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#giving it a shot lol
superemeralds · 1 year
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DIRECTIVE: DESTROY.
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crabsnpersimmons · 3 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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queenie-ofthe-void · 16 days
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Robin: Hey Eddie, isn't Steve the best?! He's funny in a dingus sorta way, and fills out that sweater nice. Right? Riiiiight??? *nudge nudge* Dustin: Hey Eddie, aren't Robin and Steve such a cute couple?? You should hang out with them more, especially Steve, he talks about you all the time. And honestly he could use a little positive male influence in his life. You'd really like them just give them a chance! Steve: Hey Eddie, would you uh *blushing frantically* want to see a movie sometime? Together? Unless that's weird I mean I could totally invite Robin if that's... cool? If you'd want her there too? The three of us... or just us?? *dying internally* Eddie: ... Eddie: Am I being set up for a three way??
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lion-buddy · 6 months
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did some screenshot edits for fun :]
ogs r under the cut ^^
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sleepy-light · 5 months
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Hoping this reaches the women with guns are cool demographic
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galedekarios · 2 months
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🧜‍♂️🐚🌊
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newgroundstier · 2 days
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gift comm 4 @eucacici from @jack-jerky :3 !
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ducks-love-peas · 7 months
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Good Omens s2 e2 | minisode A Companion to Owls
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lilybug-02 · 14 days
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MORE SNEK PEKS - next update is going smoothly as it's only 4 pages. They're big build up pages ;) We even get to see the ever rare Toriel!
I do also need to sketch out a lot of future panels and cut down on some story things, so I'll need to focus on those more in the coming weeks.
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willowser · 5 months
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now i wake up by your side—
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bakugou x f!reader
wc: 2.8k+
tags: u.a. college au, canon-compliant, reader has a telekinesis/telepathic quirk, references (and potential spoilers) for the current arc in the manga, angst, a lot of secret hidden feelies
tysm to @alrightberries for giving me the opportunity to bring this lil thought of yours to life 🥺 your patience and understanding during the time it took me to write this is so appreciated it, and tbh you're the reason i'm even still here right now LOL you're so sweet, and i hold your kindness so close to my heart. i wish i could convey how much it means to me. i hope i did this even a lil justice !! happy birthday dear !!!! 🥺🩷✨️
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Sero dreams of watching the sunrise on top of the Roppongi Observatory.
It’s a beautiful sight, one you’ve never seen with your own eyes, but you soak in the warmth flushing across his cheeks and the anticipated break of morning through the clouds. When he takes in a hefty breath, you feel the spring chill sting inside his chest, crisp and clear, like it’s you breathing instead of him, and it’s almost comforting enough to lull you to sleep, too.
But a clay pot shattering against a nearby bench has your eyes springing open, ripped from the haven you’d been lost to. 
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You have to blink several times in order to fight through the exhaustion wearing you thin, but the evening returns to you in small, bleary doses. It’s the middle of the night—or at least it was when you’d first wandered out to the training field, and you can’t be sure how many hours have passed since then. Across the yard, you’ve successfully managed to carry four pots from the garden plot near the entrance all the way to your feet with your Quirk— but number five sits in pieces in the grass.
You’ll have to clean that up by morning or Eraser will make you run laps until you puke. Again.
Kirishima flits through your mind in a suit and tie: not as a Hero, but a spy of some kind, chasing down men with masks covering their faces and wielding a gun that looks odd in his hands, even in his own dream. Despite being back in the dorms, stories up and near the end of the hall, you can see it—hear him yelling out at the criminal to stop, feel the thud of the ground under his feet. His own determination blares through you like a freight train, as strong and damning as he is, and you fight to force yourself back inside your own shoes as you try to carry another pot.
Recovery Girl used to tell you that you did this to yourself: all your worry about losing sleep psyching yourself out of it completely, chasing it away before it even had the chance. When everyone is getting ready for bed, heading out of the common room and hitting the showers, you can feel that suspense building; what will come across tonight while everyone dreams? Fantasies? Or nightmares?
During the day it’s easier to drown out the foot-traffic of everyone’s thoughts—you do it without trying, now—but your brain needs rest, too. Letting go of control for even a second, just to get some shut eye is—
Something frightening is outlined in your peripheral vision, the dash of a pale shape you aren’t able to discern before it’s gone. The air turns metallic and stale and you can hear water sloshing, though you’re nowhere near the pools. All your blood rushes in your ears and your fingers curl, like you’re gripping your seat—gripping the edge of the couch in the common room, where you’d been sitting beside Mina when Kaminari put on that horror movie. The one with the—
“The hell are you doin’?”
