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#liminal moments
digitalsymbiote · 6 months
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Liminal Neon Moments
You pull into the parking lot of a strip-mall with the love of your life in the passenger seat. It's after midnight, so the lot is nearly deserted. You kill the engine, but the radio keeps playing. Something soft and gentle, with the volume turned down low.
You hold hands over the center console, the neon lights of the malls movie theater bathing you in soft pinks and blues. The cool night air filters in through the cracked windows.
Your fingers intertwine, your lips meet. Everything else falls away, and for a moment you are the only two people in the world.
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varokai · 1 year
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dead leaves
and not enough to fill it
what were they doing with these spaces?
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A Samhain pondering from 'Hare in the Moon Astrology'.
Samhain.......a Thin Place 
“We have come to another turning of the Great Round and the Celtic Year’s end is now upon us. Today, we stand in the gateway between the old, which is utterly and forever gone and the new, which has not fully arrived.
It is now that our beloved dead are remembered. Here the veil thins and Mystery comes upon us, ready or not.There is so little in our Western secular culture that even remotely prepares us for the irrevocable powers of Life, Death, and cthonic transformation, as they overturn the haute couture masks, plastic pumpkins, pointy hats, and chocolate bars.” 
(Quote by Beth Owl’s Daughter.)
This Samhain /Scorpio season is a Hecate Crossroads we all instinctively recognise, a liminal moment when you need to shed a skin, a mask, a disguise. If you do, you’ll feel exposed, raw and need to take extra care of yourself for a while. If you don’t, that old skin will harden around you. Winter and Wintering is not the death of the life cycle but its crucible where we sense that the boundary that lies between the living and the departed, and between what is past, present, and future has become thin. Where Heaven and Earth come closer.
Scorpio - ruled by both Pluto and Mars - is the great de-numbing agent of the zodiac. Not everyone wants to look deep ……. the constant hit of 24/7 disinformation and fear has most people running for instant distraction. But here at Samhain between two eclipses there’s nowhere left to run. The only option is to stop and face the raw truth of what you feel and the raw truth of what's going on all around.
Choosing those deeply unfashionable things - slowing down, letting your unaccounted - for time expand, getting enough sleep, resting -are radical acts these days but they are essential to thriving not just surviving In the face of this dark night of the global soul - where none of our old avoidance tricks and tactics touch the sides - those of us who are empaths and sensitives are having to develop these gifts to a new level of skill, learning to live moment to moment, honing our ability to scry, to Know without knowing, to intuit, to sense energy as if we have fur and feathers.
[Thanks Ian Sanders]
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tiernanmoss · 1 year
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[ID: On two lavender squares black words write, “Things grow in strange places, life persists where you think it wont. Along the rusted rail cats and leaves tumble within a tangle of vines and chain-link. Raindrops tumble with the sun on the horizon. Out of the orange and pink a train approaches, its light different but still welcoming. Watching it play through the rain keeps my feet grounded, and I don’t do what I came here to. Instead I get on the train and take it home. Like I said, life persists where you think it wont. Usually spite is what keeps me going, but sometimes it’s simple beauty everyday things.”  tiernan moss
/end ID]
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godofthescraps · 1 year
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DP x DC Prompt: The Watchlist
Batman has a watchlist. A list that contains every individual who could become a rouge and a contingency plan for if they did.  
And while they, his children, often make fun of his paranoia and him for having it, they totally understand why he did. They lived in Gotham, for Christ's sake. Where everyone’s just a pin drop away from being the city’s next big villain, forcing the bats to scratch their heads while playing cat and mouse with a sicko for a good few weeks. And while they won’t admit it, the list has helped them a few times. 
But that won’t stop them from making fun of any of the list’s new developments. Because you see, there was a new list. And it wasn’t just a watchlist. No, no, no. It was The Watchlist.
It was a new development after he and Robin went on an out-of-state mission to investigate some town in bum fuck nowhere Illinois. And it was under some pretty tight security as well, so they were expecting something good, like mad scientists or evil mayors. Not profiles of the kids who lived in the town. And while there were a few metas and vigilantes that made the list interesting, by the end of it all they just seemed to be teenagers. 
Until they saw Damian. They hadn’t seen him since he came back from the mission with B. He looked tired. Like ‘Tim hasn’t slept in a week and is surviving on just coffee beans’ tired.
