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maoam · 3 years

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WHY HINATA IS NOT A GOOD CHARACTER

INTRODUCTION

I wanted to take a deeper look at Hinata’s character, considering there are a lot of claims about her out there, that she’s strong, that she’s kind, that she’s complex and relatable, that she’s the perfect woman and that she’s at least better than Sakura. I don’t really think so, and I’ll explain why. I’ll be focusing on canon, so no fillers or novels will be included in this post. I’ll say this as a warning, if you’re a fan of her character this probably won’t be something you’ll like. This will be tagged with the anti tags and put under read more so please do not complain if tumblr somehow puts this in the normal tags, it is not intentional. Also Sakura stans please don’t write lengthy comments about Sakura under this, I’m not a fan of her either and I’ll write about her later. Make your own post instead.

”HINATA IS STRONG AND THE BEST KUNOICHI”

Hinata is generally really bad as a shinobi and I’m not sure where the claims that she is strong come from. Hinata's entire character revolves around her being weak. This could have been fine if she actually developed, or if she found some other area for herself, yet she's mediocre at best and a waste of panels at worst, because she never becomes good or strong at anything. She’s not only physically weak from start to finish, but she’s also the equivalent of a damsel in distress. Everytime Hinata attempts to do something, she ends up failing, getting beaten up and having to be saved. She lost to her sister who is five years younger than her, which is what marked her as a failure in her clan. She tried to fight Neji in the chunin exams and ended up coughing up blood and losing her consciousness, and Naruto had to beat Neji for her. After Kabuto heals her fully, she spends the rest of part 1 either sleeping or missing in action. Very underwhelming.

If this had been only the beginning, it would have maybe been fine, but it’s a reoccuring pattern with her character. She throws herself in front of Pain, managing to do nothing but get one-paneled and almost killed. Even at the start of the war she had to be saved by Naruto. She tried to run to Naruto and tripped over a rock. Actually, she’s so weak she got Neji killed, when he had to jump in front of her so she wouldn’t get impaled. Why is she even in the front lines when she can’t fight? Even in Naruto the Last movie she had to be saved multiple times. In Boruto the movie she is still useless and reckless, leaving her daughter’s side to help Naruto, ending up defeated and having to be healed by Sakura once again.

I can’t say she’s mentally strong either. She has the personality of someone who hates conflict and tries to avoid it as best as they can, to the point of agreeing with others on everything, as Neji pointed out. Even without him saying it out loud, most of Hinata’s moments that aren’t her thinking about Naruto are her doing exactly this. This is not the personality of someone who is strong mentally. It’s the personality of someone who is too weak to have their own mind, someone who will go with the flow and is easily led and convinced. It can be dangerous the more you think about it. Hinata is also the bystander who never stands up for Naruto despite liking and admiring him. If she’s a compassionate girl, why isn’t she showing this by reaching out to Naruto and befriending him? Why doesn’t she show he’s not alone? Why is she only drawing inspiration from him? I don’t normally watch fillers, but there was one filler scene unrelated to Hinata where this girl says if you only look at the loser and do nothing, you aren’t much better than the oppressors, which probably wasn’t meant to be a call out for Hinata, but ended up being so anyway. Another thing that’s annoying is how she is berating herself often, yet doing nothing, it comes off as self-pity. Even in the Last movie, she is talking about how she must be a bad sister for knitting a scarf when her sister is in danger. Then why are you doing it and not stopping? Of course everytime this happens Naruto must cheer her up because she just can’t stop moping around and doing something herself.

Aside from all this, from the very beginning Hinata’s honor needed to be defended by Naruto because she couldn’t stand up for herself. Of course, after Naruto’s words she did stood up for a moment, and that was good, but it should have been a wake up call which altered her course. Instead, she kept doing the same she always did. If we take the Last movie into consideration, she’s still not strong enough to do anything even about her crush on Naruto. She needs genjutsu and Sakura to do the work for her. So even when it comes to the only thing she cares about 90 % of the time, which is Naruto-kun, she can’t do anything about it. That’s really sad.

”HINATA IS KIND AND SELFLESS”

There’s one mistake I see people make often, and that’s assuming characters that are quiet and shy are automatically kind. I wouldn’t say Hinata is as kind as the fandom makes her out to be. She simply comes off that way because you don’t really see her have her own opinions or disagree with the other characters. Hinata’s shyness on the other hand is most of the time a fetishized quirk to appeal to certain subset of fans. Her shyness doesn’t stop her from taking exams or hanging around Shino and Kiba, or talking to characters other than Naruto. She also has enough attitude to rub Neji’s status as a house slave in his face during their match, but because she stutters Naruto-kun every five minutes she’s supposedly kind. Kindness is shown through actions, not through standing around and stuttering. For comparison, we see Ino befriend an unpopular kid like Sakura, and give her confidence. That’s an act of kindness. Did Hinata ever cared about helping the branch members in any way? No.

She's supposedly "kind" but like I mentioned before she never shows this kindness by standing up for Naruto, or reaching out to him. She simply stares at him behind a tree and draws inspiration from his suffering. The only time she can actually stand up is to selfishly confess her love and die. She even said she felt like being selfish, and like I said she knew there was nothing she could do, she was told she’d only be in the way. She came there only to confess and commit suicide. This actually reminds me of another anime where this female character, after being unable to receive a male character’s love killed herself in front of him and said ”now you’ll never forget me”.

In the end, she cares about nothing but her own hormonal urges. Hinata tried to help Naruto cheat to pass an exam at the risk of disqualifying her whole team. This is the first individual action we see her character take. Did she consider Shino and Kiba during that moment? No, she didn’t even have an inner conflict on whether she should do this, whether it’s right towards her teammates. Even Naruto considers he might get Hinata, Sasuke and Sakura all in trouble if he accepts Hinata’s offer, which is why he doesn’t do it. Then when Hinata wonders if she can cheer for Naruto during his and Kiba’s match, she thinks Kiba might get mad. It’s more about how Kiba views her rather than whether she should cheer for Kiba because they are in the same team and should support each other. During the Pain attack, she left an injured shinobi, who couldn’t move, to go to Naruto, even when said shinobi told her she would only be in Naruto’s way. She didn’t try to save people, she simply wanted to confess and act in front of Naruto. This is about a threat to the entire village, which includes her comrades and her sister and she’s thinking only about her romantic feelings towards a guy she had maybe two conversations with and who barely remembers she exists. How is she better than Sakura? War arc really was the icing on the cake that Hinata’s character is only about Naruto. We should not forget the infamous ”Naruto-kun’s hand is so big… so manly...” is that really the right time to be thirsty? When Neji just died? Shikamaru mentions that he could help out Naruto as a right-hand man and then Hinata thinks “I-I want to be by Naruto-kun’s side too.” Then there’s of course the scene where she starts running to Naruto, leaving her post and teammates, even when Naruto is a mile away and already in the hands of medical ninjas, and even that ends up her pathetically tripping over a rock. Kiba has to remind her to use her byakugan because she is too busy gushing about Naruto. Eventually her only last line is “Naruto-kun”, when everyone is put into IT. It’s like a parody by this point. She doesn’t have any concern for her sister, her father, her teammates, Kurenai or her baby. It’s just “Naruto-kun” like it always is. Even in the Last movie, she is knitting a scarf for Naruto during the mission where they’re supposed to save her sister. Who brings a scarf on a mission? Why is she thinking about her romantic gift to Naruto so much she has to take it with her on a mission which focus is saving her sister? She even looks more devastated when Toneri tores the scarf apart than she ever does for Hanabi’s sake. It’s just silly and selfish.

”HINATA IS A COMPLEX CHARACTER”

Is she complex though? Her development goes from standing behind a tree looking at her crush she never talks to, to committing suicide for feelings that could never be reciprocated, to… waiting that a genjutsu and Sakura guilt trip Naruto enough for him to be with her? Like I already mentioned her character revolves entirely around Naruto, she has no hobbies or interests we know of aside from him. She has no motivations aside from being by Naruto’s side. She once had an interesting goal and backstory, but that was never fully explored, and it turned into her wanting Naruto’s attention and thinking about him. Her clan plot was irrelevant, she showed no interest in wanting to be a leader or even wanting to make things better for the branch members. It’s funny because immediately after the ending, no one cared about the Hyuuga branch and how the storyline was dropped and had no resolution. It was only when Hinata was being attacked for not showing to care did her fans start to over-analyze all the panels looking for the tiniest little clue that might hint at some changes.

It’s possible to be both shy, anxious and quiet and also to be strong, motivated and have interests and dreams. Hinata is never strong for herself, she’s only strong to be with Naruto, to die for Naruto, to motivate Naruto, to have Naruto look at her even for a moment. All the while Naruto doesn’t pay much attention to her unless she’s literally dying in front of him or she slapped him. Even when a big climax is happening, what’s on her mind is always her romantic feelings and her crush. I saw someone say if she were a male character, and she pulled this pointless sacrifice and theatrical confession in the final fight of an arc, she would’ve been universally mocked. Actually, I think even if it was Sakura who did this instead of Hinata the former would have been mocked, because their stans are unable to see the same flaws in their own fave as they see in the other girl. Naruto is a battle manga, characters are supposed to contribute to the defeat of the villain in some material way. The only reason people praise Hinata for what she did in the Pain arc is because they either pity her or because they’re men who think women killing themselves for a man is great because it boosts their ego.

I also notice many Hinata fans don’t notice the vanity in their own fandom. They call Hinata “princess”, ”heiress”, ”Konoha’s first lady” and draw fanart glorifying these concepts and how it makes Hinata good, because they like the superficial status, what they don’t care is the titles are unearned. I thought Hinata’s appeal was that she’s the underdog and a loser? Or maybe her real appeal is the idea of getting everything you want without doing much in order to get it? Another claim is that Hinata is the perfect woman, which you might see from men. This is what I might dislike the most. Men judge Hinata’s worth and whether she’s a good character based on what kind of woman they want and think is the right kind of woman. Hinata has big breasts, she’s submissive, she has no other interests than the man she likes, and she’s the only girl in her class who didn’t go for the popular guy. Many men hate Sakura, Ino and Karin for being fangirls but praise Hinata for being a fangirl. Basically to them if a character is a fangirl of the wrong guy, she’s a stupid slut. If she fangirls their self insert, she’s wife material and the ideal woman. If Sakura has to be saved, she’s useless. If Hinata tries to kill herself for Naruto, she’s ”so kind”. Rin is a one-dimensional character, but Hinata saying Naruto-kun for the 50th time is depth. Hinata is also claimed to be better than the other girls because she had more kids and thus is more ”fertile”. It’s like feminism never happened and we are back to the 16th century. Why are we judging women’s worth on how many kids they have and how much they can please a man?

I could also talk about how Studio Pierrot turned Hinata into a hentai bait for otakus, which also plays a part in her popularity, but I don’t think it’s necessary, so I will just offer this picture which speaks for itself.

END NOTE

Hinata is simply just a sexist stereotype, a shadow of a real woman, with not much depth, and who is certainly not better than Sakura either. Both of them are fangirls whose characters revolve around men. It’s wild to me how there are women who genuinely act like one must be a misogynist if they reject Hinata’s superficial, one-dimensional and boy crazy character. Her character itself is misogynist for crying out loud. And honestly, what does it say when even the creator himself assumes that Hinata is someone’s favorite character because he must like big boobs?

#anti hinata #anti hinata hyuga #mp #I'm not sure if I'm satisfied with this #but there's just not much to talk about when it comes to her character #it would just become repetitive

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distinguished-slacker · 3 years

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Owari no Seraph — An Analysis of Shinoa and Mitsuba’s Friendship

(Warning: A long post that nobody asked for and I had to make the panels tightly packed into one image each due to the Tumblr 10 images per post restriction so I am not taking responsibility for any brain aneurysms I might cause. I am serious, it’s really LONG.)

(Why? Because this cursed manga needs more girl power.)

(Note: Friendship)

We always speak about friendships like the ones between Yuu and Mika, and Guren and Shinya but we rarely talk about the one in the girls’ side, which is the the friendship between Shinoa and Mitsuba. It is the only female friendship we actually have in Owari no Seraph since we haven’t seen Chess and Horn ever since Nagoya arc, and we barely get to see how Mito, Sayuri and Shigure act with each other as friends when the topic of conversation is not Guren.

I agree that Shinoa and Mitsuba’s friendship is cute and funny. However, as I reread the manga I realised that their relationship is deeper than that, that each contributed into the development of the other to a degree but at the same there is a wall that keeps them from growing closer but of which none of them is aware of, and how their distance has been exacerbated by some faults that makes me believe their relationship is deteriorating.

So I decided to make a deep analysis with some theorising about their friendship throughout the manga where I make it sound more complex than the sexualised joke Kagami has made of it :D

The first time we had a glimpse of their friendship is of course when Mitsuba debuted in chapter 8 of the manga as the fifth and last member of Shinoa squad. She is first seen complaining to Guren about why was she placed in a squad full of rookies being most visibly infuriated by the fact that the “sarcastic airhead Hīragi Shinoa” was chosen as the squad leader instead of her. When Shinoa appears, she addresses Mitsuba as “Micchan” (or Mi-chan/Mitsu/whatever translation) and mocks her, angering Mitsuba more and driving her to manifest her weapon to fight Shinoa. This scene shows that they have known each other before Shinoa squad was established. The question was when? Shinoa described her life before the catastrophe occurred as “living under a rock” and how she “didn’t see or speak with anyone at all” in the afterword of volume 17, which can be further proved by the events of the Catastrophe at 16 light novels. Shinoa and Mitsuba were bound to meet because of their statuses as Hīragi and Sangū respectively but Shinoa was always kept in the shadows by her family so it’s quite unlikely that they have met as children before the catastrophe.

The only possibility for them to have met is for military reasons rather than for family reasons. In chapter 3, before Shinoa squad was formed, it was revealed that Shinoa is part of the vampire extermination unit but we don’t know for how long. Considering that Mitsuba used the argument of joining the vampire extermination unit at the age of thirteen to explain why would she make a better squad leader than Shinoa, it’s safe to assume that Shinoa joined later than Mitsuba. However, Shinoa received Shikama Dōji as a weapon in 2012 when she was 7 (6 if Kagami could do maths but whatever...) so I doubt the army would let a capable and armed person have a relaxing life for so many years when she could be used for fighting instead since there is a shortage of soldiers (unless Shinoa used her power as a Hīragi, which sometimes works in her favour, to avoid military duties). Moreover, I doubt that the army would place an unexperienced soldier straight into the extermination unit, which is the most dangerous unit in the Japanese Imperial Demon Army, regardless of their status, especially a child. So even if Mitsuba said she joined this unit when she was 13, there is a small chance that she has been a soldier before that but was tasked with easier jobs like being a wall guard and the same thing could be applied to Shinoa. In other words, it’s likely that these two girls have known each other for a good number of years before the timeline of Vampire Reign began.

The reason why I want to believe that Shinoa and Mitsuba met a considerable time ago before the start of the series is because of Shinoa’s attitude towards her. Shinoa has lived a life lacking family love and social interaction which caused her to become apathetic and unemotional up until the formation of Shinoa squad. But somehow there is this girl, who is the only one whom Shinoa gives a cute nickname, has a lot of interest on teasing her and feels comfortable enough to barge into her shower and be seen naked when that is a situation where a person is really vulnerable. I mean, considering Mitsuba’s personality, it’s understandable why Shinoa feels so free to act like that around her but still it’s emotionally detached Hīragi Shinoa we are talking about.

(From top to bottom, and left to right: chapters 8, 9, 19, 29 and 43)

One thing that bothers me is how Kagami made it look like as if Shinoa was completely empty before being influenced by Yuu’s ‘kindness’ when that is not true at all and Shinoa was able to show a caring side before that.

One example of this is in the same chapter where Mitsuba debuted, shown in the top-left panel. In this chapter Mitsuba is acting so bossy and arrogant here that to be honest anyone would find her annoying. However, Mitsuba’s constant shouting about battle formation is to ensure that everyone adheres to the rules to avoid any danger, especially considering the reckless attitude Yuu has displayed here about killing vampires as soon as he sees them. In reality, Mitsuba’s behaviour is a defence mechanism in order to hide her traumas regarding the death of her previous squad members and Shinoa knows this well. Shinoa knows Mitsuba is a kind person on the inside, going to the extent of even calling “adorable” how Mitsuba feels that their lives are her responsibility, and that’s why she tells Yuu to bear with Mitsuba because Shinoa doesn’t want him to hate her.

In the panel below the first one which occurs in the next chapter when the girls are in the showers, Shinoa comforts Mitsuba telling her it wasn’t necessarily her fault that the entire squad got annihilated (as some of the members were already killed before Mitsuba made any reckless move, Mitsuba was too young and it was the leader’s decision to sacrifice himself for her). Speaking about this, Shinoa is the only one in the squad who knows about Mitsuba’s past and it makes me wonder whether Mitsuba herself told Shinoa about this or Shinoa discovered it since as a Sangū, Mitsuba must be well known in the army so her failure might have been spread around and Shinoa happened to discover it. It depends on how much of friends they were before the beginning of the manga; whether they were friends before that or they were somewhat distant but strengthened their friendship when the squad was established. After all, it is hinted that they live together in the chapter where they tried to cook for the guys though Shinoa said it was her room (but it wasn’t specified if it was Mitsuba’s too) so maybe Mitsuba decided to come over for that event. In the anime there was a bunk bed in the room next to the living room which wasn’t shown in the manga but still it doesn’t hurt mentioning it.

This one is a very subtle panel. In the middle panel that happened in chapter 29 after Shinoa and Narumi squad finished their mission of killing Lucal Wesker in Nagoya arc, Yuu realises that people really do die in these missions and Mitsuba replies to him with a “Your friends die. That’s the reality of battle...I...I’ve seen this...” while recalling her previous squad’s members deaths. Shinoa quickly picks up on this and touches her elbow in comfort, as highlighted by the green circle pointed by the green arrow, and gives a speech that reminds Mitsuba that she is not alone anymore and has people who are still alive for her to protect. I really love this moment because Shinoa was so perceptive of the little changes happening within Mitsuba.

In the right panel, it might look like Shinoa is throwing the bothersome job to explain the squad’s situation to Mitsuba, which might be true considering how Shinoa is sometimes, but I like this panel because it shows that Shinoa lets Mitsuba have her part and act as her second in command since being squad leader is what Mitsuba initially wanted. Mitsuba seems to be happy to act as her second in command which shows their relationship is more chill than what their first scene together in the manga made it look like.

Like Shinoa cares for Mitsuba, Mitsuba cares for Shinoa too. In the bottom-left panel which is taken from chapter 19, Kimizuki is suspicious of Shinoa after Yoichi and him were interrogated and tortured by the Hīragis, going as far as thinking she was using Yuu and saying that this is nothing but a “sickness” where he is forced to “play comrades”. Mitsuba quickly defends her by stopping Kimizuki because she knows Shinoa is only making them hide Yuu’s transformation out of genuine care for a comrade. Curiously, this scene parallels to a scene in chapter 99 that occurs after Shinoa makes Shikama Dōji submit. Kimizuki starts shouting at Shinoa thinking that she has been using them all while laughing behind their backs the whole time. This time Mitsuba doesn’t intervene. There are three possibilities for this: one is that Mitsuba is simply being relegated to the sidelines due to constricted space in the current events of the manga, two, that Mitsuba cannot act because this whole situation confuses her which is understandable, and three, that Mitsuba and Shinoa are becoming more distant, which I will explain later in this post.

I tried to find more panels of Mitsuba visibly showing care for Shinoa in the beginning and middle of the manga but it was hard but this is not Mitsuba’s fault, neither Shinoa’s. To be brief, Shinoa is a tough nut to crack. With her personality it’s hard to get emotionally close to her. Add to that that Mitsuba has her emotional baggage too which makes her emotionally constipated, this sets a wall between the girls so I hope Kagami will do something with it later in the manga where it breaks. Yuu already achieved it, so why not Mitsuba who is supposedly Shinoa’s only female friend and even best friend?

(Left: chapter 26 and Right: chapter 45)

When Guren knocked Mitsuba out during the squad mock battle and when Mitsuba was attacked by Crowley, Shinoa always jumped to protect her regardless of the risk. Have a look at Shinoa’s pained face when Mitsuba told them to leave her behind or Shinoa’s determined face when she told Makoto to follow Kimizuki and Yoīchi in order to rescue Mitsuba. That raw emotion. Seriously, is it me or ironically in the beginning of the manga Shinoa showed far more emotion despite being claimed to be initially cold?

(Top left: chapter 19, bottom left: chapter 26 and right: chapter 24)

Does someone else miss when these two girls used to team up to annoy the boys? These scenes might seem for pure comedic purposes but they are actually deeper than what they look like. When Mitsuba debuted, she was not only strict with others but with herself too. Due to her past failure and family expectations, she was forcing herself to grow up quicker, to be the perfect soldier and follow the rules even if that put herself under pressure. However, as she got more involved with the squad she became more free and Shinoa’s personality started started to rub off on her. There are two scenes where Shinoa starts with her pranks and Mitsuba follows with them. It’s vastly thanks to Shinoa that Mitsuba started to act like the teenager she is and that’s really wholesome. I mean, just look at how happy Mitsu is at the bottom left panel or her smirk, something unusual for her, in the bottom right panel when they abandon Kimizuki on the side of the highway (lmao poor Kimizuki). This duo have a great dynamic!

Interestingly, as the series progresses, you can see how both Mitsuba and Shinoa’s characters start acquiring qualities from the other. The always so stiff and temperamental Mitsuba becomes more laid-back and honest while Shinoa goes through the process of discovering more emotions within herself and expressing actual interest on other things. But the problem is that while Mitsuba’s change was influenced by the squad, Shinoa’s was primarily by influenced by Yuu.

