911: we're mostly fine? Need some therapy, we fight but it's ok, we're family!
911 lone Star: This show started with all but one firefighter dying and people haven't stopped dying since. It's only pain. everyone gets their houses blown up! But we're also a family!
211 notes
·
View notes
I think a lot about the fact that Herobrine as a creepypasta initially was not malicious at all. Like literally he was just some guy who made very specific tunnels, cut leaves off trees and built pyramids in your world, all weird things but really not harmful. Like his worst crime was telling someone on a forum to fuck off when they kept talking about him.
But then with time there's been all this additional detail added on like the redstone torches and traps and shrines and he's seemingly gotten more aggressive as an entity within writing and other media. Like he'll actively go out of his way to hinder the player in game or in some depictions irl in some way.
All of this is to say I think the more we tried to figure out Herobrine and shit the more we pissed him off a little. Give the man some space I'm sure he's tired of the 12 year olds trying to summon him every other day.
EDIT: Please check out my Minecraft AU if you like MC stuff like this, I put a lot of work into it with my partner.
2K notes
·
View notes
a detailed advice MrTechnoDad shared for anyone who is trans, neurodivergent and struggling with getting the help and understanding they need at home, or just disconnected from your parents in general
x
just thought this should be shared for more to see cuz personally it helps :)
4K notes
·
View notes
"the Gabe and Sally dynamic in the show is abusive" and "the way they've portrayed Gabe in the show is distinctly different from his book counterpart and fans can criticize that" are two discussions that can coexist
463 notes
·
View notes
dave who learned imitation as a survival method....... dave getting into turntables and music mixing bc thats the one thing he can do with his bro without getting stressed out, getting into swords and ‘cool guy’ things bc when he acts like his bro and impresses him he gets hurt less, learning to act dry and emotionally disconnected from john bc john is well liked among his friends (and he likes john, too), learning to psychoanalyze by imitating rose because rose will back off if he manages to pick at one of HER sore spots for once....... dave realizing he doesnt want to be that person anymore on the meteor but not having any other method of becoming well-liked. dave imitating romcom protagonists to get karkat’s attention, becoming more and more grumpy and animated and dramatic bc of all the time he’s spent around karkat, dave’s dry humor getting more and more developed as he spends more time with rose and kanaya. dave who has a crisis (at least in another timeline) because at age sixteen he’s standing in his childhood bedroom and surrounded by interests he hasn’t pursued in years and sobbing because he doesn’t know who he is without trying to make someone like him. he doesn’t know which interests, if any, were ones he would have had if he’d grown up with a guardian that didn’t hate him, if the world hadn’t ended and if he wasn’t one of the sole survivors dedicating his childhood to creating a new universe, if he’d just been a normal kid.
dave, age sixteen, who has no idea who he is or what he wants from life.
(https://www.homestuck.com/story/6306)
1K notes
·
View notes
Woman: stark should really date someone his age, those two are far to young for him
Bucky: *holds a hand out* I am capping in on 100 plus years old
Steve,: I am hitting 100 quite soon myself, good evening *holds his hand out*
Woman: *embarrassed hurrying away*
Tony: stop. Intimidating. People. *holds their arms* but you both are getting a big fat dinner tomorrow
Bucky: yesss *kisses his cheek*
Steve: *kisses his other cheek*
152 notes
·
View notes
I think the one thing that makes me feel the saddest for Azula is that she was a child soldier, made into a deadly weapon by her father, who then, as soon as he stopped needing her, abandoned her like yesterday's trash. She spend her whole life turning herself into a tool for her father's war, only to be used and discarded as soon as he reached his goals.
73 notes
·
View notes
Andrew Minyard by GarnYarn (not my art)
656 notes
·
View notes
the xena censorship kisses are so funny like oh im giving her cpr :) im transferring special magic water into her mouth :) im kissing her but im in bruce campbells body :) like ok why was there tongue
1K notes
·
View notes
okay i meant to make this post forever ago but my personal opinion on why so many people were so dissatisfied with lightfalll (disclaimer: i am not one of these people, i love lightfall SO much), is that lightfall was kind of subjected to a really aggressive marketing campaign.
like, stick with me here, i feel like almost all the lightfall release content (the trailers especially) were so focused on battling the witness, how this battle has been centuries in the making and this is the Second Collapse Finally Finding Us, only for there to be,,, no real resolution. the end was left on such a severe cliffhanger, but not only that, there was NO battle with the witness. the witness didn't even seem to be having a hard time at all with what we WERE throwing at it.
and for narrative reasons *i* am obsessed with this ending; in terms of storytelling i adore practically every creative decision that was made in lightfall, but i think the reason that so many people were so upset about it is because lightfall had such intense marketing and was rooted in the implication that this was the End of Days, only for us to get almost no closure, and instead so many more questions.
(there's also something to be said, i think, about the fact that the people who ARE most upset about this are like, the youtube gamer dudebros who's content is very very often rooted in the aggressive, violence-and-warfare, pvp-centric, no-interest-in-lore approach to destiny, and that the people i've seen primarily ENJOYING the narrative decisions (or at least being understanding about it) are the artists and writers and loremasters of the fandom, but i'm not quite sure,,, how to expand on that point.)
139 notes
·
View notes
This scene from s2 is so so underrated and so so IMPORTANT to me. Like, we see Jo, who wants to hunt to be close to her father, grew up adjacent to the life, but has other options and a way out. She has zero experience and goes into a hunt with all this theoretical knowledge, feeling confident in her research and her knowledge of how to hunt spirits.
And in this scene, reality really sets in for her and we get to see it. The hunting life she imagined, not perfect but romanticized in its violence and dusty backroads and gross motels, is destroyed and replaced by the grim truth that it is grotesque and horrifying and deadly in a very real way.
She ends up still wanting to hunt afterwards, but it changes her. She finally sees that hunting is an awful, terrifying, excruciatingly painful way to live. I feel like we really lose this throughout the show. By like s12 hunting is sort of portrayed as this cool club that Claire and Alex and Patience and Jody and Donna choose to join as a family and it just feels...wrong. It feels like the writers completely missed the part where hunting is something you're either born into or forced into, and not something you choose to do if you have literally any other choice.
32 notes
·
View notes
Can’t believe the world is potentially two hours away from a canon blackbonnet sex scene in Our Flag Means Death. what a time we live in
63 notes
·
View notes
maybe we'll try again next time.
44 notes
·
View notes
oouggh swanatello has been consuming my brain and its your fault,, /pos
actual question tho, have swanatello's bros tried explaining to him that they're his brothers? and if so, howd he react?
If Swanatello doesn't recognize them when they come to visit him, and they don't obey his commands to leave and try to convince him of their identities... in a best-case scenario, he will ignore them entirely and drive them off regardless. More commonly, he will grow confused and upset by their arguments. (Because now part of his brain is screaming at him that he DOES know them-- and the other part is screaming at him that he DOESN'T, and he doesn't know who to listen to.) They are now, to him, not only dangerous threats that must be driven away, but also actively causing him harm and distress, and he will only grow more aggressive and violent as a result. These scenarios have resulted in some of the worst injuries for his siblings.
103 notes
·
View notes
i'm sorry about your life, you had it pretty rough / bending over backwards, never good enough / you poor thing, it must suck to be you / and i know it's not your fault: it never is, is it? ART CRED.
229 notes
·
View notes