“Ah, I see you all have found it. Good. A few of them will be arriving next week as they’re a part of Gotham Academy’s student exchange program. At least three of them will be staying in the manor with us. Father will need you all to be on standby and to be ready for any possible scenario. Please, for the love of all that is good, do not encourage them in any way, shape, or form. And please do not dismiss them either. The outcome of doing that will be much worse. Is there more that I should add? Yes. Will I? No, because you won’t understand. Not until you've seen what I have.” 
The demon child sighed, then looked them dead in the eyes. “Godspeed to us all.” Then walked away.
Okay, they were scared now.
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greenglowinspooks · 6 months
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(DCxDP) The obligations of a rogue versus those of a parent (pt. 2)
Tw: N/A
Will be crossposted to AO3 eventually
(Pt. 1 here) - (Pt. 3 here)
(Masterlist/subscription post)
It was a beautiful morning. Somehow, against all odds, the sun was shining through the thick smog perpetually covering Gotham.
And Danny hated it.
He was in pain, he was exhausted, he was grieving, and all he wanted to do was sleep for at least a week.
In an act of celestial mockery, the sun shone regardless.
After around twenty minutes of tossing and turning in bed, trying to get back to sleep, Danny gave up and pried himself out of bed.
He stumbled through the hallway and into the living room, staring openly at every splash of color he saw in the small apartment. He hadn’t forgotten what color looked like in the time he was in the lab, but it was comforting to see.
Someone cleared their throat. Danny whipped his head around, eyes falling on a scrawny, gangly man sitting down in a worn armchair, hunched over a laptop. He was looking at him with a dull, bored expression.
Right. Scarecrow.
His escape.
The chase.
His mom.
“You look a lot less terrifying without the mask,” Danny blurted out, slapping his hand over his mouth. “I didn’t mean that.”
“Well, I certainly wouldn’t call my normal appearance frightening,” Scarecrow hummed, focusing his attention back onto the laptop, “that’s what the costume is for, after all.”
“Oh.”
After a brief moment of excruciating silence, Scarecrow spoke.
“You any good with computers, Danny? Hacking, and all that?”
Danny jolted. Scarecrow needed his help with something! This was great! Now, he’d have more of a reason not to get rid of him!
“Oh, uh, yeah! Not as good as my friend Tucker, but I think I’m pretty good.”
“And you’re familiar with the GiW’s systems specifically,” Scarecrow continued, beckoning him over. Danny complied, shuffling over awkwardly. “Right?”
“Well, I guess? My friends and I got into their stuff a couple of times before they…”
“Wonderful,” Scarecrow said, standing up with a stretch. He shoved the laptop into Danny’s hands and gestured for him to sit down on the couch. “Then you can hack into their system and extract whatever files you can find.”
Danny stared at the man like he’d lost his mind. He looked back at him expectantly.
Danny sat down.
“Yeah, I-I can do that. Tuck and I built a back door into their system ages ago,” he said, checking the screen. It was clear that for all the skills that Scarecrow had, hacking was definitely not one of them. “But, uh, don’t you have someone else that usually does this sort of thing for you? Not that I’m complaining!”
Scarecrow scowled, and Danny felt his heart fall into his ass.
“Usually, I do,” Scarecrow huffed, “but I chose to leave my most recent job with the Penguin early, so now there’s no way that he or Eddie will help me with anything until I make it up to them somehow.”
“Oh,” Danny said.
He had no clue whatsoever who Eddie was.
Danny got to work quickly, hoping that if he ignored the gangly man, he would leave him be. Luckily, he did just that, leaving to go work on something in another room.
Danny checked the laptop’s security before continuing Scarecrow’s progress, making sure that the GiW wouldn’t be able to grab their location.
It was…threateningly good. Whoever Eddie was, he had somehow crammed the functionality of a top-of-the-line PC into a tiny, beat-up old laptop. It almost reminded Danny of Tucker and his terrifying competence with his PDA.
Tucker.
Amity park.
Home.
Danny snapped himself out of his thoughts, tabbing back into the application Scarecrow had up and began to work his magic.
He had near full access to the entire GiW database within half an hour.
Mumbling out a quick thank-you to Tucker, he called Scarecrow over to appraise his work.
“Fixed up some food for you while you worked,” the rogue said, handing him a bowl of oatmeal, taking the laptop into his lap as he did so, “didn’t know how well you could eat, considering you’re recovering from… surgery, so I decided to stay on the safe side.”
Danny had no clue what this guy’s deal was.
