#jean charles monnier

[byneddiedingo]

Westfront 1918 (G.W. Pabst, 1930)

Cast: Fritz Kampers, Gustav Diessl, Hans-Joachim Möbis, Claus Clausen, Jackie Monnier, Hanna Hoessrich, Ersa Heller. Screenplay: Ladislaus Vajda, Peter Martin Lampel, based on a novel by Ernst Johannsen. Cinematography: Charles Métain, Fritz Arno Wagner. Art direction: Ernö Metzner. Film editing:  W.L. Bagier, Jean Oser, Marc Sorkin. Music: Alexander Laszlo.  Authenticity is a problematic criterion to apply to any work of art, but especially a motion picture, considering that fakery is a given at almost every level of its creation. Even a documentary is subject to editing, narration, and various manipulations of point of view. We usually critique a film's authenticity only when it serves our own agendas, or when it is so manifestly lacking that it stretches credibility. Pabst's Westfront 1918, an exceptionally effective movie about German soldiers in the last days of World War I, just happened to be released in the same year as All Quiet on the Western Front (Lewis Milestone, 1930), which won the best picture Oscar. The German soldiers in All Quiet are Americans like Louis Wolheim (born in New York), Lew Ayres (from Minneapolis), and Ben Alexander (from Nevada). Pabst's film features German and Austrian actors, one of whom, Gustav Diessl, had actually been a prisoner of war during World War I. So Westfront 1918 would seem to have the authenticity criterion sewn up. Does this necessarily make it a better film than All Quiet? The truth is, I would have to rate it a draw: What Milestone's film lacks in authenticity it makes up for with Hollywood finesse, an efficiency in storytelling and the polish brought by technical expertise. There are parts of Pabst's film that seem extraneous, such as the section in which the troops enjoy some rather corny vaudeville routines. But the movie also has an abundance of extremely well-staged combat scenes that demonstrate the confusion and terror, the "fog of war." And it has a core of fine performers -- especially Diessl as Karl, who goes home on leave to find his wife in bed with the butcher who has been supplying her with food in exchange for sex, but also Hans-Joachim Möbis as the naïve student who falls in love with a French girl, and Claus Clausen as the lieutenant who has a mental breakdown under the strain of combat. With its home front scenes, Pabst's has that undeniable depth of feeling that can only come from an awareness of what that disastrous war did to the country in which the actors and filmmakers lived. Three years after Westfront 1918 was released, to a good deal of controversy about its treatment of the war as folly, it was suppressed by the newly emergent National Socialist regime as deleterious to morale. Pabst's film concluded with the word "Ende?!" which in itself qualifies as prophetic.

#Westfront 1918 #G.W. Pabst

[histoireettralala]

Marengo (2/3)

It is not the first time that he has been confronted with such a situation. Already, in 1796, in the Army of the Rhine, he had learned that the course of a battle can easily be reversed, as soon as one knows how to take into account the balance of power and especially when one can decide quickly, very quickly.

But this situation, how does it present itself? Part of the French were turned back, but it was possible to regroup them as soon as the men, seeing the reserves arriving, regained their confidence. Desaix quickly set out his plan: to reconstitute heavy artillery fire by arranging his own guns and those of Marmont, meaning, about eighteen pieces, which would be simultaneously directed at the two extremities of the Austrian army; to mass in tight columns the fresh brigades to support those which have been fighting since dawn; restructure the consular guard - this "granite redoubt", as Berthier said, to have an appropriate instrument of resistance, finally, to attempt at an opportune moment a dazzling cavalry charge intended to create a psychological shock both among the French and among their opponents.

Sitting in the grass with Bonaparte, the general ends his presentation, which raises no objections. According to Napoleon, who would say later that he had, at that moment, "the foreboding of his death", he seems gloomy and even disillusioned when an artillery discharge exploding a few meters from him, he confides to the First Consul: " Ah! The cannonballs no longer recognize me. "

At this precise moment of the day, the Austrian army, faced with the inertia of the French who retreated, advances in music as in the parade, convinced that the fight is over [..]

The Austrians' taste for music was going to be fatal to them, for suddenly, at four in the afternoon, a burst of cannonballs fell on them. At first surprised, the white uniforms throw themselves to the ground, desperately looking for where the blow came from.

The plan imagined by Desaix is ​​set up in less than an hour. The fight begins again, more violent, fiercer, bloodier than the previous one, with this rage to win that the French now feel deep in their stomachs. The formidable war machine of this army which, under the tricolor flag, has never bent, on the Rhine as well as in Egypt and Italy, begins to function in a compact mass, bringing together one by one its dispersed elements like so many drops of water joining the mother river until composing this imperious torrent which nothing can resist. And here come Lannes, Murat, Monnier, Victor and Gardanne who, meter by meter, are rapidly reconquering this territory of rutted furrows that they had abandoned a few hours earlier, in turn jostling the enemy battalions who are now retreating under the assault [..]

General Desaix begins to feel the weakness of the adversary; his artillery is doing wonders now, but he feels it will not be enough. They must go further, faster. Already, the Austrian ranks are starting to break up and a breach is emerging on the side of the cavalry. The time has come to make a new decision, arguably the biggest in his life [..]

What to do ? Wait for Bonaparte's orders? But the latter has already left for the other end of the plain. Behind him he hears the 9th Light Brigade pawing the ground impatiently [..] And here he is, gently [..] raising the sword he is holding in his right hand. This is the signal: everyone is holding their breath.

The late afternoon sun floods the battlefield with light [..]

Suddenly he brutally lowers his saber and throws his horse with a thrust. A collective howl salutes his order and, in a cloud of dust, a thousand horsemen charge at full gallop on the Austrians paralyzed by the audacity of such an enterprise. The violence of the shock is incredible [..]

In the melee, all of a sudden, Desaix slips off his horse, under the gaze of Second Lieutenant Lebrun who follows him and who immediately jumps to the ground to come to his aid. For a second, their eyes meet [..]

It is now six o'clock.

The frenzy of the fight is such that Lebrun must get back on his horse and continue, leaving behind the corpse of his general. There will be others, fifteen thousand in this day, six thousand on the French side and more than nine thousand on the Austrian side.

Gonzague Saint Bris - Desaix, le sultan de Bonaparte

#napoleonic #gonzague saint bris #desaix le sultan de bonaparte #louis charles antoine desaix #battle of marengo #jean lannes #joachim murat #jean charles monnier #claude victor perrin #gaspard amédée gardanne #auguste viesse de marmont #anne-charles lebrun

[elisabeth515]

“The General’s Mistress” reaction/review (part 3)

Content warning: explicit scenes

(Part 1)

(Part 2)

(Part 4)

It’s 6am and I have been staying up for hours now. I’m pretty much afraid that I could not finish this before Christmas but there you are, part 3 of our reaction/review of “The General’s Mistress”.

In this part, we are going to speak of the chapters 26-28. Basically, we see Ida and Michel finally be sitting together and have dinner and talk (and subsequently, their first night), and I have a lot of things to talk about.

Before I start, to be honest, I struggled to read chapter 27. Not because of the anachronistic terms on garments featured in earlier chapters (btw me and @suburbanbeatnik talked about this book some days ago and we have spotted more inaccuracies in terms of clothing), or maybe some other gross stuff, it was just... I don’t know, I was just about to throw up even though in terms of writing the explicit scene is actually very well-written. Thus, you can see my initial reaction is “I don’t know why but this is horrifying KEEP THIS AWAY FROM MICHEL”.

Rare picture of me after reading

Firstly, the table talk has a plenty of very noticeable inaccuracies. For instance, Michel Ney doesn’t have an older sister named Sophie, even though he indeed had a sister named Marguerite and two brothers (one older, one younger). Nevertheless, it seemed like the author really just using her own imagination to attempt to create a convincible portrayal of Ney—and in my opinion, she failed, at least to me who know quite a lot on him. The author is just literally throwing random names to Ney’s siblings when you can bloody find this at the very first chapter of the Michel Ney biography by A. H. Atteridge:

“There were four of them, three sons and a daughter. Jean, the eldest was bom in 1767. [..] He was killed on 19 June, 1799, in Macdonald's disastrous battle against the Austrians on the Trebbia.

