okaoy so one of my freidn has someone named god head they use to roleplay right. they r talkign abt their lore to me and talk abt evangelist n shit and im like 'that can be a badass artwork piece' so i send him wips and stuff he after im halfway through he tells me that ITS FROM BINDING OF ISAAC? LIKE OKAY DUDE?? anyways i finished it and i think he i sreally fun drawing and is really funky and interesting atleast from what my friend said
i tried to go with this. movie poster typa look for the picture but it looks more just like a poster than anything. maybe a title would fit good but like id dint do that and there isnt alot of effects bc i dont know how to make effects on pictures so if someone can teach me that i think i would be silyling out
uh anyways GOD HEAD AND EVANGELIST???? NO SHITTING WAY ?!?!! my friend told me id get bomber amount of followers w this banger so uh yeah
i made this artwork 2 dys ago buy i forgot to send it here so its my fault sorry tumblr (also the evangelist is a good profile picture for some reason i use it for my discord avatar)
also with a funny title i did at 3am (my sleep was NOT silly)
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turn left is literally the most insane episode ever written. yeah the main character would kill himself if he didn't meet his best friend and the UK government is like 2 bad days away from putting all non-english people into labour camps. also all your favourite characters died trying to do what little they could. wouldn't that be crazy? anyway time for the daleks again
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What About The Kens?
I'm already seeing guys complain about the Barbie movie end, how they wanted Kens to be equal in Barbieland but were only given a small part on the Cabinet.
That's the point.
You're meant to feel bad for the Kens. Believe me, women aren't partying over the 'Returns to Matriarch' ending. Some will be, but the ones who also clocked the meaning behind it won't. Most women will also feel bad for Kens. Because it's an exact parallel to how women are treated in reality.
Men, you're meant to be upset. You're meant to question it. Because you're meant to feel it, and feel what that is like, so you can finally understand women. You're upset at seeing it in a movie, now imagine living it in reality. That's being a woman.
Kens were shit on so you could feel what it was like for women this entire time. Kens were being used as a placement so you could see yourself in a woman's shoes. A world dominated by the opposite sex. When Ken leaves, and sees male presidents (All men) for the first time, men being doctors and lawyers, etc, realising he is more than just a prop for Barbie, that was on purpose. Because that is the feeling that Barbie gave to women. It's why you cheer for him at first before he goes a little overboard.
It's exactly why the real world was an exaggerated Partriarchy and Barbieland an exaggerated Matriarchy. Neither wins. Neither is equal. None of them change for the better. It's why you should want women in the real world to be respected, and Kens in Barbieland to be respected.
The thing is, women also didn't win. Not in the real world. In Barbieland, yes, but not anywhere else. The real world didn't change. But you didn't notice, did you? That Gloria (The mother that helped Barbie) also didn't get a position on the Mattel board? It was still all men? Her idea was ignored until it made a profit, and the men will likely get the credit? She'll still just be the receptionist? The women representing the real world didn't get anymore opportunities, neither did the men in Barbieland.
I was hoping that Gloria would be offered a position on the board, and that the Barbie Cabinet would introduce another entire Cabinet to represent the Kens, but neither happened. They're complete mirrors.
But which one did you actually notice? Which did you actually care about? Now tell me again the ending was unfair. Because it was. For both parties. That's the point.
The difference is, Barbieland is fictional. You will walk out of the theatre with the reassurance that at least it's not real. Women won't. Women can't. Companies not giving women equal opportunities or voices isn't fictional, and that was just one example. There are no women presidents (USA at least) for us to go look at in the real world. We don't have somewhere to go to realise it could be different for us like Ken did. Barbie and make believe is all we had when we were kids, or even now.
You're supposed to be mad, just not at the movie.
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the way that one line from the new epilogue in an astarion romance is going to HAUNT me
just. what a profoundly intense thing to confess to someone.
like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.
in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.
how am i supposed to act normal about this.
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The Fall of the House of Usher is many things and I'm making a conscious choice to not scream about every single one of them rn, but what left me staring at a wall in tears is just... kindness. Death was kind. She gave every choice, every reason to stop. She would take these kids anyway but she also regretted having to take them like that. She cared when nobody else would, even though they kept making the wrong choices.
She's never cruel for cruelty's sake. She wasn't cruel to Lenore. She just sent a child to sleep as lovingly as she could, with kind words and kinder touch.
And I don't even know how to express the absolute heartbreak with blinding warmth among the cracks, when Death herself kneels before one man, worst man, honest man, who refused her offer – and thanks him with such respect.
Mike Flanagan, you fucking did it again. Carla Gugino, you... I don't even have words for you. That's a whole-ass masterpiece of human soul, meaning, and searching right there.
Kiss Death with kindness in the end
And when she parts
You part as friends
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