#it's also important in the food industry to i think | Explore Tumblr Posts and Blogs

dessertgeek · 4 months

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But like seriously, there's so much nuance in chocolate I can't even get to talking about because there's so much else to talk about first?

Like alright, I'm way behind on explaining lead and cadmium pathways in chocolate thanks to not sleeping most of the last ~3 years, doing evaluations and script work has been really hard. Especially since a lot of the posted information online is wrong or at least misleading.

Like I saw this comment going around to the effect of 'Prop 65 didn't care about cadmium before, why do they care now?' and I was all 'okay yeah, that's a good concern, I'll look into it.'

If you dig, you get to the original source of Prop 65, and that most of the original data is based off the original Clean Air Act info and the EPA health assessments. And the gist of that is two things:

They really only had data on inhaled cadmium, not ingested

Even at the time they were worried about understanding consumed cadmium.

As in, here:

OEHHA 1989 document listing where they cite the EPA report (page 33): https://oehha.ca.gov/media/downloads/crnr/art78fsrjune1989.pdf

1981 EPA Health Assessment for Cadmium: https://bit.ly/3CuSAhq

And from page 50 of the 1981 EPA Health Assessment for Cadmium (emphasis mine):

“Several recent developments in waste management, energy production, and food production appear to have the potential for markedly changing the present United States population exposure profile for cadmium.”

This section goes on to mention increases in air cadmium, expansion in fossil fuel use and and “cadmium-contaminated phosphate fertilizers” as potential sources, and ends with:

“In view of the above, regulatory action addressing any single source of exposure, but not taking into account all other possible sources of exposure and expected changes in levels resulting from them, may not be adequate in terms of truly safeguarding the public health.”

They knew, and were concerned, and put it in writing. And yet I've had to wade through a lot of 'but they didn't care-'

They did care! A lot! But they lacked data and said so!

And arrgh trying to summarize all of this into a quick friendly snippet is basically the ongoing background nightmare in my brain.

#chocolate #us politics #like seriously there's so much posted info to look through #and I think I'm the only one who's talking about this and also read the 400+ page As You Sow final report #that report is massively important and also has gaps that you won't catch unless you're aware of the state of the chocolate industry #and this is only one section of the 11 pages of summary notes I'm wading through #halp #food

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ozlices · 1 month

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another super insulting part of the watcher situation i haven't rly seen ppl addressing much

ryan deadass saying smth like "nobody else on youtube has made tv quality content"

like... i really feel like it's important to highlight that bc not only do they obviously have no respect for their audience, but that statement shows they have no respect for their peers in the industry, either.

not to mention it is a shining example of bleeding arrogance to such a high degree, you will straight up fucking lie bc you're truly convinced you're that special when you're anything but.

there's been NUMEROUS online creators who were recognized by entertainment industry workers BECAUSE they made tv quality content & even full stop blockbuster quality content.

bo burnham started on youtube & is now one of the most wellknown & loved standup comedians of our generation, with numerous netflix specials & even a movie he wrote & directed under his belt.

the try guys, fellow ex-buzzfeed employees, had their own tv specials on food network (based off their youtube shows, btw) & a documentary made about them as well

rosanna pansino has also been on numerous food network shows both as a host & a judge

quinta brunsun, another fellow ex-buzzfeed employee, went on to create her own whole ass sitcom that has been highly praised

matpat cameo'd in the fnaf movie because of his theories & multiple other fnaf creators had small cameos through the employee of the month board easter egg

markiplier made multiple high-quality shows on youtube & is now working on a highly anticipated movie (he was also planned to cameo in the fnaf movie but couldn't due to conflicting schedules with his own movie)

hot ones got their own tv gameshow due to their popularity & they are still one of the most wellknown, beloved & respected internet shows

many short films made on youtube went on to premiere at film festivals & even in theaters

the hit horror film "talk to me" was created by youtubers rackaracka

webseries of actual fucking tv shows have also existed for literal decades

the list goes on.

to seriously think that overproduced bullshit is all you need to make "tv quality content" is not only tone-deaf, but shows they do not even know what they're talking about. many tv shows & huge blockbuster movies are made with absolutely microscopic budgets & small teams, & they still get praised & awarded for the passion, dedication, & creativity that shined brightly under those restrictions.

the blair witch project is probably the most wellknown & highly praised example of this, but it is far from the Only example

it is a whole other slap in the face, again ESPECIALLY when puppet history is one of their most popular shows, to spit in the face of internet history. to see the success of their predecessors, even ppl they fucking worked with at buzzfeed, & deny them of all their success & efforts to get where they ended up.

no, y'all are not the first people to make "tv quality content" on the internet. FAR from it. because your crap isn't even genuine "tv quality".

but you are the first ones to ever disrespect not only your audience, but your own fucking industry & your peers on this level.

& you are the first & i sorely hope the only fuckwads dumb enough to pull a stunt this fucking stupid, out of touch & utterly tone deaf.

#mine #watcher #sorry this is hopefully my last post but this pretention grated me #& im floored nobody has mentioned it #like sincerely how fucking dare you? what the fuck is wrong with you?#how far up your ass is that building long stick???#not to mention youtube is 18 fucking years old.#it is literally statistically impossible for a website as huge as youtube is to exist that long #& never have any 'tv quality' content on it. be mother fucking serious.#many ytbers were recognized by entertainment industry marvels BECAUSE they made content that was already tv quality #fuck off.

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thebibliosphere · 9 months

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I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?

