class man who pretends to be a valet so he can get away from a sticky situation.
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Phileas likes trains, and is fascinated by hot-air balloons, and loves the idea of travel.
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But the man cannot undo his own cuffs.
It's an adventure that I would describe as "rollicking." The screenwriter did a good job of taking a story that was really steeped in era-typical racism and colonialism, and turning it into a story that recognizes and criticizes racism and colonialism.
But we're here for the peril.
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Drugged and feverish peril.
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Needs to be propped up by his companions peril.
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Flogged for a crime he didn't commit peril! Peril that makes me hope the PBS video player doesn't report on how many times a user rewinds a particular scene peril!
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Hypothermic and needing to be cuddled and have your legs briskly rubbed peril. This also introduces the second important part of this show: the OT3.
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There's excellent character development throughout the show and the three main characters grow to like and respect each other. The real adventure is the OT3 we made along the way.
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(The show is of course trying to sell you on Abigail/Passepartout, but . . . .)
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ot3 ot3 OT3
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Please don't try to tell me that these three end up anywhere but in Phileas' giant empty sad townhouse and make it less empty and sad.
Please join me in watching this! It's a good show! It deserves more than 105 works on AO3! It's cheap to watch--PBS is five bucks a month, and if you sign up at the right time you might get a free water bottle.
In conclusion:
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sassinake · 11 months
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Fandom writing is a very special subculture that is non-commercial - that is one of the rules (Fair Use) - that makes it possible in the first place. Feeding the AI with fanfiction to create commercial works... is unethical and not fair use.
Link
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broomsticks · 1 year
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oh holy crap
this was suchhhhh a delightful fandom manifesto — oh gosh the ups and downs of this show! perfectly recounted and explained and contextualized — and these recs! these recs are SO good. victor/sierra 😭 and echo/alpha and adelle and topher and oh gosh. off to find myself some slashy recs now, maybe lean into the throwback and cry a bit over remains, and hunt down the couple of deleted fics from that list.
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queerfables · 7 months
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I was thinking about Good Omens the book, and what fandom was like back in the day, and it dawned on me that many recent fans probably don't know about Ship Manifesto.
Ship Manifesto was a livejournal community that hosted primers on different ships introducing the characters and the appeal of their dynamic, with background on the canon, fandom, and fanwork recs. It was a lot of fun to read someone else's take on your favourite pairing and it was a great resource for new fans or people hoping to recruit their friends to their fandom.
There was a Crowley/Aziraphale manifesto, of course. And if you're interested in fandom history, or just curious about what being a Good Omens fan was like in 2005, you can read it here.
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manglam-marfach · 2 months
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Kabru/Mithrun manifesto:
As that other tumblr post says: guy who loves to pull strings/guy who has not strings to pull. Also: Guy who has a lot of power and influence but doesn’t care about it/guy who has very little power and influence but cares about it so much. Delightful.
AND THEN Guy who is trying to develop strings. Asking the other guy: hey I think i might be developing a string? Could you pull it for me maybe? Just to see if it really is there (I mean a sexual desire. I mean fuck me.). Kabru is. Of course. EMBARRASSED AND TURNED ON AND PERPLEXED.
