well, after a little break, we picked up our naruto rewatch again with the beginning of season 10 (it’s so good. SO GOOD), and since all i want to do is sit here and talk about how good it is, i figured i’d try to do that while simultaneously catching up on some overdue fandom correspondence.
when i was watching last night, i kept thinking back to a conversation i'd been having with @professor-of-naruto after they sent me an ask about how naruto started off as an ensemble show and then became solely “the naruto show,” and i STILL owe them a full response about that, but i’m going to consider this post my attempt to talk a little about it, because season 10 is simultaneously one of the best examples of “ensemble show” that naruto ever pulls off AND the scene of one of the most frustrating crimes of “the naruto show” that it ever commits (in my opinion; your mileage may vary).
but before it reaches that frustrating point - season 10 is unbelievably well-constructed! EVERYBODY is doing something important and relevant to their character arcs, and the plot is moving fast, and the world is expanding in fascinating ways:
first of all, there’s the fact that the season starts off with young ninja from a totally different village, all of whom are deeply concerned about their missing teacher, and then shows us their confrontation with team 7 and later naruto himself - instantly expanding the world and humanizing the leaf’s [former] enemies and forcing the audience to widen their perspective and confront the idea that ‘hang on, people in other villages are just like people in the leaf; they care about their friends and families and comrades the same way; and HMM, what sasuke did to bee was really bad actually; is it fair to expect other nations to just sit around and accept it; would we expect one of our favorite characters from the leaf to do the same”
the political tension created in the first episode by tsunade’s absence and danzo being named hokage creates a compelling new dynamic where the leaf is being “led” (ruled) by someone who doesn’t have the confidence of the people or the support of the jonin assembly, which then forces kakashi to start making hokage-level decisions covertly (aka taking down the foundation agents sent to spy on naruto, openly instructing a subordinate to lie to the hokage, smuggling the nine-tails out of the village, engaging in diplomatic relations with a foreign kage), which dynamic continues to escalate when danzo loses the trust of the other kage and said other kage decide that kakashi should act as the leaf’s representative, which later, despite tsunade’s recovery, is a dynamic that continues to push and and foreshadow throughout the war to the eventual conclusion of kakashi actually becoming hokage at the end of the story.
SAI’S ARC. how he witnesses naruto taking that beating from karui; how the editing later cuts from naruto crying at the raikage’s feet to sai sitting in the forest thinking about naruto telling him to “stay out of this,” and his decision of “no. i can’t just sit still, either,” and how he then goes straight to sakura to tell her that he still doesn’t know team 7 all that well and he’s not very good with emotions, but he does know that that naruto’s been suffering, and that they’ve all been relying on naruto too much, and that he doesn’t know what promise naruto made to her, but “it’s really no different than what was done to me. it’s like a curse mark.” how he tells her that he doesn’t think it’s right that sasuke has caused naruto and sakura so much suffering, and he’s not going to sit silently by and let it continue -
and how that then PERFECTLY intertwines with the konoha 12 discussing the situation, and shikamaru - newly matured shikamaru, shikamaru who took down an akatsuki member, shikamaru who lost asuma, shikamaru who used to be so lazy, shikamaru who used to be so allergic to responsibility - entering the tent and agreeing with sai and saying that they’re not kids anymore. they have to act. they can’t let sasuke start a war between nations...so many people will die...him asking for sakura’s consent -
and how THAT perfectly dovetails into sakura’s arc - her ENORMOUS decision, which none of them are even aware of yet - when she says she wants to be the one to tell naruto that they’ve decided they can’t protect sasuke anymore, but what she’s really decided is that SHE IS GOING TO KILL SASUKE HERSELF, because she’s the one who put naruto in this position by asking him to promise to bring sasuke back, and she can’t stand to make him suffer anymore, so she’s going to take the burden off his shoulders and suffer herself instead -
and MEANWHILE
this is happening against the backdrop of naruto’s petition to the raikage, which is a) the set-up for the raikage’s eventually decision to let naruto join the war many seasons later, b) the set-up for the raikage voicing his support for kakashi as hokage after danzo flees the summit, and c) the visual parallel for us between sai and sakura discussing naruto’s suffering and us simultaneously seeing him down on his knees, crying in the snow