The second son was Michel, the future Marshal of the Empire. The third, Jacques, born on 7 March, 1771, died in child- hood. The daughter. Marguerite Ney, was bom on 7 October, 1772. She was twice married. Her second husband, Jean Claude Monnier, held lucrative posts in the Civil Service of the Empire, and was a wealthy man when he was forced to retire by the Bourbon Government in 181 5. Madame Monnier died in 1819.”

Yeah probably the reason why she changed the name of Michel’s younger brother into “Charles” might have something to do with the plot (because, remember, Charles was the name of our dear MC’s alter ego), BUT this does not excuse from the possibility of a lack of research on the historical character, which is a big turn off to me. Honestly, it just feels like snapping me back into reality and reminded me that this Michel is a very fictional one, though both are very awkward (and cute).

Besides, another thing that I can never forgive the author is that she also get Michel’s age when he’s enlisted wrong. I am not going to comment some of his quotes in the dinner talk scene which I found a little bit weird to me, but how DARE you get his enlist age WRONG??? Yeah yeah yeah maybe just for the drama but WHY ARE YOU ALSO GETTING NEY’S ENLISTING AGE WRONG???? (Sorry, I can be so emotional sometimes.) Like, yes he longed for the soldiers’ life but he worked as a notary after secondary school, until when he’s 19, escaping from his boring job to join the army (despite his father opposed the idea).

So, let’s move on the chapter that I absolutely don’t really want to speak of—the very explicit scene of their first night. As I have already mentioned, in terms of writing it is really well. It escalated quickly from the peaceful dinner scene (albeit some sexual tension going on), as we see Michel being portrayed as the pious and angelic man beside the fallen woman (MC) that has been yearning for this white light. And alas, at last he suddenly succumbed to the woman’s seduction and revealed his well-endowed body in the night—fulfilling every single thirsty fangirl’s fantasy🌚👌🏻.

For the aftermath, I am fine with the fluff, pretty cute I may say. I’m not going to spoil here because my review might slightly incline to too much based on my own gut feelings... so yeah, stay tuned to the next part where we would hopefully seeing some bottom!Ney content🌚👌🏻 ((no

#Michel ghostwritten some parts of this if you all don’t mind #yes we read and review this together #Michel Ney is a bottom🌚👌🏻 *me be slapped* #historical fanfiction #i am so sorry marshal ney please don’t fuck my life up #I actually enjoyed reviewing it so maybe I should also do the sequels? #another day I shared the reaction sheet to ​@Histoireettralala and she’s like: that’s priceless pfffft #historical fiction #book review #Napoleonic ​historical fiction #Napoleonic #napoleonic shitposting

[healtproblems]

Hidden colonialism ... How does France absorb the bounties of Africa?

Economic colonialism has absorbed Africa for more than half a century, displaced by all of its interests. 

What do you know about France's Africa networks? The stick of France, which ruled Africa in secret in the mid-1990s, coincidentally discovered massive money-laundering operations in France in just three years, infiltrating nearly half a billion dollars into the pockets of prominent political figures from France's left. It was shocking news for the French and the world, but most surprisingly, these funds came from the most capable on earth. Africa is a major scandal known as a scandal that revealed a suspicious pattern of relations built over 50 years between France and its former colonies on the black continent involving diplomats, military, intelligence agents, economists, and even mercenaries whose mission was the finest Africa under The Control of France for decades, which spanned more than a century in some regions, the territory of twenty African countries was subjected to French colonialism and with the remedy of the twentieth-century french military influence was taken into overland with the rise of national liberation movements and France had to look for a formula new to its relations with its colonies.

The new solution came in the year fifty-eight and nine hundred and a thousand with the return of Charles de Gaulle to power and the founding of the Fifth French Republic de Gaulle proposed to grant independence to fourteen African countries by the year 1990 and sixty-six hundred, but in secret, he was woven into Africa with new nets that would keep it in France's traps for the other half-century, i.e. De Gaulle that France was dependent on its ability to secure its raw material needs and accordingly established its new African colonial system, all to two men, Pierre Yuma, minister of hydrocarbons and Jacques Foucar, general secretary of the Elysee and the engineer. Real networks of France Africa. In a short period, these networks have become the most modern version of French colonialism with a dangerous task bag that is never subject to the institution of French politics or the Ministry of Foreign Affairs but is directly managed by the President to arrange coups or fail them to appoint or overthrow presidents to finance or fight the political assassinations, all of which were legitimate tasks of Jacques Foucar's networks.

The starting point was in Guinea, which gained independence in 1998 thanks to its anti-French president Ahmed Sektori punishing Sekou Toure. The first task sought by France Afrique networks was assigned to former intelligence officer Maurice Roper, who flooded Guinea with a fake currency to destroy the economy and pushed for the departure of 3,000 French capitalists, trained a group of Guinean dissidents and provided them with weapons and equipment to overthrow Sekitori, but failed and Skitori succeeded in staying in power but turned into one of Africa's toughest dictators. In Cameroon, France has given the green light to assassinate dissident Felix Monnier with a poisonous dose in support of its ally President Ahmed.

In Nigeria, to preserve oil revenues from the territory in a raid on the former English colony, France trained a rebellion that caused a bloody civil war that claimed the lives of one million people, while in Benin, Jacques Foucar's former assistant orchestrated a failed intervention to overthrow President Matthew Rico, using an army of mercenaries led by Bob Dinar, alias The Dog of War. This entire army was trained in Gabon which had a very painful share of The French Gabonese sticks. Gabon is the most expressive example of the influence enjoyed by the Frans Afrique networks. John Leon was president and intervened by a military contingent to bring him back to power after the coup in 1994 and then protected him through the training of presidential guards Jaboni and Hinds, a constitutional amendment that was approved at the Embassy of Gabon in France.

Omar Bongo ascended to the post of Vice President, jumping immediately and without elections to the presidency in 1997. Things didn't go much differently in Central Africa, which hosted one of the largest French military bases on the continent, with France supporting a coup led by eccentric officer Jean-Biddle Bocasa, who proclaimed himself emperor like Napoleon. As African leaders complained about Bocasa's activities, France was forced to overthrow him through a paramilitary operation known as Operation Barracuda and brought his predecessor, David Duck back to power, several objectives that were driven by France Afrique's plots in Africa to preserve the flows of energy resources and raw materials, mainly uranium, as well as to ensure a pro-French voting network in international institutions, as well as to halt communist expansion in Africa during the Cold War.

But state interests are not all about the game' threads, which have spread to a network of special interests and financial bribes that have flowed into the pockets of loyal African leaders and extended to the coffers of French presidents such as Giscard d'Estaing, François Mitterrand, and Jacques Chirac. French companies in Africa played the role of that suspected transit body between those networks, notably the oil company Offtin, which owned its intelligence network. A scandal erupted in the 1990s that confused the whole of France to quickly contain the damage by liquidating the company and merging it with its smaller counterpart, Total, after which France's influence seemed to be waning in Africa and the balance of power was in favor of African leaders who took the opportunity to buy political allegiances in Paris. In 2000 and 400, France suffered a new blow, this time in Ivory Coast, when Laurent Fabius turned against The French's close friend Foné, sparking a real war with an airstrike by French troops in the country and nine soldiers killed. France then responded by destroying the Ivorian air force and sparking unprecedented tensions between the two countries as Baggio's supporters took to the streets of Paris. All developments suggested that the networks founded by Jacques Foucar were on the verge of death, but that never meant the end of France's domination of Africa. In Ivory Coast itself, the French group continued to strengthen its influence in the country, led by the subsidiaries of the influential French industrialist Vinson Laurier, who founded an unprecedented power empire in the Gulf of Guinea.

Sarkozy's rise to power ushered in a new era to support French industry emperors such as Blooria, Puig, and Total. He served as an envoy to protect their interests from the very first moment, in Angola, for example, Sarkozy brokered the granting of oil exploration concessions to Total, while in Niger, the French president intervened to preserve the uranium needed by his country's nuclear power plants. But the policy of colonizing companies did not mean that France would abandon its military presence in Africa, and the figures say otherwise, France intervened militarily in Africa on thirty-five occasions, including twice under Sarkozy and three times under François Hollande, who pledged to end the Afrique era.