Thoughts in Kabru’s head: Why does he want this? Why does he want me? Does he even want me? Or does he see me as a safe person to fool around with because i don’t have power and influence in elven politics? I’M A THREAT I’M A THREAT I’M A THREAT I HAVE INFLUENCE. Is it a race thing. Is it a race thing. Am I being objectified? I’ll fucking kill him. Wait. Wait. I DO have influence is he playing me? To influence the policies of the Golden Kingdom? Is this an ELVEN PLOT OR SCHEME??? HOW DID THEY KNOW I’D BE INTO IT. What’s his angle. What’s his position. uhh. Position. Positions. Angles. Skin. His arms. His eyes. The memory of holding up his weight. The memory of his cold hands. His eyes looking at me. Looking through me. WHY IS HE ASKING ME HE DOESN'T EVEN SEE ME. Does he even know what he’s asking? Does he really have the ability to consent to this kind of thing? Of course he's not scheming he doesn't care enough to scheme. Of course he's not scheming he doesn't care enough about ME. Or IS HE JUST ASKING EVERYONE. Why do i feel weird about that. Wait [moment of harrowing realisation] am i into him? I am so into him. Is it creepy that I’m into him? Is it creepy that he’s into me? Are his ears as sensitive as other elves ears or -
Thoughts in Mithrun’s head: [30 years of dial up tone] ... ... ... 🍆✔
Holds up my hands. I JUST THINK MITHRUN REDISCOVERS DESIRE AND GETS ADDICTED TO KABRU’S COCK and also actually falls in love with him. All without changing his dead-eyed expression. I also think its funny that Kabru is a twink by human standards and incredibly butch by elven standards. I think Mithrun genuinely appreciates Kabru in a way he hasn’t appreciated anyone in a long long time. I think Kabru feels a little insane about that.
I think Kabru’s mother would be SO. MAD.
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lurkingshan · 4 months
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I've been in multiple tumblr fandoms over the years and the same shit comes up over and over again wrt arguments about how we all engage with our chosen media on here, so here are a few things to keep in mind that have helped me along the way:
Not everyone is going to engage in the same way as you, and that's good, actually. Some people are purely here to gush over the things they like. Some people are here to do deep analytical breakdowns which will include criticism. Some people are cheerleaders. Some people are haters. A lot of people are a mix of both depending on what they're talking about on any given day. It's all good and valid, and it's what gives this space variety, allows us to learn from each other, and keeps it interesting.
The filter, unfollow, and block functions are your friend. If you love a mutual but hate the volume or the way they talk about a certain thing, just add it to your filtered tags (relatedly: tag your shit so people can filter you when needed!). If you consistently don't vibe with the way a person chooses to engage on here, just unfollow them. If you find them actively offensive or detrimental to your mental health, hit that block button, baby. We are all anonymous internet strangers and no one will die.
Someone expressing a different opinion from yours is not a personal attack on you. If someone hates a thing you like, they are not calling you stupid for liking it. If they love a thing you hate, there's nothing wrong with them, they are just taking something different from it than you are. That shit is all about you and your own insecurities, don't try to put it on them.
Vague posting is rude. If you want to directly respond to something someone said to get better clarity about what they meant, reply to their post or shoot them an ask or DM and talk to them about it. If you simply want to express a counterpoint without directly engaging them, just post your own take without vaguely alluding to them and building what is almost certainly a strawman of their original point. People you're vaguing can see you on here, folks. Don't be a dick.
Credit and reblog other people's ideas when you are building on them, and be kind to the creators who provide the artwork that make this place so special and unique. Reblogging is the lifeblood of this website. It's the only way people get to see content that is by anyone they don't follow, and the gifmakers on here in particular put in so much time and effort to give us beautiful images--share their work and tell them you appreciate it! You also don't have to agree with every single word of a meta post to reblog it (why would you expect to, it comes from a different brain than yours), and you absolutely should be crediting people and sharing their words when they sparked something that inspired your own thoughts. This is just being a good community member.
Embrace the difference between meta and fanwanking. Meta writing is analysis of the actual media content as it is presented, with arguments based in the canon text. Fanwanking is doing your own work to fill in gaps or create headcanons to supplement the canon text. Some people prefer content that leaves a lot of gaps because they love to creatively fanwank; some people prefer to be told complete stories without having to do all that extra work to make them make sense. These are both very cool and fun ways to engage, but when you're fanwanking be aware that those ideas are all coming from you, not the actual media being discussed, so others might not vibe with your interpretation.
When posting your own opinions, try to be clear about where you're coming from and why. If you have a personal experience or bias that is affecting your read, own it. If you're looking at a piece of media from a specific angle related to your own interests and learning, say that. It helps other people to know where you're coming from and why you're thinking about something in a certain way that can then help them puzzle out why they feel differently.
