would Tom Cruise be a good Tony Stark
Well damn, Anii. You've asked me The Question. Right to the chase. And you didn't even buy me dinner first.
To put it bluntly, no. This is no criticism to TC's acting chops of course, the thing just is, Tony Stark is an incredibly, extremely, tremendously difficult character to play.
The reason being, Tony Stark can VERY EASILY become an unlikeable, hard to empathize with character. (It's the point of why he was created - look it up, it's fascinating. He was an experiment meant to make an unlikeable character likeable). This is mostly due to his cocky outer persona. There's an inner kindness and empathy to him that's VITAL to his character. And if the audience can't see that in him, they won't be able to connect with him.
RDJ is so perfect for the role because he is so similar to Tony Stark in so many ways. He had a redemption story that mirrored the character's, so he was able to empathize. He also operates in a very similar way to Tony. He's very charismatic and sharp, but he's genuinely a kind human being.
It's much easier to play a character that's very similar to who you are as a person. So for a character that's as hard to play as Tony Stark, it fits to cast someone who has had a similar experience.
I don't doubt Tom Cruise's ability to look inside a character and give them a heart and an inner life separate from the outer persona, and make them 3 dimensional, as we've seen him do this before.
I just think that because Tom Cruise is Tom Cruise, we would watch Tony Stark (played by TC), and it would be very difficult to look past his outer persona and see that inner kindness shining underneath.
Also, RDJ is the only person in the world who can play Anthony Edward Stark aside from me. Hope this helps <33
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he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
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im seeing the pattern of being an atreus/angrboda fan (or u just like them) and having to go through this weird initiation process of: liking them in the game (wether its themselves, their relationship or both), then trying to find content of them only to be shocked to see a bunch of haters (on both sides but angrboda gets it the worst and thrud is often times oddly used against her), only to then get severely disappointed and realize u probably have to do a bit of contribution yourself which isnt bad but it sucks when its characters that are ridiculously hated 😭😭😭
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the problem is I’m such a staunch believer in the slow buildup, the earnest enjoyment of meandering through terrible story decisions and weird nothing subplots to build up into a conclusion that explodes out from all that as fantastic storytelling and intrigue based on all that buildup, such that it makes it necessary to get through all that or you’re missing something essential, that I’m also a terrible person to talk to about what makes a story good. I can tell you plenty of what actually makes something tight and well-written and all that technical speak but how could anyone take my advice when I so so so love excruciatingly long unnecessarily complex fumbling and weird nonsense that spirals into, inexplicably, weird nonsense that makes you cry your lungs sore
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Will my suffering never cease
- went to good Friday evening service even tho it's not a day of obligation, didn't go yesterday evening to Maundy Thursday for a variety of reasons
- priest manages to fit homophobia and transphobia into his sermon. Not even gay marriage. Just unions, that let ppl share taxes and have hospital visiting rights. And big bad scary surgery. Like. Completely unrelated to the matter at hand. Says SO LITTLE abt the Passion, managed to talk for 10 minutes without really saying ANYTHING. Takes Pilate's 'what is truth' and instead of engaging in the long philosophical and theological discussion around that question, decides to use it as a rallying cry against wokeism and a godless progressive society.
- my two ex best friends were there. Ran into them. + One's husband, who I introduced her to a decade ago. Like I'm mostly over that, no longer shitty and resentful, fully know that it was partially my fault and born from my own terribleness at 19 and undiagnosed untreated mental illness. Still uhhh hurts tho??? As a reminder?
- music bad. Ok I'm petty. I'll give the trads (1) point. I don't like guitar mass. I will NOT agree with the trads in assigning moral weight to my aesthetic preference. It's simply a preference, which does not make any musical form inherently superior to the others. But the triduum really lends itself to Latin hymns and chants, in my heart. My other fave church music is traditional Black spirituals. I would greatly prefer either. But just. If it sounds like an acoustic version of a pop love song. I just. I can't. I KNOW I'm the weird about Jesus romantically girlie. But I am not vibin with this folks
Literally would have simply Walked Out. Hit da bricks during the homily. But was with my family so 1) cannot out myself 2) did not have house keys on me, so I was suck regardless
Anyway I said I wasn't going to do fun things today but I'm so upset and cranky and I did chores all day, I am going to catch up on dungeon meshi. Marcille is my best favourite cringefail girl I'm obsessed with her and surely the wlw neurotic fussy mage who loves her friends will not betray me like this
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I was watching this review of Idolish7 and the reviewer's closing comments got to me because, yeah. Idolish7 tells you that it's fine if your interest or love for something like music or media doesn't last forever while acknowledging also how sad that can be. But it tells you that you're allowed to be obsessed with a show or a song for a short period and you're not inconstant or evil or disloyal for it, nor that your love for it was fake because it didn't last in intensity as it started.
I don't know but I'm a big fan of the way i7 tackles topics about change and goodbyes (especially after pt 4 to 6.9), both on the audience's side and on the artist's side.
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Another parallel between Valjean and Javert is that they’re eerily silent when captured or threatened.
Jean Valjean being captured by Patron-Minette:
The silence preserved by the prisoner, that precaution which had been carried to the point of forgetting all anxiety for his own life, that resistance opposed to the first impulse of nature, which is to utter a cry….
Javert being captured by Les Amis:
Javert had not uttered a single cry.
The other police spy who’s captured at the barricade— Le Cabuc— is not like Javert, in that he behaves like a normal person. He cries out in pain and anger and fear; he begs for mercy; he prays. But Javert is inhumanly tranquil, and reacts to his death with indifference.
Jean Valjean, when captured by Patron-Minette, is similar. He acts eerily “calm,” and inhumanly “silent.” Of course in Valjean’s case, he has to be silent, because he’s aware that the police would only hurt him if they arrived; his politeness is also a survival strategy. Knowing how to behave in a superficially polite solicitous way to avoid punishment from authority is clearly something he’s had to learn to survive prison.
This parallel feels like another way the trauma of prison has affected both of Valjean and Javert’s lives. Javert spent time in prison as a child, Valjean spent nineteen years serving his sentence— and both of them have now learned to silence “the first impulse of nature” to cry for help. They know instinctively how to behave in situations where they are trapped in another person’s power and have no autonomy. They are able to remain calm and tranquil and even “polite” even when they’re threatened with death.
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