#sorry #this isn't an actionable answer to your question #I don't know what that answer is #I just need people to realize art is not the exclusive creation of the wealthy #and treating it as such is making everything worse

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bovineblogger · 2 months

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I think it’s really cute to see cows by the side of the road when driving, but it also makes me sad to think they might be eaten. How can you tell dairy cows from beef cows? Is there a difference? Is there any other reason to raise cows besides food?

i could spend some time teaching you guys about different beef and dairy breeds, but i think the underlying concern here is about beef farming if im correct! if im not, let me know and i can write up a post about beef and dairy breeds, because i do love talking about them too hehe.

its completely normal and human to be upset at the thought of an animal dying, death is an ugly thing to a lot of people you know? i think its in our nature not to want animals to suffer. but its important to realize that everywhere in the world animals are there to be eaten by other animals. the ecosystem, the cycle of life, whatever you wanna call it.

in the wild, bovines are mostly picked off by predators when they're young and unable to defend themselves! an animal can be killed and eaten at any point, and if they get sick or injured thats often fatal for them. in captivity, cattle and other bovines get to live to adulthood happy and healthy and surrounded by friends! they get free food n water, free medical care, and they get to sit in a big field with all their buddies. we care for them and love them for their entire lives, and at our hands they die quickly and painlessly. and then we eat them. its a symbiotic relationship.

to an outsider the industry can seem 2 to be all death bc thats the only part we know about. but its so much more than that! farmers dedicate their whole lives to their animals. they raise them, feed them, tend them when theyre sick, give them space to run around, make sure theyre not too hot or cold and that their water troughs are clean... for whole lifetimes! over and over and over, farming is about life. we feed them and they feed us. its beautiful. genuinely.

images (x) (x) (x) (x) (x)

#asks #cattle

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fatehbaz · 1 year

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When you tag things “#abolition”, what are you referring to? Abolishing what?

Prisons, generally. Though not just physical walls of formal prisons, but also captivity, carcerality, and carceral thinking. Including migrant detention; national border fences; indentured servitude; inability to move due to, and labor coerced through, debt; de facto imprisonment or isolation of the disabled or medically pathologized; privatization and enclosure of land; categories of “criminality"; etc.

In favor of other, better lives and futures.

Specifically, I am grateful to have learned from the work of these people:

Ruth Wilson Gilmore on “abolition geography”.

Katherine McKittrick on "imaginative geographies"; emotional engagement with place/landscape; legacy of imperialism/slavery in conceptions of physical space and in devaluation of other-than-human lifeforms; escaping enclosure; plantation “afterlives” and how plantation logics continue to thrive in contemporary structures/institutions like cities, prisons, etc.; a “range of rebellions” through collaborative acts, refusal of the dominant order, and subversion through joy and autonomy.

Macarena Gomez-Barris on landscapes as “sacrifice zones”; people condemned to live in resource extraction colonies deemed as acceptable losses; place-making and ecological consciousness; and how “the enclosure, the plantation, the ship, and the prison” are analogous spaces of captivity.

Liat Ben-Moshe on disability; informal institutionalization and incarceration of disabled people through physical limitation, social ostracization, denial of aid, and institutional disavowal; and "letting go of hegemonic knowledge of crime”.

Achille Mbembe on co-existence and care; respect for other-than-human lifeforms; "necropolitics" and bare life/death; African cosmologies; historical evolution of chattel slavery into contemporary institutions through control over food, space, and definitions of life/land; the “explicit kinship between plantation slavery, colonial predation, and contemporary resource extraction” and modern institutions.

Robin Maynard on "generative refusal"; solidarity; shared experiences among homeless, incarcerated, disabled, Indigenous, Black communities; to "build community with" those who you are told to disregard in order "to re-imagine" worlds; envisioning, imagining, and then manifesting those alternative futures which are "already" here and alive.

Leniqueca Welcome on Caribbean world-making; "the apocalyptic temporality" of environmental disasters and the colonial denial of possible "revolutionary futures"; limits of reformism; "infrastructures of liberation at the end of the world."; "abolition is a practice oriented toward the full realization of decolonization, postnationalism, decarceration, and environmental sustainability."

Stefano Harney and Fred Moten on “the undercommons”; fugitivity; dis-order in academia and institutions; and sharing of knowledge.

AM Kanngieser on "deep listening"; “refusal as pedagogy”; and “attunement and attentiveness” in the face of “incomprehensible” and immense “loss of people and ecologies to capitalist brutalities”.

Lisa Lowe on "the intimacies of four continents" and how British politicians and planters feared that official legal abolition of chattel slavery would endanger Caribbean plantation profits, so they devised ways to import South Asian and East Asian laborers.

Ariella Aisha Azoulay on “rehearsals with others’.

Phil Neel on p0lice departments purposely targeting the poor as a way to raise municipal funds; the "suburbanization of poverty" especially in the Great Lakes region; the rise of lucrative "logistics empires" (warehousing, online order delivery, tech industries) at the edges of major urban agglomerations in "progressive" cities like Seattle dependent on "archipelagos" of poverty; and the relationship between job loss, homelessness, gentrification, and these logistics cities.

Alison Mountz on migrant detention; "carceral archipelagoes"; and the “death of asylum”.

Pedro Neves Marques on “one planet with many worlds inside it”; “parallel futures” of Indigenous, Black, disenfranchised communities/cosmologies; and how imperial/nationalist institutions try to foreclose or prevent other possible futures by purposely obscuring or destroying histories, cosmologies, etc.

Peter Redfield on the early twentieth-century French penal colony in tropical Guiana/Guyana; the prison's invocation of racist civilization/savagery mythologies; and its effects on locals.

Iain Chambers on racism of borders; obscured and/or forgotten lives of migrants; and disrupting modernity.

Paulo Tavares on colonial architecture; nationalist myth-making; and erasure of histories of Indigenous dispossession.

Elizabeth Povinelli on "geontopower"; imperial control over "life and death"; how imperial/nationalist formalization of private landownership and commodities relies on rigid definitions of dynamic ecosystems.

Kodwo Eshun on African cosmologies and futures; “the colonial present”; and imperialist/nationalist use of “preemptive” and “predictive” power to control the official storytelling/narrative of history and to destroy alternatives.

Tim Edensor on urban "ghosts" and “industrial ruins”; searching for the “gaps” and “silences” in the official narratives of nations/institutions, to pay attention to the histories, voices, lives obscured in formal accounts.

Megan Ybarra on place-making; "site fights"; solidarity and defiance of migrant detention; and geography of abolition/incarceration.

Sophie Sapp Moore on resistance, marronage, and "forms of counterplantation life"; "plantation worlds" which continue to live in contemporary industrial resource extraction and dispossession.