and THIS is all happening against the larger backdrop of the five kage summit, where we’re introduced to MORE characters from an even WIDER world, and each kage and their attendants have their own unique personalities and we’re once again thrust into this new perspective of being asked to humanize and care about previously unknown entities who have always been considered potential antagonists, if not outright enemies
and the five kage summit brings back gaara and our old friends from the sand, which is important not just for the way it highlights the difference between new and old ways of thinking/generational changes, but because whoops, suddenly sasuke is crashing the five kage summit, and as soon as gaara hears about this, he leaves the summit room and goes to confront sasuke and tries to HELP, in his own way, which is brilliant and so effective on a storytelling level because gaara fought sasuke during the chuunin exams, and back then gaara was the one who was out of his mind with rage and pain, and now their positions are reversed, and gaara wants to save sasuke from that same fate, not just because it’s what naruto would want, but because gaara himself was saved in much the same way
but unfortunately gaara is butting up against the lowest point of sasuke’s arc, as sasuke tips over into something truly disastrous, and his descent is (magnificently! deftly!) illustrated NOT through his behavior towards danzo (which is never depicted as unjustified) but through his behavior towards TAKA, who notice that he’s not acting like himself (suigetsu: “gee, and this is the guy who kept telling ME not kill anybody?”) and whom he then systematically, one by one, abandons, betrays, or outright sacrifices in the service of his goal, when all they’ve ever done is aid and protect him.
in other words: the worst thing sasuke does, in this story’s eyes, isn’t breaking the law; it’s abandoning his comrades. his lowest point in the narrative isn’t communicated to us by his rebellion against authority, but by his betrayal of his friends. SOMEHOW THIS SOUNDS THEMATICALLY FAMILIAR -
this betrayal then flows seamlessly into new character development for the taka crew - for suigetsu and juugo, whom sasuke abandons to die or rot in prison, and for karin, who finally sees firsthand that sasuke is using her and that he doesn’t care whether she lives or dies as long as he gets what he wants - which turn of events pushes karin into the arms of the leaf, where she’s technically a prisoner, but where she’s still healed by sakura and carried by kakashi, and where she comments internally on how everyone’s chakra, even that of her cell guards, is so warm and different from sasuke’s... (i’m frothing at the mouth here at how well all of this with taka was set up and how it just falls apart later aGUGHHHHHH)
and these are hardly the only things going on in this season - i didn’t even touch upon the way kakashi and yamato are told the truth about itachi (this was something!!!!! it needed to be something!!!!!), or even the brief confrontation between “madara” and yamato, because when obito first pops up on naruto’s windowsill, it’s yamato who strikes first, and yamato who says “you’re in my territory now,” and obito just laughs at him, and i cannot handle how well this sets up him being captured, interrogated, and used by obito later (if the story CARED enough to CARE about it, i mean; i just - !!!)
this is all i mean when i say that naruto is at its best when it’s an ensemble show. all of this happens in just the first six episodes, but every single character who appears has something important going on in their own story. everything that they do connects to something else, and every move they make affects the plot. every time someone appears on screen, you care about what’s happening with them - because something IS happening with them! everything is intertwined, and all of it matters. this season is woven together so well - it’s hard to stop watching.
that isn’t always the case later, though. after naruto appears on the scene of the sasuke/team 7 confrontation (aka the point where the show attempts to make a “naruto is and has always been Everything” retcon that i will never forgive them for), the story starts leaning harder into the “naruto is the only one who can save sasuke and oh yeah do everything else too” message, which is eternally frustrating to me, because the original message of the story was always “teamwork is more important than anything. all of us are necessary to succeed.” itachi literally chides naruto, “you can’t do everything on your own. never forget your friends,” but then the show keeps creating situations where only naruto can Do the Thing and the other characters’ sole purposes are to sit back and monologue about how amazing he is.