He definitely did not tear up at the first genuine thoughtfulness he encountered in weeks, and he did not look away as he ate so that Scarecrow couldn’t see his face.
At least Scarecrow was too focused on the laptop to notice or care.
Or, maybe, he was just mercifully ignoring him.
Either way, Danny ate slowly, not wanting to make himself sick. He allowed himself to absentmindedly look around the room for the first time, taking everything in.
It was strangely homey. The space was filled with warm browns and yellows, a few splashes of color on the wall in the form of (obviously gifted) paintings. There was a beat-up bookshelf against the wall, clearly second-hand, filled to the brim with psychology books. On every available surface there was a different colored candle, all at different stages of use, clearly collected over the course of years.
Danny knew that the man next to him was a crazed, murderous criminal, but his home was oddly reminiscent of Jazz.
He was not about to cry.
“Danny,” Scarecrow hummed, snapping him out of his spiraling, “can you explain this to me?”
He looked over. The rogue was pointing to a new report, seemingly posted only a few hours ago.
Nodding, he took the computer into his lap, pouring over the contents.
He read the report again.
And again.
And again.
Danny swore loudly, crumpling like a wet paper bag, head in his hands.
“What?”
“It’s…” he swore again, glancing back at the laptop, “they…since you became liminal from synthetic ectoplasm, when we’re within about 500 meters of one another, our ectoplasm signatures resonate, and they can’t track us with any of their technology.”
“How is that a bad thing?”
“If we’re not that close to each other, they can track us down from anywhere in the world.”
Scarecrow went dead quiet. After what felt like the single longest minute of Danny’s life, he let out a truly exasperated sigh, slumping over in his seat.
“Yeah, me too,” Danny mumbled, utterly miserable.
“…I’ll have to move my plans back a little,” Scarecrow sighed, “I can’t drag an injured child with me when I attack the Gotham GiW base, you’ll just get in the way.”
“Oh come on,” Danny whined, “I can take care of myself just fine. Besides, Batman brings kids with him to do dangerous stuff all the time, and he’s fine!”
“Might I remind you that the second Robin died violently,” Scarecrow snapped, “and that Batman most likely has more traumatic brain injuries than all of the Gotham rogues combined. That really isn’t the winning argument you think it is.”
Danny paused, trying to think up some way to win the argument. Then, he realized what he had ignored before.
“Wait, Scarecrow, you’re gonna attack the GiW?”
“That’s the plan,” he nodded, “and call me Dr. Crane. I’m only Scarecrow when I’m in the mask.”
But,” Danny sputtered, “Sca—uh, Dr. Crane—that’s insane! The weapons they’ve got- they’ll rip you apart!”
“Not my first time,” Crane said, making Danny wince. “Besides, I have plenty of experience avoiding gunfire. I’ll live.”
“You…” Danny was silent for a while, trying to think of something to say, “fine, but you have to take me with you wherever you go. As soon as they see either of us on their radars, they’ll hunt us down.”
Dr. Crane sighed.
“…Fine. I need some time to plan anyways. Now, you’re going to help me download these files, properly format them, and send them out.”
“…Why?”
“Well, some of the other rogues might appreciate the heads up, and I’d quite like them to be indebted to me. Besides, I still need to pay back the Penguin for ditching him, and he loves knowing things that other people don’t.”
Danny paused.
“That’s an awful idea, no offense. If any of the rogues know our weaknesses, they—”
“Danny, we’re censoring everything. The only things they need to know about are the GiW specifically, and any sort of laws surrounding them.”
Danny snorted.
“You care about laws now?”
“Yes, because if we get taken to Arkham, they’ll hand us off to the GiW the moment they ask, and it’ll be completely legal.”
Oh. Danny had honestly forgotten that Arkham was an option.
“…Ok. I’ll help you. Who are we telling?”
“I don’t think you really need to know,” Dr. Crane said, the faintest shadow of an amused look on his face, “but I’ll humor you for now. We’re sending the files out to the Penguin, Riddler, Poison Ivy via Harley Quinn, Two-Face, and Red Hood.”
Danny nodded. He could live with that.
“Alright, then let’s get to work.”
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gryphonmcelroy · 6 months
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NA WHY JERMA STREAMING FROM THE LIMINAL SPACE⁉️
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zinniapetals · 6 months
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I’m so glad Chuuya doesn’t dream; people treat it as such a sad thing with angst but like ?? Hello ?? His life has been pretty riddled with trauma and loss, like let the boy get his 8 hours of sleep without waking up from nightmares
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unorcadox · 9 months
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What’s happening?  Is this the end of our world?