(Top left: chapter 8, bottom left and middle right: chapter 48, top right: chapter 17 and bottom right: chapter 43)

It is known that Shinoa loves to tease Mitsuba. In fact, her favourite person to tease is Mitsu because in the fanbook Shinoa said that someone who gets bullied easily is “1. Micchan 2.Micchan 3.Micchan” and even Mitsuba said that she hears Shinoa talk about her a lot.

The first thing Shinoa does when they reunite in chapter 8 is tease her. In chapter 48 when they are talking in the girls’ toilet you can see Shinoa looking at Mitsuba with soft and sweet expressions. Shinoa is really comfortable around her and Mitsuba’s personality allows Shinoa to be herself. Shinoa even said “I really like you when you always react to me like this.” with a gentle laugh which is something rare for her to say.

However, there are times where I personally feel that Shinoa should set some limits to herself regarding how much she teases Mitsuba and with what topics she uses to tease her like when she joked about Mitsuba not being a virgin in chapter 43 because the combined blood of the squad that Mika drank was gross. Although I find hilarious how Mitsuba reacted with a “I am SO going to kill you someday!!” but limits are limits, especially if it’s in front of everyone.

Another panel that was used for comedic purposes that I find somewhat off is the one in chapter 17 showed at the top right corner. Before this panel, Mitsuba says with a serious face that she hopes “things go okay for Yuu” in the interview with the Hīragi family and Shinoa starts teasing Mitsuba saying that she is in love with Yuu. Shinoa teases her but her gaze is at the building not at Mitsuba, her focus is on Yuu, and so it feels as if she teased Mitsuba to cover something else. And what is that something else? Easy. This scene happens not longer after Shinoa confronts Guren in his office about him drugging Yuu where Guren asks Shinoa if she fell in love with him. Ever since this moment Shinoa started to doubt about her feelings and I feel that she teased Mitsuba about her being in love with Yuu to cover her own feelings and that is not a nice thing to do to a friend.

Shinoa annoyed her many times throughout, Mitsuba never really got seriously angry at her aside from an occasional initial outburst. Mitsuba shows great patience with Shinoa, unless there is something we don’t know since we have never gotten an inner monologue of Mitsuba but I will talk about this later.

(Chapter 17)

In the same chapter but some panels before, Shinoa makes fun of Mitsuba addressing her incompetence paralleling to how she made fun of her when they met in chapter 8. Mitsuba just got out of an interview with the Hīragis where she has been promoted, and Shinoa mocks her about how easily she can climb up the ranks just because she is a Sangū and not because of her abilities. On one hand, considering Mitsuba’s severe low self-esteem Shinoa shouldn’t be joking with this a lot but on the other hand, it’s because Shinoa is like this that Mitsuba is comfortable with her. Mitsuba doesn’t like it when everyone talks bad behind her back while praising her on the front, so Shinoa, who is the only one who is honest with her, makes Mitsuba feel at ease (let’s not count Yuu here because that guy is clueless about the weight that the hierarchy holds within the JIDA).

In the middle panel we can see how Shinoa talks about herself to Mitsuba and the same thing can be said with the toilet scene in chapter 48. Mitsuba is the only one out of the squad who knows about Shinoa’s life within the Hīragi family and some story with her older sister Mahiru (I know this is because those higher ranking family members have access to that information but nevertheless this gives Mitsuba an advantage when it comes to bonding with Shinoa). However, Shinoa is here just stating facts but doesn’t open emotionally to Mitsuba so that wall between them persists. Considering that they might have been friends for years, it’s mostly Shinoa’s closed heart the main reason that made their friendship stagnant. But of course, this is not Shinoa’s fault since she is a product of her terrible childhood.

When you look deeper into it, they don’t have the emotional bond and trust they should have with each other.

In the right panel, that’s where the real problem in their friendship starts. Please zoom and have a look at the section surrounded by the vertical amber rectangle. Have a look at Mitsuba’s expression. She is angry and not for comedic purposes. Shinoa has just asked Mitsuba how much information about Yuu she “bribed” the Hīragis with in exchange for her promotion. It doesn’t even look like Shinoa is joking here. She actually thought that Mitsuba, her closest friend, would fall so low as to sell a comrade for a promotion that she didn’t even want in the first place. Look at the region surrounded by the horizontal amber rectangle and you can see that despite Mitsuba already told Shinoa she did not say a thing, Shinoa keeps asking her if she said anything about Yuu going berserk in the battlefield as if she doesn’t fully trust Mitsuba. To be honest, Shinoa crossed the line here and I wouldn’t have noticed it if I hadn’t read the beginning of the manga since in the anime they made it different.

This is the beginning of the popular scenario where a friendship is tested when a guy comes in between.

(From top to bottom: chapters 57, 70 and 75)

In chapter 57, Guren reveals to everyone a shocking fact; Shinoa was born with a demon inside her because of a crazy experiment. Mitsuba is the one who looks the most visibly shocked and when she asks Shinoa what does he mean by that Shinoa instead looks away to where Yuu is even though he didn’t ask her anything unlike Mitsuba. To me, this where Mitsuba and Shinoa’s friendship officially entered the amber region.

Then, in chapter 70, Aoi starts choking Mitsuba, asking her why she is not dead and branding her as traitor. Shinoa didn’t try to stop it but it’s understandable since going against Aoi could be punished, especially because they are in JIDA territory, and that Yuu was already doing the job of defending Mitsuba. What I found curious about this is that the whole time Aoi was talking bad about Mitsuba being a traitor we get scenes with Yuu, and even a glimpse of Kimizuki and Yoichi as highlighted by the blue square but not of Shinoa. Shinoa is only shown just after Yuu says “I’m Mitsuba’s family” as if this choice in the structuring of these panels is implying that Yuu saying something nice to another girl gets more reaction from Shinoa than when said girl, who is a friend of Shinoa too, is in a problem. What hurts me the most is that even if there was no need for Shinoa to intervene, we don’t get any shocked or sad expression of her while Aoi puts her hands on Mitsuba’s neck or starts insulting her.

Shinoa’s priorities changed and this is further seen when she is turning into a vampire in chapter 75 and everyone is around the wheeled stretcher where Shinoa is lying on but she looks only at Yuu. I could say that maybe she looked at Yuu instead of anyone else because he was closer to Shinoa’s face but then when Shinoa is taken to the doctors and scientists the last thing she thinks of is “Yuuichi...ro” and only Yuuichiro.

(Chapter 86)

I guess we are going into the orange area now...While Shinoa changes, Mitsuba stays relatively the same. The panel where Mitsuba runs to Shinoa and hugs her in tears is the greatest proof of how much Mitsuba cares for Shinoa, which is impacting for the readers since we haven’t got much of their friendship for a long time up until that point. Now, if we compare Shinoa’s facial expressions in this chapter with the ones I have previously shown in chapters like 45 (when Crowley attacked Mitsuba) and 48 (when they talked in the toilet), you can see the difference. Before, Shinoa’s face was full of genuine happiness, care and worry but now she is poker faced. She completely disregards Mitsuba’s concern for her and crying. She doesn’t show a shocked face, doesn’t hug Mitsuba back or doesn’t even tell her “Sorry for making you worry, Micchan” or something like that. She turns the situation into a boob joke and Mitsuba simply replies back. Then, we get an emotional panel again of Mitsuba asking Shinoa if she is really herself again (and if you zoom to where the green arrow as pointing at you can see Mitsuba’s red eyes from crying a lot) but then Shinoa continues with the boob joke like nothing. Sure, I understand that Shinoa has fallen in love and her priorities are somewhere else, but could she at least show more concern for Mitsuba?

Now some people might tell me that I am making a huge deal out of it, that’s it normal Shinoa is not comforting her or acting accordingly to the situation because Shinoa is emotionally stagnant and dense but this is actually not true at all. Please have a look at this image below:

(Chapters 85 and 90)

The first and only person Shinoa thinks about after being freed from her possession in chapter 85 is “Yuuichiro” (or Yuu-san if the translators did it properly). She doesn’t think about the rest of her squad even though she is supposed to be the squad leader.

Then here is where we can make the comparison. In chapter 86, Mitsuba was crying because she was scared since Shinoa was ‘dying’ by turning into a vampire, Yuu got kidnapped, and Kimizuki, Yoichi and Makoto left her without telling her a thing when the war broke out. Mitsuba informs her of this. Four chapters later, in chapter 90, which probably happened like half an hour or an hour in the OnS universe after Mitsuba cried, when Yoichi says Yuu was crying Shinoa gets worked up saying “I have to rescue him”. Shinoa hasn’t even seen with her own eyes that Yuu was crying yet she is prepared to go and help him when she didn’t do it for the girl who was crying right in front of her just some minutes ago. This shows clear favouritism towards Yuu. Of course, there is nothing wrong with having the person you like as your first priority. It’s almost the natural thing to occur, especially considering that this is the first time Shinoa feels like this. However, it’s because of things like this that the possibility of Shinoa eventually losing the closest friend she has exists.

(Also if someone wants to object to that part saying that Shinoa didn’t comfort Yuu in the end I will just say that it’s not weird considering Yuu was acting all happy go lucky and on the outside he didn’t look like needed comfort even if he really did.)

Also, many people noticed the use of “I” instead of “We” in “I have to rescue him” and “Yuuichiro... Hang in there. I’m on my way.” even though she is with the whole squad and I especially find it more surprising considering that when she said this last phrase, Mitsuba was next to her (or behind her from our perspective) showing that Shinoa doesn’t think of Mitsuba as much as she used to in the past. This mirrors what Mahiru told Shinoa in chapter 56, even though Shinoa couldn’t hear her, about how “sexual desire and lust” (I am going to put “crush” here instead because this might be too far someone like Shinoa) “corrupts you” “to the point where you don’t care about the world and its future anymore” and this already started with Shinoa’s care for the squad decreasing at the expense of her care for Yuu increasing.

Additionally, if you are a fan of this manga art style you might have took an interest on its illustrations and might have noticed that ever since Osaka arc there have not been many illustrations of them together anymore. At most it’s just Shinoa alone. Whether it implies their distance or Yamamoto simply does not have the time of making complex illustrations again, I don’t know.

(Chapters 54 and 96, and volume 17 afterword ending on chapter 69)

Boob jokes. The worst part. Boob jokes. The first time I guess it was okay but it just keeps repeating and it’s not only in the manga. I even looked at the anime fanbook, and watched the CD Dramas and some clips of the game Owari no Seraph: Unmei no Hajimari (which all take place at the time before the squad defected the army) and I realised that there are more times where Shinoa makes a comment about Mitsuba’s chest. Some people say that this significant number of times Shinoa starts a boob conversation may indicate that rather than being jealous, she is obsessed and actually attracted to Mitsuba. But ships aside (I want to keep this post as ship-free as possible), it’s not nice that every time these two have an interaction, which is rare lately and so special because of its rarity, the topic is boobs. It’s not even funny and it degrades their relationship. Why Kagami cannot treat their relationship like the boys’s and give them scenes where they talk about their emotions rather than body parts? After all, the friendship between Shinoa and Mitsuba is not that different to Yuu and Mika’s or Guren and Shinya’s for reasons like sharing a past together. The major difference I can only find between them is their biological sexes and this is not an excuse for this bias.

But since I am the type of person who likes to looks deeper into every joke I am going to do it for these ones. The only thing that I find refreshing about these jokes is that at the beginning every time Shinoa made a comment about Mitsuba’s body, Mitsu was always embarrassed, exhausted and denying any claims. But because Shinoa started this topic of conversation so many times Mitsuba has gathered the experience and skill points to retort her insults😂 Shinoa has awakened Bad Girl Mitsu, and Dethroned Sass Queen is now on the losing end loool just joking.

It might seem that everything that I mentioned in this post until now it’s a lot for Shinoa and Mitsuba but remember that for them, ever since they arrived to the JIDA and all this mess started around chapter 70 they have been in the same day in the OnS universe (even if for us it has been years) and only two days passed at most ever since Shikama Dōji started influencing Shinoa’s views on Yuu in chapter 66 (although Shikama Dōji probably talked to her about him offscreen a lot of times before this chapter). It has been only one bad day, it’s okay, there is no need to panic, Mitsuba and Shinoa are still super best friends and will be...or that is what I would like to say because one, if in just one day Shinoa’s feelings became this crazy imagine how she would be after a longer time if no one stops her? And two, Mitsuba is starting to notice Shinoa’s feelings for Yuu:

(From left to right: chapters 10, 19 and 99)

As I mentioned in a previous post, the number of times Mitsuba is realising that Shinoa feels something for Yuu from afar in the manga is around 3 or 4 (I am not including the fourth since I am not really sure about it), with the most recent being the most eye catching. Now, you might tell me that Mitsuba is just jealous which I would agree since the first panel gives that impression by going with the typical cliché where the second girl is jealous of the first girl. But then if you look at the whole three panels there is nothing that exactly shows a jealous expression on Mitsuba’s face but rather she is just concerned or surprised. It’s hard to decipher her emotions here but if you look closely at the middle and right panel you might notice something in common: Shinoa is placing her hand on top of Yuu’s. So it’s more likely that Mitsuba is looking at this specifically rather than at the whole picture of Yuu and Shinoa together considering that these latter two have gotten scenes together many times but Mitsuba never looked at them and acted normal. Kagami is the type of subverting our expectations like when Yuu was supposed to be the main protagonist but sometimes he seems to be a cover and the real protagonist of the story is Guren (this is just my impression). For this case, Shinoa has been called a “dispassionate observer” by Shikama Dōji in chapter 72 but sometimes I feel that the observer is Mitsuba.

This could explain why we have never gotten a glimpse of Mitsuba’s heart and demon even though she is a main female deuteragonist and the only one unaddressed in Shinoa squad. It might seem that she is patient and a stagnant character, but all these subtle moments might be building up to a potential Mitsuba mini arc that will be about her relationship with Shinoa? After all, what Mitsuba cares about the most is her squad, so bonds is a likely theme. Moreover, in the fanbook Mitsuba’s favourite person was stated to be Shinoa (while for everyone else it was ‘Yuu’). It’s possible that she will confront Shinoa about this because Shinoa never tells her anything about herself so Mitsuba has to do all the guessing and Shinoa has grown distant from her. No way Mitsuba is fine with that. Looking at this, it’s normal we haven’t gotten much of them because looking at the current events of the manga, now is not the time to sit down (it’s not like they either have the time) and do something that might sever bonds anymore. This is why I came to the conclusion that if it’s not just bad writing, then Kagami deteriorating their friendship is something intentional.

Now, how will Shinoa and Mitsuba’s friendship proceed from here will rely mainly on two factors. One is whether what Shinoa feels for Yuu is genuine or a result of Shikama Dōji and Mahiru brainwashing her, and two, whether Mitsuba feels something for Yuu too or not. For one, I am not going to jump to conclusions regarding Shinoa’s feelings for Yuu and I will just say that regardless of whichever route Kagami chooses, Shinoa still has to cherish her friendship with Mitsuba. For two, it’s ambiguous as I can say as many arguments for Mitsuba having a crush on Yuu as arguments against. So let’s wait and see. However, I want to say that making Mitsuba crush on Yuu would be unwise considering that it’s already hard enough with Mika and Shinoa, so adding Mitsuba would mean pointlessly adding more fuel to the fire, especially considering Yuu’s personality and that he might not end up with anyone by the end of the series.

However, if somehow Kagami decides to take the route where one, Shinoa’s love for Yuu moves forwards and two, it happens at the expense of her friendship with Mitsuba and others, I will start calling Kagami a hypocrite. This is because we are talking about the guy who said that the focus of OnS is not romance, but family and bonds. Therefore, I would be disgusted at his bias of exploring only the theme of family and bonds within male friendships at the expense of destroying female friendships just for romance.

I theorise that this confrontation (not a cat fight) will happen around when Shinoa will entirely lose the strength to keep restraining Sika and become possessed again (unless Yuu is here to save the day of course). For this to happen we will need a scene with Mitsuba talking with Tenjiryū in which we can finally see how she feels in order to set everything up before this moment, and another scene that will be a flashback of Shinoa and Mitsuba meeting for the first time when younger so we can actually understand the magnitude of their friendship.

And how this confrontation will happen? To be honest I don’t think that there is any person capable of putting up a fight against a Shikama Dōji possessed Shinoa (unless the main character’s plot armor is used here again) so Mitsuba confronting Shinoa will be at an emotional level where Mitsuba might voice her preoccupations and will tell Shinoa to trust her more instead of keeping things to herself because they are friends. This will be a perfect opportunity for the wall that Shinoa put between them to break and for Mitsuba to be finally given the chance of paying back everything that Shinoa did for her.

The reason why Shinoa needs to be stopped is easy. If she keeps going like this, at this rate she will take the same path as Mahiru where she moves everyone out of the way in order to obsess over one thing, being alone with no one to give advice to her or stop her when she will be making dangerous decisions. All this emotional outburst Shinoa has shown recently is not healthy because she is being rushed instead of being allowed to do things at her pace. She needs to calm down, and realise that where she should be emotionally expressive is with her friends as a whole group.

If you managed to read the whole post, I am sorry aghjskwkashs but it’s just that I wanted people to give attention to this underrated friendship😭💔 It’s so underrated so that’s why I wrote such a long post because I wanted to include every single detail (I hope I didn’t miss anything🤔) and searched for as many images as I can for evidence (sorry for making it so compact that the images might look blurry due to Tumblr restrictions🤧).

P.S. When I will be a granny (considering the fuckin slow pace of this damn manga) I wish to go back to this post and assess whether I was an amazing analyst or an idiot for trusting Kagami😂

#owari no seraph #seraph of the end #hiiragi shinoa #shinoa hiiragi #mitsuba sanguu #mitsuba sangu #sanguu mitsuba #sangu mitsuba #sote

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rhetorical-ink · 4 years

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Haikyuu!! Ship Analysis: OiHina

**SUNSHINE SETTER SPOILERS BELOW**

With all the negative in the world, Furudate really said, “screw you, 2020, I’m giving everyone some good food” with Haikyuu!! coming into this year, and with the manga concluded, I want to go back and examine some popular ships and why we love them/why they work.

The 2020-2021 Haikyuu!! calendar just dropped and I was pretty excited to see the month of August highlighted with this image:

So, this calendar image, followed by the cover of the Haikyuu!! Light Novel, volume 12, has really screamed, “Oihina rights!” to many fans, myself included. But...why has this ship grown in popularity? What has Furudate given us fans to fuel the flames for this pairing? Well, let’s find out, with this analysis!

Part I. Setting Up A Rivalry...

So, it’s been established early on that Oikawa views Kageyama as a threat, and has been constantly working to make sure he stays superior to his rival setter. But from Chapter 14, there was the faintest inklings of rivalry established between Oikawa and Hinata -- starting with this famous scene from Chapter 14, “Versus the Great King”:

Despite Oikawa looking frustrated they lost the game, this is his reaction immediately following the moment in Chapter 15. He seems to get over his initial shock, as it’s replaced with some...other...emotion, it seems:

And later, we can see the foundation of the dynamic Oikawa establishes with both Hinata and Kageyama. Notice how in this scene he offers Hinata polite praise for his winning move, while immediately challenging Kageyama, who clearly did not sign up for this barrage of taunts.

It’s interesting, because it kind of sets Oikawa up as a rival for Kageyama...just like Hinata. We’ll talk more about Hinata and Oikawa’s similarities below, but I love how this weird “Rival Triangle” has formed between these three and carries on into both matches of Karasuno vs. Aoba Johsai later on.

PART II. Oikawa’s Not-So Subtle Focus on Hinata:

While there are hints in the practice match that Oikawa recognizes Shoyo could be a threat, we don’t see Oikawa really focusing on Hinata until later, when Aoba Johsai shows up to watch Karasuno’s game before they play them in Chapter 39, “The Return.” I like how Oikawa is not at ALL impressed with Asahi,

But seconds later, is all-hungry-eyes on Hinata’s “god-mode” set:

And then there’s Chapter 48, “The Conductor.” I love this chapter. I saw this image on Twitter, and I about fell out of my seat laughing:

Seriously. Think about it. Oikawa sat like that for over an HOUR, listening to Hinata screaming “Bring it” and “Give it.” No, no, we’re fine over here...

Of course, we see how Oikawa views Hinata as a threat during their first match up against them in the Inter High Prelim Qualifier match in Chapters 61-63:

His reference to Shoyo as a “Monster” is consistently brought up in the series, and then, waaaay later on in Chapter 189 at the end of the Shiratorizawa match, acknowledges how Hinata is indeed the type of hitter you WANT to throw the ball to, foreshadowing Inarizaki and Atsumu Miya literally 100 chapters early:

PART III. “We’re Not So Different, You and I”

So, this leads us to the dreaded Chapter 365 and onward into the now-infamous “Rio Mini Arc.” I’ve noted it in a previous post, but during Takeda’s lecture to Shoyo in Chapter 365, and then later on in chapter 368-369, any time the words “defeat” or “hurdle” are thrown up, there’s an image of Oikawa beside them. In this moment, we are to meant as readers to liken Hinata’s hurdles and obstacles with those that plagued our main antagonist, Oikawa, all those chapters ago. You may be wondering why Furudate would set such a thing up...well, in Chapter 371, we get this reveal:

Ah, yes, of all places and of all people -- Shoyo wasn’t the only one crazy enough to trek across the ocean to South America to improve his game. Oikawa did too, only going to Argentina instead of Brazil. Yes, as Kindaichi and Kunimi kindly observe, Shoyo and Oikawa may have more in common that we the readers gave credit to, originally, as we see in the precursor to the best damn selfie in the whole series and possibly manga history:

But it’s below that’s kind of the crux of this whole OiHina ship for me -- It’s not just that Oikawa and Shoyo are so alike...it’s that Oikawa and Kageyama are so alike, too:

Oikawa, whether he wants to admit it or not, has a lot in common with our blueberry setter...the difference, as we can see in these panels, is that unlike Kageyama, Oikawa is GREAT with communication. His ability to communicate with his team and connect with them is his hallmark as a player, right?

