On your season 8 comments, wdym about the cupid scene with the paired versus not paired couples?
So, firstly. I'm sorry my commentary turned into me skipping through season 8 and rambling like a wildman.
(It will happen again.)
What I meant when I talked about that scene, is that we see Dean's TV scene, it’s narratively solitary. Then, it's followed by the happy couple's TV scene showing them paired up. (I'll zoom in on it below.)
I'd seen the symbolism of Cupid discussed before, and even the arrows in Dean's trunk, but I hadn't seen the mated TV Dwight-Rod scene pointed out in comparison to Dean's "empty, incomplete" TV scene.
Soooo…. I thought it could be fun!
Dean drinks and looks surly. Then, he gets visually "shot" by Love. Cas enters.
DEAN SCENE: Aim. Fire. Boom. Straight at Dean, who looks to Cas as he enters the room. It's not that Dean was "hit" by Cupid and is being controlled by Heaven...it's symbolic of the situation. It's Dean's own free will.
He loves Cas. He clung to him in Purgatory and tried to tell him in the Crypt.
DEAN: "Anything? You've been gone long enough."
CAS: "No. Anything here?"
Cas tells Dean he might die. They stare at one another, regretful but choosing to hold onto their respective duties and familial obligations. (It's how they tick. They know this about each other. They like this about each other, just as much as it frustrates them.)
When Dean asks Cas if he's sure about leaving, Cas gives him a sad, watery little smile. Dean was hopeful, but now he's trying to accept their fate to be apart. "So this is it?" Dean says, then pivots to an E.T. joke in the midst of his emotional pain.
///
DWIGHT & ROD CUPID SCENE:
I tried to zoom in, but it's still hard -> On the TV scene, we get this on the screen, a red-shirted "Rod" image and the tan-shirted "Dwight" image.
This is what Dean's TV scene lacks, symbolizing that Dean feels alone--that he and Cas are not on the same page about their Big Feelings.
//
The Cupid enters. When Dwight asks where the usual deliveryman Ed is, she says, "Flu. I'm Gail." (Dean has been telling everything that Sam has the flu, btw, to explain away the Hell Trial symptoms. While Ed is away, Gail strikes. And while Sam is away..."Joy" strikes.)
Rod ("island of reeds, phallic symbol;" also, his hat has blue wings "American Natural Freight & Transport") and Dwight ("white, smile, laughter;" giver of beer and safe harbor) are both enamored by the weapon on TV.
The TV scene is in a forested area, not unlike the wooded nightmare of Purgatory, where Dean realized his commitment to Cas and extended his hand. He told Cas that he wanted him to "come home." Cas and Dean have the same issue with suicidality/worthlessness /duty, but narratively, they're trying to escape together. (That's a comrade theme in SPN; trying to heal over that looming feeling of suicidality.)
Below the TV is a small oval frame of a twin waterfall/bluff, meeting and overflowing. It's reminiscent of the cliff near where Cas let go of Dean's hand, in Purgatory.
///
Anyway, Rod and Dwight have a traditionally masculine interest in common here, like how Dean and Cas are both warriors, and they like that about each other. The screen shows the two men, walking side by side in camaraderie, and then it changes to a firing bow. The music emphasizes that, not only do they fall in love, but they like each other first. As friends. Weird quirks n' all.
[GAIL places a hand each man’s shoulders and smiles.] GAIL: I'll be seeing you both. [GAIL smiles and gathers her clip board and begins to leave.] Thanks for the help.
DWIGHT: No problem.
[GAIL leaves the bar and DEAN stares at the scene confused thinking GAIL was going to be the person DWIGHT was to have a match with. DWIGHT and ROD stare at the hunter on TV as he displays the use of his bow.]
BOTH MEN [at the same time]: Damn, that's sweet. [After the men say the same thing at the same time, they stare into each other’s eyes and music plays.]
♪ Oh, it's so nice to be with you ♪ I love all the things you say and do ♪
DWIGHT: How about the next one's on me?
♪ And it's so nice to hear you say ♪ you're gonna please me in every way ♪
///
"My love is violence."
CAS CUPID SCENE:
Castiel's cupid scene is darker. This is the bookend mate to Dean's scene, the bow is now aimed at Cas, who stands in close proximity to Dean, on the precipice of decision. An open palm is extended to Cas, representing love freely given...and forgiveness.
Dean forgave him for taking the souls, something that led to Bobby's death, and for breaking Sam's wall. Dean looked for him, then told him, "Hang on!" and clung to his hand in Purgatory. In the crypt, Dean said he loved needed him.
Now, Cas cuts off the bow, just like how he threw off Dean's hand in Purgatory. Cas rejects love. And Supernatural is about love...and love. Tremendous familial love and fidelity...and this. We see his blade come up in response to being symbolically "hit" by romantic love. It's ominous.
(Perhaps, he doesn't know how to respond? He's been a soldier for bajillions of years.)
The next scene shows his rejection, as Cas walks with the cut-off heart of the Nephilim in place of his kitchen stores, and Dean's hand is out of shot (he's on the phone).
But visually, Dean's hand is "cut off," just like Cupid's was. Season 8 is all about Cas rejecting love due to the heavy weight of shame and guilt. He may not recognize it, or he may not feel deserving. To deserve it, he has to do penance, and he has to "fix" things first. It's a fatal mistake.
Cas holds a bag containing bloody, innocent human-angel remains, and the cut-off hand of human love.
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a scene with absolutely no context just hit me v intensely out of nowhere but. imagine a world where Steve's dad is just a little more powerful, a little darker, than in canon. and this mr. harrington doesn't know his son has spent the last five years fighting for survival, so when he finds out steve has been running around with the munson boy, he thinks it'll be an easy fix. steve has always been a soft sell.
he gets a call from steve, his son's voice giving him no time to even answer: "you pull that shit again, I'm sending the next one home in a body bag."
before he can even put down the phone, dial tone already ringing on the other side, he gets the message that the heavy he sent to intimidate eddie munson is in their medic's office with two spiral fractures and a shattered kneecap.
maybe steve could have gone into the family business after all.
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Being immortal and married to Solomon means that every century that passes, you both hold a little ceremony on the anniversary of your wedding day to renew your vows.
You both get dressed in the attire you wore from the first wedding, kept away safely for special occasions like these. Solomon’s heart stops every. single. time. he sees you as those same old feelings of pure awe return as if he were marrying you for the first time all over again. Of course, you feel much of the same seeing him with his hair slicked back, knowing he only does that for very important occasions. That pretty shade of pink (a shade you’ve come to favor), dusts his cheeks the moment you both lock eyes…and it’s nothing short of beautiful.
Declarations are shared from memory, though no two declarations are the same. You both always have something new to say to the other, whether it’s of fond memories of the experiences you’ve had throughout the years or of feelings that never cease to grow. Anyone who gets to witness this moment will believe that no two souls are more perfect together than yours and Solomon’s. You both just glow from the sweetness of the day as you welcome in a new century of love and joy together.
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something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line
“you’re compromised johnny; you know what that means?”
“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"
but ghost has never been afraid of venom; spat or dripped straight from bared fangs.
he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.
his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.
ghost doesn't let him.
"it means you give your body to me because your head ain't fucking attached to it anymore."
soap stills, body trembling beneath his hand as he sucks in shaking breaths.
he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."
the ice in soap's eyes fractures.
ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.
“so i can keep you safe ‘til it’s done and i can bring you back.”
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