i understand that this is a silly thing to complain about when the story is in fact titled “naruto,” but i do still feel frustrated about it sometimes, because i think an approach like this makes for a weaker story. there ARE ways to tell a naruto-centric story and have it be incredible - eg, the pain arc is all-naruto, all the time, and i have zero complaints about it, because everything naruto is able to do in that arc makes sense and is completely appropriate for who he is and what his strengths are. he should be able to use sage mode and toad summons - those are powerful inheritances from his own teaching lineage that he worked incredibly hard to master. he should be able to resist the nine-tails transformation - he has help from his own father’s spirit, as well as a lifetime of experience living as a jinchuuriki. and - crucially - he should be able to save the day in the end, not because he’s a super skilled ninja with godlike powers, but because he’s able to compassionately connect with nagato on a personal level and lead him back to the light.
that is naruto’s true power. it’s not about him being the strongest fighter, or the smartest strategist, or the most skilled shinobi in history.�� his special ability is precisely what kakashi called a “remarkable gift” in season one: “[naruto] doesn’t need much time, or many words, to make friends with everyone he meets.”
that’s why i think the pain arc is an example of “naruto-centric” done right, and that’s why i love how war arc!naruto is able to befriend kurama/the other tailed beasts and use the nine-tails’ power. those things are so, so appropriate for who he is and where his strengths lie. but there are other points in the story where naruto is showcased for things that don’t make as much sense or haven’t been earned (as an isolated example, the six-paths magical powers stuff was too much for me) or where he’s highlighted at other characters’ expenses (what happens to all those amazing intertwining arcs of season 10 by the time we hit the end of the story? why do so many of them falter or disappear?)
it’s not enough to make me dislike the back half of the show - i love it right up until the last episode, my frustration with the ending notwithstanding. but i do think the shift in focus from “ensemble show” to “one-man band” becomes a bit more dramatic after S10, and the overall story after that point is much weaker than it could have been (even though i still think that a lot of what it achieves is amazing).
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Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)
Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.
Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.
Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.
But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?
Because he's Spider-Man.
Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.
That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.
That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.
Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.
I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.
Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.
TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.
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Taking the current topic as an excuse to ask you to tell me all the reasons you love Rarijack. Your art for the ship is so sweet and intimate I'd love to hear any in depth thoughts you have.
Breathes in.
I think what makes their dynamic really strong is that they have opposing personalities but aligned values. It's deeper than just "opposites attract." Rarity's fancy, prissy, and femme while Applejack's modest, rough, and "masculine." But both value hard work (to the point of being workaholics), their families (both have guardianship over their little sisters), running successful businesses, and eventually each other. Their relationship can be boiled down to, "Despite our differences/disagreements, I still like you because we value the same things."
We see their relationship develop so much. In the first season, they can't stop bickering about surface-level differences. By season four, they still bicker, but will mend their relationship because they can't help but do nice things for each other. In Trade Ya, they start off arguing over personality differences (Applejack likes old junk and Rarity likes useless crap). Then they pivot and start arguing that they value their relationship more than the other. In the end, they mend things by sacrificing their needs and buying each other a gift. Even if they don't understand it, they know it'd make the other happy. And that's all that really matters. It's a genuinely sweet moment that shows how arguing can be healthy and necessary for relationships to strengthen.
We even see them dropping their hang-ups about each others' personalities. In Made in Manehattan, when Rarity runs off in dramatics about someone's fashion, AJ doesn't roll her eyes or scoff, she smiles. Oftentimes, their conflicts are very common domestic conflicts romantic couples face. Applejack's Day Off is about a woman's inability to balance work and life and find time to properly spend with her partner, causing her partner to feel neglected.
By season seven, they're actively participating in each others' interests. Any problems or conflicts that arise are dealt with, and they come out the other end stronger and closer. In Honest Apple, AJ pretty much spells out why their relationship works so well: even though she doesn't understand fashion, she can recognize and appreciate how much work it takes and wants to respect that. When she realizes her mistake in the episode, AJ goes above and beyond to fix things and apologize to Rarity. They care about each other so much.
The two go out of their way, sacrificing their personal desires and beliefs and doing things they normally wouldn't, to make the other happy. That's just love.
There's Simple Ways, where AJ gets stuck in an unwanted love triangle between Rarity and her hipster crush. And her frustration and anger can be so easily interpreted as AJ finding herself in a terrible position; the girl she loves wants another man, and that man wants her.
I dunno. I've always had a preference for opposites attract ships, but Rarijack's stuck with me like a brain worm because they have the perfect chemistry. The way they show they care, or do things for each other, I've always read it as the truest representation of romance in the show.
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