Take for example, this situation below. If it’d been Kageyama, he’d probably fluster around, call Hinata “boke” and they’d bicker and carry on -- Oikawa, though, rightfully takes the compliment and runs with it, even adding in that flirty little tag there at the end. You’re not helping matters, Furudate...

Back to similarities with Hinata, though, and showing just how much Hinata has GROWN to Oikawa, we have this conversation below. Oikawa started out this manga literally calling Shoyo and Tsukishima “dumb.” Now, 300+ chapters later, he’s acknowledged that Hinata is “thinking” ahead...doing very much the same kind of crazy tricks to improve himself that Oikawa has chosen as well.

Also, good to know that Hinata initiated wanting to get Oikawa’s contact info; plus, Oikawa having to deal with his own teammates just giving him a hard time 24/7, when Shoyo’s offering open praise? No wonder he latched on...

But seriously, go read Chapters 373 and 374 in their fullest -- there are TOO many amazing moments between Shoyo and Oikawa to count, but they all show this forming friendship that I’m just in love with, like this one from 373:

And while I LOVE the moment Oikawa calls our ray of sunshine straight-up “Shoyo” and shakes his hand, acknowledging their friendship and respect for each other, I really love this final shot of Oikawa before we see him at the Olympics. That panel of him walking away, reminding Shoyo that he has a looooong way to go, but showing his sudden motivation to get even better:

Seriously, in the anime, I have a feeling that one episode is going to end with the ending of Chapter 371, and then they’ll probably just have one episode encapsulate Chapters 372 - 374, which I will be sad if it’s one episode in the anime...but MAN, I’m going to be watching that episode on repeat for a while, just to see these chapters re-imagined in animation.

PART IV. To The Olympics...and BEYOND!

The final chapter of Haikyuu!! graced us with the reunion of our ray of sunshine and our sassy trash king setter, and let’s be real -- we all need this animated...and to have Atsumu and Kageyama’s reactions on display in this moment, just for the fun of it.

And ya’ll wonder why there’s so many Rio/Brazil Fling fics out there?!

I think, besides this hug, what cements this ship after this last chapter is the following:

* Even if it’s just a platonic friendship, it’s still one of the most fun and freshly developed friendships in the series, and makes sense going back from start to finish in the manga.

* Even if it’s just a fling, it’s flirty, fun, and could be the stepping stone for shippers that want to spice up their Iwaoi/Kagehina drama/angsty fics by adding in a little “fling” for Oikawa and/or Hinata to go through before reconnecting with their soulmates, if that’s your ship.

* And even if you want to view it as something more than platonic friendship or stepping stones into other ships, it still works. I mean, after all, Hinata went to play for Brazil after the Olympics. And Brazil’s a stone’s throw away from Argentina...so...who knows what could have ended up happening, right?

Furudate definitely doesn’t confirm many ships (with the exception of Tanaka and Kiyoko), but he definitely lays out some crumbs for us the fandom to nibble on and speculate with endlessly. OiHina may not be my OTP for Hinata, but I will never deny that it’s fun, spicy, and presents a VERY nuanced way to view the relationship between one of my favorite manga protagonist and antagonist pairings. Furudate, you are a genius. Thank you for the food!

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indigosprite · 3 years

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Chrome Callout post.

relax this is just my love hate relationship with chromes writing and potential. spoiler, it ends with all the love... hate is only in the middle.

My absolute favorite thing in fanfics is Chromes characterization. Like we all know Chrome is completely aware that Mukuro and co need a reoccurring dose of Valium and a therapist willing to do illegal things in order to lower their sadistic points to ”kind of disturbing but tolerable”. Or at least we hope she does even though she proves to us again and again that she’s not phased by it in the slightest and might actually be just as bad. TYL and she’s still running around helping them do god knows what. She follows them on this massacre pridefully, she “believes in” them ( its sweet actually. They’re what she thinks of when Mukuro asks what she believes in and makes a young kokuyo gang.)

In fanfics when people write her to be a double edge sword it’s hilarious, and it should’ve been the character depicted in the Anime and manga instead. But I guess if she hadn’t been the quiet, breathy & compliant 14 year old people wouldn’t have morphed her into the fanon I enjoy now. Here’s some stuff i love and HC abt Chrome and the things I absolutely hated.

1. When she actually speaks not just when spoken to. She voices her concerns although she has no intent of not doing what’s asked of her. Who knew she could speak and still be the obedient gang member Mukuro trusts her to be. And when she does this it’s funny. She is the conscience he buries underneath disgust and amusement for chaos, but that’s not her entire character. She’s not reduced to the mom friend either because of this, she’s too passive on the matter. She indulges/Enables it just the same as Chikusa or Ken, although she knows better meanwhile the thought never occurs to them. To summarize :

she’s Brian

2. She’s unhinged and the best part is nobody knows even though it’s blatantly obvious. She may not have the same bloodlust or violent disposition as her peers but there are other ways to showcase this. To Allow Mukuro the leader of this little fearsome Five-some to possess you whenever he feels like and witness whatever horrors he decides to inflict upon someone that day means she’s accepting of literally everything he does. She never resists or expresses distaste/fear for him or anything he does. We assume she would in some capacity because she was depicted as this wide eyed innocent girl trying her best to repay the man that got her to join a gang under the guise of a found family. She quite literally signed up for guts n glory. She knew this and never had second thoughts. Mind you she doesn’t share the same hatred for the mafia as the boys, theirs is blind hatred regardless of who you are. Hers is through them, they are her looking glass rightfully so, so if they say it then their word is law. I’m not sure about you but I would definitely be mindful of the girl who was raised semi normal and willingly turned into a killer for Mukuro of all people. They’re killing adults not shaking them up, they aren’t Tsuna and his friends they finish the job when necessary. The body count is unimaginable. She is just as loyal as Ken and Chikusa and would probably strike you where you stand for speaking ill of him. (She wouldn’t but would definitely be opposed to whatever you’re saying, unless it’s name calling. He takes no offense to that and welcomes it in fact.)

3. The fact that she’s a person apart from Mukuro (physically speaking.) and the Vongola team at all is a blessing in few fics. Although she was made to stand in for Mukuro, when he is released it’s not necessary hence him pushing her to be apart from him and his duties. He did this in the future as well when he possessed Guidio Greco no longer using chrome which lets us know she was successful in becoming a useful comrade and not just a vessel and vongola stand in. She had to otherwise he would’ve left her alone whether she was keeping his Vongola ring warm or not. She is just as aloof as Hibari, always off with her own people only engaging when it’s asked of her. I adore when people keep that in mind and don’t lump her with following behind the vongola as if she were one of them. She shows up for them when asked but her main focus is ultimately committing felonies with Ken and Chikusa per Mukuro’s orders. let her be with the kokuyo gang and let her contribute in the way she’s meant to as a fighter. figure her out give her something cool

ik that’s hard considering what we got in the manga. warning things i hate ahead

what we got in the Anime and Manga:

so we know Chromes entire purpose was to be Rokudo Mukuro’s stand in, while holding the Vongola ring he soon takes back she is just the girl that is able to get him to come fight their battles when necessary. The Anime and Manga rarely let Chrome fend for herself. We all knew he was coming the second it got serious. By giving chrome that ring she ended up being the one thing to keep him loyal to his contract with being their guardian. If she’s in danger he comes and saves her, the Vongola put her in danger because he will show up and do his job it’s like a rat trap. She is not meant to be a Vongola guardian but more like a Mukuro whistle. They never openly admit it but in the show they will expect/ask her to do things that her track record doesn’t imply she can do and just silently expect Mukuro to show up like always. SKSJDWDN they’ll be like “oh yeah call the girl who passed out and all her organs disappeared I believe in her to do this job even though i’ve never seen her make it to the end of a fight ever not worried at all” sksksjjd They never actually expect chrome to do a job they expect her to go there and manage to get Mukuro to come out and play and we should acknowledge it was just an unspoken thing. Now I know that despite what I just implied about her not being that great a fighter but just good enough there are two comments made in all 400 chapters that are supposed to negate this.

Mammon says her illusions are powerful just not enough to fool him , and reborn says she could turn the tide if she were to fight against Mukuro but with confidence, these mean nothing to me because amano throws in so many useless comments like this and then fails to develop it further to make it believable. and she made powerful characters make note of this so it would be non negotiable and we would just take it at face value because its them but hello ?? ofc we want to see it just like we had to see Tsuna grow before we even considered taking him seriously. hell Dino got a quicker rise to his title than chrome bc its that easy to say oh he can come into his own when needed they just never meant to do it for chrome.

it’s so irritating when they try to say she’s powerful or could be but give no actual footing for anyone to take those comments seriously when they make her pass out for thirty chapters after doing the bare minimum.

let chrome win on her own not just start strong then step out of the way then have some character say “no really she could be powerful we aren’t going to show you though” .

when she helped them sneak in the base on her own and even makes those illusions of them fighting we should have gotten more of that!!!

literally every character is fighting the funeral wreaths and chrome is running in the woods out of breath...even Lambo got to fight.

you made her sit out of the rep battle to focus on making organs like that wasn’t something she already accomplished in the future and suddenly can’t do anymore ?.....

Chrome finally makes one fighting decision and its to make a mist forcefield that’s dangerous but hell yeah we think she will finally pull through with something powerful and prove herself and then they have mukuro come in a panel later saying “your flames are far too weak to do that I will make it better and help you not die” BYE that was a perfect time to have her come in to her own seeing as she was powerful and confident enough to initiate it in the first place.

breaking the barrier daemon spade makes * chefs kiss * give me more

when they’re not blindly robbing chrome of character development she’s just getting kidnapped, passing out or helping them with small things like making a fake Yamamoto for a party or sneaking in the base with illusions to disguise them. Hello she’s training under mukuro right ??? why did we ever get to see her get stronger each fight and have them say ‘she’s learning quick” instead.

enough abt what we got, back to what I’ve managed to make out of the scraps we were given..

4. Mukuro is the only one who reassures that she actually is a fighter and she eventually grows to be a good one bc of this and you should write about that dynamic and why it exists more. this one is long.

the whole dynamic I was referring to exploring is the one where Mukuro and chrome are meant to be equals. He meets this girl whose been neglected and left for dead, another kid messed up by adults neglectful selfish behavior. she willingly follows the boy who is plagued by the same demons and made a small group dedicated to getting revenge for it. Mukuro & Chrome know they’re two sides of the same coin. he is anger and she is acceptance. He probably finds it amusing she isn’t as angry as them wants to draw it out of her where as chrome wants to pull out the peace that comes with moving on once you’re in a better place. the girl is so happy to not be near her mom and grateful for this little family while the boys are quite literally holding a grudge against the world. and like none of them even see it the way she does but she wants them to. Mukuro and chrome didn’t go through the same things but it doesn’t matter to either of them because its the same story, nobody loved or valued them enough to protect them. In the end chrome will learn to be angry abt things that happen and use that to find a will to fight for something and Mukuro will learn to be at peace because they’re not in that lab anymore and those people are gone from their life. as fighters they’re so important to each others balance Mukuro’s rage cannot be left to be so blind and hers unattended and i know it’s supposed to be Tsuna that cleans his soul but i think chrome definitely plays a more active role in that. I think he sees a better him in her, he makes her his second gives her his name because she’s the good he knows he can never fully be. she posses a peace he’s not hopeful enough to believe he can achieve or want and ultimately it will make her far more capable of the change he wants. in believing this it means he also believes she will be just as powerful as him with the right training. he’s literally training his demise and her name is Chrome. he wont take over a (mafia) world he wants her to save. we all know he’s like annoyingly stupid when it comes to showing his emotions, he rather pretend he’s sending you to die when he’s quite literally ushering you to what he thinks is safe and sacrificing himself. so I can totally see him being like “okay Tsuna might really change the mafia and I want to see that but I've already dug my own grave here's a better newer me that will be way easier to accept than me turning over a new leaf 40 dead families later.”

5. in the future Hibari is much more happy to help and be around because he knows what a powerful fighter Tsuna turns out to be, i think this is the exact same reason why he goes and helps chrome save herself. Kyoya knows and possibly even respects future chrome enough to save her when she’s at her weakest which he usually detests. Chrome grows to be much more in the future and that’s exactly why he even gives this sick chrome a push. everyone likes to think it’s a Mukuro thing for him but what if it actually is a chrome thing. in the show he’s never been present to witness her show any kind of power so we can only assume that at some point he saw her in action.

6. it’s implied in the future that Mukuro fights alongside her, he views her as more than just a vessel and doesn’t baby her in the slightest when he pushes her to become her own being. I won’t call it respect per say but he doesn’t look at her as a doll even though that’s the part she played for him. He still trains her the way he eventually does Fran. We all know he just wants Mini Mukuros to aid him in his endeavors but the fact that he chooses her says a lot about how she’s meant to be viewed. He also chooses a nine year old brat with an apple hat but hey he must see something everyone else doesn’t until he’s done with them seeing as Fran was kidnapped by the freaking Varia once Mukuro’s teachings were for the most part implemented. “Oh you learned under Mukuro ? We can’t have Mukuro you need to join us immediately” (I’ve just realized Mukuro gave the vongola their strongest mist guardians all while claiming to hate them. Funny man). imagine how powerful Chrome gets, even better when Mukuro is actually there in the flesh to teach her where as Fran got some illusionary version of him. WRITE ABOUT IT.

7. for the love of god give that girl her own fighting style. yamamoto has his sword gokudera is literally baby genius ryohei is a boxer and hibari has like the most random weapon ever. go crazy. i love it when chrome isn’t pulling a trident from her bag. because she’s not mukuro anymore. she’s a reticent mist guardian, compliment that. Mukuros trident has his own history with him. give her some history of her own.

in my fic Chrome uses a scythe and tears through reality with it.

reason: because she is a grim reaper in her own right. she rose from the dead and is showing up to collect the souls of the wicked. a silent but fearsome person.

her style ? : personally I like to believe chrome dabbles in profiling, hear me out. Her parents were neglectful and in turn she really has little experience with relationships in general, i think her curiosity would lead her to constantly study peoples relationships and behaviors and see how they affect her target. aka she fights by showing up getting in your head and haunting you with your own past because even if they see through it damn what a nasty wound or insecurity to bring up in the form of a hell loop illusion. this also ties into her being Mukuro 2.0 he’s known to just be eerily in the know of everything going on even when he’s not there. this would be a great way of her matching that aspect of him and possibly surpassing it.

#THIS WAS SO LONG #But worth it #im so excited about writing chrome rn thanks for letting me rant #fic talk #chrome dokuro #khr #khr headcanons #SpriteLand #SpriteRot

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de-profundis-ad-astra · 3 years

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Fury, Oh Fury - Part 2

Rating || M (Strong language) Characters || Ben Miller, William Miller. Word Count || 5.1k Taglist || (Starting out tagging some mutuals and people I remember from the previous taglist) @firefeatherx @mylifeliterally @mandoplease @phoenixhalliwell @skylyknightly @havenforafrazzledmind @beatriz-silva-00 @veuliee @veuliee2 @oldstuffnewstuff @dindisneydjarin @lilacyennefer @dignityneeded @agirllovespancakes @xjustmenobodyelse @oscarflysaac @jaime1110 @goldenhour-goldenboy @pascalz @briskywalker @herestherealproblem @givemethatgold

Author’s Note || No matter how hard I try to keep this project on a backburner, it keeps kicking and screaming to be told. I had most of part 3 written before I put this fic on hiatus, and I’m hoping to have it written before the end of the year. I just need to get through this week and then schools have two weeks off for the holidays. I’m hoping to carve out some time for writing, then.

District Two’s training academy hides behind the façade of a retired school house.

Upon its decommissioning almost thirty years ago, district leadership descended upon the ramshackle building—and thus began its transformation. Training for the Hunger Games is not condoned by the Capitol. But what they don’t know won’t hurt them. While the exterior of the campus remains dilapidated and unassuming, playing every bit the part of a forgotten relic of a bygone era, its interior has its own story to tell.

Old equipment was cleared out. Tables in the lunchroom replaced with rows of sparring rings. The courtyard converted into a range for archery, javelins, throwing knives, and various ranged weaponry. The sagging, cracked walls refurbished and belied with the latest survival equipment and handheld weapons.

Children who display a prowess for fighting—and more importantly, a potential for victory in the Hunger Games—are selected to attend this academy. Training begins at age eleven, and continues until age seventeen, when one is selected to volunteer at the next reaping. These future tributes are up before dawn and smuggled into the academy before the first shift of Peacekeepers hit the streets, and are not let out until late—most days not until after the sun sets.

But the most notable feature of District Two’s training academy is not its staggering array of swords, daggers, maces, spears, every kind of armament under the sun. It’s not the skill with which District Two’s future tributes can wield these weapons. It’s not the way these future tributes can fire an arrow with devastating accuracy by age fourteen. It’s not the cleanliness of what appears to be a retired, collapsing school. No. It’s none of these things.

The standout feature of the academy is the first thing most people see upon entering the building. In the antechamber of the academy are three words emblazoned on the back wall, above the district’s crest.

Honor. Duty. Victory.

And this is the academy’s most notable feature. Painted and upkept with more care than several entire districts see.

It started out—in the early days of the academy—as an unofficial mantra of those who passed through. As time passed, and the academy produced more and more victors, these attributes were prescribed to every tribute.

Honor. Even being selected train, even if it did not guarantee participation in the Games, was considered the highest form of flattery a child in District Two could receive. Second only to being permitted the option to volunteer.

Duty. Once selected as a future volunteer for the Games, it was a job treated with upmost care and respect.

Victory.

Well. That part seems self-explanatory.

Future tributes from District Two weren’t exempt from training. Not even on reaping day.

Yes, the day was shortened to make sure everyone was present for the event, but the morning was still packed full of running, exercising, sparring, and survival lessons.

Ben had seen plenty of footage from the outer districts of how this day was observed there. It was a quiet, somber affair—the reaped tributes treated already as corpses at a wake. Families and friends shut themselves in, closed their doors and their blinds, held each other, and prayed that, however their loved one died, it was as swift and painless as the Capitol would allow.

But this was the Hunger Games. A hope for such things is, at best, a feeble one.

In District Two, the air buzzes with energy. Something pure and raw and not quite human. Of course, the knowledge of who will be any given year’s volunteers is kept under lock and key, so bets are placed, wagers made, on who they think will go into the arena based on appearances alone. Those who are selected to offer up their lives try to keep from puffing their chests a little too much, those who did not make the cut hide their disappointment behind polite smiles and kind words.

When the tributes are shipped off their families open their doors to friends and neighbors, who offer up gifts and well wishes. Parties are held for every event possible: the tribute parade, interviews, the start of the Games, and then then it simply did not stop until a victor was crowned or, in the worst case, the tributes were killed.

Then, and only then, did families shut their doors and their blinds, the shame of their tributes failing to bring home another victory outweighing their grief for the loss of a child.

At least that was what they said.

Of course, District Two cannot have an eighteen-year-old volunteer step forward at every reaping. To allow that would be to bring down the might of the Capitol if they ever caught on. District Two has worked hard to earn the favor of the president. They’re not about to risk, especially not something as high profile as the Hunger Games.

Some years, a fourteen or fifteen-year-old is selected, some years no one is selected, and the odds dictate who will be traveling to the Capitol that year.

After all, it’s may the odds be ever in your favor, right?

To find out that a district had taken the odds into their own hands, become masters of their own fate. If word of that got out about that… well. It certainly would not be a civil affair.

It was certainly an interesting thing to be said of a nation built upon that exact principle. The Capitol founded itself on this exact principle—built themselves from the ground up because they dared to carve their own path, even if that meant stepping on others. Who was to say they didn’t rig the reapings, anyway?

So for District Two to return the favor would be a horrific slap in the face.

If they ever got caught.

“NICE JOB, MILLER! If you go any slower through the next obstacle course maybe I can retire with my pension by the time you’re through!” Ben’s trainer, Alistair, screams in his face.

Ben keeps silent, his face blank and indifferent, his eyes straight ahead. He’s not looking at Alistair. He’s looking through him. Who knew tuning out Will’s lectures about training would prepare him so well for taking his trainer’s abuse?

“Go through it again!” Alistair snarls, and Ben peels back to the start of the obstacle course, hearing him scream “FASTER! I will stick my foot down your throat ‘til your shit’s on my shoe if you don’t hustle, Miller!”

Ben throws himself onto the rope net. He climbs.

Ben catches the rest of his team when he reaches the top of the rope wall. Alistair has them all doing pushups until he finishes the obstacle course, and Ben throws himself down the other side of the wall, gritting his teeth. He makes it through the course faster this time, and Alistair lets the others up. He trots them to the next course.

After the obstacle courses, it’s close quarters combat training with the squad of sixteens. Ben is convinced they’ve set it up this way just to show them how it feels to lose—to use that motivation to throw themselves into a fight willing to do whatever it takes to win. This is the Hunger Games, after all, it’s all about how ruthless you can be.

Ben looks forward to sparring drills the most. From the moment he set foot in the academy two years ago, he’d proved himself fast, faster than most others, even those much older than him. The trainers had capitalized on that. Now, at age fourteen, he can mop the floor with any squad except the eighteens.

Ben makes friends with another boy in his group named Ramsey. They share a brand of indifferent camaraderie usually reserved for teammates that only get along in the field. Ben’s had to swallow so much pride over the past six months alone following Will’s victory that he’s surprised he hasn’t choked to death. Ramsey’s strength is with a strange sort of sword-spear hybrid the trainers call a yklwa.