Deborah Cowen on “infrastructures of empire and resistance”; imperial/nationalist control of place/space; spaces of criminality and "making a life at the edge" of the law; “fugitive infrastructures”.

Elizabeth DeLoughrey on indentured labor; the role of plants, food, and botany in enslaved and fugitive communities; the nineteenth-century British Empire's labor in the South Pacific and Caribbean; the twentieth-century United States mistreatment of the South Pacific; and the role of tropical islands as "laboratories" and isolated open-air prisons for Britain and the US.

Dixa Ramirez D’Oleo on “remaining open to the gifts of the nonhuman” ecosystems; hinterlands and peripheries of empires; attentiveness to hidden landscapes/histories; defying surveillance; and building a world of mutually-flourishing companions.

Leanne Betasamosake Simpson on reciprocity; Indigenous pedagogy; abolitionism in Canada; camaraderie; solidarity; and “life-affirming” environmental relationships.

Anand Yang on "forgotten histories of Indian convicts in colonial Southeast Asia" and how the British Empire deported South Asian political prisoners to the region to simultaneously separate activists from their communities while forcing them into labor.

Sylvia Wynter on the “plot”; resisting the plantation; "plantation archipelagos"; and the “revolutionary demand for happiness”.

Pelin Tan on “exiled foods”; food sovereignty; building affirmative care networks in the face of detention, forced migration, and exile; connections between military rule, surveillance, industrial monocrop agriculture, and resource extraction; the “entanglement of solidarity” and ethics of feeding each other.

Avery Gordon on haunting; spectrality; the “death sentence” of being deemed “social waste” and being considered someone “without future”; "refusing" to participate; "escaping hell" and “living apart” by striking, squatting, resisting; cultivating "the many-headed hydra of the revolutionary Black Atlantic"; alternative, utopian, subjugated worldviews; despite attempts to destroy these futures, manifesting these better worlds, imagining them as "already here, alive, present."

Jasbir Puar on disability; debilitation; how the control of fences, borders, movement, and time management constitute conditions of de facto imprisonment; institutional control of illness/health as a weapon to "debilitate" people; how debt and chronic illness doom us to a “slow death”.

Kanwal Hameed and Katie Natanel on "liberation pedagogy"; sharing of knowledge, education, subversion of colonial legacy in universities; "anticolonial feminisms"; and “spaces of solidarity, revolt, retreat, and release”.

#abolition

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sacerdotessa · 6 months

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Midheaven in signs

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If you’re an IG page and want to repost this, don’t forget to tag the creator: @sacerdotess4 on IG or @s4cerdotessa on TikTok

Don’t plagiarize, you were born original, don’t die a copy.

I'm back with a new post after a very long time! I missed my tumblr community so much, I'm going to post new things soon!

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Aries Midheaven:

you’re such a competitive individual and an innovator, you’re not afraid of taking risks and being bold. It’s hard for you to depend on other people, you need to be your own leader when it comes to your career. The perfect career path involves a lot of action and dynamism, following every day the same routine is not something that appeals you. As a driven individual, you thrive on challenges and are always seeking new opportunities to grow and learn. You have a natural ability to think outside of the box and come up with innovative solutions to problems. You're not afraid to take risks and push yourself outside of your comfort zone, because you know that's where growth happens. When it comes to your career, you're not content with simply following the crowd. You need to be in control of your own destiny and chart your own path. You have a strong sense of purpose and direction, and you're not afraid to pursue your dreams with relentless determination. The perfect career for you is one that allows you to constantly evolve and adapt. You need to be challenged, stimulated, and engaged in your work on a daily basis. With your competitive spirit and innovative mindset, you're sure to make a real impact in whatever career path you choose

Taurus Midheaven:

Your top priorities are stability, enjoying life and being creative. You prefer to approach your career methodically, following a routine is not something that bothers you. You have amazing taste and expressing your creativity is very important for you. You might enjoy a career path that involves aesthetics and creativity, you might also enjoy a job that revolves around food (you might be a great chef). You should choose a career that aligns with your priorities and natural abilities, for example, exploring opportunities in the creative arts. You could pursue a career as a graphic designer, interior decorator, or fashion designer. Alternatively, you may find fulfillment in the culinary arts, either as a chef or food stylist. Whatever path you choose, be sure to focus on finding a work-life balance that allows you to enjoy the stability and creative expression that you value most. Remember, the most fulfilling career is one that brings you joy and satisfaction in all aspects of your life.

Gemini Midheaven:

You’re such a curious and multitalented individual, you might enjoy exploring multiple career paths during your lifetime. You’re talented when it comes to communications, media, journalism and anything that’s connected with writing. Routine is something that annoys you, you should choose a career path that involves a variety of activities. You’re also extremely expressive, you might be a talented actor. There are many career options that could suit your unique set of skills and interests. You should also consider pursuing a career in public relations or marketing because these fields often involve a mix of writing, communication, and creativity. Another option to consider is working in the entertainment industry, where your expressive nature and love for variety could be put to good use. You could explore opportunities in acting, directing, or even producing. With your natural curiosity and multitalented abilities, the possibilities are endless. Don't be afraid to try new things and explore different paths.

Cancer Midheaven:

Nurturing and taking care of those around you feels like a life mission for you. You’re such an empathetic soul, connecting with those around you and being sure that you’re working on making the world a better place is very important for you. You might be interested in a career that involves being around children or those who need support. Your natural inclination towards empathy and compassion makes you an ideal candidate to work with individuals who need emotional support and care. A career in counseling, social work, or education could be a fulfilling path for you to explore. You have the ability to connect with others on a deep level and understand their needs, making it easier for you to provide the necessary support and guidance. Additionally, your warm and nurturing personality would be a valuable asset in any team or workplace environment.

Leo Midheaven:

You’re such an ambitious individual and you love being in the spotlight. You’re a natural-born leader and you constantly need to attract other people's attention. You might be a good actor, singer or influencer. Being popular and influential seems to be some of your biggest goals. However, it's important to remember to use your platform for good. As a leader and influencer, you have the power to positively impact and inspire others. Consider using your talents and popularity to promote important causes or raise awareness about issues that matter to you. Remember, with great power comes great responsibility. It's also important to stay grounded and humble, and not let fame or attention get to your head. Stay true to yourself and your values, and continue to work hard towards your goals while also making a positive impact on the world.