[else-self]

For anyone interested in reading some poetry or poetics. Duration press has their catalog available online and as downloadable PDFs. It's a great resource of diverse writers and writing styles and translations.

The following is a complete list of publications released on durationpress.com since 1999. The first set is composed of titles released since 2015. The second set features titles released from 1999-2009.

2015-

Anne-Marie Albiach, A Discursive Space (interviews with Jean Daive) (tr. Norma Cole)

George Albon, Transit Rock

Will Alexander, Exobiology as Goddess

Will Alexander, Vertical Rainbow Climber

Richard Anders, The Footsteps of One Who Has Not Stepped Forth (tr. Andrew Joron)

ANGLE Magazine (edited by Brian Lucas)

Roman Antopolsky, Haunted House

Apex of the M (edited by Lew Daly, Alan Gilbert, Kristin Prevallet, Pam Rehm)

Gennady Aygi, An Anthology of Chuvash Poetry

Gennadi Aygi, Degree of Stability (tr. Peter France)

Rachel Tzvia Back, The Buffalo Poems

Josely Vianna Baptista, On the Shining Screen of the Eyelids (tr. Chris Daniels)

Melissa Benham, at sea

Coral Bracho, Of Their Ornate Eyes of Crystalline Sand (tr. Forrest Gander)

Michel Bulteau, Crystals to Aden (tr. Pierre Joris)

Mary Burger, Nature’s Maw Gives and Gives

Norma Cole, Coleman Hawkins Ornette Coleman

Norma Cole, Metamorphopsia

Norma Cole, My Bird Book

Pura López Colomé, Aurora (tr. Forrest Gander)

Stacy Doris, Paramour

Jean-Michel Espitallier, Butchers Fantasy (tr. Sherry Brennan & Jean-Michel Espitallier)

Factorial Magazine (edited by Sawako Nakayasu)

The Germ: A Journal of Poetic Research

John High, The Desire Notebooks

Emmanuel Hocquard, Late Additions (tr. Connell McGrath and Rosmarie Waldrop)

Emmanuel Hocquard and Ray DiPalma, Personæ and Thoughts on Personæ (tr. Ray DiPalma)

Pierre Joris, Permanent Diaspora

Rachel Levitsky, Dearly 3 4 6

Andrei Molotiu, The Kingdom

Pascalle Monnier, Bayart: Spring (tr. Cole Swensen)

Laura Moriarty, Nude Memoir

Gale Nelson, Spectral Angel

Aldon Lynn Nielsen, Black Chant

Mary Oppen, Poems & Transformations

Lauri Otonkoski, 20 Poems (tr. Anselm Hollo)

Roberto Piva, Manifestoes (tr. Chris Daniels)

Roberto Piva, open your eyes and say ah! (tr. Chris Daniels)

Roberto Piva, Paranoia (tr. Chris Daniels)

Pam Rehm, To Give it Up

Sebastian Reichmann, Sweeper at His Door (tr. James Brook)

Claude Royet-Journoud, The Right Wall of the Heart Effaced (tr. Keith Waldrop)

Lutz Seiler, Poems (tr. Andrew Duncan)

Ryoko Sekiguchi, Tracing (tr. Stacy Doris)

Aaron Shurin, Reverie: A Requiem

Gustaf Sobin, Telegrams

Juliana Spahr, LIVE

Brian Strang, Dark Adapt

Hiroya Takagai, Rush Mats (tr. Eric Selland)

Habib Tengour, Empedocles’s Sandal (tr. Pierre Joris)

Lourdes Vazquez, Park Slope

The Violence of the White Page: Contemporary French Poetry (edited by Stacy Doris, Charles Bernstein, and Phillip Foss)

Keith Waldrop, The Silhouette of the Bridge (Memory Stand-Ins)

Keith Waldrop, Spit-Curls

Peter Waterhouse, Where Are We Now? (tr. Rosmarie Waldrop)

Tyrone Williams, c.c.

Xue Di, Circumstances (tr. Keith Waldrop, with Hil Anderson and Xue Di)

Heriberto Yepez, Babellebab

1999-2009

Heather Akerberg, Dwelling

George Albon, Momentary Songs

Michael Basinski, Mooon Bok: petition, invocation & homage

Claire Becker, Get You

Guy Bennett, Retinal Echo

Taylor Brady, Production Notes for Occupation: Location Scouting

Brandon Brown, Kidnapped

Mary Burger, The Boy Who Could Fly

Norma Cole, Mace Hill Remap

Catherine Daly, The Last Canto

Rachel Blau DuPlessis, Wells

Marcella Durand, The Body, Light, and Solar Poems

Patrick Durgin, And so on

Patrick Durgin, Sorter

Peter Ganick, …As Convenience

Susan Gevirtz, Domino: point of entry

Jesse Glass, Man’s Wows

Noah Eli Gordon, notes toward the spectacle

E. Tracy Grinnell, Of the Frame

Pierre Joris, The Fifth Season

Amy King, The Citizen’s Dilemma

Rachel Levitsky, Realism (a work in progress)

Bill Marsh, A Tomb for Anatole

Pattie McCarthy, alibi (that is : elsewhere)

Mark McMorris, Figures for a Hypothesis

Jorge Melícias, Disruption (translated by Brian Strang & Elisa Brasil)

K. Silem Mohammad, Hanging Out with Pablo and Jennifer

Sawako Nakayasu, Balconic

kathryn l. pringle, The Stills

Francis Raven, Economic Belief Structure

Pam Rehm, Pollux

Elena Rivera, Wale; or The Corse

Cynthia Sailers, A New Season

John Sakkis, Rude Girl

Eleni Sikelianos, poetics of the exclamation point

Eleni Sikelianos, To Speak While Dreaming

Rick Snyder, Forecast Memorial

Juliana Spahr, Nuclear

Suzanne Stein, Untitled (Poetry Event: June 2, 2007, Pegasus Books Downtown, Berkeley)—Audio of event

Brian Strang, machinations

Cole Swensen, It’s Alive She Says

Elizabeth Treadwell, LILYFOIL (or Boy & Girl Tramps of America)

Kevin Varrone, g-point almanac (9.22-10.19)

Keith Waldrop, The Garden of Effort

Rosmarie Waldrop, Lawn of Exlcuded Middle

Dana Ward, The Imaginary Lives of My Neighbors

Alli Warren, No Can Do

Code of Signals

Alcheringa

Towards a Foreign Likeness Bent: translation

#art #nature #personal #poetry #nerd stuff #poems #poets #poetics #artists #free #lit #literature #download #pdf #history #chapbook #translation #poem

[grad505-macytaylor]

Unpacking A.M. Cassandre’s L’Intransent

The Poster: Art, Advertising, Design, and Collecting, 1860s–1900s - ProQuest. (2022). Proquest.com. https://www.proquest.com/docview/2131361872/bookReader?accountid=8440&ppg=1

‌the early 1920s, traces of Jules Chéret’s influence lingered on in a few posters by well-known fashion illustrators but these were relatively weak efforts and had little influence on the future of the medium in France. More significant were the lively posters of Leonetto Capiello that had graced Paris billboards since the beginning of the century. In particular, it was Capiello’s ability to create a single figure in action to represent a product or event, while omitting the background details, that influenced the following generation of French poster designers. A few artists such as Jean d’Ylen (1886–1938) and Henri Le Monnier (1893–1978) simply continued in Capiello’s style, but others, notably A. M. Cassandre (1901–1968), Jean Carlu (1900–1997), Paul Colin (1892–1985), and Charles Loupot (1892–1962) departed significantly from it. For the latter group, Cubism was a strong influence, particularly the creation of compositions with fragments of objects, as well as the emphasis on line to suggest something that would otherwise be depicted as a volume. The stripped down Purist compositions of Le Corbusier and Ozenfant were also important sources for these designers. They rejected Capiello’s emphasis on the visual anecdote, preferring instead to communicate with more formal compositions and complex narratives.