In close quarters combat, he’s a whirlwind, the weapon a mere extension of his hand. He takes down whoever steps into his path while hardly breaking a sweat. God helps whoever tries to run from him with the yklwa in his hand.

Ramsey says he’s named his yklwa Carmen. After a recruit in the fifteens he’s hoping to get together with.

Will takes up woodworking after his Games. His home in the Victor’s Village is covered in them. He starts small—bowls and cutting boards at first are rough to the touch. As he hones in on this newfound hobby, his hand grows steady, smooth, until he’s crafting shelves with intricate details carved into the side panels, whittling animals with striking detail that seem to stand guard in their respective rooms. A particularly haunting interpretation of the cougar mutts he faced in the arena adorn the shelf above his fireplace.

It’s not until after he returns from his victory tour that Ben asks Will to train him. It’s over dinner, one of the evenings their father works late. Will brings home stew and a loaf of bread filled with seeds from the market that they eat on the floor before the roaring hearth. They tear off chunks of the bread and dunk them into the rich, savory broth.

“Why?” Will asks simply. He doesn’t look at Ben. He looks straight ahead at the fire, the dancing flames casting dozens of patterns of shadow and light across his face each second.

Ben pulls his legs up towards his chest, Will’s lack of enthusiasm making him regret bringing it up in the first place. “’Cause…” he says, unsure how to say it without provoking his brother to anger. “The headmaster at the academy keeps tellin’ me that if I keep it up, I’ll be able to volunteer in a few years. I want… to be ready.”

“You don’t get enough training there?”

Ben folds his arms on top of his knees and hides his mouth and nose in the crook of his elbow. “If you teach me, I’ll be even better—I’ll be able to win,” he mumbles into his sleeve.

Will’s eyes drift away from the fire, a muscle in his jaw feathering as his mouth tightens into a thin line. He sighs, rubbing at his eyes with his thumb and forefinger. “Okay,” he says at last.

Ben, sensing the hesitation, backpedals, “You don’t have to.”

“No. I want to.” Will gathers up the remains of their meal and carries them into the kitchen. “If they’re going to ask you to volunteer like you think they will—I want to make sure you’re ready. I want you to come home.”

Ben doesn’t follow him into the kitchen, the weight settling in his chest too heavy to move. He just wants to be as good as Will was, he thinks. He wants to bring pride to District Two like Will did.

When he looks through the doorway into the kitchen, Will stares out the window, at something only he can see.

The next week, Will starts carving weapons.

The sword is merely an extension of Will’s arm when he knocks Ben on his ass for the fifth time and levels the dull point of the blade with his throat.

They’ve cleared out one of the (many) spare rooms of Will’s home and repurposed it as a sparring ring. Ben and his father were extended an offer by Will to live with him in the home. Due to the nature of their father’s work, he elected to remain in their house inside the district. Ben bounces between the two, though he’d be lying if he said he didn’t prefer Will’s house to their father’s.

Ben’s tailbone groans as he slides over the carpet away from Will’s sword. He’s fashioned it almost exactly after his weapon from the arena, every detail down to the carvings on the hilt crafted with extreme accuracy from memory.

“You’re stuck in the moment,” Will advises, flipping the sword around and pressing the tip into the ground between and slightly in front of his feet. He leans into it, the wood barely creaking against his weight. “You gotta anticipate, Benny.”

Ben groans, “It’s hard to anticipate when I’m too focused on not getting my hand cut off.”

He’s forgone a weapon during this session, choosing to focus instead on how to disarm an opponent. If he faces another tribute with a weapon, if he can get it out of their hands, he will earn the upper hand and put the odds in his favor.

Maybe it’s a trait that came from the arena, but Will seems so much more in his element here. He’s relaxed, lines no longer weathering his crushingly young face. His movements smooth, steady, his reactions unlike anything Ben had ever seen before.

How can he hope to go up against anything like that in the arena?

“Come on,” Will’s voice softens when he extends his hand. “Let’s try again.”

Ben keeps his focus on his own rhythmic, controlled breathing, sucking air into his lungs and letting it out in a smooth, measured pattern as his feet pound into the concrete of the track. He ignores the soreness in his legs, the tightness in his chest, his thighs begging him to stop and his lungs pleading for more. He ignores the others in his squad running in stride with him, focusing only on keeping the pace. He tunes out the pain, the people around him, and the world around him.

It’s just him and the road.

“Hey, Ben,” Ramsey’s raspy voice huffs next to him.

Ben stays silent, his blue eyes fixed downwards at the patch of the track he would job over five seconds from now. He breathes a slightly deeper breath than before, his concentration irked by Ramsey’s attempt to get his attention.

“Ben!” Ramsey snaps.

Ben closes his eyes, actively putting all of his effort into focusing on the task at hand. He centers his mind on the impact of his shoes against the concrete and his own deep breathing that makes a whooshing sound in his ears. He might fall behind or run out of breath, and if Alistair catches them talking, they’re in for all sorts of hell.

“I’m talking to you, dickhead!” Ramsey hisses, pausing between breaths.

Ben remains nonresponsive. Whatever it was, it could wait until—

A flash of pain sears across Ben’s backside, Ramsey’s hand smacking against his ass as hard as he can manage. Ben fumbles on a step with a yap of shock and hurt. He sucks down a massive amount of air and losing all semblance of pace he had with the others, only to receive a grunt of “Move!” and a shove forward from the boy behind him. Ben sprints ahead to get back into place, his face hot with embarrassment as he clenches his teeth and tries to regulate his breathing.

“Jackass!” he snarls at Ramsay, who cocks a playful grin and breathes through his mouth.

“You know better than to neglect me,” Ramsey pants, keeping up the pace. “I refuse to be ignored.”

“You’ve got a dick punch headed you way for that,” Ben croaks, his ass still aching as he tries to keep running the last half-kilometer.

“Whatever,” Ramsey replies with the vaguest shake of his head. “Anyway, did you do the homework last night?”

Homework is a rather loose term, but they were occasionally tasked with assignments to complete at home. These assignments ranged from practicing an advanced hand to hand combat maneuver, building a snare designed to catch a rabbit, or successfully waterproofing matches. The particular assignment Ramsey referred to had to do with reading about how to identify poisonous plants.

“Kinda late to be asking about that now, don’t you think?” Ben pants.

“That’s why you’re my friend,” Ramsey explains, “When my girlfriend keeps me out too late to do work, you bail me out.”

Ben grunts and cuts a glare at Ramsey that would have burned holes through almost anyone else.

“I know you’re jealous that she gets all my attention, Benny—”

“Don’t call me that.”

“Besides, we can’t all be dating some carefree, rich daughter of the mayor that loves to spend all your money.”

Before Ben can respond, a harsh voice calls, “Kick it in! Last hundred meters!”

Ramsey and Ben begin to suck in deep gulps of air along with the rest of their team, holding all of the oxygen they can and sprinting down the last section of track in a final burst of speed. They lean forward and tear down the concrete, ignoring the lightheadedness and the dull throbbing of their leg muscles as they pump their arms and struggle to stay in formation, the soles of their shoes pounding against the surface of the track.

The burning in Ben’s chest and stomach intensifies, the tightness of his body worsening as the end comes into sight.

“You better get across the finish line before I say times up or I’m gonna shove my foot up each and every one of your asses!” the voice roars.

Ben, Ramsey, and the rest of the squad picks up the pace, stomping their feet into the concrete and rushing across the finish line as a group, the last one just barely crossing before the voice cries, “Time’s up!”

The squad trots to a stop, and begins stretching against the wall of the indoor track, lined up single file in order to get out of the way of anyone else using the track.

“So, listen,” Ramsey whispers. “Back on topic: what was the homework from last night?”

“I thought you needed to copy it,” mutters Ben.

“Well, yeah. But I have to know what it is, first!”

“It was just reading,” sighs Ben. “Identifying poisonous versus edible plants.”

“Do you think they’re going to quiz us on it?”

Ben shrugged, indifferent.

“Quiz you on what, Miller?” a harsh voice behind them asked.

Ben and Ramsey cringe and do an about-face, knowing what they would see when they turned around.

Even though Ben had reached an impressive physical height for fourteen, Alistair still holds a few inches over him. He and Ramsey stand tall, staring straight forward as Alistair comes up to them with an acid frown on his face.

“Listen up!” Alistair roars. “Miller here thinks that just because his big brother’s a victor of the Games, that entitles him to a free ride around here! And Ramsey here is so in love with Miller that he can’t keep his hands off his ass! Both of them have disrespected you and me! They had the chance to do this because you aren’t motivating them enough! Therefore, I am going to punish all of you for what one of them has done! The rest of you will run while these two spar in the ring. If Miller wins, He’ll watch the rest of you do a switch run for a half an hour! If Ramsey wins, he’ll watch while the rest of you do a switch run for half an hour! Understand? Go!”

Ben and Ramsey both receive murderous glares from the eight remaining members of their squad as they take off down the track, once more in formation.

“Do I personally have to shin-kick the both of you to get you moving?” Alistair barks.

Ben and Ramsey walk past Alistair, staring at the ground, across the track and into the center field, in which was a platform boxing ring with holographic boundary lines on all four sides. Protective gear and gloves rest against the sides of the platform. Ben and Ramsey unzip the jackets of their track suits, underneath which they both wear plain white tee shirts, and slip a pair of gloves over their hands and headgear over their ears.

“Let’s go!” Alistair barks. “Your fellow cadets are paying for every second you waste!”

“Damn it, Ramsey,” whispers Ben. “I knew this would happen.”

“Oh, so I’m the bad guy here?” Ramsey asks incredulously as they walk up the stairs. “Is that what you’re saying?”

“That’s exactly what I’m saying!” Ben snaps as they pass through the holographic boundary lines, traveling to the center of the ring and facing each other. “We’re in this situation because you refuse to be ignored!”

“Well then maybe you shouldn’t ignore me all the time, I might say something you need to hear,” Ramsey responds icily.

“Like what?”

“Like, maybe if you pull that stick out of your ass, you might learn to have some fun, instead of just being an asshole most of the time,” Ramsey shrugs, putting up his fists.

“Well, according to you, Ramsey, everyone’s got a stick up their ass, so maybe you’re the one with the problem,” Ben comes back coolly.

“Oh, for fucks sake…” Ramsey growls, taking a swing at Ben’s head.

Ben bends backwards, avoiding the punch, then steps forward and jabs at Ramsey’s side. He lets out a gasp of shock, then nails Ben in his cheek with another quick swing.

Ben stumbles backwards, a dull stinging igniting in his face, though his headgear had absorbed most of it.

“Do you always have to be so goddamn responsible all the time?!” Ramsey snarls. “You always have to be right and you always have to have everything follow your rules!”

Ramsey steps towards Ben to deliver another blow, only to have Ben sidestep around and slug him in the stomach once again. Ramsey clenches his stomach, looking up as Ben knocks him in the forehead with a hard right hook.

Ramsey flies backwards, falling on his ass, stunned.

“You’re not responsible at all! How do you expect to live up to anything that your family wants for you if all you do is fuck off?!” Ben barks.

Ramsey looks up at Ben, getting to his feet. Ben stands at the ready, his fists up to protect his face. Ramsey swiftly strikes at Ben’s face, a hit that is blocked but still distracts him enough for Ramsey to drive his other fist into his stomach. The wind flies out of Ben’s lungs as Ramsey delivers an uppercut to his bottom jaw, whiplashing his neck and throwing him back.

“I don’t worry about it!” Ramsey spits. “You could stand to do the same. You worry about things that aren’t in your control. In case you haven’t noticed, I’m not the one preoccupied with my family here!”

Ben grits his teeth through the intense stinging in his jaw and neck, his anger fueling his rise to his feet. He leaps forward and strikes one, two, three times at Ramsey’s head, punching into a block each time but not caring. He steps back just in time to avoid another shot at his face from Ramsey, then back forward to hit the other boy in his upper chest.

“You’ve got no idea what you’re talking about!” Ben yells, punching again and again at Ramsey’s defenses, driving him further back. “You don’t know what I’ve been through and you don’t know what I’ve got to deal with.”

Ramsey grumbles and shoves upward into Ben’s elbows, pushing his arms up and pulling his left fist back. Before Ben can bring up a block again, Ramsey’s fist smashes into Ben’s jaw, twisting his head to the side as Ramsey’s right fist punches into Ben’s shoulder.

The dull throbbing pain in his face and the taste of blood in his mouth make the fall backwards almost unnoticeable, until the reverse polarity field at the boundaries of the ring throw him back into the center. Ben stumbles forward and landed on his knees.

“You’ve got to deal with living up to someone, Ben. I know how it feels,” Ramsey sympathizes, not attacking. “But you can’t torture yourself over things you can’t change and how you think someone would judge what you’re doing. You’re not and you can’t be just like Will!”

Ben glares up at Ramsey, lashing out with his leg and sweeping Ramsey’s legs out from under him. Ramsey falls onto his back with a rough thud and Ben leaps across the floor on all fours as Ramsey tries to get up. He puts Ramsey into a chokehold, compressing his neck in the crook of his arm, causing Ramsey to gasp out in panic.

“Well what choice do I have?!” Ben hisses into Ramsey’s ear.

Ramsey gags, and then taps the floor.

Ben releases his friend and stands to his feet as Ramsey collapses to the floor of the ring, coughing. Ben breathes hard, looking down at him, and extends a hand. Ramsey takes Ben’s hand and he helps him, still breathing raggedly. As Ramsey massages his neck and looks at Ben with a mix of pity and disappointment, Ben noticed Alistair standing at the edge of the ring. He disengages the polarity field and steps into the ring silently, the holographic borders flickering off.

Ramsey doesn’t wait for Alistair to say anything. He gives a sloppy, two-fingered salute, then takes off running down the stairs of the ring to join the rest of the squad.

Ben wishes he could feel more pride at his victory when Alistair turns to him.

“Best get going, son,” says Alistair, quieter than usual. “Reaping is in a few hours.”

Ben just nods numbly and exits the ring.

The last time Ben found himself standing in a roped off section of the square was eleven months ago, holding his breath as Will was declared the victor of the Fifty-fourth Hunger Games.

Now he stands in a clump of other fourteen-year-old boys, the space tight and claustrophobic as they await the start of the reaping. It’s one thing for a district as large as Two to cram as many people as they can in the square; it’s another to do so in the height of summer. Sweat rolls down the back of Ben’s neck and into the collar of his button-up shirt.

He’s been out here longer than many of the district’s children. He arrived early with Will, who has earned a spot on the stage with Two’s other victors. His chair is front and center, almost directly between the two massive glass balls containing thousands of paper slips and to the right of the mayor’s chair.

Ben’s name is in there three times this year. The thought is a small comfort, even though the odds are entirely in his favor. His heart throws itself around his ribcage, his throat tight. He catches Will’s eye over the heads of the teenagers standing closer to the front of the crowd, and he gives Ben a short, assuring nod.

They’re not going to pick you, Will had said while getting ready that morning when he noticed the way Ben’s hands trembled for a grip on his comb. And if they do, someone will step up.

He’s right. District Two’s favored boy to volunteer this year is an eighteen-year-old named Bromius who doesn’t know how to back down from a fight.

Though he stands directly in the middle of the crowd, Ben is sure he can feel the prying eyes of spectators around him. Him, the younger brother of a victor. It’s only natural for them to wonder if he will follow in the footsteps of Will and volunteer for the Games. He’s sure more than a few wagers are being placed in his favor today.

To Ben’s right, the crowd shifts, and Ramsey shoulders his way to Ben’s side. “Hey,” he says. “How are you doing?”

Ben reigns in the urge to grimace when another bead of sweat drips down his back. “As okay as I can be.” No matter being though this twice before, no matter how much he expects having to step forward and step on that stage one day, he can’t seem to quiet the anxiety that roils in his stomach. He still watches Will, but his attention has been drawn by another victor seated behind him, a pretty girl who won seven years ago, if Ben remembers correctly. They’re both smiling. Ben’s just glad Will can still smile. A handful of Two’s victors have come home, but he’d never seen them smile again.

Ramsey claps him on the shoulder. “You’ll be fine. Besides, you’re not going to volunteer for another two years at least. I wouldn’t be surprised if they asked you to go in when you turn sixteen.”

Why is everyone so insistent that he’s going to be fine?

The thought is chased from Ben’s mind when feedback from the microphone on stage squeals through the speakers. The mayor waits for the sound to ebb before launching into the same speech he gives every year. By now, he has it memorized. Some of the boys around him quote the speech along with the mayor with dramatic voices and giggle to themselves.

As always, they are reminded of the origin of the Hunger Games, reminded of—no matter how much they may be in favor with the Capitol—they will ultimately be at their mercy by sending in their children to their prospective deaths. The only difference this year is that Will’s name has been added when the mayor reads off the list of past victors. He feels a small swell of pride at that.

District Two’s escort is introduced. Terra Evervale, a woman who’s allowed the fact that she has worked with so many victors get to her head, makes a brief statement about how much she’s looking forward to introducing the district’s next victor to the spoils of the Capitol.

Ben keeps his eyes locked on Will, who has made sparing eye contact with him through the procession. With so many cameras on him, he needs to appear alert and engaged. Now he watches Terra as she announces that this year, they will begin with the boys, and crosses the stage to one of the glass balls.

She plunges her hand deep into the ball, rummages around for a few seconds to build the anticipation. By the time she removes the single slip of paper, almost everyone in the square is holding their breath. Ben feels his fists clench, his vision blurring around the edges.

Will watches, his expression cool as Terra crosses back to the microphone. When she breaks the seal and pulls the edges of the paper apart, he has the perfect vantage point to read the name before she announces who the male tribute will be.

Will’s blue eyes go wide, his mouth falling open slightly; Ben can see his breath catch. He finds Ben in the crowd, as if he could call out a warning.

Ben reads Will’s expression, and knows with terrifying clarity whose name is on the paper.

“Benjamin Miller!”

#triple frontier #triple frontier fanfiction #triple frontier fanfic #fanfic #fanfiction #william miller #william ironhead miller #ben miller #benny miller #reposting bc it didn't post to the tag #and then again bc i forgot to add the appropriate italics #anyway #pls reblog if you enjoyed it #bc i require copious amounts of validation to keep working on these fics

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goldenkamuyhunting · 3 years

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Manga vs Anime: Episode 30 “Bad Sign”

So let’s start with Ep 6 of the 3rd series… which is the 30 Golden Kamuy animated episode.

Some data first.

This episode last 23:40 minutes and has an opening and an the ending. It covers 3 chaps and a half of the manga, chap 163, 164, 165, & half of chap 166 for a total of around 69 pages (I’m discounting the covers) basically covering half of Vol 17.

The episode is titled ‘Bad sign’, which is actually the title of chap 164, chap 163 being ‘Wanted poster’, chap 165 being ‘Flag bearer’, and chap 166 being ‘Request’.

NB: I’ve noticed the subs in this episode diverged in some points quite a bit from scanlations and official translation (like Yuusaku saying he was avoided by others in the barraks when it was more that OGATA was avoiding him or similar things). Japanese is often vague enough to allow for both meaning even if one is more obvious than the other to who knows the plot. I didn’t cover them in this analysis as I focused only on the animation and voice acting but consider yourself warned.

And now into the anime.

ASIRPA’S GROUP

Manga & Anime: Asirpa checks the wanted poster Ilya had, which matches with Kiro. Kiro tells her of his involvement in the facts of Saint Petersburg and of how Wilk was involved as well.

There are just some minor differences:

- In the manga we see Ilya throwing up blood before dying, while in the anime this scene is cut, possibly because they showed Ilya throwing up blood previously.

- In the anime, after Shiraishi says the guards were after Kiro, we see an image of a clearly dead Ilya. This wasn’t in the manga.

- In the manga Shiraishi comments how it’s not surprising the Russians are angry. In the anime this is cut.

My two cents: I’ll say this bit is well done. Not only the images are faithful enough to the manga but the way they’re presented gives the scene the right rhythm and atmosphere. The colouring, which gives in the idea of a flashback, is a nice touch and is also nice to watch and the final panning on the statue is a good idea. The background too is very nice. If anything the only thing is that apart from Kiro and Wilk people are absolutely still and will remain absolutely still. I get animating them would take more work but they really feel like dolls. On a positive side I loved how they handled Asirpa discovering Wilk was involved. The revealing of Wilk face alternated with Asirpa seeing the poster,

the rhythm of the scene, the music… well it was very good… and since they didn’t want to animate the people around them I think it was a clever trick to show all that smoke around Kiro as he carried away Wilk so as to cover the other people and make unnecessary to draw them. The panning on the statue was also a nice touch.

Oh, since the anime had sunset happen in the previous episode now the characters are shown with the colours implying it’s night. To be honest I should praise their eyesight as it seems pretty dark but I guess it was clear enough to allow Asirpa to see the poster.

THE OPENING STARTS HERE

VASILY KEEPING WATCH

Manga & Anime: It’s night. Vasily keeps on observing who he thinks to be Ogata but can’t catch him moving or breathing. Plus his hiding spot is bad as he could easily be seen, which isn’t a mistake he believes a veteran sniper like the one who killed Ilya would make so he decides to keep on observing.

My two cents: The anime well transposed this scene in animation. Not only it’s faithful to the manga but it gets you in the right tension.

KIRO’S GROUP IS WAITING

Manga & Anime: Kiro’s group is waiting for Ogata. Shiraishi, holding what was likely Ilya’s Mosin-Nagant, comments Ogata is late and wonders if they should go to back him up. Kiro says since Ogata told them to let him do it on his own they should just believe in him and wait.