Your eyes snap open for the hundredth time that night—show over, credits rolling—and it’s Bakugou. Standing only feet away from the new set of clay shards of your failure, tangible and real and staring at you with an intensity not even your dreams could mimic.
You blink, eyes stinging and heavy. You must look insane. “Oh, hey,” the voice that comes out of you is far-away, chartered off to distant lands, and he notices immediately, focus razor-sharp despite how late it is. “What did you say?”
Bakugou wrinkles his nose, like he’s offended at having to repeat himself. “I said, what the hell are you doin’? It’s nearly 2 in the morning and you’re out here throwin’ shit around in your fuckin’ pajamas.”
Almost on cue, the breeze brushes past your legs, chilly enough to have you shivering, and you peek down at them as if you don’t know what they look like. The sweater you’re wearing is from second year and the U.A. logo is half-worn off, but it’s the comfiest thing you own and if you’re going to be plagued all night by the forced intimacy of your classmates’ dreams—you at least want to be cozy.
When you look back up at him, Bakugou is pointedly looking away, taking interest in something other than your wimpy state of dress. 
It dawns on you then that he’s out here, too, in sweats and a simple back sweatshirt, hair a messy, golden halo in the pale, buzzing field lights. If you didn’t know any better, you’d almost think his face was a little rosy, but—maybe you’re seeing things.
Still. Being out and away from everyone, alone with Bakugou, makes your stomach tighten horribly. Like you’ve done too many sit-ups.
You try to brush off your sudden bout of shyness, because you know he’ll clock that in no time, too. “Well, I could ask you the same thing.” At the raise of your eyebrows, he only tchs, and casts you a filthy look. “But I think maybe I’ll just mind my own business.”
The face he makes is so awful and hot-blooded that you laugh, truly and earnestly, enough that a headache pulses to life. You wince, and the stream of pain that shoots down the middle of your skull brings back that image of Kirishima’s action-thriller: blood and knives, the sound of skin on skin, a fist against cheekbones, the ugly snap of breaking—
“Oi.”
Bakugou is closer than before, when you’re grounded back inside yourself. At least no pots have been broken this time. Less to clean up.
“Sorry,” you shoot him an apologetic smile that you know he must hate. “It’s just so—” your hand feels like it’s made of lead, but you drag it up to massage slow circles into your temple, trying not to grit your teeth and worsen the pounding in your head. “So loud sometimes.”
He’s silent until the pain ebbs out, and when you can blink without flinching, you peek up to catch how intently he’s watching your face. In the night like this, his eyelashes seem darker, longer, a kind of haunting beauty you would dream about, if you could get some sleep.
Again, you think of Kaminari’s horror movie, legs pressed against Mina’s under the heavy comforter she’d brought down from her room. It’s warm, the kind of pink, fluffy thing you’d imagine a girl like her to have—but it didn’t stop you from shivering every time you chanced a glance at Bakugou and found him already staring back.
The heat in your cheeks spreads to the back of your neck, so immediate that you think you might start sweating. “Dreams and stuff,” you murmur, by way of an explanation, “nightmares, sometimes.”
Bakugou's frown deepens, the muscle in his jaw tightening once as he grits his teeth. “What, you can just…hear that shit all night?”
“Usually,” you shrug, “It just comes in, you know? And I—” you steal another glance at him, aware, then, of just how intrusive you might sound. The veil of privacy is thin between you and others, and they don't often like being reminded of that. “Not for you, though. I don't—I don't get anything from you.”
And it's true, frustratingly enough. Not that you are ever intentionally peeking into anyone's head, but things slip through, occasionally—sudden reactions, wild, loose trains of thought. 
Bakugou's face twists, regardless, and you're reminded of all the times you've been forced to spar together, at Eraser's behest. One of the smartest in your class, quick on his feet and never without a plan; every time you've managed to get a hand on Bakugou, there's been nothing but a sea-shore calm.
It's hard to do and, at this point in your life, you've seen a thousand people try it—but he's the only one that's ever succeeded in keeping you at bay.
Nothing in his expression changes, but all your nerves spread to your voice until it shakes. “You're—I don't look in there, of course, but it's—you've always been…” Bakugou is terrible at taking compliments, you know that, almost as bad as you are at giving them. “Pretty, I guess.”
Awful, at giving them.