You don't owe anyone your presence here, and you don't have to express opinions on everything or respond to tags or asks if you don't have anything to say. Sometimes you might just want to take a break from posting, some things in the discourse might just flow right on by you, sometimes you will not have a firm opinion on a debate. You can post as much or as little as you want. You can suddenly decide you don't want to talk about a show anymore. You can not log into your tumblr for days or weeks at a time. Do you, boo!
Most people come to tumblr because they do want to engage with others, and this place can be a lot of fun if you just take what you need from it and let things that aren't serving you go.
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skitskatdacat63 · 30 days
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Roleswap anyone??
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Tell me Fernando wouldn't make a fantastic general/emperor, and that Napoleon wouldn't make a fanastic driver/tp!!
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greenhorizonblog · 3 months
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Solarpunk Fanfic!
I have an idea! To spread the word and philosophy of solarpunk and ecoharmonious positive future in a more covert but possibly very effective way!
We need to start writing solarpunk/ecoharmonious AU fanfics about our favourite characters/celebrities set in such a world!
People will be drawn in because they love their fave characters but then inadvertently also learn about solarpunk and ecoharmonious society and its workings and values. Can also add calling it positive post apocalypse, since people are more familiar with post the apocalypse genre, omg I'm gonna go ahead right now
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atopvisenyashill · 4 months
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why do you think jonsa is happening tho? jonerys is different bc they are going to be enemies, but i don’t see what jonsa does for the story
so let me first lay out roughly what i think is going to happen should jonsa become canon. I personally love going down meta and graphic spirals, so I'm including links to other people’s theories/explanations/graphics of events too - also I would like to shout out @istumpysk because half these metas and gifsets were stuff I found on their blog initially, and also was the one who really convinced me that jonsa is less of a crackship and more of a contender for an actual canon theory, and from there i really found my niche in this fandom. specifically this meta about jon being the mummer's dragon is what pulled me out of my "we're never getting twow and if we do it's just gonna be that stupid dany has jon's magical baby while tyrion watches, then they all die theory" slump and lit my brain on fire again. let's goooo:
The Ashford Tourney Theory - Something Shady goes down at the tourney Petyr has planned that requires Sansa to make a quick getaway, and likely causes her to run into Brienne while fleeing. This theory for me is about hinting at Sansa's romantic future, allies, and how she's getting the hell out of the Vale: both the dark haired, Not Targ Looking Targ Prince that is the son of A Great Prince That Never Was being her romantic endgame but also it's about Brienne (/Dunk) getting her the hell out of there and becoming Sansa's number one ally and protector (with Sansa's number two being Bronze Yohn!! But he's not fleeing with her - if he helps her get out of the Vale, it'll be to cause a distraction or a fight so Sansa can slip away unnoticed. Bronze Yohn is coming with the knights of the Vale later to help defend his girl!).
The Girl In Grey - Out of options on where to go, Sansa & Brienne makes a long, fast, and dangerous trek to the only family she knows is still alive: Jon Snow at the Wall. No, I don't think Alys Karstark is the girl in grey on a dying horse; I think she's a red herring, the same as the scene where Sweetrobin destroys the snow castle, and that the real girl in grey (who slays the savage giant) is Sansa. Melisandre says that she sees "Jon's sister" but doesn't specify more than that, or how she knows it's Jon's sister, even - why would she assume Alys is Jon's sister and not some random Northern girl? Why was she so sure that it was his sister? It's because Alys isn't the girl in grey, it's Sansa, her horse dying because she's traveled halfway across the continent with Brienne and Pod, desperately trying to keep ahead of the dozens of people hunting her down.
The Blood of Winterfell - Sansa and Jon will reclaim winterfell together. This one is similar to above; just like Alys was a red herring, the scene where Sansa rebuilds the castle has a lot of foreshadowing (imo) but that isn't the moment in the prophecy Arya hears. The Savage Giant is Littlefinger, the castle of snow is Winterfell, and Sansa is going to liberate her home alongside Jon and what's left of the Northern lords.