Virgo Midheaven:

You prefer a career path that brings you stability instead of one that brings you power and fame. Being in the spotlight is not something that appeals you and you prefer to help others instead of being at the center of the attention. Being helpful is very important for you, being a doctor or working in the healthcare field seems to be perfect for you. You might consider becoming a nurse, a physical therapist, or a medical assistant. You might also be interested in working with animals (becoming a veterinarian). If you have a passion for nature, you might consider a career in conservation or environmental science. Whatever path you choose, you can be sure that your desire to help others and make a difference in the world will be fulfilled.

Libra Midheaven:

You might be interested in working in a field connected with communication or art (you might be a great graphic designer), you might also be an amazing stylist or director, you know how to connect the right people and coordinate a team. You’re such a creative person and you love to express yourself, you’re also amazing when it comes to discovering other people's talents and valorizing them. You prefer facts over feelings and you have a logical mind, you might be a good lawyer. Don't be afraid to explore different options and take risks in order to find the right fit for you. Whether it's in the realm of communication, art, or law, there are countless opportunities available for those with this placement. Remember to stay true to yourself and never stop learning and growing in your chosen field. With hard work and perseverance, you can achieve great things and make a positive impact on the world around you.

Scorpio Midheaven:

You’re such a private person, being in the spotlight is not something that appeals you, and working behind the scenes seems to be a better option. You’re such a deep person who enjoys mysteries and taboos, you might be an amazing investigator, surgeon or psychologist. You’re not afraid of taking responsibility and making tough decisions, which makes you a great leader. Your ability to analyze situations and think critically also makes you an asset in any team. Your calm and composed demeanor in high-pressure situations is admirable. You have a great sense of empathy and understanding towards others, which is a valuable trait in any profession. Your dedication and hard work have helped you achieve success in your career, and your determination will continue to take you further.

Sagittarius Midheaven:

You’re an explorer and learning new things seems to be one of your biggest passions. You might be an amazing teacher, those around you love to hear you talking about what makes you feel passionate. You might explore many different career path during your lifetime and you seems to be kinda lucky when it comes to money and finding good opportunities. Your career could also revolve around traveling and exploring new places. Your adventurous spirit is what sets you apart from others. You thrive on the excitement of discovering new things and visiting uncharted territories. You have a natural curiosity and a thirst for knowledge that drives you to explore different cultures, cuisines, and ways of life. Your love for learning is contagious and people around you are drawn to your enthusiasm. As a teacher, you have a unique ability to make complex concepts easy to understand. You have a way with words that captivates your audience and makes them feel excited to learn. Your career path may take you in many different directions, but one thing is for sure – you will never be bored.

Capricorn Midheaven:

You’re extremely ambitious and kinda “obsessed” when it comes to your career. Your reputation is very important for you, being perceived as someone who is important and influential is one of your biggest goals. You have a solid work ethic. You might be interested in finance or business. You’re an amazing leader, you tend to be admired by those around you for your success. However, it's important to remember that success isn't everything. While ambition is a great quality, it's also important to take breaks and prioritize self-care. It's okay to step back and reassess your goals and priorities. Don't forget to give yourself credit for how far you've already come. Remember that being a good leader also means being able to take care of yourself and those around you. Keep striving for success, but don't forget to enjoy the journey along the way.

Aquarius Midheaven:

You’re attracted to unconventional paths, not everybody are going to understand your job. You might try many different career during your lifetime, you’re someone who gets easily bored, starting again is something that makes you feel excited. You might work with technology (you might be a software engineer) or social network, you’re attracted to every jobs that involves technology, innovation and communication. Don't be afraid to take risks and try new things, but also be mindful of your long-term goals and aspirations. With your unconventional mindset and willingness to explore, you're sure to find a career path that suits you and makes you feel fulfilled. Keep an open mind and embrace the journey ahead!

Pisces Midheaven:

You’re not such a consistent person when it comes to your career, living in a capitalistic society is very hard for you. You’re such a creative person with a deep and insightful personality, you love to take care of others and you also love to express yourself through art. You might be an amazing artist and many people could feel inspired by your creations. You might also be a great therapist who has the ability to understand and empathize with others on a deep level. Whatever path you choose, it's important to remember that your unique perspective and talents are valuable and can make a positive impact on those around you. Don't be afraid to pursue your passions and explore different avenues until you find the career that truly fulfills you. With your creativity and caring nature, there's no limit to what you can achieve.

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thehappyvet · 2 months

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Just a reminder if you decide to illegally take a wild animal from the wild for yourself, even if you have the best interests at heart, you could be killing it.

If you feed it the wrong diet you can cause it's bones to break or other diseases associated with mineral imbalances. If you feed it too much you could cause issues associated with obesity including excessive fat stores.

If you aren't a trained wildlife rehabilitator you won't understand the importance of preventing imprinting or humanising. So you'll cuddle it, play with it, and let your pets play with it. So it will think it can only get food from humans, and that humans and domestic pets are part of its family.

If you take it while it's still young it won't learn the necessary foraging and social skills from its parents to survive in the wild. You might joke you don't even need a cage for it, but it isn't able to go anywhere because you've made it dependant on you.

If you aren't a wildlife carer or in the animal health industry you might not realise it's injured and needs treatment. This could lead to broken bones setting in ways that the animal can't perform normal functions and suffering from a life of chronic pain. Or it could lead to it suffering a slow and agonising death.

You might also not be aware that wildlife can contain diseases that can make you sick or even kill you. You could put yourself and your loved ones at risk of serious zoonotic diseases by bringing it home.

And, if you are found to be illegally holding a wild animal without the intention of rehabilitating and releasing it, the authorities are stuck. They can't release the animal because it thinks humans and domestic pets are friends. It can't forage for itself. It can't socialise with its own kind. It could have injuries or diet associated diseases that mean it can't perform normal functions, or is suffering from chronic pain. If they released it, it would die.