My two cents: This is also well transposed. As Kiro’s talk was long they even redrew him in a different position and even had him move. Well done!

PREPARATIONS FOR THE HUNT

Manga & Anime: Vasily keeps on studying his opponent. Sunset comes and Vasily notices tracks near the body of his adversary. He follows them and see they lead to an Orok casket. He then assumes this means what he had been observing is just a scarecrow made using a corpse and Ogata is actually hidden in the casket therefore he shoots at it, the noise waking up Asirpa’s group. Only it turns out he was wrong, Ogata was really under the cape and now it’s his turn to shoot. He hits Vasily’s jaw, causing him to fall on the ground then tries to move but fall on the ground, panting.

There are just some minor differences:

- In the manga there’s an explanation about the battle of two snipers during the battle of Gallipoli. This is cut in the anime.

- In the manga Vasily shoots 6 times at the casket, in the anime only one.

My two cents: I would have said this is a beautiful transposition as not only it’s faithful (actually cutting the explanation allow the tension to rise more) but it pays good attention to the characters’ expressions and to the rhythm of the scene. Ogata moving slowly and then the shoot hitting Vasily is great as a choice,

the bullet hit Vasily in a scene that delivers what had happened without being too gory and even the splatter of blood work.

Ogata’s colouring hints at how he’s already feeling ill, well combined with the way he breathes.

They even darkened his eyes to make them more faithful to the manga

and his fall as well as the way he pants are also well done

so it would be a great scene if it wasn’t for an AWFUL mistake. Vasily didn’t shoot just one time to the casket, he shoot 6. The whole point wasn’t just to make him shoot first, but to make him shoot all his bullets so that Ogata, who only had a single shoot rifle could use that at his advantage. I really, really hope they’ll add the sound of those 5 more shoots in the dvd version because this is a pretty bad logical mistake. On a positive side this time, differently from the previous episode, you can see the traces in the snow and the colouring is very nice.

CHAP 163 ENDS HERE.

BACK TOGETHER

Manga & Anime: Asirpa notices Ogata is back to where the Orok/Uilta are waiting so they reach him to discover he looks really pale and has a fever. Ogata tries to wave him out as him merely eating too much snow when, looking at them, he hallucinates Yuusaku.

There are just some minor differences:

- In the manga Kiro says it looks like everything had been taken care of. In the anime this line is cut.

- In the manga Shiraishi crouches down to look at Ogata when he says Ogata looks really pale, his expression surprised and a little worried. In the anime he’s standing and looking normal.

- In the manga Asirpa isn’t in the panel when Ogata sees Yuusaku, even though she was standing right in front of him. In the anime she’s present.

My two cents: While the previous scene was good this one isn’t that great for various reasons. Shiraishi doesn’t sound really like he cares here, while in the anime he seemed to do so. While Tsuda Ken well deliver Ogata is not feeling well, the anime had Ogata raise his eyes before he finished speaking. It can work in the manga, where time works differently but in the anime we’ve the impression for 5 second he wasn’t seeing anything abnormal then BANG he hallucinated Yuusaku, combined with ghost sounding effect. The ghost yuusaku effect is nice but the worst thing the anime does which will be a mistake through the whole of it is that they add Asirpa to the scene when Ogata was instead hallucinating that Asirpa was Yuusaku (in fact even though she was standing right in front of Ogata till a moment before as soon as Yuusaku appear she suddently disappear and only Kiro and Shiraishi remain), something that in the manga ties well with the ending of Ogata’s fever dream but that doesn’t do so in the anime.

HALLUCINATION

Manga & Anime: Ogata hallucinates being on a sled trained by ghostly reindeers, Yuusaku leading it, turning to him and asking him if he feels cold. This causes Ogata to remember of the time when Yuusaku was alive and they went to visit a brothel together. Once he suggested Yuusaku were to have fun with the women there, Yuusaku refused, apologizing and Ogata let him go, making sure he wasn’t seen by others.

There are just some minor differences:

- In the manga, when Ogata asks Yuusaku to come with him, Yuusaku blushes. In the anime he doesn’t.

- The anime adds a scene in which one of the women caresses Yuusaku’s hand.

- In the manga Yuusaku sweats before answering to Ogata. In the anime he doesn’t.

My two cents: Okay so I liked the run on the ghostly sled, with that odd red colouring which I think was inspired by the cover for vol 17.

Even the idea of Yuusaku’s blood spraying all around is somewhat well done in it’s creepiness.

The transition to the flashback is well done with the camera moving on Ogata’s eye which close and open and then we see Yuusaku in the flashback.

Yuusaku’s voice is always very kind and the music, while not great, well underlines the mood of the scene. I like the choice to make a beautiful very starry sky, which seems to imply hope. Yuusaku doesn’t blush but his joy at having been invited is evident. The scene at the brothel sets up the atmosphere perfectly, with Yuusaku greatly uncomfortable as Ogata goes on. The first clenching, the lips trembling, the exhaling, everything is perfect.

THE OROK/UILTA CAMP

Manga and anime: Kiro’s group reaches an Orok/Uilta camp of a relative of the men that were with them. Asirpa helps Ogata getting down from the sled while Shiraishi observes. Once inside the tent she uses Ainu remedies to try to get Ogata feel better. An Orok/Uilta shaman also joins them trying with his music, to chase away the illness, with Asirpa and Shiraishi helping to make the healing music.

There are minor cuts and changes:

- The anime expanded the scene in which Asirpa helps Ogata, adding Ogata almost falling then slowly walking toward the tent, supported by Asirpa.

- In the manga Shiraishi merely observes the scene, his face shadowed, sweating a little. In the anime he also lowers his head and turns away his gaze, as if torn.

- The anime added an image showing Shiraishi and Asirpa listening to Kiro’s explanation.

- In the manga we see an image of Ogata sweating and, next to him, Yuusaku. In the anime we see Ogata sweating and then, among the steam, appears an image of Yuusaku all curled up, and then Ogata’s eyes.

My two cents: The scene of Ogata having troubles standing is well handled, they almost had him fall and then walk really slowly which is perfect. I also like how they delivered Shiraishi’s inner turmoil. It’s also good how they transitioned from Shiraishi and Asirpa listening to Kiro to them making noise as loud as they could. Sure, the scene of Ogata saying ‘silence’ is a bit less funny as Tsuda Ken delivers it in a sick yet creepy way but it works well. I’ll even go so far as saying that the way the anime chose to make Yuusaku appear during the music scene is better than the one of the manga.

THE SECOND HALLUCINATION/FLASHBACK

Manga and Anime: We’re back at the brothel, with Ogata sitting alone with one of the girls when he’s reached by Tsurumi. At this he sends the girl away and makes his best to look proper. Tsurumi comments the rumours on Yuusaku’s personality seem to be true, Ogata counters he was probably frightened by the atmosphere and insists he can manage to deceive him. Tsurumi says if he has a strong sense of justice it would be difficult to get him on their side, after all Yuusaku comes from a noble bloodline, which pushes Ogata to reject the notion of ‘noble blood’.

There are minor cuts and changes:

- In the manga Ogata’s face is deeply shadowed when Tsurumi says Yuusaku has noble blood. In the anime it’s not but they add Ogata’s eyes widening and then lowering.

- In the manga the shading on Ogata hinted at how he was in an emotional turmoil. No such hint there’s in the anime.

My two cents: This too is well done. I must praise Tsurumi’s voice actor because he’s great in delivering his quotes and we own to him most of the success of the scene but a good moment is also when the anime had Ogata’s eyes widen slightly at the mention of noble blood, showing how Tsurumi hit the mark and then lowering, showing how that remark hurt. Good is also the pause before Ogata delivers his quote.

THE ANIME PLACES HERE AN EYECATCH

SHIRAISHI, ASIRPA AND KIRO’S TALK

Manga and anime: Shiraishi leaves the place with an excuse and manages to lead Asirpa to follow him. Once she reaches him he tell her to escape with him. He believes Kiro took them there to try to get Asirpa to remember the key and that’s why Shiraishi kept silent but now he believes it’s too dangerous to stay in Russia. Shiraishi explains her his reasoning but Asirpa insists she’s staying. Kiro joins them, explaining them his old name was ‘Yulbars’, which was his past and why they killed the emperor. They’re fighting for minorities which includes his son and the Hokkaido Ainu. Asirpa says she wants to know more about her father and that she might remember the code then wonders if the killing to get the gold will continue with an even bigger killing once the gold is found and wonders if the gold really need to be found.

There are minor cuts and changes:

- In the manga isn’t clear if they are or not but the anime showed how Shiraishi and Asirpa were still making noise, albeit more calmly.

- In the manga Shiraishi points out to how there should be someone watching them as Kiro killed the emperor 20 years ago yet the Russians were right there to wait for them and that the Orok/Uilta man had almost be killed. Plus he mentions how when in the past they asked Kiro what Wilk might want to do with the gold, Kiro said he didn’t know but it was a lie as he had to know Wilk wanted to use the gold to fight against Russia. Kiro had to know as they killed the emperor together so it’s possible Kiro’s aim is the same, which was what Inkarmat was saying. In the anime he says one Kiro is hiding things from them as he and Wilk were trying to steal the gold to fight Russia.

My two cents: I liked how they remarked Asirpa and Shiraishi were still playing for Ogata... not so much how Shiraishi’s entire reasoning got cut but I get the anime needed to cut here and there to save time. I also like the transition in which everything turns to blood which rises toward Sugimoto’s image as well. I was curious how the anime would have handled this and I’ve to say they did it really well.

CHAP 160 ENDS HERE.

BATTLEGROUNDS

Manga and anime: Russo-Japanese war. Yuusaku, holding the flag, encourages men to march forward. Later Ogata is alone shooting Russians who wanders on the now empty battlefield. Tsurumi approaches him telling him Yuusaku is brave and everyone loves him. Ogata summarizes he doesn’t have to kill him.

There are minor cuts and changes:

- In the manga the two panels showing Ogata during the battle show him aiming. In the anime only the second does and between the two there’s an image of Yuusaku.

- In the manga we see Ogata shooting then a Russian falling, Ogata recharging, then another Russian falling then Ogata recharging. In the anime we see a Russian falling, Ogata shooting, another Russian falling, Ogata recharging.

My two cents: The transition here is a tad abrupt. I’ll admit the anime managed to deliver the general madness of the war, with soldiers drunk on the belief they won’t get hit due to Yuusaku. Sure, I would have appreciated less still scenes during the battle but whatever, at this point I guess the anime thinks they’re cool. The transition from the battle to the empty battleground work well and the dialogue between Ogata and Tsurumi is well done. I’ve to admit I like very much the contrast between Tsurumi’s voice and Ogata’s but it might be just me.

AT THE OROK/UILTA CAMP

Manga & Anime: Ogata is sleeping, Asirpa cheeks his forehead and comments his fever has gone down. As Kiro thanks the shaman Asirpa is gifted with a protective charm for Ogata. They give a protective charm to Shiraishi too, for a child’s penis.

There are minor cuts and changes:

- In the manga a box explains what the headband is for. In the anime it’s Asirpa who does so, saying it seems to work.

- In the manga the protective charms are shown in a box. In the anime the shaman shows them.

- In the manga Kiro says that they’re going to give that charm to Shiraishi because he was staring at a woman’s breast while she was feeding a baby. In the anime this is cut.

My two cents: Not bad. They’ve to adapt some things as they decided not to use the narrator but I’ll say it works just fine.

THE LAST FEVER DREAM

Manga & Anime: It’s night and Ogata and Yuusaku are walking on the now empty battleground, ogata leading Yuusaku somewhere. Yuusaku worries they’ll get scolded if they’re discovered. Ogata shows him a prisoner of war completely tied, then points out since he got there Yuusaku had never killed anyone and wonders if he’s using his role so as not to get his hands dirty. At Yuusaku’s denial asks him to kill that man and Yuusaku explains him his father told him not to kill so he would become an icon that would give them courage because killing fills others with guilt. Ogata says nobody feels guilt, they’re merely faking it, everyone doesn’t and is the same as him. Yuusaku hugs him and, crying, tell him he’s sure Ogata feels guilt as it’s impossible for people who not feel guilty when killing to exist.

There are minor cuts and changes:

- In the manga Ogata’s face is shadowed as he asks Yuusaku if he had ever killed someone with a darker shadow falling on his eyes. In the anime it’s not.

My two cents: This too is a good transposition. It’s faithful to the manga, it well used the corpses around them to make atmosphere, the voice actors generated a nice contrast between Yuusaku being so emotional and Ogata so calm and flat… yet as if he had something bubbling under the surface. If I’ve to nitpick I can say I’m a bit annoyed at the anime using a still image again when showing Yuusaku in ‘action’ and that Yuusaku hugged Ogata a tad too slowly so it felt a bit odd. Also the background music is nice and fitting but it would probably work better if it was on a higher volume as otherwise it can go unnoticed. Still, this is good.

THE END OF THE FEVER DREAM

Manga: At the next charge Yuusaku gets shoot from behind, the implication being Ogata did it. Yuusaku falls. However he’s then standing again and turning toward Ogata. Only it’s actually Asirpa as Ogata has woken up from his fever dream.

Anime: At the next charge Yuusaku gets shoot from behind, the implication being Ogata did it. Yuusaku falls. However he’s then standing again and turning toward Ogata. Ogata wakes up and Asirpa turns toward him.

My two cents: And this is where the anime screwed up BIG TIME. The whole implication of the scene wasn’t that Yuusaku, despite the bullet going through his head and the fact he had fallen stood up again to turn and look at Ogata… it was that as Ogata was about to wake up he saw Asirpa turning toward him but at first he exchanged her for Yuusaku turning toward him. How anime viewers are going to understand Ogata’s meltdown on the ice if they aren’t told Ogata has subconsciously superimposed Yuusaku and Asirpa’s images? I could give the anime a pass for not figuring it when Ogata started hallucinating Yuusaku, as that one wasn’t that easy but this wasn’t so damn hard to get, the page with Ogata and Yuusaku and the page with Ogata and Asirpa are drawn so similar exactly because you have to get this point! Really, if it wasn’t for this single one mistake this episode would be SO GOOD! Why did they have to mess up this? When Asirpa turns and Ogata is staring he doesn’t look like he’s surprised to see her, it looks like he had been frozen there ages ago and isn’t defreezing yet. -_- Well… at least they understood the Yuusaku who turns isn’t real as he starts to have the red tinge of the hallucination. Ogata’s pose as he watches him though is a bit unnatural and if it was made in an attempt to mimic the one he had in the manga, in the manga his pose was hardly visible so it could work while here it feels off.

CHAP 155 ENDS HERE.

FORTUNETELLING

Manga & Anime: The Orok/Uilta divine the fortune for Kiro’s group using the shoulder blade of a reindeer. The result is someone is coming from behind. Shiraishi wonders if this is a good or bad sign and Kiro says it’s good then shows him the shape the crack should have to point out someone is going to die.

There are minor cuts and changes:

- In the manga they showed the various cracks all in a box, in the anime the showed them on the screen one after the other.

- In the manga Asirpa has a doubtful gaze (Asirpa has a long story of not believing in divination), in the anime she’s just serious, then seems to squeeze her eyes a little as if in thinking.

My two cents: It’s nicely done, except maybe for the lack of Asirpa’s disbelief but I fear the ones behind this episode might not remember it (or since they made that horrible prophetic dream at the end of ep 24 they want to retcon Asirpa as believing in this sort of things).

THE TRAVEL RESUME

Manga & Anime: Kiro’s group is ready to leave the Orok/Uilta. Kiro apologizes for the troubles then tells Shiraishi he’ll remain there as yes, staying with Kiro would put him in danger and he doesn’t need to escape from him. Ogata agrees they’ve no reason to stop Shiraishi and Asirpa thanks him for what he did and says goodbye to him. Shiraishi watch them leave, thinking a smart move would be to join Tsurumi but… ultimately ends up running after them as Sugimoto told him he was counting on him to protect Asirpa. Shiraishi joins them saying he thinks in Russia there could be many pretty girls waiting for him and that if penis were to hurt he can use his charm. As he says so the shoulder bone crack further, showing the sign that was meant death of one of them.

There are minor cuts and changes:

- In the manga Kiro looks a bit sad when he says Shiraishi doesn’t have to run away from him. In the anime he’s just serious.

My two cents: I really liked the way Asirpa greeted Shiraishi. Her expression was sweet and her voice actor did a good job. The musical background this time was more noticeable and worked better. They also took care to keep Shiraishi moving and expressive as he explains his plan. Shiraishi running after them is a beautiful moment (too bad the flashbacks aren’t up to the same quality but whatever, they’re from the second series) and Asirpa’s expression and voice as he sees him is beautiful. I like how they showed Kiro smiling too and the way he asked Shiraishi if he changed his mind. The ending with the bone cracking came out powerful so it’s really good.

TO SUM IT ALL

I think this is probably THE BEST GK episode of the 3rd series, if not of all the series. Not only it’s a good transposition of the story, but it’s one that’s not rushed and that uses the times in the right manner, with a good animation and a good care of the character expressions plus a good storytelling and an attempt to use the music that needs to be improved but shows an initial care. Really, a good work. So I really hate how they missed the tie between Asirpa and Yuusaku, which was an important part for the future developments. I could pass over how Vasily didn’t shoot 6 bullets, it’s not clever but whatever, it does no harm if Ogata tempts fate more than necessary or if Vasily is actually more careful than in the original but this.... this wasn’t meant to end here but be tied to the ice field scene and now... not it won’t be, which makes me wonder if the writers are regular readers of GK or just read the bit they need to transpose, and so it’s harder for them to figure out the characters and what they’ll do. Whatever, except for this, it was a good episode, I would love if they were to fix the mistakes in the dvd version though I don’t dare to hope they’ll do it in this case and now I really, really hope the series will manage to keep this standard and, if possible, to improve it.

And also that it won’t completely and utterly screw up the ice field episode. Really. Please, no.

#Golden Kamuy #Ogata Hyakunosuke #Asirpa #Kiroranke #Shiraishi Yoshitake #Hanazawa Yuusaku #Hanazawa Koujirou #Tsurumi Tokushirou #Sugimoto Saichi #Golden Kamuy Manga vs Anime

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rawritzrobin · 3 years

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Seeing Red Chapter 6

Title: Seeing Red

Master List

Pairing: Jason Todd x Stella Covington (OC)

Warnings: Cursing, major character death, a little bit angsty, fluff.

Summary: It’s been three years. Have things really changed that much?

Chapter 6: Rooftop Tryst

Stella kept her back turned. She wasn’t ready to face him just yet.

“Not so much figured out. More like walked in on Bruce running a blood sample.”

The Red Hood snorted. “Old man got my blood huh. That’s what I get for letting my guard down.”

Stella kept her gaze down on Gotham, watching the cars drive by like little ants. The stayed in silence for a little while.

Once she was able to calm down and think clearly again Stella uttered out one sentence barely loud enough for Red Hood to hear.

“Is it really you?”

Jason stayed silent for a moment, not sure how to answer. He wanted to tell her: Yes, it was him. That he was sorry. Sorry for not coming to her right away. Sorry for keeping this secret from her. Sorry for becoming the monster he currently was. He wanted nothing more than to take her in his arms and never let go. To jump onto the back of his bike and ride away from the hellhole that is Gotham. To get far away from this place so they can start a new life together somewhere nice. He took a step forward and reached out his hand, but pulled it back.

But he couldn’t. He had plan. A plan she could not be a part of. All the years he spent training with Talia lead up to these few days. He couldn’t just turn back now. The plan was already in motion. This meeting was not a part of that plan. He should never have come. He should leave. NOW.

But why couldn’t he move?

“Yes.” He says in a defeated robotic voice.

The rain started to pick up again, a soft sprinkle now.

Stella’s breath hitches and she takes in a deep breath. She clenches her eyes shut, not knowing how to respond to his answer. Her heart was nearly beating out of her chest. For the past three years she has wanted nothing more than to have Jason back in her life.

But now that he was back, why was she so hesitant to face him?

She opens her eyes and takes one more breath as she turns around to face him. She bites her lips to keep herself from crying.

He looked exactly the same as before. He was still wearing a brown leather jacket with black pants, the same outfit as the day she met him in the alley way. His shoulders were slumped forward, but they perked up once she turned around to face him. The white electronic eyes of his helmet glowed brightly in the night. He was definitely taller and the years have been kind to him. She could see his muscles beneath his armor. But, she had to know for sure.

“Prove it.”

Jason sighed and placed both hands on his helmet. With a hiss, the helmet unlatched. He pulls the helmet off with ease and tosses it aside.

Stella recognized him immediately. He was definitely a little older, a few scars littered his jawline. He had a white patch of hair where his hairline met. His face was practically the same, she would recognize that jawline anywhere. But there was one thing she still needed to see.

“Mask too.” She said as she gestures to her eyes.

Jason smirked at the comment. He had missed her bravery. For all she knew, Jason could kill her. He could be lying to her about who he was. This is Gotham after all. The place where even familiar faces can hurt you. But here she was, unarmed, and barking orders to a known murderer. He rips the domino mask off his face with haste. He opens his eyes slowly and for the first time in three years, locks eyes with her.

Stella’s eyes widened. She had her doubts. Even when Dick confirmed it. Even when she saw that Bruce had blood evidence. She still wouldn’t believe it until she saw him with her own eyes. Now here he was. His aqua eyes staring intently at her. She would recognize those eyes anywhere.

It really was him.

Stella took a few steps forward, hesitant to move quickly, as if doing so would scare him away. Jason stood still as Stella steps towards him. His heart beats faster and faster as she closes the space between them. After a few moments, she is right in front of him.

Stella looks up at him and reaches her hands up to cup his face. He looks down at her and presses his face into her hand. The familiar touched warmed his heart. A feeling he longed for all these years. He slowly lifts his hand to hold hers. She was so cold, but her touch made him feel so warm.