Stone and Snow Remains - THIS is where Sansa and Jon will fall in love while fighting for the North. This is also the part where you lose a lot of people, because they think the evidence is real weak sauce but like, I also think the Jonerys "evidence" is weak af too (and no wonder, we have at minimum 2k pages left to get through!!). There's several believed foreshadowing points to this one, bare with me for this weird ass formatting because I can't do sub bullet points on tumblr:
1. Sansa's linking of snow with love and affection - "drifting snowflakes brushed her face as light as lover’s kisses, and melted on her cheeks...She could feel the snow on her lashes, taste it on her lips. It was the taste of Winterfell. The taste of innocence. The taste of dreams." along with her snow maiden and snow knight.
2. Bael the Bard and the Rose of Winterfell - the chapter where Sansa gets her period for the first time, Cersei refers to it as “flowering” a dozen times, linking being a maiden (a young girl, not quite of age or just barely of age) to flowers and several people refer to sex as ~plucking. Also notice the one who stole her from KL is Lord BAELish.
3. Aemon the Dragonknight & Queen Naerys - Sansa compares herself to Naerys, Joffrey to Aegon, and wishes for an Aemon, among the many similarities between her life and Naerys'. Jon not only calls himself Aemon, he has a deep connection with a different Aemon Targaryen. And if you’re thinking “Sansa isn’t Naerys, X is Naerys” I would remind you that Sansa as a character existed first, George purposefully had her compare herself to Naerys, and parallels don't belong to just one character.
4. Jenny of Oldstones and The Prince of Dragonflies - there's honestly a lot of parallels between them but like the Aemon/Naerys parallel, the Jenny/Duncan one stands out to me.
5. Janos Slynt - I mean. Iconic. This was the scene that made me first think about what their relationship could be in the future and there’s a reason Jonsas fixate on it. It’s about Sansa being desperate for a hero and the hero she dreamed about being Jon the whole time. 6. Societal Alienation - There's the bastard parallels here, the "it would be so sweet to see him again", the "Winterfell belongs to my sister, Sansa." It's about how Jon, through circumstances of his birth, finds himself alienated from the rest of society and reconnects with his prim and proper sister Sansa, who finds herself alienated from the rest of society as well but for vastly different reasons.
Robb’s Will - Howland is going to show up in the North, along with Maege and Galbert, with some WILD news about why Jon can’t rule Winterfell. There’s a lot of contention around this. Bran probably shows up around this time too, and Arya gets to the Riverlands to discover Lady Stoneheart and give her the gift of mercy. This is where all the inheritance stuff is going to happen and I have no idea how it's going to go down besides it's going to be messy as all fuck.
The Pact Of Ice And Fire - Jon & Sansa get secret married bc they’re in love, not siblings, & jon is the only man she trusts not to steal her claim. This isn't the only possible foreshadowing instance of a marriage either - some believe the Sandor/Sansa scene during the Battle of the Blackwater is foreshadowing as well (personally I feel that's a bit of a stretch but I wanted to include it anyway).
Jon As An Envoy - I talked about this in my "what's Jon's ending" a little but I believe Jon will act as an envoy for either Sansa or Bran to Aegon VI, essentially playing out a similar story that he does in the show with Daenerys. By which I mean, Jon is not the King because the ruler themselves do not go as an envoy, that’s stupid and dangerous, but he goes as an ambassador for Sansa or Bran, to treat with a new claimant to the Iron Throne that is gaining support - Aegon VI & Jon Connington. They will probably clash, Jon will probably have yet another identity crisis, there had BETTER be gay incest subtext, then Aegon dies, and Jon has his sixth quarter life crisis in a row.
“King” of the Gift - again, something I touched on in my Jon meta is that I think he’s going to have a hand in resettling the Gift. Personally, I think it's likely that Jon leaves to protect the claims of his siblings (see: Duncan and Jenny) and goes to the Gift to help resettle it to keep out of the way. This ending is typically referred to as the "bael the bard" ending but i like to think of it as the "brandon's gift" ending instead - though he is not physically with his family, Jon feels fulfilled having confirmed his family loves him through reclaiming Winterfell and marrying Sansa, being reunited with Arya, and being given the Gift by Bran. Sansa claims her children were fathered by a wolf.