Is it fair for that animal that your choices have led to it not being able to experience its life in the wild as it should?

If you take something from the wild and intend to keep it, I hope this makes you think twice.

These kinds of stories are all over social media now, but none of them tell this side. They normalise putting a wild animal though an incredibly stressful experience purely for likes and engagement.

If you want to be a hero, get accredited to be a wildlife rehabilitator. Join an amazing network of compassionate humans just like you who understand that wild things should be wild, and do everything they can to get them back there.

If you find a wild animal and you're not sure what to do, call your local veterinary clinic or wildlife rehabilitation group. Trust that we have the knowledge to make the best choices for that animal. And if you want to make those choices, join us.

#vetblr #vetmed #veterinary #let wild things be wild

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prettylittlels · 5 months

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I Can See You

summary: You meet Rachel's costar at the academy gala, what will happen next? (tom blyth x actress!reader)

inspired by I Can See You (Taylor's Version) by Taylor Swift

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As an actress, I spend a 70% of my time meeting and interacting with actors, actresses, singers, directors, producers, and people who work in the same industry as i do. A 90% of those people are just passers, travelers that only visited my life. Only very few manage to stay, important enough to make me care for and about them: true friends. Like Rachel Zegler, for example. I met her at the 2022 Golden Globes afterparty, and we kicked off a nice friendship. And a rather weird one, might i add. Rach and I enjoy playing rather exquisite games: i make her try the most horrendous food i find, and she tries to find the perfect man for me.

-Rach, I already told you- i tell her, laughing without even trying - I've lost hope! You gotta accept that i don't have a love life!-

-You're lying to yourself! - she smiles with me- You think I haven't seen the way you look at every couple we meet?-

Maybe she was right. I haven't had a boyfriend in years, maybe I am a little touch-starved. But that was until I met him.

You brush past me in the hallway

And you don't think I, I, I can see ya, do ya?

I've been watchin' you for ages

And I spend my time tryin' not to feel it

As an actress, i spend a lot of time bring invited to galas and events. Tonights entertainment was the Academy's annual gala. I picked out a gorgeous black sparkly dress that caught everyones attention, as I imagined. Getting out lf the car, I slowly made my way to the red carpet, starting to pose for the flashing cameras. Shouts and screams came from everywhere i went. Not only for me, of course; in fact, thay were yelling Rachel's name too when i arrived. She came up to me and gave me a big hug, as we started to take pictures together. I also noticed that a certain co-star of hers, was looking our way. Don't you think I can't see you?

But what would you do if I went to touch you now?

What would you do if they never found us out?

What would you do if we never made a sound?

As an famous actress, I can't just do whatever I want and say whatever i please. The cameras are everywhere. But God, did I want to go talk to you.

'Cause I can see you waitin' down the hall from me

And I could see you up against the wall with me

And what would you do, baby, if you only knew?

That I can see you

As an actress, people expect me to be there when they need me, available for everyone and waiting for directions. But, only this time, I was waiting for something else to happen. When I walked down the hidden hallway on my way to the women's bathroom, you were there. I didn't want to do anything reckless! But here we are.

And we kept everything professional

But something's changed, it's somethin' I, I like

They keep watchful eyes on us

So it's best that we move fast and keep quiet

You won't believe half the things I see inside my head

Wait 'til you see half the things that haven't happened yet

Tom and I started dating shortly after the gala. Being with him was everything I needed: he's a gentleman, a caring person, a funny one, and of course, a very sexy one. The weeks passed and we were both as happy as ever. After the night we met, the cameras that caught our longing stares published the photos and the public strted going crazy, speculating and giving their opinion about our encounter. Oh, they have no idea.

That I could see you throw your jacket on the floor

I could see you make me want you even more

What would you do, baby, if you only knew?

That I can see you

They had no idea that how it was being In a relationship with tom. The envious fangirls wished they were me. They don't I know that I can see him for what he truly is. They don't know that I can see him discarding his clothes on the floor. Yes, even that leather jacket of his that I love so much

I could see you in your suit and your necktie

Passed me a note saying, "Meet me tonight"

Then we kiss, and you know I won't ever tell, yeah

And I could see you being my addiction

You can see me as a secret mission

Hide away and I will start behaving myself

I remember how I pulled you closer by your tie, and unbuttoned your shirt. How you admitted you've been watching me for ages. How we agreed to keep this a sceret, However, I knew he'd be like a drug. And I get drunk on it whenever he's around

I can see you.

I can see you, Tom.

#book recommendations #bookworm #tom blyth x reader #tom blyth x you #x reader #tom blyth #Spotify

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houserautha · 2 months

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hcs about giedi prime as a planet in general?

I am SO GLAD you asked!!!!!! Hold on to your butts because a lot of this is probably just me rambling

• Harkonnens are obviously a very proud people. In my mind it’s a war planet that loves combat and conquering. It’s also canonically heavily, heavily industrialized

• SOOOO a lot of their culture and traditions revolve around the warrior/high productivity mentality

• House Atreides canonically has roots in Ancient Greece, so I think it’s fun to play with Harkonnens ancestry. I don’t know if there’s anything canon but I like to think that they at least have adopted some of the social/cultural aspects of Sparta (I know it’s basic but hear me out)

• Obviously because Sparta was known to be military-focused and just because their brutality and social structure seem fitting with what’s in my head for Giedi Prime

• Children, boys and girls, are ruthlessly trained at a young age and conditioned into little warriors. Propaganda of the great Harkonnens shoved down their throats

• I think that women would have some power, similar to Sparta. Obviously not as much sway as other planets might have but they’re educated and trained to fight because what’s the point of a weak individual?

• Combat is their greatest source of pride and entertainment so fighters are basically celebrities

• If you live to old age on GP then you’re either the baddest bitch around or a coward and your social acceptance will depend on how others perceive you

• the black sun basically sucks out all color so they never even bother with colorful clothes or buildings and that’s why they always wear black (also it’s badass) (also this might not really be a HC but)

• GP is devoid of basically any plant life so their food is pretty dull and flavorless unless you’re wealthy enough to import spices and the likes

• The black markings that Feyd sports on his chest in the movies are tattoos, each bar corresponding with an inordinate number of people killed in combat. Most Harkonnens will only have one or two if that

• they actually have hair (albeit shaved close to the head) until they graduate their training school and then they’re inducted into adult life by dunking their heads in this acidic formula that permanently kills the hair follicles. It’s also a show of strength and resilience and not everyone survives this.