Tears started to fall from her eyes. “I-it’s really you.”

Jason’s eyes start to water as he melts into her touch. “Yes doll. It’s really me.”

As soon as Jason finished his sentence, Stella throws her arms around his neck and pulls him close. Jason collapses onto his knees and wraps his arms around her. None of this was apart of his plan, but he no longer cared. He brought his hands to her head and ran his fingers through her hair. The rain came down heavier now. But it didn’t matter.

After a little while Stella pulls away and looks into his aqua eyes. In an instant, Jason crashes his lips against hers, unable to resist. Her lips were so soft against his chapped ones. He missed the way her body felt against his. It was incredible how much her presence made him feel alive.

She pulled away and pressed her forehead against his. In between her sobs she addressed the elephant in the room.

“How?” She asked.

Jason looked down at her sadly. He lifts a hand to cup her cheek and gently wipes away a few tears.

“Long story short, Lazarus pit.” He looked away from her. That story was a long and painful, one he was not ready to go into detail with.

Stella stares at him. The look of curiosity in her eyes. “How long?”

“Three years.”

Stella pulls away slightly. A little shocked by his words. “Where were you the whole time?”

Jason’s eyes darkens. “Training. Planning. That’s why I’m back. I finally have a plan Stella.”

Jason leans forward, taking Stella into his arms once again. He pulls her into his chest and loudly whispers, “I’m going to kill the clown. I’m going to do what the Bat couldn’t. I’m going to change Gotham.”

Stella pushes him back slightly. He keeps his arms around her, refusing to let go. She stared up at him, taking in his words.

“Jay. I-its not right.”

“What’s not right?”

“You can’t kill him Jay. It’s wrong. He deserves to rot in Arkham. Killing him would make things too easy.”

Jason clenched his fist. Anger was slowly taking over his veins. He let his arms drop to his side, releasing his grip around her waist.

“Easy? That man took me away from you babe. You’re okay with him just walking around free? Waiting for him to take some more innocent lives?!”

Stella shrunk at that comment. Deep down she did want the clown to die. Hell, if you asked her the same question three years ago she would have done it herself. But Alfred’s voice echoed through her head. “Murder is wrong.”

“No, I don’t want him to be free. But I don’t want that burden to lie on your Jay. They’ll put you in jail. Then I’ll lose you all over again.” She said taking his face in her hands once more. Jason looked away.

“Don’t worry about all of that. I have a plan. Once I’m done here. We can leave. Gotham is no good for us. Come with me.”

Stella tilted her head at that comment. Leave this wretched place forever? It actually sounded like a good plan, something she had wanted to do for a while now. But there was always a reason for her to stay. As much as she hated Gotham, it was her home. The place she was born and the place where her mom was buried. She couldn’t just leave. What about her dad? What about her dream of opening her marine animal park? They had already begun construction on the site at Gotham pier.

“Jay, I can’t. You know that.” She said as she took a step back from him. Jason reached for her hands, still afraid to let go. “Come back to the manor Jay. Alfred can fix things. Now that you’re back things can go back to the way they were.”

Jason’s grip on her hand tightened as his eyes darkened. “There’s no going back. He let the clown live after what he did to me. HOW COULD HE LET THE CLOWN LIVE AFTER HE TOOK AWAY HIS SON.”

Jason’s grip was painful now. “Jay, you’re hurting me.” Stella said as she tried to pull away from him. Jason lets go and Stella stumbles back.

“The clown can’t live. That is not a part of the plan.” His anger turned to sadness. Stella could see it in his eyes. “Please. Come with me.” He practically begged.

Stella shook her head slowly. “I can’t. Jay please. Come with me. Please. We can fix this. No one knows it’s you. Bruce would never do anything to hurt you. We can start over.”

Jason tensed at the mention of Bruce. “He already hurt me when he LET THE CLOWN LIVE!!” He screamed. Stella took another step back. She had never been afraid of Jason, but tonight, he was different.

Jason watched as Stella stepped away from him in fear. He let out a heavy sigh and dropped his head. “Doesn’t matter. The plan is already in motion. I shouldn’t have come.” He picked up his helmet off the ground and placed it over his head. It hissed into place and the white eyes lit up again.

“Jay Please….” Stella begged.

“No. It’s over Stell. The clown must die.”

Stella reached out for him, but he backed away from her.

“This was a mistake. I’m sorry.” He said as he turned and ran full speed away from Stella.

“Jay wait!!” She screamed chasing after him.

Jason jumped over the barrier with ease. He let himself fall a little bit before shooting out his grappling hook into the next building over. He moved swiftly, not turning to look back once.

Stella chases him to the edge. Watching him jump off, she climbs over the barrier. She stood at the edge of the building and watches him swing away, not once turning around. Her eyes filled with tears as she watched the love of her life walk out of her life again. Without notice, Stella takes one step forward onto a loose panel. She lets out a yelp as she slips off the side of the building.

She loses her voice as she falls. She manages to let out a scream as the ground comes closer and closer. She closes her eyes and braces for impact when she feels herself collide against kevlar.

“Gotcha.” The voice says as she feels herself flying. She wraps her arm around Tim as he swings them onto a nearby roof. She sobs into his shoulder as he carries her to safety.

#Red Hood #jason todd/original female character #Stella Covington #Jason Todd #Jason Todd x oc #batman #original female character #Alternate universe #AU #DC #Under the Red Hood #iwritethings #fanfiction #seeing red

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brabe · 4 years

Text

WHAT IF... MURATA UGETSU HAS BORDERLINE PERSONALITY DISORDER?

“Murata Ugetsu was by no means detached from life- nor was he free of worries and grief, he had feelings too- the same as anyone else... But, unlike ordinary people, his heart and his emotions were overflowing.

While I listened to Ugetsu’s music that day—to the sudden flood of music-feeling that was amplified so many times more than usual, I found myself wondering — how... just how was this child prodigy able to live...?

Be it joy, or sorrow, or suffering, Ugetsu lived with feelings which were much more complex, and exponentially larger than those of ordinary people- just accumulating it all within himself.” (Chapter 17)

Murata Ugetsu’s introduction struck a chord with me right away because I recognized the feelings described all too well. So, I asked myself, what if?

After finishing the anime, I read all the chapters of the manga mainly because I wanted to know more about this intriguing character, and I only kept finding clues that reinforced my initial assumption.

I am hyperfixated on mental health issues, in part wanting to find characters to relate to, so here is my reading of Murata Ugetsu. I wonder if anyone came to the same conclusion as me.

Borderline personality disorder (BPD) is an illness marked by an ongoing pattern of varying moods, self-image, and behaviour. These symptoms often result in impulsive actions and problems in relationships with other people. A person with borderline personality disorder may experience episodes of anger, depression, and anxiety that may last from a few hours to days. In general, someone with a personality disorder will differ significantly from an average person in terms of how they think, perceive, feel or relate to others.

“People with BPD are like people with third degree burns over 90% of their bodies. Lacking emotional skin, they feel agony at the slightest touch or movement.” (Marsha Linehan, Professof of Psicology, who has BPD herself and developed the most effective therapy to date for this disorder).

There are many categories of symptoms for this disorder and I reckon Ugetsu manifests the following:

A pattern of unstable relationships swinging from extreme closeness and love (idealization) to extreme dislike or anger (devaluation):

The most glaringly obvious one is, of course, the relationship with Akihiko.

“Right after Ugetsu has been away from home for some time, there is a honeymoon phase which lasts a few days. It’s as if we have returned to the past... And then out of the blue, it happens—as if he’s saying, yes, this is a great chance—let's take this opportunity, quit being together and break for real this time. Like he is in a rush... Like I am not needed. Like—he is forcibly shutting me out from his world.” (Chapter 19)

“Him and I... We have been causing each other nothing but despair for almost two years now.” (Chapter 17)

It’s also notable the lack of other relationships. When Mafuyu asks him, why Ugetsu was confiding in him, even though they were virtually strangers, Ugetsu replies: “Because I don’t have any friends! Perhaps, I really just wanted someone to understand... Just a little bit is enough.” (Chapter 17)

He is actually really kind towards Mafuyu, opening his home to him, freely helping him with music anytime Mafuyu wants even though he is a world-renowned musician and even letting him practice at his house while he is not there. We know he does that because he recognizes the genius in Mafuyu, but still, I think he actually would like to have friends; he probably just doesn’t know how to. We know that Akihiko was his first friend and evidently years later still the only one close to him.

Inappropriate, intense anger or difficulty controlling anger, often followed by guilt and shame:

Ugetsu gets suddenly physically violent with Akihiko two times (and a third one is implied when Haruki first saw Akihiko and he had a bruised cheekbone). He throws a glass on the floor when Mafuyu visits him because Akihiko still hasn’t come back home. He seemingly inexplicably smashes the mug Akihiko gifted him: “Around the time we had just started to live together, when he brought me my first present, somehow... I hated that very much, and I refused it saying—’I don’t want it!’ Even though it was only a mug. Back then, I should’ve just said—’I’m happy. I want to be with him.’” (Chapter 17)

I believe the last one was a dissociative episode, another symptom of BPD, a trance-like state in which one is disconnected from their own mind, body and surroundings. Then the switch turns back on and Ugetsu suddenly starts crying, crouching on the floor, staring blankly at the broken pieces and picking them up, asking himself why, just why did I do this?

The guilt and shame aspect is also shown, when after having recounted his history with Akihiko to Mafuyu, Ugetsu leans his head on the steering wheel of his car remembering everything, clearly in grief, and thinking to himself: “Really... He is a good guy, isn’t he.” (Chapter 17). Here I want to indeed praise Akihiko and underline how well he dealt with Ugetsu’s dissociative episode. He didn’t freak out and lash out at Ugetsu, calling him crazy, but instead he tried to diffuse the situation, laughing and helping Ugetsu to pick up the pieces of the broken mug. As if to say, ‘it’s okay.’

Desperate efforts to avoid real or imagined abandonment:

One way of doing this is leaving the other person before they leave you, which is exactly what Ugetsu does or tries to do. He is terrified that Akihiko will leave him definitely one day, but at the same time he actively tries to make him leave: “I’m the lowest son of a bitch towards Akihiko and I guess he resents me, y’know... But I love him to death.” (Chapter 17)

“I’ve been pushing him away but he hasn’t given up on me at all. I’ve been trying to leave him every chance I get. But it seems like I’m still not good at doing that, so... I’ve always been waiting for him to let go of me.” (Chapter 17)

“What if he never came back, just like that? I’ve thought about it countless times. Yet, I’m still not able to imagine it. Tomorrow, he might come back all of a sudden? Or maybe he won’t? But, just the same, I want this suffering to end. But on second thought, I don’t really want that. All the stuff that’s in this room right now, the thought that everything might disappear... Will nothing... Not one thing remain?” (Chapter 27)

Distorted and unstable self-image or sense of self:

It’s fair to say the core obstacle in his relationship with Akihiko. Ugetsu’s whole existence is ingrained irrevocably in music. It is what gives his life purpose and the outlet with which he deals with his too intense emotions. Which leads me to wonder what would happen if for some reason he lost music. And I am not positive he would survive that.

“After we graduated from high school—at the time, when I was actively performing as a musician... one day all of a sudden I realized, the existence of the other—was the one thing we both chased after the most in this world. As long as Akihiko is with me, I’ll be unable to become free with my music.” (Chapter 17)

Ugetsu felt as if he was losing himself and his music in his love for Akihiko, which brings to the unstable sense of self. This terrified him. Love is messy for everyone and anyone but with BPD emotions are plugged into an amplifier and dialled up to the maximum (“But for my heart to be touched like that”). He can’t deal with all of this and the fight-or-flight response is triggered and “Let’s end this already.” (Chapter 17)

Black-or-white thinking:

People with BPD often struggle to see the complexity in people and situations and are unable to recognize that things are often not either perfect or horrible, but are something in between. This can lead to "splitting," which refers to an inability to maintain a cohesive set of beliefs about oneself and others. Ugetsu seems to be obsessed with perfection and probably to be a world-renowned violinist you need to be to a certain degree. But for example, when asked by Akihiko to come to the band’s first live, he replies with: “Is it at a level that you can show me? Ah... it’s not at a level where you can reply to me right away... then, I won’t come. There’s no point watching a performance if the performer doesn’t have the confidence to do it well.” (Chapter 8)

Ugetsu doesn’t exist in the in-betweens. There is pefection or worthlessness, love or hate, music or Akihiko.

Depression:

Ugetsu manifests many symptoms of depression.

He is either practicing the violin or sleeping.

He seems to undereat. Almost in every panel in which they are at home, Akihiko worries about whether Ugetsu has eaten or not, and always offers to cook for him, implying that Ugetsu wouldn’t bother if left to his own devices.

He is untidy and careless to some degree. At the violin concerto where Ugetsu is the soloist, Akihiko exclaims: “Again? That idiot... His hair is a mess.” (Chapter 15) implying that it isn’t the first time that Ugetsu appears somewhat shabby at a formal event, in which furthermore he is the star. This fact in particular surprised me because I had the impression that Ugetsu was vain.

This neglectfulness also reflects in his living space. Once Akihiko leaves, the house is in complete disarray. When Akihiko comes back to say he will move out, the debris of the glass Ugetsu smashed when Mafuyu visited are still there.

Last but not least, Ugetsu lives in a soundproofed basement in semidarkness, a fortress of solitude of sorts from the outside world.

Suicidal thoughts or threats:

“Well, when I was a kid, I used to go to some unknown old man’s plantation on my own, and I enjoyed killing bugs by squishing them with my right hand, y’know... Then, on one clear sunny day, I happened to listen to some music playing on that old man’s radio. It was ‘In the flow of time’ by Paul Simon... Yet even though I was only a kid, I thought, wow... I want to die... It’s a good day, isn’t it? Well, there were other things too, but somehow, I wonder If I’ve basically been chasing that feeling of dying from back then...” (Chapter 21.5)

Well, this passage speaks for itself. In some capacity Ugetsu has been pondering on death, has been chasing it, since he was a small child. I think this can be linked to the BPD symptom of chronic feelings of emptiness.

Impulsive, self-destructive and sensation-seeking behaviours:

In this category I think we can include the sleeping around in which Ugetsu engages. While not a harmful behaviour in itself, I think the motive is. Ugetsu has been systematically sleeping around for two years not because he actually wants to and it makes him feel good, but he does it to spite Akihiko and as a coping mechanism to try and get over him. This wouldn’t do good to anyone’s mental health and self-worth.

“Ugetsu and I fought all the time, even after we broke up. That... was because of his timing when it came to finding a new man... It was as though he was doing to spite me.” (Chapter 19)

Intense and highly changeable moods:

Simply, all of the above.

This is all for now. I will edit this list if future chapters will shed more light on the mind and heart of this character that I have come to care so deeply about.

#murata ugetsu #given #borderline personality disorder #akigetsu #bpd

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greekbros · 3 years

Text

"greek-Bros: The Return of an Old Enemy"

Chapter 4: Into the Wolf's Den

After his encounter with Artemis and Hermes, the wolf creature shambles back to a small entrence way into Mount Parnassus. Through rock and dirt, climbing up and down a corridor of stone, he desends down deep into the earth, back to his accursed master.

As it haphazardly turns around to make full sure of himself that he wasn't followed, he faces a large cavern gate, made from wood scavenged from the surface. Symbolically guarded by two crudely made statues of snarling wolves cobbled together with bits of scraps of pottery, wood and metal.

Due to his fatal injuries, he's slowly dieing from wound. Inspite of reanimating, he doesn't have too much time until the magic that keeps him half-alive wears off. Inhaling the damp, musty cave air, he let's out a long low howl, alerting the guards at the gate. The first guard, probably on his first day on the job, pokes his head through the gate wall much like a dog would stick its head trough a hole in wall.

"YESH, PASSWORDSH?" the young gaurd in a gruff toothy voice. He looks down and sees that there was no time for passwords, the wolf at the gate was fading fast. "HEELP! WALKN DAED! He clumsily shouted.

The dieing wolf started to cough up blood and fluids. He barked in agony for assistance to come faster. As he was swaying back and forth, two other wolf-men dressed up in hoplite armor carrying a patchwork stretcher come trough a hidden door build on the left of the gate, nearly indistinguishable from the panels of wood around it. They assist the wounded wolf man on to the stretcher, hastily going through the door.

The young gaurd wolf struggled for a second to unstick his head from the hole, but successfully gets free. He scampers towards the two soldier wolves, sneaking past his boss and fellow gaurds, he avades being seen by the others as his child-like curiosity and excitement to hear news from the surface. He passes down the subterranean paths and bridges, entangling the vast width of the cave, passing by makeshift markets, mining carts, runs past other wolf-folk, squalored in the dark damp cave. After navigating the rafters of a place loving called "Lycadia", he secretly arrives to a little ledge over looking the more elaborately constructed throne room of the ruler of this dark new underworld, King Lycaon. Alas, six other equally immature wolf-folk had the same idea and took his best spot, so he tries to squeeze a little towards the floor of the ledge to get a better look at what could possibly happen.

Down in the thrown room, the two hoplite wolves present King Lycaon the dieing scout. After so many decades, time has been cruelly kind to Lycaon, he still wore the royal robes he had on that faithful day, but now....the robes adorned a man no longer, but gnarling old wolf. His eyes glowed a sickly gold, his fur was dull with age but combed and clean, inspite living the rest of his life as an animal...he certainly did not want to live the squalored life of one. Lycaon, huntched down on his throne, snarled at the sight. "Wwwhat happened?" He growled. He got up from his throne, with every step followed by a tiptap of his claws and the jangling of the stolen jewelry and gold that he adorned. "How DARE....you comeback without any new tributes from.....grrrrrrr.....the surface." Said through a snarled teeth.

One of the hoplites, sheepishly interjected considering his fallen brethren was not fully capable of speaking. "Um...your highness, he was injured in...b-bbattle." he stuttered in fear of what Lycaon would do to him for defending a lowly scout. He points to the scout's mouth and neck, where Artemis's arrow had penetrated. The scout however, was fading fast, wheezing as the dark force keeping him alive was slowly abandoning him.

Lycaon glared at the scout with daggers in his eyes, furious that he had failed his mission. "Grrrrr, figures. You should be grrrreatful that you're even here.....the prRRRrrrivilege of laying your eyes on your KING....for the last time...now...tell me....." he snarls as he takes out a tiny vile and gently drops a miniscule droplet into the scout's mouth, just to give him a little more life to relay the information he had.

The scout's mouth burned as soon as the liquid touched his tounge, at first wheezing from the hole in the back of his throat, now healing over, letting him cough and scream. This wouldn't last too long, he was dead prior to arriving, so this was just to relay information. "Master, I-I was fofofffollowing the moon goddess" he struggled to speak.

Lycaon listened carefully.

"I-I...I was clossse, to capturing herrrrr....ssssshe was so clossse....until.....the messenger came. Warrrnnnnned her." He continued.

Lycaon his snarl worsened with anger, he knew exactly whom the scout was referring to. "Go onnn...or I'll put you out of your pathetic misery....." He threatened.

The scout coughed, just as fast as the liquid restored him, he slowly fading fast. "But.....I have good news....out numbers....grow...more and more...new citizens....will join....our....ranks...the gods....are unaware.......long...live...king Lycaon.", with the scout's last words, he breathes his last. Dieing on the floor of the throne room.

Although it was not much, King Lycaon was satisfied with this...but it doesn't stop him from being unsatisfied. He dramatically turns around, "Throw his body into the consumption pit. It will keep those BEGGERS away for a bit." He coldly commanded. "How many in our army?".

The hoplite wolves immediately went into attention, "400 men and soldiers, my Lord. All varying from all across Greece, even a handful from Persia and Rome." One replied.

Lycaon, glared back at the hoplite. "Women?" He asked.

"12, your highness. 5 priestesses among them", the one replied.

A sick and perverse smile crawled across his maw, licking his lips for what the prospect of comes from taking virgin priestesses, "exccccccellent....I suppose.....the number of....'new blood'....has risen?", the tyrant king continued.

The hoplite wolf, slightly uncomfortable with having to tell this information, "um...yes my Lord...74 young children...ready for conversions." He responded.

King Lycaon, let's out a small inconsequential chuckle but slowly that chuckle grows in volume and intensity, it grew into a mad cackling. As the caves echoed with his evil laughter, howls can be heard reverberating from all corners of Lycadia, the waves vibrated and boomed throughout, as if the whole mountain would explode from the conchophony of wolves. He stops, and turns to the hoplites, "...wwwhHat are you two... STILL doing HERE! Rrrremove that pile of useless flesh from my throne room! And send some one here to cleeeean this spot....a king must be prrrresentable....to introduce....the new generation of LYCANS to Lycadia....once we our numbers grrrow....we shall convert ALL of Greece, than....hmhmhmhmhehehHAHAHAHAH!....the world...now....GET OUT OF MY SIGHT!" He dramatically finished.

The two hoplites scrambled to to take the corpse and drag it to the consumption pit, where the lower caste lycans scavenge for food. The cruel king, claimed up to his throne to rest his old bones. He has been ruling Lycadia for less than two centuries, outliving any possible living decent that could even remember Lycaon. He believed, once his plan would come to fruition, he will be king of far much more than Lycadia.

The lycan youths, satisfied with the display of King Lycaon's authority, all leave the ledge to go back to whatever they were doing. The head guard was there too, tapping his foot in disapproval of the young gaurd's unprofessional behavior. All of the young welps had left....with the exception of one very young pup. Who seemed to have decided to be curious about "the surface". Unlike the other welps, he wasn't converted, he was born in Lycadia, roughly six years of age, he was rearing for a more exciting adventures. All of Lycaon's talk of this world above his stony world, had him thinking about exploring. As he scampered through out possibly the same path as the young gaurd, he sees the big wooden gate. Like an inconspicuous mouse in a vast garden, he's unnoticed by the guards, granted a good mix of them probably weren't gaurd's prior to conversions. The pup slipped through a little opening in-between to large logs, trotted off to new horizons.