So…what does all this do for the story?
Well, in my opinion, several things.
I think the main barrier here is that most people in the greater fandom describe Sansa's story as ~growing past childish wants~ and Jon's as ~rejecting love~ and I do not agree with either of those takes even a little bit. This is where (imo) the dividing line between Jonsas and the rest of the fandom is. I don’t think the answer to Sansa’s question “will anyone ever marry me for love” is going to be “nah" - that's not just a sad story to me (wanting to be married isn't childish! craving intimacy and understanding isn't childish! it's also not wrong for a child to be childish!), I think the idea that Sansa (or Jon) will not find another love just doesn't line up with how George approaches his story. Who Sansa's husband will be has been such a big question, and her story is so heavy into the more romantic tropes like courtly love and chivalry and the line between politics and love and identity, that the question of Sansa's hand in marriage will be plot relevant. I also think it's kinda naive of people to pretend like George isn't very interested in the sexual dynamics of the characters he writes about (yeah, sure, no woman needs a man but "needing a man" is not what this is about. look at everything this man wrote in F&B and tell me he is going to write a female character that longs for sex and desire and doesn't get it!).
After AGOT, nearly every time Sansa thinks about marriage involves her longing for love but believing she will never get it because a man will only ever love her for her claim. Giving her a man - like Jon - who not only will not steal her claim and in fact has defended it twice over already, who will love her for who she is and not what she can give him, is a really important aspect of her story in my opinion.
As for Jon, I am even more firmly against the opinion that his story is about rejecting love; Jon’s story is about wanting to be a good man, to measure up to his father ~despite~ his bastard blood. When Aemon asks if Ned would choose honor over love and Jon stubbornly says yes, Jon is wrong and it’s important to not forget that. Ned has never once in his entire life chosen honor over love; he chooses his daughter’s life over his honor, he chooses his sister & her son’s life over honor, he chooses Arya & Nymeria over honor, and on and on!!! Ned chooses love at almost turn but none of his children know that just yet - look at Robb choosing Jeyne’s honor over his own and how upset he is at the idea that Ned would be disappointed despite the fact that Ned would have understand Robb’s decision! Jon's whole arc is tied up in realizing that it is not wrong or dirty to feel and choose love, passion, and desire and if he never has another romantic arc again, I think you lose the second part of that lesson which is "you are responsible for how you act when you feel love but that doesn't mean that simply choosing love makes you a bad person."
There's also the fact that George has talked a lot about "who lives, who dies, who gets married" and yet we have not one marriage at the end of the show AND there's not a lot of guesses at what "who gets married" means besides Jon/erys (and even if Jonsa doesn't happen, I simply do not see Jon/erys happening. they are not similar enough, they will not be in the same space for long enough, and they are on wildlly different trajectories for their story, they are not getting married let alone having sex). I think Jonsa fits that bill very well.
These various theories - from Sansa being queen, Jon living in exile, The Ashford Tourney Theory, the secret marriage, every one of them - are ideas and themes that I have really been thinking about for about 12 years now. I think Jon and Sansa's relationship could fit with the themes in their stories, the overarching themes in the books, and my own personal opinions. I think it gives George a great opportunity to delve into the courtly love aspects he enjoys so much, as well as delve into inheritance, legacy, legitimacy, honor, incest (yes, that too), and above all, what George himself has said the whole series is about - love. The human heart in conflict with itself is what I think Jon and Sansa as a romantic couple does for the series.
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souldagger · 2 months
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end of an era.
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waterme-stories · 2 months
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Wild to me that there are ship wars for Interview With The Vampire when, as a teen, The Vampire Chronicles were some of my first exposure to non-monogany.