• No hair = nothing to grab onto in a fight

• Not very many animals can survive on GP and if they do there’s a 1000% chance it will kill you

• they would crumple so fast without all of their technology, they depend very heavily upon it not only for jobs and exports but also daily life

And more HCs will be included in These Destined Ends, particularly ceremonies such as weddings, births, funerals, etc 🫣

#dune #feyd rautha #feyd x reader #feyd x you #feyd headcanon #headcanon #giedi prime #world building #fanfic writing #writers on tumblr #writing

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headspace-hotel · 1 year

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I think a critical flaw in the vegan’s user’s argument was that they clearly buckled down on how capitalist exploitation and overproduction factors into milk and meat markets… and then seemed to assume that vegan diets avoid capitalist pitfalls completely.

But you’ve already posted on your blog before about how crop production under capitalism has created huge environmental issues in terms of biodiversity, depletion of topsoil, and sustainability. Meaning even a non-animal diet can (especially on the scale necessary for every human being currently in existence) still create large-scale issues if that diet demands having specific foods in abundance to avoid eating meat.

Like, I’m sympathetic to what vegans want to do, it just feels like they’re ignoring a MASSIVE number of pressing logistical and environmental issues to push that agenda. There’s several intersecting problems here, and claiming humanity as a whole is poised to chuck eating animals completely seems to be jumping the gun.

This is basically exactly what I hope to convey to people. I feel like extremely pressing issues such as topsoil loss, pesticide and herbicide use, and pollution caused by nitrogen fertilizers, not to mention the severe biodiversity impacts of monoculture, are being disregarded in favor of a very simplistic "Meat is killing the Earth" argument.

And I think the "veganism to save the earth" idea is just...distracting, as a movement. I'm glad people are motivated to do it. I don't think it's bad. But we need people to take action beyond just Buy Product. Anyone telling you that the most important action you can take is Buy Different Product does not have your best interest, or the planet's best interest, in mind.

If you're eating a plant based diet, but your only relationship with your food is Buy Product, you are still alienated from the source of your food. You still don't know, and can't respect or care for, the ecosystem or the labor that gives it to you.

My agenda is far more along the lines of "society needs to be organized so more people are directly involved in growing food that feeds their community" than anything to do with animals, but it's clear to everyone who has studied it for 2 seconds that farming needs to change hugely and it's so, so much more complicated than "farming animals is bad, farming plants is good."

Also the fact is that veganism cuts you off from sources of nutrients that have been part of virtually every human society ever, a LOT of people have disabilities, allergies or nutrient absorption issues that mean going vegan isn't possible for them, and people who try to argue with me about this simply Stop knowing how to read when this is brought up. "Some people need animal protein to live" is a reality of the world but people who don't like this straight up refuse to consider it.

I have no food allergies or sensitivities, and I still struggle to eat enough food to live. I lost thirty fucking pounds in college because of stress, the dining hall being shit, and my roommate trying to control my eating habits (long story). Thats like...well over 1/5 of my body weight. Sometimes people Cannot restrict their diet safely.

Like, sure, I 85% agree with the vegans who like to comment on my posts, but the remaining 15% of things they say is completely insane.

And some of them are so out of touch with reality that they will swear up and down that it's impossible for humans to drink milk without someone having to murder a baby animal. They seem to think farming is exclusively some kind of horror show that happens in a warehouse somewhere, and don't understand the concept that "some people live in rural areas" or "it's not uncommon in some places to just keep a few dairy goats that provide milk for your family."

And if they admit this exists, it's like "well, that's not where your dairy comes from, because the INDUSTRY—" thats. that's my point, you can get milk from a farmer who keeps a small herd that is well treated, we should start doing this actually, you can even keep your OWN goat

my ideal world involves "backyard chickens and goats are legal in suburban areas where there's space" because there's literally nothing innately unethical about keeping a couple dairy goats or healthy heritage breed chickens and you can quote me on that and you can even fight me.

That one person (the one who kept bringing up eating poop) (Lord what a sentence to have to write) eventually turned to "Well those sources are wrong because governmental organizations want you to keep eating animal products" which is already well into "conspiracy theory" territory. No thanks.

#weight loss tw

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elbiotipo · 27 days

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in the face of things like the floods in Brazil, how do you have ANY hope that the biosphere won’t be completely and utterly destroyed? I’m at my wit’s end. It seems like we’ve passed the point of no return. There isn’t any hope

how do you keep motivated

The biosphere won't ever be completely and utterly destroyed. Unless an asteroid impact boils the oceans away, that's just hyperbole.

And the FIRST thing you need to stop doing about climate change right now is hyperbole, because 1) that's the new strategy of "let's keep things as they are" people, "climate change is irreversible and we're all doomed so why do anything" and 2) it makes people to think you don't know what you're talking about and you're just a pointless doomer so they don't even listen. I'm a biologist, but you also should know what biosphere is, you know our biosphere has passed through several mass extinctions and has survived. Use the right terms.

What do I mean by this, am I being a condescending pedant? No, well maybe a little and I apologize, but my point is, it means that to talk about climate change, you need to know what's at risk. It's not "the Earth will warm 2°C and EVERYTHING WILL DIE", it's NOT. Global warming in such a short timescale means the disruption of global climate and weather in unpredictable ways which leads to natural catastrophes such as these. It means the disruption of ecosystems and agroecosystems because of this, in ways that we don't fully understand because it involves many factors. At the very worst case scenario, it means crop failures with all that implies, and we've already seen this with droughts, but even then, it would require adaptation and food distribution, just as today. There is a lot more to climate change, but what's important here is that it doesn't mean that we will all catch fire or drown when the average temperature reaches a certain degree. There is not such thing as a "point of no return".