Embarrassment floods him, suddenly stained pink as he curls into himself. “Piss off,” he barks, and though he’s scowling at you in what must be disgust—you can’t help but to smile at how aggressively bashful he is.
You almost get the guts to make matters worse, just because you can. Admit how handsome you’ve come to find him, after the last few years, until his face is steaming in the sweet nighttime chill; the kind of intimacy you wouldn’t mind dreaming about again and again.
The absence of his thoughts are a comfort for your tired mind, has all the harsh edges of night fading into something a little easier to swallow, to breathe in. You know he does it on purpose as a strictly defensive move, but you almost want to thank him. For the quiet.
You don’t know if it’s from you or him, but when you reach a hand up to hover near his temple, the air buzzes between you, gently. Charged with that same thing that had you unable to look away from him in the common room only days ago. “In here, I mean,” you murmur, and the smile you pull on feels lame, but it’s as genuine as ever. “I don’t know, I don’t know how you do it. But it’s…nice.”
You’ve seen him die a thousand times.
Mostly in Midoriya’s dreams, sometimes in Eraser’s when he nods off during last period, but that horror—like many others, from that day—stains you all. When dinner is put away and showers are finished and the lights go out and the flood gates open, someone almost always relives the ugliness of it all; you’re more familiar with that moment than you are with any of your own.
Here and now, you close your eyes and see Jirou staring back at you, face beautiful and full of hope. You see Kirishima’s torn suit jacket and the blood on his cheek and the empty gun in his hand, the most dedicated secret agent. Aoyama is dreaming of his mother, something warm that makes you feel like you’re dazzling, too.
And yet—Bakugou is silent. Even right in front of you. Even after everything.
If anyone deserves the peace and quiet, you suppose it ought to be him.
“When’s the last time you got any sleep?”
You blink until his blurry figure is clear, and it’s like you can physically feel whatever energy you had left seeping from your body at the mere mention of sleep. “Maybe a morning or two ago,” you tell him truthfully, “I usually pass out after a few rounds of ‘throwin’ shit around’.”
Bakugou only stares at you as he digests the words, and once he’s gotten them down, he shakes his head before looking out over the mess you’ve made of the training field. With his head turned like this, you can take in the full weight of his scar—the one that’s wide and still baby-pink across his cheek. 
You almost get the guts to tell him he’s handsome. Almost.
Frustration is evident on his face when he looks back at you, but his voice comes out softer than you expect, like he's struggling to get out any words at all. “Can’t keep doin’ this,” he chastises. “Can’t be a Hero if you’re half asleep all the time. Gotta figure this shit out.”
“I am,” you give a lazy wave to your pots, “What’s wrong with this solution?”
“It's ass.”
“Alright, you have any better ideas, pretty boy?”
He bristles, visibly enough to have you snickering, and—you’re not sure what you expect of him; to continue his griping or leave you to your own devices, building his walls up high as he always does. Ever the fighter, ever the protector; maybe it’s a good thing, you tell yourself, because you’re weak like this and one of you needs to be thinking straight.
Despite his flush, there’s a playfulness to his grouchy expression, his raspy tone—and it has you leaning too far into things you don’t know how to name.
You never know what to expect of him.
There’s the slightest brush of skin against the back of your hand, and when you drop your eyes to the slowly-dwindling space between you—the rough pads of his fingers are touching you, gently. Softly enough to be the breeze, if it weren’t so warm.
You’re afraid to look at him, suddenly, like it will break whatever spell the night is casting over both of you; instead you press your lips together to stop their wobbling and the smile fighting to give you away. You’re waiting for that sea-shore calm, that quiet comfort, whatever it is he’s trying to offer you, strangely enough, in this moment. When you turn your hand over to catch his, the air buzzes again and the blood rushes in your ears.
You focus and—all you can see is your own face staring back at you. In a flash, like he’s cycling through his cards in a hurry, trying to find the best one.
You, across the arena during the entrance exam. You, in the locker room before the Sport's Festival. You, sitting in the common room during Christmas. You, ruined with tears and your own blood and covered in grime, on the darkest day of your life.
You, now. On the field in the stale light, prettier than you think you must look, for being so exhausted, the lines of your smile deep as you grin up at him.
—And then there's nothing.