Obviously it wasn't perfect. I mean, Lestat/Louis/Claudia is a textbook example of "relationship broken, add more people (oh no now it's even more broken)," and "not every Vee should become a Triad." If you've ever experienced the drama of an incestuous non-mono community where everyone's dated everyone... those books all get a little too real. There's backstabbing, jealousy, domestic abuse, and more murder than I personally prefer in my own polyamory 😅
But there's also "we belong to each other, why would anything we do with other people affect that?" There's "let's find out what it looks like to be with someone for the rest of my life (or theirs)." The idea that relationships have value even if they don't last forever. That romantic relationships aren't inherently more important than platonic ones. The idea that you can hold multiple people in your heart at the same time, that there's room for everyone. That the relationship escalator (dating > marriage > kids > death) isn't the only (or best) way to have significant, committed relationships.
They introduced the concept of comet relationships to my baby brain more than a decade before I would learn the actual term--those people you don't see for months or years but as soon as you see them it's like no time has passed (a personal favorite for my ADHD ass).
Like, when I say those books changed my brain chemistry, I mean that my silly little self-insert Mary Sue OCs went from "marry my fictional crush and be with them forever" to "what if they only saw each other once or twice a year but it was still incredible" and "what if she was married but also had a vampire lover and everyone was chill about it (and also she was a rock star)" and "what if they all lived in one big house together" and/or "what if lived by herself and found that fulfilling" and "what if men and women and ???" That shit was formative. Some of those little daydream OCs live in my brain to this day.
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Idk man. I don't have much patience for ship wars anyway (and I'm scratching my head about people getting upset about canon relationships being, you know, canon). But with TVA especially, my brain simply cannot comprehend it in a monogamous framework.
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korrasamibottles · 4 months
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For @wukoweek2024 Day 5: Angst:
“I've had moon peaches before, Wu."
"Mmmm not like this you haven't,” Wu says, plucking a slice from the plate and reaching for a bowl of hot pepper sauce, his mouth curling up in a smile. His lips look petal-soft, and Mako drops his gaze down to his own hands.
“Isn't that for the dumplings?” he asks, picking at a hangnail and tracking Wu's movements out of the corner of his eye.
“So what?” Wu shrugs and spoons a bit of the sauce onto the peach, bright red over deep gold like an arc of flame at his fingertips. “You can do whatever you want.”
In which doorknobs are melted, insects are rescued, and Mako learns there's more to life than just surviving.
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matan4il · 2 years
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If not a couple, why do they give me so much serotonin?
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feydrautha · 2 years
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I hope Star Wars fandom never changes because where else would I get the amusement from all the moral posture and weird performative outrage over two villains existing or even being shipped together?
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jedusaur · 1 year
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Roy/Jamie(/Keeley) recs, part 1/3
part 2: kink fic part 3: canon-based fic
part 1: tropefic
I think some company is overdue (R/J, 11k) by Blackmustache in which they are stranded in a snowstorm
willing to take my chances (R/J, 28k) by inlovewithnight in which Jamie is a street sex worker and Roy is still Roy Kent
our bodies touch and the angels cry (R/J/K with R/J focus, 19k) by lennynards in which they have to stay within 10 feet of each other at all times
another box with a question mark (R/J/K with R/J focus, 14k) by @irishmizzy in which Roy accidentally buys Jamie at the charity auction
I can’t let it go and I can’t get through (R/J, 11k) by inlovewithnight in which they get married, then regret it, then don't regret it
orchids (R/J/K, 50k) by inlovewithnight in which sex pollen is a club drug and Jamie is extra-sensitive
The Finer Things (R/J, 26k) by @valonia47 in which Jamie is a sugar baby and Roy wants exclusivity
cherries jubilee (R/J, 4k) by @belmottetower in which Roy is a chef and they meet on Grindr
an open book (R/J and R/K, 19k) by inlovewithnight in which Jamie writes trashy mysteries and Roy is a fan
Give All My Secrets Away (R/J/K, 13k) by @valonia47 in which Jamie and Keeley's sex tape leaks and Roy can't resist
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