Cassandre’s groundbreaking poster of 1925 for the Parisian newspaper L’Intransigeant exemplifies this new direction (Fig. 22.16). To represent the speed with which the newspaper transmitted the news, he chose the head of a man with telegraph wires connected to his ear. The composition consists simply of the head, the telegraph poles, the wires, and enough of the paper’s title to make it intelligible to the viewer.

Cassandre’s poster was seminal in the creation of an entirely new poster language based on fragments of 

images and texts. These were combined into statements that forced the viewer to fill in the missing elements just as Braque and Picasso had done with their earlier Cubist still lifes. This new language was liberating for the artist for several reasons. First, it made possible more direct statements by eliminating extraneous detail. Second, statements were also more economical since parts could represent whole objects or words. Third, rhetorical devices such as hyperbole or exaggeration could be employed to dramatize a statement as in Cassandre’s poster where the telegraph line emphasizes the speed with which the L’Intransigeant gets the news out.

In other posters, Cassandre continued to focus on single objects or object parts in order to achieve dramatic effects. His poster for the French railroad, Nord Express (1927), features an angular depiction of a train in motion, while Étoile du Nord depicts the dynamic curves and angles of the tracks, which converge at a vanishing point, signifying the speed of a train that has already disappeared beyond the horizon (Fig. 22.17). Though many of Cassandre’s posters were lithographs, he was also a master of the airbrush and occasionally introduced photographic collage fragments as in his poster for the French railroad’s bar car, which he represented with a photograph of a train wheel overpainted with airbrush images of a seltzer bottle, a loaf of bread, and a bottle of wine. Cassandre, unlike Chéret or Capiello, was a meticulous letterer and carefully integrated his hand-drawn letters into his compositions. For the most part, he preferred thick san serif letters, which do not add any extraneous decorative elements to his compositions.

[toutmontbeliard-com]

Conseil municipal de Montbéliard

Conseil municipal de Montbéliard ce lundi 4 avril 2022 à 18h00, salle du Conseil de Pays de Montbéliard Agglomération, avenue des Alliés à Montbéliard. L’ordre du jour est : Mme Marie-Noëlle BIGUINET 1- Conseil Municipal – Installation de Monsieur Mehdi MONNIER – Conseiller Municipal Mme Marie-Noëlle BIGUINET 2- Commissions Municipales – Nomination d’un membre suite à l’installation de Monsieur Mehdi MONNIER Mme Marie-Noëlle BIGUINET 3- Conseil Municipal – Représentations du Conseil Municipal à différents organismes Mme Marie-Noëlle BIGUINET 4- Centre Communal d’Action Sociale – Election des représentants du Conseil Municipal Mme Marie-Noëlle BIGUINET 5- Subvention exceptionnelle à la Croix Rouge – Action humanitaire Ukraine Mme Marie-Noëlle BIGUINET 6- Achat de l’ancienne Sous-Préfecture en portage foncier à l’EPF – 16 rue de la Sous-Préfecture Mme Marie-Noëlle BIGUINET 7- Cession de l’ancienne Sous-Préfecture – 16 rue de la Sous-Préfecture – Welcome Habitat Mme Marie-Noëlle BIGUINET 8- Fin anticipée du bail emphytéotique avec Néolia – Garages du Foyer Domon sis 12 B rue Claude Debussy Mme Marie-Noëlle BIGUINET 9- Renouvellement de l’exploitation du réseau de chauffage urbain de la Petite-Hollande et des Portes du Jura – Rapport de Délégation de Service Public Mme Marie-Noëlle BIGUINET 10- Convention pluriannuelle des projets de renouvellement urbain cofinancés par l’Agence Nationale pour la Rénovation Urbaine (ANRU) dans le cadre du Nouveau Programme National de Renouvellement Urbain (NPNRU) – Signature de l’avenant n°2 Mme Marie-Noëlle BIGUINET 11- Nouveau Programme National de Renouvellement Urbain (NPNRU) – Démolition de 54 logements au 26 rue Debussy et 35 logements au 14 rue Debussy - Néolia Mme Marie-Noëlle BIGUINET 12- Plan de Valorisation de l’Architecture et du Patrimoine (PVAP) de Montbéliard - Approbation M. Eddie STAMPONE 13- Rapport sur la situation en matière d’égalité hommes / femmes M. Eddie STAMPONE 14- Budget Principal – Reprise anticipée des résultats de l’exercice 2021 au Budget Primitif 2022 M. Eddie STAMPONE 15- Budget Primitif – Année 2022 – Budget Principal M. Eddie STAMPONE 16- Budget annexe du service public des cimetières – Reprise anticipée des résultats de l’exercice 2021 au Budget Primitif 2022 M. Eddie STAMPONE 17- Budget Primitif – Année 2022 – Budget annexe du service public des cimetières M. Eddie STAMPONE 18- Impôts locaux – Fixation des taux 2022 M. Eddie STAMPONE 19- Autorisations de Programme – Budget Primitif 2022 - Ajustement M. Eddie STAMPONE 20- Subventions aux associations, au CCAS et subventions d’investissement – Année 2022 M. Eddie STAMPONE 21- Provisions comptables et reprises sur provisions – Budget Principal – Année 2022 M. Eddie STAMPONE 22- Taxe Locale sur la Publicité Extérieure (TLPE) – Année 2023 – Evolution des tarifs et exonérations M. Eddie STAMPONE 23- Dotation Politique de la Ville (DPV) – Année 2022 – Demande de subventions M. Eddie STAMPONE 24- Personnel communal – Actualisation du tableau des emplois M. Alexandre GAUTHIER 25- Ecole élémentaire de la Prairie – Demande de subvention Mme Christine SCHMITT 26- Lumières de Noël 2022 – Demandes de subventions M. Christophe FROPPIER 27- Garantie d’emprunts à la Société Anonyme d’HLM Néolia – Acquisition amélioration de 7 logements sis 4 rue Charles Lalance à Montbéliard M. Christophe FROPPIER 28- Projet de dynamisation du centre-ville – Fonds d’aide à la requalification des enseignes et façades commerciales – Versement de la subvention M. Christophe FROPPIER 29- Ravalement de façades d’immeubles – Subventions aux particuliers M. Gilles MAILLARD 30- Enfouissement de réseaux rue Jean Bauhin – Convention de mandat de maîtrise d’ouvrage et convention financière – Programme SYDED 2022 M. Gilles MAILLARD 31- Programme d’éclairage public 2021 en régie – Subvention SYDED Questions diverses. (source communiqué) Read the full article

[en24news]

Angrie. Promoted and decorated Sainte-Barbe

Angrie. Promoted and decorated Sainte-Barbe

[ad_1]

The following were promoted to the rank of chief sergeant: Geraldine Aillerie, Benjamin Bourgeais, Jean-Charles Herve, Vincent Rochereau, Olivier Tusseau. To the rank of Master Corporal: Tanguy Branchereau, Teddy Leray, Angelo Elie. At the rank of corporal: Chloe Bourgeais, Aurelien Lemaitre, Thomas Monnier. At the rank of sapper 1 class: Alexis Coquereau. Were decorated with the medal of…

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#Angrie #decorated #promoted #SainteBarbe

[historybehindassassinscreed]

In Game:

Honoré Gabriel Riqueti, Comte de Mirabeau (better known as Mirabeau) was a French statesman and author, as well as a leader of the French Revolution during its early stages. He was also the Mentor of the Parisian Brotherhood of Assassins, who sought to establish peace with the Parisian Rite of the Templar Order and its Grand Master, François de la Serre in the early days of the revolution.

In 1776, Mirabeau became involved with various occult societies and joined the Assassin Order around this time. He became a trusted acquaintance of fellow Assassin, Charles Dorian. He eventually became the Mentor of the Assassin Brotherhood based in Paris, and headed the Assassin Council. He also established connections with the French royal court, and became a close confidant of the Templar Grand Master François de la Serre. Together, Mirabeau and de la Serre strived for peace between the Assassins and Templars, as both leaders recognized that they held common ground when it came to the future of France.