After to what the little pup felt like forever in his whole, he finally catches a glimpse of the 'surface'. He sees the sunset, just slowly about to retire to leave room for moon, although he couldn't understand why the big bright thing sank into the horizon, he knew it was too bright for him to like, the little pup thought he would go blind the moment he saw the sun for the first time. However, time was on his side to give him a small taste of daylight before the night came, giving him the gift of moonlight for the little pup to explore in more suitable light. This whole new world was filled to the brim with smells and sounds the pup would have never dreamed of, he drinks in the sight of this little patch of forest, extending his little pawed hand to touch grass for the first time, feeling it's cold but pleasantly prickly blades. His tail, too small for it to be considered a tail but some older lycan's standards, wags uncontrollably, the little pup knew this bold new world was ripe for adventure. Without looking back at the cave entrence, he darted through the grass, off to an adventure.

End of chp4

#hermes #Lycaon #greek-Bros #greek bros #greek mythology #chp4 #greek bros: the return of an old enemy #short story #bippity boppity hes your antagonist-oppity #man i need a drink #artemis #zeus #blood of zeus #hellenistic #greek myth

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bladekindeyewear · 4 years

Text

HS^2 bloggin’ mainline 2020-09-15

This caught me laaaate at night gosh I’m tired but I’m gonna get it outta the way so it won’t stick in my craw! Already saw the first page, so it’s time for:

> CHAPTER 13. The Funeral

Church with chess symbols at the peaks and a Prospit/Derse or Hope/Rage split color theme on the stained glass windows.

JANE: Dearly beloved...

> (==>)

Trolls, humans, and papparazzi. Oh, hm, this church is RATHER carapacian isn’t it? Between the chess and the continuing Prospit-Derse themes, like how this corresponds to how they align in the incipisphere top-left to bottom-right if I recall:

(Minus the outlying orbs to the left and right for symmetry.)

That twisted pattern is interesting, and not quite a spirograph. Is that gonna be important later? If we’re going to get some sort of class chart later in the comic, it’d be easy for them to hint at the chart’s graphical structure subtly by dropping it places like here.

JANE: Ladies... JANE: Gentlemen... JANE: News outlets... JANE: And other valued members of the Human Nation State.

Technically true, but still odd to hear-- ...oh right, I forgot this was asshole dictator-wannabe Jane, too.

I read an interesting twitter thread recently about the intense psychological distinction between wanting to BE the best, and wanting to be TREATED like you’re the best. Epilogues/HS^2 Jane is kind of written as a case study on the pitfalls of leaning on the latter instead of the former.

> (==>)

They brought Yiffy WITH them-!? --Oh right. The hostage exchange was supposed to happen here wasn’t it.

Yiffy definitely looks like a Harley-Lalonde daughter in this shot.

JANE: Gamzee Makara, High Court Jester, exalted saint of the purple veil, has left us to traverse that grand, gay carnival in the sky, where, I am told by various members of the clownly cloth, he will spend the rest of history, honking in grand tribute to the Mirthful Messiah.

SINGULAR???

Weird. Is it because Alt!Callie “won” here?

Or is Jane just forgetting because she’s culturally used to monotheism (ironically) and is insensitive.

JANE: And my first memory of our Purple Prince, was his robust codpiece--

Wow.

> (==>)

JANE: --As he offered me his friendly support, along with the sacred blood of his brethren, the holy sacrament--

He STILL killed trolls??! (EDIT: No, a friend points out that she's talking about when she met him first in Act 6 and he tried selling bottles of troll blood to her. EDIT2: -which may be another inconsistency, since Vriska supposedly overwrote that post-retcon.)

> (==>)

It takes Jake a few seconds of puzzled eye contact before he catches exactly what it is Yiffany is tossing down. In his defense, he is distracted by his wife’s speech, which is doing the emotional equivalent of wringing him out like a wet towel, before using that towel to slap the sweaty buttocks of a large, odorous man. Even if he knows everything she’s saying is a load of horsefeathers, it does nothing for his composure to hear her heap praise on that smelly, homewrecking clown.

Bad things about Gamzee deserve to be said here, yes.

Jake wonders what she’ll say about him, at his own funeral.

Now those are some uncomfortable thoughts.

He narrows his eyes in Yiffany’s direction. She’s a lovely girl, really. He wishes he could have gotten to know her under better circumstances. He’d known she existed, of course--Jane had complained about her often enough--but they’d never had much chance to get acquainted. He rather believes her and Tavvy would have been fast friends.

Then again, perhaps it’s better that she never had much of a chance to get to know his family.

He lets go of the leash.

Yep, there’s a plan to set in motion that he’s probably already discussed with her privately. Gotta unite this four-kid team after all.

> (==>)

Wait, are you ATTACKING?!? --Of course you’re attacking. You would even if the plan was something different, wouldn’t you.

JANE: And I know that at times like these it is easy to want to give in. JANE: To throw in the towel, and turn our faces away from the light of democracy and moral fortitude that we, the citizens of the human kingdom, are blessed with from birth. JANE: God knows I’ve had my own faith tested in the last few weeks.

Jesus Christ, what has she turned the place into, a fucking theocracy?

She sounds like the leader of some screwed-up, fundamentalist country! Like the United States!

*rimshot*

JANE: As many of you know, I did not grow up with the same privileges that all of you enjoy.

Jesus.

JANE: I was born on proto-Earth, that half-finished dystopia mangled by the ravages of foolish leadership and endless war.

Jesus, she really IS a self-evident takedown of hypocritical entitled political figures. With the bonuses having Jasprose explicitly ADDRESS said entitlement to make things even clearer cut.

JANE: And as for Gamzee, well, his upbringing was even worse. JANE: He was born to a violent and uncaring home, a lonely child with few natural gifts.

...Some natural gifts and status.

> (==>)

She’s just, shaking with fury here isn’t she? And about to perform an impressive corpse-lob.

JANE: It would be simple to let this disgusting, vile, SHAMEFUL act of spiteful revenge turn us away from the blinding light of the sword of justice that hangs over us all--

This sentence seems suspicious so I’m quoting it to refer to later if I need to, but is probably just platitudes.

> (==>)

JANE: Poised

> (==>)

JANE: Trembling

Okay maybe the sword’s a dick, but what exactly is Yiffany doing?? I’m finding it difficult as usual to tell between some of these image transitions.

> (==>)

JANE: Ready to burst forth--

Bad PR to shock-collar a kid mid press junket. (Very dicks description.)

> (==>)

Click. (Did they swap the shock function with Jane’s necklace somehow, that’d be fun.)

JANE: I want to give up, at times. I understand your pain.

While shocking a kid? GREAT PR.

> (==>)

JANE: I sympathize with your pain.

Wow, those horrified audience members. She REALLY can’t even see herself anymore can she? Not even hear herself. And they’re making sure this is pointed out to EVERYONE watching. They described this as in large part a PR campaign to defeat her, didn’t they?

> (==>)

Great furious businesswoman-villain look, that art.

JANE: But when that pain! Becomes too hard! To endure! JANE: Remember poor, lifeless Gamzee! Who suffered pain far worse than any of us could ever fathom! JANE: THE PAIN OF BETRAYAL!

Click click click. This is a fun sequence.

> (==>)

DIRK: Dude, didn’t you lower the voltage on that shock collar? DIRK: Little Red isn’t looking so hot. JAKE: Yes of course i did but the damn doohickys got the kick of a donkey! JAKE: I couldnt remove it completely shed know i was the one who did it! DIRK: Well, if that supervillain cuntwaffle doesn’t stop, she’s going to kill her. Not really the best at hostage management, is she.

Decent plan. (And of course Dirk would pull out the word cunt.) When’s the cavalry coming?

> (==>)

JANE: But we cannot allow his memory to be in vain! JANE: For Gamzee Makara taught us that even the most loathsome degenerate can take their place in society. JANE: All they need is the right redemption arc - !

Trying to hammer home some of the Epilogue’s trolly-critical themes a little less bleakly, I take it.

I kind of like the violent vibration in ALL of these gifs in a row. It makes the scene seem small, slow, teeth-clenching but still full of steady action, emphasizing the importance of the relatively small events from panel to panel while giving them the sense with the animation of them being [i]drawn out[/i] and tortuous instead of just “occurring”. It feels that way to me, anyway.

> (==>)

If he got up alive here, that’d be hilarious. (Presumably he’s been treated and done-up like a normal funeral body, not “dormant” and undecaying like a dead god-tier.)

> (==>)

CORPSE PUNT w/ CLEATS

> (==>)

That face is just. I love that face.

> (==>)

SHE MAD

JANE: Young lady, I am just about at the end of my rope with you. JANE: Throw all the dog bowls you want at the walls of my warship. JANE: But don’t you dare act up in front of a JANE: Live JANE: Fucking JANE: Newsfeed! YIFFY: Grrrrrr

What did you expect to happen? Do you expect to shout her down from this, Jane?

JANE: After everything I’ve done for you--paying for your education, helping your parents cover up your existence from the world! JANE: Just imagine what Rose and Jade would say if they could see you now, even dissidents can have a little decorum! JANE: Get down from there at once! YIFFY: Grrrrrr

But this is GAMZEE. --I guess it’s seriously disrespectful to his followers, though. Still. If you wanted civility from her, a shock collar, leash, and food bowl wasn’t the way to go about it.

JANE: Don’t you threaten me, young lady. Not today! YIFFY: GRRRRRRRRR

What is your PLAN even, Jane? You’ve completely disregarded her.

JANE: There’s nowhere for you to go. My agents are swarming this church. Be reasonable, Yiffany. JANE: Ugh. JANE: Disgusting name. JANE: But that’s hardly your fault. You were always just a footnote. Your parents’ little prank. JANE: Honestly, that’s why I helped them all those years ago! I do love a good jape. JANE: But let’s be serious. JANE: You don’t matter. If you did, they would have come for you already.

Can all the press hear her being such an asshole?

Okay, stereotypically, their arrival should be the next couple panels:

> (==>)

Jake, do something useful like hoping harder.

> (==>)

And she knocks the remote away. Excellent.

And she does. Seemingly at the end of her tolerance for insults toward her name, social status, and heritage, Yiffy performs an impressive backflip off the podium and down onto the church floor. One that, if it hadn’t been happening amidst a sea of other newsworthy events, would surely have ended up on someone’s instagram story within thirty seconds. She gives Gamzee’s corpse one last parting kick: a hard, proper kick that proves those cleats aren’t just for fashion. Although they are certainly also for fashion.

Good, good.

He vanishes into the seething crowd, and we are confident that we will never have to deal with this asshole ever again.

God damnit.

> (==>)

Jake watches this from a safe distance, poised on the edge of intervening to pull Yiffy out of there. But in the end he doesn’t have to. Instead he watches in admiration as she tears the place to utter shreds. An echoing sympathy swells inside of him as she rends apart the funeral flowers and punts Gamzee into the shrieking congregation. Here is a girl who felt the cold, indecent hand of fate wrapping around her, and instead of submitting to it and slowly sublimating down into morasse of boiled doormat, she slapped it away from her with a lively oh, no thank you.

All at once, Jake feels immense affection for his granddaughter. He hopes the two of them can make up for lost time.

Lessons belatedly learned, but learned nonetheless.

> (==>)

JANE: Enough of this. JANE: Seize her!

Kind of Red Queen of you. (Are those stained glass windows in back of the frame about to burst?)

> (==>)

Yep.

The stained glass window shatters inward, obliterated to stardust. The war is knocking.

Even attacking a disgusting faith’s church is pretty bad form, though.

Tired and busy, seeya next upd8. <3

#Homestuck #hs2 #Homestuck Liveblog #upd8 #Homestuck^2 #spoiler #spoilers

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richincolor · 4 years

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Interview with Lipan Apache Author Dr. Darcie Little Badger

Today we celebrate the book release of the slightly creepy and very intriguing mystery-fantasy Elatsoe by Darcie Little Badger (Lipan Apache) illustrated by Rovina Cai. I read an advanced copy last month and the story captivated me. Here's a one minute video to give you an introduction to this unique tale.

Darcie is quite a creative and accomplished person. She has a PhD in Oceanography, an award winning cosplay Magic Ivy, and will soon be writing a Dani Moonstar One-shot. We're fortunate to have Darcie on the website today to share about her debut novel and her writing.

Crystal Brunelle: You've written comics, short stories, nonfiction and at least one dissertation. What got you to jump into the young adult realm?

Darcie Little Badger: Thanks to my habit of throwing random thoughts on Twitter, I can pinpoint the exact moment when I realized that Elatsoe had to be a YA book. December 30, 2016, I Tweeted, “Uuuuuuhhhhh whyyyyy. Realized that the main character in this book of mine needs to be in high school, so I'm rewriting the whole thing.��

Yep. Elatsoe started as an adult book. But after about 10,000 words, I hit a wall. The story wasn’t working. At a deep, almost instinctual level, I knew that Ellie—her voice, her fight, and her triumph—had to be a young adult. So, er, I guess it’s less that I jumped into the YA realm and more that the YA realm summoned me.

Crystal: As a young adult, what kind of things were you reading and enjoying? Did you see yourself represented in what you found?

Darcie: During Middle and High School, I read almost anything in the fantasy/sci-fi section of the local libraries. Hundreds of books. Gosh, I was a voracious reader. The thing is, people are complex, and human identity contains multiple components. So I’d see parts of myself represented. I’d read about girls. I’d read about eccentric nerds. But in those hundreds of books, I never—seriously never—encountered a Lipan Apache character. Heck, there are very few Native American characters in sci-fi/fantasy. So the answer to the question “did you see yourself represented in what you found” is “only partially.” Which, considering the importance of the missing piece, was discouraging.

Crystal: Has publishing a novel changed your life in any interesting ways?

Darcie: Honestly, this is a difficult question to answer, since it’s been a very painful year for me and my family. We’ve experienced profound loss – it’s still recent and very difficult to talk about. Plus, I’ve been sheltering in place since late February. So everything has changed. And I don’t know what my life has become. Or even what I have become. But I can say that the support Elatsoe has received—the kindness of readers and other writers during this rough debut year—is a ray of light in dark times.

Crystal: I just finished reading your upcoming book and really enjoyed seeing the relationship between Elatsoe and her dog Kirby. Have you had strong connections with any dogs in particular that you may have been holding in your heart or mind as you wrote?

Darcie: Kirby is directly inspired by my first dog, an English springer spaniel. My family adopted him from an animal shelter in Vermont. I still remember meeting Kirby for the first time. His tail wagging, he pranced to the wall of the kennel and stuck his nose between the metal bars, as if asking for a pat. We took him on a “getting to know you” walk and then immediately took him home. The original Kirby was gentle and smart, and I’ll always love him. In fact, my life—past, present, and future—is enriched by all the dogs I’ve loved.

Crystal: Elatsoe encounters quite a few monsters and she knows about many others from family stories. Who or what would you consider monsters in the here and now and are any of them represented in your writing?

Darcie: Without spoiling any Elatsoe secrets, Dr. Allerton, one of the primary antagonists in the book, definitely represents an insidious variety of real-world monster.

Crystal: Not many young adult novels have illustrations. What led to that decision?

Darcie: Haha! This is a good question for my editor, Nick. I believe it was his idea for Rovina Cai to provide an illustration for every chapter heading. So I wrote a script for a visual story within a story, one that connects to the main plot in surprising ways and answers a key mystery of the book (namely, what happened to Ellie’s legendary six-great grandmother?) And from that script, Rovina created beautiful, ghostly illustrations. It was such an honor to collaborate with her.

Crystal: Are you working on anything else for young adults that you're allowed to talk about yet?

Darcie: I can vaguely discuss my next YA book. It’s a fantasy with elements of science fiction (I’m clearly into genre fusion, considering that Elatsoe is a mystery/fantasy). Specifically, Untitled New Book is an epic two-world adventure involving near-future Earth and a land of spirits and monsters. I’m trying to finish that before the year ends. There are other projects in the work, but they’re secrets (for now muahahaha).

Crystal: How would someone be able to figure out that you are a book nerd?

Darcie: If the piles of books in my room aren’t a dead giveaway, I can always wear one of my many “Book Nerd” t-shirts! Seems like every time I visit my favorite indie bookshop, I pick up a new t-shirt. And books. So many books. I guess I’m still a voracious reader.

If you'd like to learn more about Dr. Darcie Little Badger and her writing, you may visit her website or find her on Twitter. Today, August 25th, there is also an online conversation between Darcie and Traci Sorell hosted by McNally Jackson in New York City via Zoom at 6pm EST.

Extra Videos: - Comic-Con Interview - SXSQ ESU - Panel on Border Crossing and Sacred Stories - Comic-Con Panel with Latinx & Native American Storytellers

#Elatsoe #darcie little badger

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satsuki2406 · 4 years

Text

OPEN SKY Bakugou Katsuki x Reader

"...And never, ever forget that, your dreams are the wings that'll help you fly."

(L/N)(Y/N) has always been forced to live according to others' expectations. As a member of the powerful and influential (L/N) Family, she has had to live with the heavy weight of seeing others write her destiny with no choice but just obey. But when (Y/N) finally decides to risk it all to take the only opportunity to regain the control of her own life, everything ends up going horribly wrong. Surrendered and disappointed, she receives one last chance to prove to herself and to U.A, along with some unexpected help that this was not a crazy and meaningless waste of time.

Maybe this plan could work after all...

PAIRING: (Bakugou Katsuki x Reader)

GENRE/WARNINGS: Romance, Fluff, Angst, Mentions of sex, My poor attempt of comedy, family dysfunctionality, Strong language (Courtesy of Lord Explosion Murder 💥), Manga Spoilers.

STATUS: On going

Chapter 1: Failure

Chapter 2: Sometimes the Greatest Hero of All is a Good Friend

Masterlist \(￣︶￣*\))

3-Her Start

The weekend you spent with your best friend was full of good memories and laughter. You recovered your self-trust and conviction to keep going. But as blissful as it was it quickly came to an end. Before you knew it, it was Monday again, which means school, fortunately, this was the last week before graduation, even if you mom forced you to go to that insipid private academy in Tokyo, you'll keep chasing your aspirations no matter what. It was still I little bit cold but the weather was slowly changing as the spring got closer. Over your school uniform, you were wearing the school uniform’s coat that had their logo embroidered and your fluffy (f/c) scarf to keep you warm on your way to the school door.

In the blink of an eye, you and Momo already got to the shoe lockers to change into your respective uwabaki.* While changing your shoes a thought came to your mind, you wanted to touch the matter but didn't know how without making things awkward. "Hey Momo, your test, for the recommended students, you already had it right?"

A little taken aback by your comment Momo hesitated a little before answering unsure. "Y-Yeah, that's correct, I wasn't sure if I could tell you, you know..."

"Please don't feel bad about sharing your successes with me, I would be more than happy to hear how it went for you, you're my friend and I feel happy that you're one step closer to your dream, after all, you also want to be a hero, just like me. You were nice enough to spend the last weekend with me to make me feel better I didn't even ask you once how was it for you, I'm a pampered brat, aren’t I?"

Momo smiled sweetly at you in understanding. "What about if I fill you out on the details of my day at U.A during lunch?"

"Sounds like a plan."

🍱🍱🍱

"Alright ladies this is all for today, there are another 5 minutes before the bell rings. So, you're allowed to socialize in the meantime, please let's keep things calm and low volume please."

"Hey, Momo!~ I've got an idea! They are showing a really good movie right now! Do you want to see it with me?"

"I'll love to, but my mother requested my presence at home as soon as school is finished, my chauffeur is already waiting for me outside, so, unfortunately, I see myself unable to go. But aren't you still grounded?"

"Oh, right, I forgot it..." You puffed off your cheeks in annoyance.

Just in cue, a small vibration came from your skirt pocket adverting you of an incoming message.

'Oh, is Nobu-san, I wonder what happened?'

Good afternoon (Y/N)-sama, I wanted to notify you beforehand that this morning you received two letters; one of them is from the Tokyo's Science Academy, probably respecting your upcoming enrollment.

'Ugh, of course...'

Regarding the second letter, the U.A’s crew is way competent and faster than we thought, I made sure to put the envelope under one of your bed pillows, please make sure to check it out as soon as you arrive home so Xiù-sama won't notice it. I already sent the chauffeur to pick you up as soon as possible.

"."

".."

"..."

"...."

"....."

"WhAaAt?!"

"(L/N)-san! I strongly urge you to refrain from shouting in class!"

"S-sorry, Tanaka-sensei" The slight giggles of your classmates could be heard, but it was short-lived thanks to the shrill sound of the school bell announcing the end of the school day.

"(Y/N) are you ok? You look a bit pale. Something happened at home?" Momo asked, but unfortunately for your friend the last of your worries was explain yourself. Without giving it too much of a thought you took your school bag and burst out the class."SorryMomonotimetoexplainseeyoutomorrowbyeeee!!"

Before she could even understand what you just said, Momo couldn't do anything more than see you disappear among the crowd flooding the halls.

"What in heaven just happened?"

🏃‍♀️🏃‍♀️🏃‍♀️💨

After sprinting to the school gate, you could spot in the distance a black limo, Sasaki-san, the same chauffeur that brought your mom to U.A that fateful afternoon one week ago, was waiting outside the car, straight as a lamppost with a serious almost bored look on his face. After you finally approached him, he lightly bowed his head and greeted you. "Good afternoon, (Y/N)-sama, I hope you had a pleasant day" His tome was monotone and robotic, almost like he just repeated a script that had learned out of habit at this point. "Good afternoon Sasaki-san, I did thank you, and yourself?"