What can we do about this? First of all, assist those who are inmediatly affected by these natural disasters. Second of all, recognize that these things will increase and start building up measures against it; change land use and preserve forests and wetlands so that floods have natural sinks, build defenses and canals in cities, reforest and protect land affected by drought, every place will have to adapt in a different way. Third, and this is already happening, transition away from fossils and aim at decarbonization, not only stop emissions but actually reverse them.

I say this is already happening because as of right now, solar and wind energy is at its cheapest ever and coal plants aren't being built nearly anywhere anymore. This transition is going through very rough times as the fossil fuel industries are very powerful, and this is why governments need to be pressured by popular action to complete it once and for all. But the results are already there. The worst case scenario of a 4°C warming planet, which would have meant crop failures and total melting of the ice caps, is increasingly far away, we are NO longer in the business as usual scenario. Are we there yet? No. Is a warming over 1.5°C inevitable? Most probably yes. Will this cause disasters and will require a tremendous effort to fight back? Definitevely. But every effort counts. Every coal plant that closes, every hectare of forest preserved, every time people choose nature over profit, every effort counts towards keeping us away from catastrophe.

Do you efffort then! Go get educated instead of dooming, learn what a biosphere is! And a biosphere isn't a small thing, you won't save it alone. It will take the efforts of millions of people to protect it. Millions of people who are already hard at work. Educate yourself and join them!

#climate change

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ghostieyanyan · 11 months

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Is it ok if we can see more of rock musician MC with the Yandere pop music club or Pomefiore once they discover their secret musical talent?

im doing Pomefiore cause at this rate, im doing everyone xD i dont might, it rewally makes me happy that you guys enjoy this series/topic (idk what to call it)

ill likely do heartslabyul and Ignihyde and Diasomnia will likely be together and theres still savannaclaw (though idk how well that goes lol)

who do you guys want next?

~Musical!mc~

Yan!Vil x mc

Yan!Rook x mc

Yan!Epel x mc

Warnings: yandere, manipulation, stalking, hints nsfw, hint of kidnapping?, the art is more on the fem!mc side but the fanfic parts should be gender-neutral (if not, im sorry and do tell me where so i can fix it qwq)

~~~~~

Rook

would you be surprised that rook found this little secret first? like he was the very first person to find out

the answer should be no and if not that no then you are sorely mistaken.

When did he find out? Who knows? But one thing for sure, he want to relish in the fact that he's the only one who knows. Other people might find out sooner or later but he has it in his head like you told him yourself. Like you held this important little secret close to your heart and in-trusted your heart to him. He lives in his own world.

He'll know when you sing. Its often when grim isn't present, like he messed with ace and deuce and getting collared by riddle. whatever grim did that had him busy, you often have your sweet alone time to sing our heart out.

Rook will help keep this talent of yours as secret as you want. if you want only a few to know, he'll accept it. if you don't want anyone to know, he'll make sure your secret is preserved for as long as you like. but honestly, if he had it his way, he'd be the only one to know. the only one that can hear your lovely voice.

Rook is a hunter and an active fan in the beauty department. hell take pictures of you and even record your voice. even when you're not singing. he has a recording of you sleep.. your sighs in the night, signaling if you have any discomfort or even pleasure in your dreams.

he'll take the moment in your dorm to look at your stuff. help here and there in your dorm. in the morning, you might find your clothes ready and prep for the next day. you might find your room less messy than you remembered the night before. you might see food that you don't remember when you've gotten it. you also find tea that states it "helps your voice"? did grim get this....?

Rook watches you like you were a bird. oh he wishes to capture you and hear you sing just for him alone but he also like you to be free. to watch your wings stretch into the sky as you sing with your heart and soul.

but he is a little curious on what would you do, if your wings were... clipped.

~~~~~

Vil

he is furious when he found out. how dare you not tell him!? How dare you to just sit idly by when your potato friends did the VDC and not to mention, watching them lose like idiots!

but... that's in the past and now he has to face this issues with a level head. he needs to know how well you sing, both in when you aren't pressured (your free alone time) and with his guidance and lessons. now you see why Epel runs for the hills during Vil lessons.

here's the thing about vil, you cant be 100% mad at his overbearing behavior to watch you succussed. he just wants to watch you thrive. plus he knows what its like in the music industry. he had to work side by side with it when he was young after all. you cant get mad at him, even if his words like like hot burning knifes to your skin.

when you think that hes heartless and you just want to break down with how harsh hes being, he gets to your level and speaks smoothing words to make you feel better.

"hey hey! i know its difficult and i wont have been this harsh with you if i knew you you couldn't take it. but you can. this industry is very mean but you have the talents to make it big and ill help you through it~ every step of the way~"

isnt vil a great actor? i mean he works really hard to hone his skills but this is next level. he has you wrapped around his little fingers. he doesnt care if you want to be big or even small in the music industry but with you by his hip. with your voice, you could even riverly neige! Imagine it. beautiful model with a lovely song bird by his side. their love story is so cute. its like a fairy tale! celebrty with everything finds love with a common no body.