As the assembly opened on May 5th, 1789, Mirabeau met with Grand Master de la Serre. While discussing the future of the nation, the two arranged a truce between the Assassin Brotherhood and Templar Order. Later that day, de la Serre was murdered at the Palace of Versailles, as part of a coup within the Templar Order. Despite this, Mirabeau remained convinced that the Templars would uphold the truce. Eventually, though, he was forced to give up on the truce when it became clear that de la Serre’s former subordinates were not going to uphold the plans.

In October of that same year, Mirabeau began negotiating with King Louis and Marie Antoinette. In return for receiving funds to pay off his debts, Mirabeau advised the king on how to manage the revolution and remain on the throne, as the count personally wanted to ensure that the revolution remained peaceful. Still wishing the king to be under the power of the Constituent Assembly, Mirabeau sent Arno Dorian (whom Mirabeau had inducted into the Assassin Brotherhood) and a team of Assassins to protect the Women's March on Versailles, which compelled Louis to return to Paris.

It wasn’t until the Grand Master's daughter, Élise de la Serre, offered to work with the Assassins in 1791 that Mirabeau began to hope of a truce between the Assassins and the Templars. Unlike most of the Assassin Council, he was eager to accept this offer. Regarding Mirabeau as a traitor to the Brotherhood, council member Pierre Bellec poisoned him.

After his death, Mirabeau's dealings with the king were discovered, and public opinion turned against him, leading to his remains being moved away from the Panthéon. Viewed as a complex man who is not easily understood, historians disagree on whether he was a great leader who might have prevented the Reign of Terror, an opportunistic demagogue or a traitor to the revolution.

In Real Life:

Honoré Gabriel Riqueti, comte de Mirabeau was born on March 9th, 1749 at Le Bignon, near Nemours, France, to economist Victor de Riqueti, marquis de Mirabeau, and his wife Marie-Geneviève de Vassan. He was said to have been disfigured by smallpox at a very young age and resembled his maternal ancestors, both of which contributed to his father’s strong dislike of him. At the age of fifteen, he was sent by his father to a boarding school by the name of "Abbé Choquard." At age eighteen, he entered the military school in Paris in the regiment of Berri-Cavaleria at Saints.

Mirabeau’s father had hoped that the military discipline would “curb” him,  although the army proved to be a bad place for the young man. It was discovered that he had had an affair with his colonel's wife. Mirabeau's love affairs are well-known, owing to the celebrity of the letters to Marie Thérèse de Monnier, his "Sophie". In spite of his disfigurement (or perhaps because of it), he won her heart. Mirabeau’s father obtained a lettre de cachet and had him imprisoned on the Île de Ré, a common type of punishment at the time.

He eventually escaped to Switzerland, where Sophie joined him; the couple then made their way to Holland, where Mirabeau was arrested in 1777. The tribunal at Pontarlier had meanwhile sentenced him to death for seduction and abduction, but Mirabeau escaped execution through his father’s lettre de cachet.

In the château of Vincennes he composed the Lettres à Sophie, some erotic works, and his essay Des lettres de cachet et des prisons d’état (“Of Lettres de Cachet and of State Prisons”). Released in December 1780, he finally had to surrender himself to arrest at Pontarlier in order to have the death sentence revoked, but by August 1782 he was entirely free.

In 1783, Mirabeau became involved in a lawsuit against his wife, who wanted a judicial separation. Pleading on his own behalf, he gained the sympathy of the public but lost his case. Rejected by his wife and by his father, he had to renounce the aristocratic society into which he had been born.

(Image source)

After his divorce, he went to the Dutch Republic, although he traveled to Great Britain sometimes, where his paper on the lettres de cachet had proven popular. He befriended several Whig politicians and became acquainted with the American revolutionaries Benjamin Franklin and Thomas Jefferson. An anglophile of sorts, he came to be inspired by the British constitutional monarchy and would later propose a similar system for France.

His life changed when he met a group of exiled Genevese revolutionaries, including the financier Étienne Clavière, in Neuchâtel. The exiles became vital to the foundation of Mirabeau's group and political reasoning, writing several texts in his name. After he began working as a pamphleteer for hire to pay off his massive debts, Mirabeau attacked all sorts of issues in his writings. 

For his criticism of the French finance minister Charles Alexandre de Calonne, Mirabeau was issued another lettre de cachet and exiled to Prussia. He became convinced that "the middle classes shall only be freed by joining forces with the lower classes". Several circles looked down on Mirabeau for his frequent imprisonment, numerous scandals and famously poor relationship with a father who had seen to his imprisonment several times. Despite this, the general public grew to admire him. He showed what appears to have been genuine kindness and consideration for the lower classes. After having moved to Paris, he personally invited the family butler to work for him there. He treated the butler kindly, paying him twice the going wage. Mirabeau also paid for medicine when the butler's daughter became ill.

In 1789, King Louis XVI summoned the Estates-General to solve the economic problems faced by France. Already popular within politics, Mirabeau attempted to assist in the elections of the nobility, the Second Estate. Rejected, he instead ran successfully for election as a representative for the Third Estate.

After the storming of the Bastille on July 14th, 1789, Mirabeau warned the Assembly of the futility of passing fine-sounding decrees and urged the necessity of action. Although the cause of liberty had triumphed, Mirabeau foresaw that the intervention of armed mobs would only drive the path of Revolution further and further along a destructive path of violence.

In August 1789, he helped draft the constitution, which was named the Declaration of the Rights of Man and of the Citizen. Defending the King's power of veto against the Assembly, he argued that the continued protests should end. He also advocated the abolition of slavery in the French colonies in the New World. He also rose to become president of the Jacobin Club, which later became known for its radical views, and took note of one of its prominent members, Maximilien de Robespierre.

(Image source)

In October 1789, Mirabeau began negotiating with King Louis and Marie Antoinette. In return for receiving funds to pay off his debts, Mirabeau advised the king on how to manage the revolution and remain on the throne, as the count personally wanted to ensure that the revolution remained peaceful.

Mirabeau's health had been damaged by the excesses of his youth and his strenuous work in politics, and in 1791, he contracted pericarditis. With the continuous medical attention paid to him by his friend and physician Pierre Jean George Cabanis, Mirabeau survived to perform his duties as president of the National Assembly until his death on April 2nd, 1791 in Paris. Even close to the end, he directed debates with an eloquence that further increased his popularity. The people of Paris cherished him as one of the fathers of the Revolution. During the Trial of Louis XVI in 1792, Mirabeau’s dealings with the royal court were brought to light, and he was largely discredited by the public after it became known that he had secretly acted as an intermediary between the monarchy and the revolutionaries and had taken payment for it.

He received a grand burial, and it was for him that the Panthéon in Paris was created as a burial place for great Frenchmen. The street where he died (rue de la Chaussée-d'Antin) was renamed rue Mirabeau. In 1792, his secret dealings with the king were uncovered, and in 1794 his remains were removed from the Panthéon and were replaced with those of Jean-Paul Marat. His remains were then buried anonymously in the graveyard of Clamart. In spite of searches performed in 1889, they were not found.

Sources:

http://www.larousse.fr/encyclopedie/personnage/Honor%C3%A9_Gabriel_Riqueti_comte_de_Mirabeau/133343

https://www.herodote.net/Mirabeau_1749_1791_-synthese-374.php

https://www.britannica.com/biography/Honore-Gabriel-Riqueti-comte-de-Mirabeau

https://www.amazon.com/Prelude-Terror-Constituent-Consensus-1789-1791/dp/0631152377

https://www.amazon.com/Terror-Merciless-Freedom-Revolutionary-France/dp/0374530734

#Assassin's Creed #AC U #People

[rzproduction]

DARIUS feat. WAYNE SNOW · LOST IN THE MOMENT from Romain Alary on Vimeo.