The absence of noise is louder than anything. A stark, white silence that cuts through; a different world trickling away. A single touch and a little focus is all it takes to take root inside someone’s head and that’s always felt like a weapon, but now it feels like coming inside from a snowstorm, relief shuddering down your spine. Everyone else's fears and nerves and heartaches dissolve until they’re only a bitter taste at the back of your throat. Something far, far behind you
There’s just Bakugou. A strong silence that feels impenetrable, invulnerable to the outside. The steady beat of his heart is comforting in a way you didn’t realize it would be, has that bloody, dead-eyed image of him shifting into something else: another moment in Midoriya’s memories, of his silhouette standing in the sun, tall and fierce and alive.
Returned. Here and now with you, after numerous, unforeseen turns of events. You wonder if the ease surrounding you is his own, something else he’s sharing—or if this is just how it feels to be with him after so long. Maybe in the past it was different—you know it was; during the entrance exam, during the Sport’s Festival—but now you feel more relaxed than you ever have. A reminder that, no matter how dark the nights get, the sun is only just beyond the horizon. 
Returned, comforting and quiet.
(You won't know this until much later, but your hand will go slack in Katsuki's and his fingers will tighten around your own because he's not ready to let go yet. When your knees buckle, he'll already be there, awkwardly holding you up against his shoulder as his face flames and his eyes dart around the empty field, checking for any shitty snoops.
Ears is always up damn late, too, and there's a decent chance he'd get caught trying to haul you back to your room on the third fuckin’ floor, so there's really no better option than to gently lower you both to the grass. After a couple of minutes with no movement, the field lights will shut off and only the distant glow of the stars will remain.)
(You won't know this until much later, but Katsuki will arrange the both of you so that your head isn't slumped on the hard ground, but resting on the plush of his bicep, an arm around your shoulders so that the warmth can be shared between you both. His heart will pound hard enough in his chest to be worrisome, and every time you shuffle and scoot closer to him and nudge your nose into his sweater—Katsuki will fight to stay open and true, only honest with you in this wordless way.)
(You won't know this until the sun rises high behind your lids and your bones ache and he’s shown you things he could never say, but it's the best sleep you think you've ever gotten. With him, under the stars, surrounded by his calm and his constant.)
(You won't remember this but in your dream—your real dream, born from with solace Katsuki offers you—the morning will rise and settle in and he'll walk you back to your room despite the stares and in the elevator when you're alone, his lips will touch yours and you'll feel his  heart in your chest and his nerves in your stomach and his fear and relief all in one.)
(And right away, when you wake up, you'll finally have a name for this thing that's been blooming between you both for as long as you can remember—and he will, too.)
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jq37 · 19 days
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it’s really important to me that Oisin is not evil and adaine dates him i just think she deserves a nice dragonborn buff loser boyfriend
OBVIOUSLY I say this with the caveat that if Siobhan/Adaine aren't interested that's totally valid.
But also COME ON. How cute would it be?
-She gets another wizard in her social life who will actually understand when she says stuff like, "Abjurative grammar is prescriptive."
-Summer Nights "Tell Me More, Tell Me More" energy from the other Bad Kids and Aelwyn.
-Hot, dorky nerd who thinks she's really cool (because she is) to hype her up.
-She gets to shove his defection to their side in Kipperlilly's face which she'd love because she is a petty bitch first and a wizard second.
What's not to like? Also, Brennan is behind a lot of super cute romantic content in D20 (he's gotten lines I really love as Ayda, Esther, Hob, and Dale just off the top of my head) and I think Adaine deserves some of that as she's in the midst of her third potential apocalypse.
As a treat.
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violetvulpini · 5 months
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THE NEWEST EPISODE HELLO???? ITS SO GOOD also made me realize I never posted these old doodles anywhere. Hands them to u
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buckypascal · 1 year
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We just call him Brown Eyes
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candied-cae · 7 months
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I know some folks have been saying “Ed wanted to die in the same place he laid next to Stede-“ WRONG! HE WANTED TO DIE WHERE STEDE LAID NEXT TO HIM!!!
The place Auntie points out as being where his head was crushed by the cannon ball is the exact spot where Stede’s head had been during the arrest and that’s even more insane than the first option. (Anyway, I wanted to correct that assumption. It’s only a matter of like 2 feet, but I still find it an important detail, and figured a visual might help!)
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storge · 6 months
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Story of Kunning Palace (2023)
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starslite · 1 month
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every time i see a ship dynamic or canon vs fanon meme thats like "they beat the shit out of each other until theyre a bloody pulp but also they make out" or "guy whos a dick but is an actual softie for his family" im like..... yall would really love rick and morty if you gave it a shot
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