“Lovely indeed” he said almost sarcastically and opened the car's door for you. You quickly made your way in and he closed the door behind you.

Lost in your thoughts time passed faster than you imagined. Before you could notice a glimpse of your house appeared among the trees. The imposing structure made its way through the vast gardens that adorned its surroundings.

You wanted to just get there and finally get the closure you needed about this whole situation, leave your guilt and disappointment behind so you could start over again and move forward to your goal in a more positive note. Up to your room was a blur, you think that maybe a couple of maids greeted you on your way but you were too busy to notice or care, did you even take your shoes off at the genkan*? Who knows, who cares.

You opened your door desperately, closing and locking it to avoid being interrupted. Fixing your eyes on the exact place your fate laid made your heart race like never before, you started walking there slowly, almost cautiously, to sprint with all your might, throwing yourself at the bed and tossing the soft obstacles in your way to find in the middle, a crisp white envelope with a red wax seal, with the iconic logo printed on it. Dread and uncertainty invaded you, were you ready for this? What if they think you were not hero material after all? ‘No! let's just rip the bandit off at once and get over this already’. With a surge of newfound courage, you opened the envelope, tearing the seal apart in the process. Once it was open you could find a letter and a round metal object inside, you took it in your hand to analyze it closer but suddenly a bright light was shooted from its center, startling you and letting it fall obstreperously on the floor.

"Ahhh!"

The light then elongated and shaped itself into some kind of screen, showing what looks to be some kind of small white animal. "Greetings, young lady! My name is Nezu, the one who could be a mouse or a dog or a bear but the only important thing is...I'm the Principal!"

"T-The Principal?!"

"Very well then, I assume that you would prefer me to go right to the point, you must be anxious right now" You gulped nervously and nodded your head as he could see you. "In your written exam you got an outstanding score of 87! Well done!"

'At least I did something right' You thought melancholically.

"But..."

'Here it comes'

"...Unfortunately, you weren't that successful during your practical exam, in the end, you only earned 31 points, that, as you must know, is not enough to approve this test, since the minimal score is 45"

'I knew it...'

Your vision started to get blurred due to the fat tears that started to accumulate in your eyes. You knew this would happen, but that didn't make it less frustrating.

“However, there’s something that especially caught my attention, and although I’m not a doctor or any medicine specialist by any means I noticed you looked a little off, sick perhaps.Your movements looked sluggish, your breathing seem even more labored than it would have been in the situation you were in not to mention you passed out in the middle of the exam.”

“You’ll see, here at U.A we take special care of the whole process involved in our admission trials, not only to make sure that every single step is performed correctly, the rules are followed and the safety measures compiled but also to prevent the usual improper practices like fraud and cheating, reason why we had installed thousands of cameras with the propose to keep a close eye on all of you.”

'Wow, U.A really goes over the top about everything' You sweatdropped.

"That's the reason why after analyzing your performance carefully, the teaching staff and myself were awed when we notice that indeed you were straining yourself and even managed to save one of the applicants of the attack of a three-pointer, with the last of your strength you pushed him far away from danger knowing the little time you had and your deteriorated condition, you sacrificed yourself for the wellbeing of a stranger, without hesitation"

"Save? But I thought I could do anything at all!-"

"There's a phrase that says that we rise by lifting others, thanks to your selfless help, this young man you saved could complete his test and also had the time and strength enough to get your back after you blacked out. He was also nice enough to handle you to Recovery Girl's capable hands. As you could see, you received some extra points in your final score, these were Rescue Points, a panel of judges conformed by the teachers watch closely these battles and award this kind of heroic gestures, which boosted your original score of 14 points."

"And is because of your heroic spirit that I'm here, in front of you, to make you an offer.” Your breathing hitched, your eyes opened like saucers and you could swear that your heart stopped for a second.

“We of course never do this kind of exceptions, a once in a lifetime opportunity per se, but I, the Principal, had decided to give you a chance to start again, it may be more competitive than the first test you took but, what is the life of a hero without a good challenge?"

"A-A second chance?!" Your teary eyes widened at this revelation. Was U.A, the U.A High School, not only seeing the potential in you but also wanting to give you another chance?!

'This is so crazy!' You thought tearing up.

"Usually some students, as a precautionary measure apply for both the Hero Course and the General Studies Course, in case they fail to get in the first one, if they meet the necessary requirements could hit a spot in the latter one, with the hopes of competing internally for one of the coveted positions in our prestigious Heroism Department...."

"God! What I didn't think of that?! Like a security net that will catch you in case you fall, clever..." You pondered

"As you well know you did not opt for this, but we had decided unanimously to make a space for you in the General Studies Course as your second chance and a fresh start here, at U.A."

"As I mentioned before, the competition is more ferocious internally because of the really small quantity positions, sometimes there's only one transferred student or not transfers at all, so you must work hard because you need at least 85% of approval from the teachers to get into the Hero course."

"So, I need to make merits to get in, I wonder how though-"

"You must be wondering, how to get that approval and enter the world of your dreamed career?! Let me enlighten you then! There are several ways to do this but the most common and effective is..."

"...Is?!"

"Is...!"

"The U.A Sports Festival! The annual competition that Japan is so crazy about that forgot about the Olympic Games and where everybody can take a look at the future and witness the rising of their future heroes! And of course the perfect place for you to show what you're made of! The U.A Sports Festival not only is a great chance for the Hero Course pupils to show their abilities, but for the ones who were left behind, that they also have a lot to offer, and a chance that I'm sure you won't waste at all."

"I won't!"

"So please, let us know what you think, We already see inmense potential on you, we think-no, we believe that you will not disappoint. All the important information, forms and consent letters are attached and listed inside the envelope, if you have any questions please don't hesitate to contact us at our website www.uahigh.com.jp/newstudentexperience to chat live with one of our representatives or call us at 1-800-UAHIGHJ (1-800-824-4445) or drop by at our headquarters in U.A. Remember that the due date to send the forms with your parents' authorization and uniform measurements and specifications is March 25th!"

"Oh my God, I got in... I GOT IN!!! Yes, I did it!" You then started to jump on your bed carried by the excitement, then a little detail crossed your mind. "Crap! My mom would never sign the authorization form! She'll rather take off her own eyes than do that! I don't want to involve dad in this, he's been receiving mom's colder shoulder lately and he looks kinda depressed, just remember the fight hey had that night give me the hives. What can I do? How can I-"

"This device will self-destruct in 10 seconds!"

"...What."

"10!"

"9!"

"Oh God, Oh God No! WAIT, WAIT, WAIT!!"

"8!"

As best as you could you quickly jumped off your bed and hid inside your walk-in closet closing and locking the door behind you. "Was it that necessary to make it explode?!" You closed your eyes and covered your ears as waiting for some kind of impact.

"4!"

"3!"

"2!"

"1!"

"..."

"Just kidding! HAHAHAHAHA!!!"

"..."

"WHAAAAT?!"

"Excuse me (Y/N)-sama? Are you ok?" One of the maids asked while knocking your door. You ran out of the closet and threw all evidence of your recent conversation with the fury Principal under your bed.

"Y-Yes! I'm fine! P-Perfectly fine!"

"I heard some screams and voices inside; do you have any guest? Do you want me to bring some refreshments?" Immediately you opened the door and were faced with the maid that you liked the least, she was a middle-aged woman who always drove herself in a hypocritical and double-face kind of way.

You could see from pretty far away that she didn't like you the least, looking her in the eyes was enough to know, the resentment and indifference were palpable. For her, you were nothing more than a spoiled filthy rich brat and that was more than enough to hate you. She also was a notable gossipmonger and was of general knowledge among the service crew that she could not keep a secret for dear life, which your mother took advantage of to monitor you and the house in general when she was absent. All in exchange of a juicy bonus in her weekly check.

"There's nobody with me Uwasaki-san, I was watching some YouTube videos, and an ad came out, a really loud one." You opened your door a little more to show her, she peeked into your room a little to look closer, everything was in order, except for the dropped pillows and a panda plush, it was just like you said, all she could find was a flat screen with a paused video showing in it.

She gave you a skeptical look first before convincing herself you were saying the truth and gave you one of her infamous fake smiles. "I see, if you need anything, please don't hesitate to let me know, I'll be close by fixing one of the guest's rooms."

"Oh, who's coming?" You asked, half trying to diffuse the awkwardness, half out of truly curiosity.

"Kaguya-sama, she asked Xiù-sama for advice in one of her university projects, Chemistry I think"

'It makes sense, with the kind of quirk she has, chemistry was always one of her strengths'

"I see."

"Alright, if you excuse me, I'll be taking my leaving."

After this, she turned and walk in the direction of the guest's rooms mumbling complains about how slow this day has been so far, with nothing interesting to report, not juicy scandal to uncover and how she hoped that the rest of the week could deliver something better. As you heard her steps get lost in the immensity of the hallway, checking she was gone for sure, you closed your door leaning your back on it while you slowly slide to the floor.

'That was close!, I've never been happier to forget to turn the tv off before going to school, I must be careful, I have to find a way to convince them to let me go, after the second chance I received, I can't back up, I don't want to. It's decided then! I’ll go to U.A no matter what.'

"Hmm... So, U.A? Maybe get you out of my way would be easier than I thought, dear cousin."

*Uwabaki (上履き): They are a type of Japanese shoes worn indoors at home, school or certain companies and public buildings where street shoes are prohibited.

*Genkan (玄関): are traditional areas for houses, apartments or buildings. It is usually located inside the building directly in front of the door. The primary function of the genkan is to leave your shoes before entering the main part of a house or building.

-The word 'Uwasa' (噂) means gossip combined with the kanji 'Ki' (機) or machine forms the word Rumor or Gossip Machine (噂機) Uwasaki.

-I'm learning Japanese on my own, so I thought it could be interesting and fun to try to construct some (Last)names inspired in the oc’s quirks and personality just like Horikoshi does. As I said I'm a beginner and all the feedback is welcome! If you have suggestions or corrections let me know! I'm open to learning! 😊

🏷Taglist

@alex-sulli Hope you like it ~\(≧▽≦)/~

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howlingmoonrise · 3 years

Text

Thoughts on Petshop of Horrors: Wandering Ark volume 3

(crossposted from dreamwidth)

me realizing a whole-ass 25 pages of the last volume of the papa series are just sensei's travel logs:

what did i do to deserve this, honestly? sensei i love you and all but THERE WERE SO MANY OTHER THINGS TO COVER ABOUT PAPA. AND YOU DIDN'T TOUCH THEM. AT ALL.

To start with, there's only two actual chapters in the volume, keeping in line with the previous volumes. A whooping total of 103 pages out of a 128 page manga - except, a good portion of one of them is pretty much just rehashing the events of the last volume of the original manga, so it's not exactly like they're overflowing with juicy new content. Vesca and Victor fans will be pleased at a new glimpse of them both though, with emphasis on Vesca.

Oh, you wanted an explanation for the ark? For why Papa was going around supposedly through "space and time", with a reason other than "well, I wanted to draw stuff from other eras but I don't want to write a whole new manga with a D from back then"? There's none. N-O-N-E. Zilch. Zip. Nada. Niente. Nothing about his relationship with Sofu (though they do briefly meet on Victor's funeral - and wow, am I surprised Sofu deigned to show considering how much he loves humankind), nothing about D or Papa's relationship with him beyond an outsider's point of view on the events of the last manga, nothing about the D species in general or glimpses at previous Ds that were likely alive before our D came into being.

Another bad point: what the hell was up with the cover art?

The top portion of it is fine, but why does the rest of it look like whoever painted it forgot how to shade things? Look at that belt. Look at those sleeves. That's all I have to say on this subject.

On to the chapters themselves!

First chapter:

Papa D helps with The Bachelor. No, really. It's literally a Bachelor-style show, recorded for TV, with one single man and twenty ladies competing to become his wife. Trigger warning for almost-rape in this chapter.

I'll be honest, I liked the main character for this chapter. She's a go-getter, and a survivalist, and prefers stuffing her face with food instead of flirting away the night. Honestly? Mood. I really liked the butler too. I was going on a "oh, is he going to be the actual love interest?" line of thought since he looked interesting, and then went "nah, they're not focusing on him at all beyond that one (1) scene where they were dancing, guess he's just a side character after all", only for him to actually turn out to be the final love interest. That was. Hm. To say that it was majorly underdeveloped is to put it lightly, but the "prince" wasn't great either. The attempted rape felt as if it was shoved in because they were running out of pages though, since the rest of what we saw from his personality seemed a lot mellower than that.

The ?prostitutes? were an unexpected bright spot, even though they only showed up for a couple of panels, but it was nice that they gave her food (however dismissively) and tried to get the other guy to leave her alone, and that they were simply described as "beautiful" instead of anything else.

OH BUT. Papa hitting the would-be rapist over the head with an oar was great, it actually gave a bit more dimension to him since the Ds are usually so unwilling to dirty their own hands when it comes to violent business: at most they would usually let their pets do the work for them.

Which actually brings me to another question.

I've already said before that Papa is at most a side character on his own series, and that he actually barely gets involved at all apart from a few nudges here and there - but it's kind of jarring that he almost never "sells" a pet in this series. On all volumes including this one, there are only two chapters where he gives away a pet that was already with him and that didn't initially belong to someone else that he was just returning: the dogs from the Austria chapter, and the bird from Empress one (who was actually said to be given by Sofu, but I'm calling bullshit since he had long hair and this is supposedly a time-travelling ark). It's definitely a weird choice for a manga whose title is, quite literally, "Petshop of Horrors".

Also, for a FLYING ark there sure seem to be a lot of water-related incidents.

Thoughts on the family thing down on the general thoughts section. Also, WHY IS IT AN OAR AGAIN? WHERE DID THE BUTLER FIND AN OAR, SINCE IT SEEMED LIKE IT WASN'T PAPA LENDING IT TO HIM? I can't say the penguin thing was a huge twist considering previous chapters, but it makes me wonder that so many of Papa's stories are directly about either humans or animals, but rarely the conjunction of both apart from brief exceptions.

Second chapter: Nice callback to the original PSoH on the first page: I'm extremely fond of that description of the Ds, and it's fitting for a final chapter of a PSoH series.

This chapter is a cameo for Victor (from the Sofu series which I haven't read yet but know some things about), and a full appearance for Vesca. Victor seems to have chosen the same path as Leon, though arguably he'd actually have the money for it since he's a baron. Travelling the world following rumours and sightings, in search of someone they considered to be dear to them? Sign all three of these blonds up, because it seems to be a tradition at this point. The Ds really have a type, huh? Truth be told, from what I heard of Victor I didn't think he'd be the adventure-seeking sort, so this was a bit of a surprise. He looks cute and happy piloting planes and running from rhinos so I guess that's all that matters though.

BUT WHY DID HE HAVE TO DIE POOR. He looks like a huge cinnamon roll so I feel super bad for him, I bet they all resented the money he spent trying to chase Sofu D across the globe once the Great Depression hit :/

And then, bam! Sofu cameo. This is the chapter where EVERYONE gets a cameo, copy-paste of the last chapter of OG PSoH or otherwise. He's cryptic as usual, and I REALLY didn't expect him to remember Victor's name, much less show up to his funeral. Not that he even looks like he's grieving; he pretty much only speaks of Hitler and Eva Braun's kirin, to Papa's seemingly frowning disapproval (I haven't complained about the round art style on this volume's commentary yet so consider this to be it: the only reason why Papa even looks put out is because he has a Very Clear Frowny Line, because otherwise he just looks normal... and round).

And then finally, some actual Papa content! Or, er, Vesca content. Both. Let's go with both. I don't want to make myself sad thinking about how little we saw of Papa on his own series. Here we see once again mentions of extinction and of resurrecting species, and finally a throwback to why the ark is an ark: "Noah's Ark". It took me RNS' translations of OG PSoH to understand the reference back on the original, because on Tokyopop's mangled translation the ark is merely a flying boat.

It's nice to see that Vesca has a strong sense of justice similar to my dear boy Leon Orcot, since it was a bit iffy on the original manga. He's righteous (and right!) about the other Professor using Papa's research, and how Papa should have the benefits of it for himself since he was the one doing the studies. Papa, however, cares little about money or glory: even now his focus is on recovering the blind bird species from their trip to Greece (see: Shin PSoH), and here we see once again his hopeful view that one day he may be able to help them see again. Parallel to his own family much? Honestly, I feel for him.

WHAT IS IT WITH PEOPLE SHOOTING PAPA? At this point he's trying to reach for Leon's record - and failing, because Leon gets shot and mauled a frankly unholy amount of times during the original PSoH, so no one else can ever really compare. What really breaks my heart here is that he actually asks why. Sofu and D would both have simply taken it for granted, but Papa (seemingly, up until this point) doesn't automatically assume the worst of every human being he comes across. That pained why kills me a little bit, here, and soon after he grows cold and allows the more murderous side of that contract to go loose.

That page with Vesca going into the FBI really throws me back to the panels on the original PSoH right before/right when Leon decides to chase after D. Part of the background is blank, the other part a faint image of the city and Chinatown, with a sense of detachment associated with them. I could probably take the time to place them side by side and compare fully, but uh. I may or may not be stretching my workday bedtime a little too much to finish writing this, oops.

Also, an echo to the original PSoH with Papa's death, called back with him nearly being shot in the middle of the forehead. The actual event is brought in shortly after Vesca gets to mind-rant about the Ds and his search for a few pages, and then flashback flashforward time! A whole six pages which are just portions of OG PSoH's last chapter redrawn from another angle. It's implied that Vesca was able to board the ark like Leon did due to a similar scene with lying in the clouds and sighting the ship amidst them, though whether he was able to stay or not is a whole new story. This is where the actual story ends.

Sensei's travel logs: I'm not going to bother going into these. It was nice to see some glimpses of my son (forever a Leon stan here!) and a cameo for Taizuu also showed up a little later on if you're one of the people who liked him (personally, I would trade Taizuu in for a cornchip and a ball of lint). I'm going to make the executive choice of pretending that the D/Leon bits are what's actually happening right now after Leon caught up to D. It's lovely to see them on vacations, and Leon has mellowed out a little bit while D seems extremely comfortable and content with his favourite ex-detective's presence =v=

General thoughts: All the series so far seem to have some sort of theme, which kind of ties into the main character of it and their own arc. The original PSoH, for one, was focused a lot on family and greed and love and desire: our D, similarly, had plenty of unresolved issues surrounding his bloodline and things that he wanted but that he couldn't/was not allowed to have because of that very blood.

You'll have to forgive me if my interpretation of Shin is spotty since I only read around half of it (online scans only went up to volume 6 or so, physical versions of the Tokyopop translations were discontinued, and ruthlessnightsscans started scanlating it after I’d already read the available chapters for Shin), but from what I remember of it it seemed to bring in softer, more loving and lighthearted stories, usually tied around romance and being kept apart from things they want/love. The two non-Leon chapters that immediately spring to mind are the Romeo and Juliet Mafia AU, and the one where the lady got pregnant from her dead husband and was able to live on due to that renewed hope. D himself seems to have turned a new page: he hangs around humans on his leisure time (bless those drag queens), takes a vested interest in happy endings for others even if not for himself, and seems overall less inclined towards gruesome murder.

(You'll have to forgive me, but I actually haven't read the Sofu series at all yet so I can't analyse that one. I wasn't even aware RNS had scanlated it until recently, but then again I hold a lot of rage against that slimy bastard (Sofu, not RNS, RNS are baby) and so I'm putting it off indefinitely. Oops?)

And then there's this one. It's probably no coincidence that so many of the stories are about reproduction and birth and continuing a dying species: this is something that chases Papa all the way from his college days not even considering his childhood, which we don't actually don't know about but can make an educated guess at down to his issues with his son and the faint madness of his last years. Even his death plays into this theme, with it ultimately working as an way to keep the D line alive. It makes me think that Papa being kept from his position as a main character in his own series might actually be somewhat purposeful, though the decaying quality of the latest PSoH mangas makes me think this is not the case. I'll have to read the Sofu series to make a better judgement on this, depending on whether or not Sofu is or is not treated similarly.

Another theme: being haunted by the dead. I think this is actually present on almost every chapter of the Wandering Ark series, though we may disagree on the levels on which it was shown and how easily it is or is not divorced by my previous point. A reader that reads this series on its own will likely find Papa a very bland character and will not grasp onto the nuances of these themes and how they are connected to him, IMO. These conclusions and these hypothesis are drawn by virtue of the first manga alone; it's because of it that we're aware of how Papa himself lives for the species who are long gone, his own kind included. Most of the characters on Wandering Ark push through the suffering and the sorrow of their dead to go beyond their limits and become greater and independent, which is another parallel to Papa since he's the only one of the Ds who has an objective beyond simple (and inefficient) vengeance.

Overall, there's little else I can say that I haven't said already, either here or on my previous post for the first two volumes of the Wandering Ark series. There's a real sense of isolation and detachment on Papa's side (though he seems more benevolent than the other two Ds were), but as I said I'm not sure if it's meant to be purposeful or not, though Sensei's choice to not give him an actual companion thorough his series is also telling. The pacing was also better than in the first chapters of this series, though there was that issue with the ending of the first chapter of this volume. I also still can't say this enough, but it's really strange that Papa is such a side character on his own series??

Final thoughts: we were robbed.

At least Sensei hinted that her journey with the Ds might not be over yet, though if we get another Sofu manga I can and I will riot.

#petshop of horrors #pet shop of horrors #papa d #wandering ark #drifting ark #hyouhaku no hakobune hen #petshop of horrors hyouhaku #psoh wandering ark #psoh #howl rambles a lot

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