Directed by Lisa Paclet Director of Photography: Romain Alary 1st AC: Vincent Flornoy 1st AD: Pascal Salafa Editor: Edouard Mailaender Casting Director: Joanna Delon Line Producer: François-Charles Le Goff Production Assistant: Elif Sansoy Post Producer: Wassila Kailali /Jean-Marc Raygade Post Production (co-production): SAINT-LOUIS PARIS VFX Supervisors: Mathieu Caulet & Yves Bosson Flame Artist: Mathieu Caulet Flame Artists: Mathieu Destrade, François Gilguy, Léo Verdier After Effects: Serge Miot 3D Supervisor: Yves Bosson 3d Artists: Jonathan Chaillot, Clement Choblet, Julien Joubert, Nicolas Monnier, Stephen Plongeon Colorist: Sylvain Canaux Producers: Camille Semprez / Cedric Barus / Elsa Rakotoson Produced by Frenzy Paris

[websynradio]

RENDEZ VOUS : 2009 à 2018

Tous les podcasts websynradio

2009

du 15 au 22 octobre : Valéry GRANCHER, De l'espace sonore au littéral, du littéral au littéraire...

du 22 au 29 octobre : Caterina DAVINIO , Pre-texts.

du 29 oct au 5 novembre : Matthieu LAURETTE, Playliste.

du 5 au 12 novembre : Jean-Pierre BALPE, La poésie n'est plus ce qu'elle était.

du 12 au 19 novembre : Salvatore PUGLIA , Demetrio's tongue (+ entretien).

du 19 au 26 novembre : Laurent CHAMBERT, Playliste ou ne pas être (+ entretien).

du 26 au 3 décembre : David CHRISTOFFEL , Blablarecordings (+ entretien).

du 3 au 10 décembre : Seb JARNOT , Playlist (#1).

du 10 au 17 décembre : Ignacio URIARTE, Bic audio 2005.

du 17 au 24 décembre : Philippe RAHMY, Mouvements sans corps.

du 24 au 31 décembre : Noël AKCHOTE , Puissance de la musique / des pratiques, un quotidien, Entretien inédit # 1/3.

2010

du 1er au 8 janvier : Charles PENNEQUIN, Compil 2010.

du 8 au 15 janvier : Ana IGLUKA , Wonderland ? (#1/3)

du 15 au 22 janvier : Bérangère MAXIMIN, Individu-elles.

du 22 au 29 janvier : Philippe BECK, Lyre dure (Prologue, VII).

du 29 janvier au 4 février : Franck SCURTI, Playlist.

du 4 au 11 février : Amandine CASADAMONT, Conducteur 1.0.

du 11 au 18 février : Terri WEIFENBACH, Playlist.

du 18 au 25 février : Jean Michel ESPITALLIER, Pour webSYNradio.

du 25 février au 4 mars : Noël AKCHOTE, Puissance de la musique / des pratiques, un quotidien, Entretien inédit # 2/3.

du 4 au 11 mars : Luca FRANCESCONI, La rumba, le fleuve et un monstre dans la gorge.

du 11 au 18 mars : Guillaume LOIZILLON , Playlist + Entretien.

du 18 au 25 mars : Carl STONE, websynradio – programmed by Carl Stone.

du 25 mars au 1er avril : Rodolphe BURGER , Est ce dans l'esprit ? (inédits, pièces rares).

du 1 avril au 8 avril : Pierre MENARD, Poésie sur écoute et lecture versatile.

du 8 au 15 avril : Annie ABRAHAMS, Playlist.

du 15 au 22 avril : AnnaO et Alain DESCARMES , Duo.

du 15 au 22 avril : Seb JARNOT , Playlist (#2).

du 22 au 29 avril : Frédéric SANCHEZ , Cartographie sonore (+entretien).

du 29 avril au 6 mai : Isabelle LARTAULT, Tours de piste.

du 6 au 13 mai : Sandra MOUSSEMPES , Playliste + textes.

du 13 au 20 mai : Marcelline DELBECQ , A contre-courant (+entretien).

du 20 au 27 mai : ZIMOUN & LEERAUM [ ], Playlist websynradio.

du 27 mai au 3 juin : Noël AKCHOTE, Puissance de la musique / des pratiques, un quotidien, Entretien inédit #3/3

3 au 10 juin : Julien BLAINE , La performance (+ quelques posts scriptum inédits).

10 au 17 juin : Philippe RAHM, La dissociation du réel (+ texte inédit).

17 au 24 juin : MACROSILLONS, # 28.04.2010.

24 au 1er juillet : Pia DEHNE, Playlist.

1 au 8 juillet : Samuel ZARKA , Les gardiens + texte "Réalisme".

8 au 15 juillet : Marie DUCATE, Les voix (+ texte)

15 au 22 juillet : Elena ANDREYEV / Antonin-TRI HOANG, Ping-pong du service des oreilles.

22 au 29 juillet : BIANCO-VALENTE, A playlist from Napoli.

29 juillet au 5 août : Anne-James CHATON , Matériaux ( + textes inédits).

12 au 19 août : Anton FIER, A playlist beetwwen the ages of 11 and 20.

19 au 26 août : Boris ACHOUR, Choix unique.

26 août au 2 septembre : Angelo VERMEULEN, Uranium, Mutation, and the post apocalyptic state.

2 au 9 septembre : Bonnie COLLURA, Spillover.

9 au 16 septembre : Angelo PLESSAS, Sound scupltures.

16 au 23 septembre : Fred GRIOT , Tarkos & cie (1/2).

23 au 30 septembre : Zoulikha BOUABDELLAH, l'autre n'est pas toujours invisible...trouvez le...trouvez moi.

30 septembre au 7 octobre : Joseph NECHVATAL, Viral Symphony.

7 au 14 octobre : David GOLDENBERG (1/3), Interview with Michael Lingner.

14 au 21 octobre : Guy BENNETT, La radio est un poéte – Spice Jacker.

21 au 28 octobre : Michel TITIN-SCHNAIDER, Quelques aventures electro acoustiques.

à partir du 21 oct : Philippe PANNETIER & MACROSILLONS (en podcast)

28 octobre au 4 novembre : Jérôme GAME Comment j'apprends à la comment la radio m'apprend à écrire.

4 au 11 novembre : Dominique BLAIS, Playlist.

11 au 18 novembre : Andrea PARKINS, Andrea's playlist for websynradio.

18 au 25 novembre : David GOLDENBERG, The dialectics of Post Autonomy (Entretien II avec Michael Lingner).

25 novembre au 2 décembre : Caroline BERGVALL, Voices with texts. Voix à textes (Morceaux et textes par des poètes et musiciens, solo ou en collaboration).

2 au 9 décembre : Tania MOURAUD, Listen to my playlist.

9 au 16 décembre : William WINANT, Historique.

16 au 23 décembre : Fred GRIOT , Vox (inédit, 2/2).

23 au 30 décembre : David GOLDENBERG , Quelle est la relation entre la politique et les entités culturelles en Europe aujourd’hui ? (3/3)

2011

30 décembre au 6 janvier 2011 : Christian ZANESI, Blues with Beer, Table and Chair.

6 au 13 janvier : Benjamin SABATIER, Laughing with.

13 au 20 janvier : Joe FRAWLEY, The hypnotist.

à partir du 17 janvier : Pierre GRANOUX et MACROSILLONS Art's Birthday (en podcast).

20 au 27 janvier : Carl Michael von HAUSSWOLFF, Playlist.

27 janvier au 3 février : Richard PINHAS, J'y étais.

3 au 10 février : Jacques-Marie BERNARD, Mix-à-boire-et-à-manger (Histoires de rencontres imaginaires ou bien réelles).

10 au 17 février : Erik TRUFFAZ, Playlist webSYNradio.

17 au 24 février : Jean-Philippe RENOULT, Going with the slow (le slow de l'été).

3 au 10 mars : Olga KISSELEVA, A l’heure de Moscou.

10 au 17 mars : Jean-Yves LELOUP, Playlist (figures du rêve et de l’hypnose).

17 au 24 mars : Knut AUFERMANN , This is not radio (pièce sonore inédite + entretien).

24 au 31 mars : Brandon LABELLE , Lecture on Nothing (pièce sonore inédite).

31 au 7 avril : Bruno LETORT, Un voyage immobile sur les rives de l’Hudson.