but honestly, he'd be lying if he said it was just for celebrity gain. Vil has been eyeing you awhile, you were a great help during vdc and maybe... he just wants you to keep helping... but just him this time..

~~~~~

Epel

at first, epel thought he wouldn't care about that. in life he mainly wanted to be seen as the manly type. but with vil's lessons on beauty, makes him hate that whole aspect, entirely.

but when he first heard you... that changed everything.

he didn't mean to sneak up on you. it was late in the day, everyone was in their clubs but since hes been failing a class, vil forced him to improve his grades.

"leona would be fine without you for a day... but not for the rest of the year.so if you want to stay in in the magical shift club, get your grades up."

he decided to head to the library to study for a bit. a nice quiet place to read and study, or try to anyways. a few minutes passed and he wasn't feeling it with his textbook. epel just needed a quick walk around the library to help pump his blood flowing to his head, he thought.

and then, he heard you. you were doing a slight hum and soft singing mixture. but oh was it so sweet to his ears. he felt like he was with his grandma back in grade school when he would come home from school and she'll be making dinner for him. it reminded him of home, and how he missed it so much.

he'll likely not be the type to confront you about it, its your business and if you told him personally, he'd love that.

without realizing it, when he thought about you singing, he dreamed that you and him were married in his home town. he'll be coming home after a long days work and you'd welcome him home with a sweet smile. you might even ask if he wanted food, a bath, or even- oh shoot. Epel has to use the restroom NOW.

naughty boy.

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alpaca-clouds · 8 months

Text

How to Blow Up a Pipeline (or: why the climate movement is failing)

Okay, talking about politics this week, let me talk about this amazing book that you all should read, because it is not that long and it really makes a lot of good points. I found this book through the Philosophy Tube video a couple of years ago.

So, what is this book about?

To put it lightly: It is about how the climate movement is failing over their refusal to use any sort of violence or sabotage. And it is about the ethics of violence.

Which is not only important to the climate movement, but all sorts of progressive movements. Which again brings me back to what I talked about so many times before: Being against a revolution is being against change. And the left in general has a problem with idealizing parcifism to an unhealthy degree.

Let me explain: The left has in general very much drunken the cool-aid to accept that there is no violence happening right now, so using violence against the perceived non-violence is wrong. But that entire idea is bullshit.

Letting people starve, while there is enough food around for everyone, is a form of violence.

Letting people die of preventable deseases, because they cannot afford health care, is a form of violence.

Letting people die in extreme weather, just so that a few people can profit from fossil fuels... Well, that is a form of violence, too.

But left people - especially white, leftists - have very much accepted that non-action can never be violence. So, not giving someone the food they need, cannot be violence in their point of view. So, using violence to act against the system that lets this happen again and again... that is "out of proportion" in their point of view. Because they do not suffer themselves, they do not perceive the violence.

The book talks about how specifically the climate movement refuses to use any form of violence, even just in the form of sabotage, in which no human would ever come to harm. Which is why the title is "how to blow up a pipeline". Because blowing up a pipeline would harm those, who profit from climate change, from the fossil fuels. The book is also about how the climate movement then goes ahead to appropriate civil rights leaders, without really understanding the context they were in. Because they will name Martin Luther King, Ghandi or Nelson Mandela as examples of people who succeeded with non-violence, without acknowledging that all three of those leaders were leaders of a non-violent group that closely associated with a violent movement that aimed for the same changes. And through that contrast - of a violent group and a peaceful group with widespread support - the people in power were forced to make a move to work towards them to some degree.

Now, technically the book involved nothing new to me. Because I thought about this topic - about the ethics and visuals of violence - for a long while now. It also is fitting with the entire French Revolution thing I spoke about on Sunday. Because we see it in the judgement of the French Revolution as well. On how there a) was a peaceful group first, and b) the violence that happened, happened in response to other violence.

And as the book points out: The fossil fuel industry does not care. As a German I know this too well. And I think it is no accident that a lot of the examples of this in the book come from Germany. Our climate movement here is very tame. It is mostly just kids (like people between their teens and early twenties) doing protests in forms of blocking streets and the likes. Yet, the fossil lobby and those in power will call that "terrorism" and will call that one time when folks tore down a fence at the coal mine as "extreme violent behavior". They are doing massive and at times violent police action against those KIDS, who organize the street blockades. Having thrown literal teenagers into prison for at times weeks, before judges intervened clearly saying that "the kids have done nothing illegal".

They do not care that the movement is non-violent. And the movement will not get anywhere, without some group standing in and doing some damage to the most important thing those people can think of: Their base line.

#how to blow up a pipeline #climate movement #fridays for future #climate action now #anarchism #anti fossil fuels #protest #solarpunk

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nwarrior777 · 3 months

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The problem with fatfetish is not in it existing, but in not-exsisting of alternative positive image of fatness in media, and not-exsisting of range of narrative in depicting fatness as something sexy in kinky images.

It's like media have two options for fat characters: 1) background comic relief in mass media 2) fatfetish art in internet niche. with not much of smth else

Respectful representation of fatness is big important topic for it's own discussion, but focusing on kinky art - fatness presented as smth sexy there, but it's almost always one narrative (usually food related)

And, i think, if we would have more ways of depicting sexiness of fatness, especially in kinky art, and bring sexiness of fatness in mass media, it would be easier to accept for people, that having kink for big bellies & softness is same as kink for muscle body, 6 packs, bdsm or any other kinks which are people fine with (kinks is smth totally ok to have, for the record)

Like, there are """cringe""" art of muscle kink too, and people have a little laugh about it sometimes, but nobody says that loving muscles is bad or disgusting - yes, because of fatphobia, but why are people so fatphobic still? Because they are not used to see positive images of fatness around and taught from childhood, by media narrative too, that fatness = bad. And they see all the scenarios you can imagine of muscles or thinness being sexy around, in media all scales. It's chicken and egg situation - one thing boosting another: we don't have positive image of fat > people learn "fat = not normal, bad" thought > they don't even think about questioning it because all the world around them is keeping this rule > a lot of people becoming media industry workers, and > they keep media not-including fat characters, keeping status quo > new generation, repeat.

In result we have this vicious circle. And we can break it, by making more fatness inclusive media, and going back to kink talk - we need more ways of depicting fatness as something sexy: new narratives, new plots in films, new lyric in songs, new art aesthetics.

I mean, you can have great time daydreaming that food scenarios, but wouldn't it be also cool to see sexy fat characters in other roles? Imagine - Sexy Fantasy Fat character, who got so much power that their body has to be bigger to keep all that. People went all horny then Detroit Become Human released - imagine cool fat robots, so fragile and complicated in their core parts, that they need big fat parts made of smth soft to prevent damage if they fall. Or fat characters in art, in just usual hot images narratives, but they drawn in a way, which make their fatness looking like hot detail, or even hot focus of the art.

I know we have progress and there are more and more examples of that i say. It just still few. So, let's go work hard and make more

#yeah it's sequel for my post about fatfetish #previous one was unreflected selfhate cause i thought if my goal is to draw fat people respectfully i can't have kinky desires for fat body #and i felt shame #but now i thinked some thoughts and well #you read the post #shock but you can draw fat people s ex y #kin ky even #and not making it offensivly #wow what a concept

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