7 avril au 14 avril : Jerome JOY , Musiques populaires re-composées (re-composed folk music) inédit, 2011.

14 au 21 avril : John ZORN, Essential UBU.

21 au 28 avril : Stephen VITIELLO, MIX.

28 avril au 5 mai : Andreas ANGELIDAKIS, Playlist for websynradio.

5 au 12 mai : Robin Rimbaud - SCANNER, Past Present Imperfect.

12 au 19 mai : Joachim MONTESSUIS, Pneumatology.

19 au 26 mai : Franck VIGROUX, Archipel électronique.

26 mai au 2 juin : Rudy RICCIOTTI , Sur le son (+ texte inédit).

2 au 9/6 : Franck LAROZE , Playlist WebSynradio (en collaboration avec cepSound) + texte inédit

9 au 16/6 : Philippe POIRIER, Un certain sentiment de la voix.

16 au 23/6 : Carl STONE, Program special Japan.

23 au 30/6 : Bryan LEWIS SAUNDERS, Destructive Magic and Decay.

30 au 7/7 : Pierre BASTIEN, Holy Thursday.

7 au 14/7 : Christophe MANON, Jours redoutables.

14 au 21/7 : Paul SCHÜTZE, SUMMER.

1 au 8/9 : Joseph GHOSN, Un spectre d’émotions vertigineuses.

8 au 15/9 : : Dinah BIRD, Island Radio Magic, Playlist websynradio.

15 au 22/9 : : Marc HURTADO, Playlist websynradio.

17/9 : Amandine CASADAMONT, Chantal Champagne part en campagne.

22 au 29/9 : : Philippe PETIT, Guitar Heroic.

29/9 au 6/10 : C Spencer YEH, UbuWeb Organized Sound 9-13-11.

6 au 13/10 : Gael SEGALEN, Original Voices in Rhythms.

13 au 20/10 : Israël MARTINEZ, (ready) Media, a research of art and new media in Mexico.

20 au 27/10: Franck ANCEL, 64.

27/10 au 3/11: Markus SCHWILL , from DIENSTbar, Berlin.

3 au 10/11 : David FENECH, Monks to Monk.

10 au 17/11 : Nicolas MOULIN, Sourakdim-kim mind of waisted remains.

17 au 24/11 : Aki ONDA, For webSYNradio, Aki Onda plays his friend, collaborator and guitar hero Loren Connors music.

24/11 au 1/12 : Martha ROSLER, Thanksgiving (!) 2011.

1/12 au 8/12 : Chuck BETTIS, Electronics + throat.

15 au 22/12 : Shayna DUNKELMAN, For WebSYNradio, November 2011 in Brooklyn, NY.

22 au 30/12 : Adam NANKERVIS, Another vacant space.

2012

5-12 jan : Elizabeth CRESEVEUR, Silence.

12-17 jan : Amandine CASADAMONT, Essential Chantal Champagne.

19- 2 fev : Ana IGLUKA, WONDERLAND ? (part 2/3)

2 - 16 fev : Kaffe MATTHEWS , Playlist from the stars 2012 (+ inédits).

16 fev - 1er mars : Alan DUNN, Artists’ uses of the word revolution.

1-15 mars : Liliane GIRAUDON, Postcards pour Antonio Gramsci.

15-29 mars : Julien OTTAVI , Des avancées de la radio depuis les 60 dernières années… (Part I)

29 mars 12 avril : Valerie VIVANCOS, Being there.

12-26 avril : Miltos MANETAS, Cliques and clusters …

26 avril- 10 mai : Julie ROUSSE, Playlist Of Women, Dreams and Poetry.

10 – 24 mai : David WATSON, A Theory of Relativity.

24 mai- 7 juin : Jean DAVIOT, les mots son.

7 - 21 juin : Sally Ann McINTYRE, websynradio show.

21 juin – 5 juillet : Fred FOREST, Les digressions d'Ego Cyberstar sur une plage de Second Life (inédit).

5 – 19 juillet : Marie MÖÖR, Hommage à Allan Turing.

19 juillet – 30 aout : Valérie BARKOWSKI, Twist the world.

30 août – 13 septembre : Maïa BAROUH, Kusamakura.

13 - 27 septembre : Projet GUNKANJIMA, Une action musicale.

27 sept - 11 octobre : Frédéric MATHEVET, Kitsch edit.

11 - 25 oct : Laurent GEORJIN, OMBILIC, un film sonore.

25 oct - 8 novembre : Sylvia MONNIER, Mix for webSYNradio.

8 - 22 nov : Philippe PANNETIER, L Médée.

22 nov - 6 dec : Artemiy ARTEMIEV, Electroshock.

6 - 20 dec : Guillaume & Cédrik EYMENIER - CATS HAS GOWNS, Yellow Snowdrops & Time Stops.

2013

20 dec - 3 jan : Sylvain DUIGOU & friends.

24 jan – 7 fev : Christophe CHARLES, Sculptures musicales.

7 fev – 21 fev : Julia DROUHIN, (((Magnetic playlist)))

21 fev – 7 mars : Rodolphe ALEXIS, Concentric Playlist.

7 mars – 21 mars : Heike FIEDLER, Sons, mots, engagement.

4 avril - 18 avril : Laurent CHOQUEL, Le sonore comme voie et chemin.

18 avril - 2 mai : Brunhild FERRARI, Presque Rien.

2-16 mai : Frank SMITH, Rendre la parole.

16 -30 mai : Aymeric de TAPOL, Butterfly wing theory.

30 mai - 13 juin : José IGES, Ars sonora.

13 - 27 juin : Lionel MARCHETTI, Haut-parleur, voix et miroir…

27 juin - 10 juillet : Elfuego Fatuo / Clara de ASIS & Laura VAZQUEZ, Les autres jours.

10 - 25 juillet : Yoko HIGASHI, Tryptique de l'oeil.

3 octobre- 17 octobre : Chloe PIENE, Metal Belly/Interrogation (pièces préparatoires/inédites)

17 - 31 octobre: Hong-Kai WANG, a composer is that without which something would not have happened.

31 octobre - 14 novembre: 0 (Joël MERAH, Stéphane GARIN, Sylvain CHAUVEAU), Démocratie Directe

14 - 28 novembre: Tomonori HIGAKI, Pélerinage du son.

28 - 12 décembre: Cal LYALL, Playlist spéciale Japon.

du 12 - 26 décembre: Julien OTTAVI #2, Le Futur de la radio : Ecoradio (recyclage audio-numérique et minimalisme machinique)

2014

du 26 décembre - 9 janvier 2014: Vincent EPPLAY, Chutes de chantier & autres inédits.

du 9 - 23 janvier : http://synradio.fr/richard-garet-dermis-project-sur-websynradio-9-23-jan-2014/, Dermis project (inédit)

du 23 janvier - 6 février : Thomas BJELKEBORN, A tribute to the Swedish text-sound tradition

du 6 - 20 février : Haroon Mirza, o-o-o-o.co.uk

du 20 fev - 6 mars : Stéphan BARRON, Le son ouvre les portes vastes de l'esprit

du 6 - 20 mars : David SHEA, Rituals (en exclusivité)

du 20 mars - 3 avril : Donald RUBINSTEIN, Radio show

du 3 - 17 avril : Dimitri DANILOFF, « Pas que l’image », un voyage sonore, de Soweto à Los Angeles (inédit)

du 17 avril - 1er mai : Emmanuel MIEVILLE & Laurent JEANNEAU, Asian Mix

du 1er - 15 mai : Laura VAZQUEZ, La maison dans la terre

du 15 - 29 mai : Emmanuelle GIBELLO, La période 3 implique le chaos

du 29 mai - 12 juin : Christine Sun KIM & Thomas Benno MADER, Busy Day (inédit)

du 12 - 26 juin : Stéphane GINSBURGH, One player

du 2 - 16 octobre : Elisabeth VALLETTI, Pour Alice.

du 16 - 30 oct : Rainier LERICOLAIS, Density

du 30 oct - 13 nov : Sébastien ROUX, Etude n°3

du 13 - 27 nov : Pascal DELEUZE, Les soufflants

du 27 nov - 11 dec : Kenan GÖRGÜN, A personal journey

du 11 au 25 dec : Rubén Marino Tolosa, lux resonare

2015

du 25 dec au 8 janv : Seth CLUETT , Tracing moving circles (inédits)

du 8 au 22 janv : Juan Antonio NIETO, Broken images (inédits)

du 22 janv au 5 fev : incite/ Kera NAGEL & André ASPELMEIER, incite/ and beyond

du 5 fev au 19 fev : Pali MEURSAULT, Universinternational on Websynradio

du 19 fev au 5 mars : Anton MOBIN, What remains on the tape ? (inédits)

du 5 mars au 19 mars : Geoffroy MONTEL & Franck MARGUIN, Brocoli 10 ans

du 19 mars au 2 avril : Yannick DAUBY, Kalerne

du 2 au 16 avril : Aurélie LIERMAN, Politics of the voice (inédit)

du 16 au 30 avril : Michel TITIN-SCHNAIDER, Constructions sonores (10 ans de création)

30 avril au 14 mai : SECRET PORT ≠ DEATH METAL, phono photographie

du 14 mai au 28 mai : Clara de Asís, Eyes closed (a playlist)

du 28 mai au 11 juin : Léa le BRICOMTE & Joel HUBAUT, Stone et Charnel

du 11 juin au 25 juin : Anne KAWALA, ¶aulina 1880(2015, partie 1 : de la chambre bleue à torano

du 25 juin au 9 juillet : Anna RAIMONDO, we are all radio creatures!

du 10 sept - 24 sept : Vincent DIEUTRE, Sakis: un tombeau

du 24 sept - 8 oct : Tomonari HIGAKI, HIBIKI-NO-NORITO, les sons disparus de notre monde

du 8 oct - 22 oct : Jean Jacques PALIX, Aventures et dérives musicales

du 22 oct - 5 nov : Chantal DUMAS, amour, injustice, histoire

du 5 nov - 19 nov : Felix BLUME, Allées et venues sonores

du 19 nov - 3 dec : Benjamin AIT-ALI, TOULOUSE <> NYC

du 3 dec - 17 dec : Matali CRASSET, Le jardin extraordinaire – studio sound still

du 17 dec - 31 dec : Dimitri COPPE, Et tout se tut - Und alles schwieg ... (version WebSYNradio)

2016

du 31 dec - 14 jan 2016 : Stéphane MARIN / Espaces Sonores, Cinematic Fields

14 jan - 28 jan : Renata ROMAN, FROM THIS SIDE: LATIN (avec inédits)

28 jan - 11 fev : Francois MARTIG, UN PAYSAGE EST

11 fev - 25 fev : Despina PANAGIOTOPOULOU & LABEROUK, ATHENS SPRING (inédit)

25 fevrier - 10 mars : Gilles MALATRAY, PONTS D’OUÏE

10 mars - 24 mars : VINCENT LAUBEUF, AUTOUR DE MOTUS ET FUTURA

24 mars - 7 avril : Olaf HUND, Sons perdus

7 avril - 21 avril : Philippe BOISNARD - Hortense GAUTHIER, hp_process (recent)

21 avril - 5 mai : Delphine KREUTER, Patchwork

5 mai - 19 mai : Gaëlle THEVAL & Anne-Christine ROYERE, « DES CHEMINS PARALLELES N’EXCLUENT PAS FLIRTS, TENDRESSES , VIOLENCES, PASSIONS » : Poésie sonore et musique electro acoustique

19 mai - 2 juin : Dean ROSENTHAL, Mathematical Music

2 juin - 16 juin : Victoria KEDDIE, A SIMPLE MODEL OF QUANTUM TRAJECTORIES

16 juin - 30 juin : Nichola SCRUTTON, GLASGOW SOUNDSCAPES : PLACE, SPACE and MEMORY

30 juin - 14 juillet : Lee FRASER, SUSPENDED MAGIC

15 sept - 29 sept : Jean-Jacques BIRGE, Changement de Programme

29 sept – 13 oct : Zahra MANI, Seminal Moments

13 oct – 27 oct : Pierre BELOUIN, As a warrior …

27 oct - 10 nov : Edward PERRAUD, Comme une offrande (+ inédit)

10 nov - 24 nov : Renata ROMAN, FROM THIS SIDE: LATIN #part 2 (avec inédits)

24 nov - 8 dec : Karen POWER, How Radio

8 dec - 22 dec : Lilian ZAREMBA, Expand Boundaries

2017

22 dec - 5 janvier : HANETRATION, The ultimate collection

5 jan - 18 janv : Radboud MENS , Selfmade instruments and sound-installations

19 janv - 1 fev: Robert CURGENVEN, Submerged Memories

2 fev - 15 fev : Rie NAKAJIMA, A sonic passage

16 fev - 1 mars : Graham DUNNING, a playlist, noise, dirt, dust or decay

2 mars - 15 mars: 2ème Balade de l'invisible

16 mars - 29 mars: Sarah PEEBLES, Music for Shô

30 mars - 12 avril: Jules WYSOCKI, Panorama de la scène expérimentale chinoise

13 av - 26 av : Amanda BELANTARA — kinokophone, Touchée par le son

27 av - 10 mai : Martyna POZNANSKA, From the inaudible to the audible sphere

11 - 24 mai : Signe LIDEN, Sounding Strata

25 mai - 7 juin : Gregory KRAMER, A Tour Through Atmospheres of Archaic Geometry

8 juin - 21 juin : Jez Riley FRENCH, through the more recent things

22 juin - 15 aout : Une fenêtre sur Fukushima, Diffusion radiophonique publique et simultanée France/Japon Nouvelle Laurentine (France) / Fukushima University (Japon)

12 octobre - 25 octobre : Denis DUFOUR, Les Cris de Tatibagan

26 octobre - 8 novembre : James O'CALLAGHAN, playliste de La Radio Parfaite

9 novembre - 22 novembre : Jörg PIRINGER, Mix

23 nov - 6 décembre : Kato HIDEKI, and friends

7 décembre - 20 décembre: Emmanuel LAUGIER, dialogue avec le cinéma d’Alain Cavalier

21 décembre - 3 janv 2018 : Marc NAMBLARD, Cévennes l'été des fares

2018

4 jan - 17 jan : Fabrizio BOZZI FENU, Peut-être n’aurai-je jamais de racines ni de branches

25 jan - 7 fev : Xabier ERKIZIA, egurra (bois, wood)

8 fev - 21 fev : Yasuhiro MORINAGA, Field Recordings – Interlocking Gong Music from Southeast Asia

22 fev - 7 mars : LA COSA PRECIOZA, Drift

8 mars - 21 mars : Fukushima +7

22 mars - 4 avril : Stefano GIANNOTTI, Enfance, adolescence, jeunesse.

5 avril - 18 avril : Alfredo COSTA MONTEIRO, Hylè

19 avril - 2 mai : Pierre PELISSIER, Encore raté ...

3 mai - 16 mai : Michaël GREBIL LIBERG (avec le Salon de Musique), Mînes de mai

17 mai - 30 mai: Philippe PETIT, SYNnérisme

31 mai - 13 juin : Despina PANAGIOTOPOULOU / Felix BLUME / LABEROUK (avec La Radio Parfaite du festival du Printemps des Arts de Monte Carlo), Jungle

14 juin - 27 juin : Falter BRAMNK, Pièces choisies et portraits sonores

28 juin - 11 juillet : Frédéric MATHEVET (avec La Radio Parfaite du festival du Printemps des Arts de Monte Carlo), Drifting

27 sept - 10 oct : Guillaume BOPPE, Le son d'Anvers (inédit)

11 oct - 24 oct : Douglas GORDON, Life in a Scotch Kitchen

25 oct - 7 nov : Marc SENS, 1 Décennie X2

22 nov - 5 décembre : Hervé ZENOUDA, Un aperçu de la musique contemporaine émergente / A survey of the emerging contempory music

6 decembre - 19 décembre : Stéphane NOWAK PAPANTONIOU

20 decembre - 2 janvier 2019 : KRISTOFF K.ROLL