If only, this is much worse.  Our beloved heaven is burning.
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flickerintwilights · 8 months
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ahsoka episode today was:
*giggles, kicks feet* OOOooh is the narrative gonna make them make Bad choices??? are we gonna- oh *giggles* that’s so gay. they’re just standing next to each other but *giggl- wait wait is she dead waIT SNIPSPPSJFSSS
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varokai · 1 year
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any train is a ghost train if you ride it late enough. by then the destination has been removed and the only other passenger is yourself in the other car.
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as if a different number would change where it was going
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ghost-in-the-corner · 6 months
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No one is allowed to talk to me about computers until January
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blueflowersintoyou · 6 months
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pov: life was perfect ✨
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drconstellation · 6 months
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Lifting the Veil on the Bentley
Because I’ve been talking about the Bentley being Crowley’s black horse of late, I’ve had a nudge to talk about the number plate. I know it’s explained as an easter egg in relation to Monty Python, but I think we can explore it a bit further than that.
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It’s worth having a quick look at this older post from @fuckyeahgoodomens where they explain the inspiration was from an animated scene from Monty Python's Meaning of Life .
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The following is from the linked article.
As a nod to Terry Gilliam, who once tried to do a movie version of Good Omens, Gaiman and Mackinnon threw in a little reference to Gilliam’s origins doing animation for Monty Python. “The license plate of Crowley’s Bentley is ‘Curtain’ backwards,” Gaiman said, because of the writing on the mausoleum in the suicidal leaves section of Monty Python’s The Meaning of Life. “Curtain backwards, like it’s the final curtain,” Mackinnon explained.
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Before I get into all the connotations of “curtains,” there should be two things you notice about the “CURTIN” written on the mausoleum. The first is the spelling itself. It’s shortened to look like the Irish surname Curtin, so the mausoleum appears to belong to a real person. Curtin is an anglicized version of Mac Curtain, which means Son of the Crooked, or Son of the Harp, as the ‘crooked’ refers the hunchback shape of the Irish harp. I wouldn’t read too much into that, its probably more just a way of getting an actual curtain reference into that scene.
The other thing is that is not just backwards, it is mirror-image, as if you are looking at it from the other side of the mirror. So we should ask ourselves – which side are we looking from? And why does this matter?
While director Mackinnon mentions it referring to the “final curtain,” we need to start even further back than that to understand what the final curtain is, because even that has two meanings, even if only in a general sense. But because this is the GOmens AU, you can guarantee we’re going to find out there is more to it than that.
We need to go beyond the veil.
To go “beyond the veil” has become a euphemism for passing into death, or that unknowable place people go once they die. It was originally a figurative reference to the area in a Jewish Temple that was separated from the main body of the Temple by decorative curtains, called veils. The veils were specially woven, often with the image of a Cherubim woven in by a skilled worker; it was not allowed to be sewed on or added later. Each panel of the veil would display a different face of the Cherubim, such as the lion on one side, an eagle on the other, and so on. Only the priests could go past the veil into the most holiest of places. The veil was symbolic of separating men and their sins from the glory of God.  
The word ‘veil’ can be translated into English as ‘curtain,’ so the two words are almost interchangeable in respect of this discussion. I was interested to see that the word veil comes from the Latin word velum, which also means ‘sail,’ as in “to move, to drive a vessel or vehicle forward.” I have previously commented that the Bentley should probably be a “she,” as traditionally all ships were female, and that’s a tradition we still see carried into the modern day, thousands of years after its origin. I’ve even seen modern day space probes – little ships sailing the solar system – referred to as she! But I’ll not be pedantic about it, don’t worry.
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Keep your hands off my bitch, bitch.
So the curtain, or veil, is the boundary between life and death. Only – we are seeing it from the other side. And in the GOmens AU this “other side” is very real, and one Aziraphale and Crowley walk through with both ease and without much thought. They are agents of those on the other side of the veil, yet they walk with Humanity in a solid reality on the surface of the Earth. They know the other side is real. When wee Morag complains about Elspeth’s body-snatching activity that the ones she digs up and sell won’t be able to go to Heaven because they will be cut up, Aziraphale tries to tell her it’s not like that, but she's not listening:
WEE MORAG: Aye. Tell that to the poor souls who will not get into heaven 'cause their bodies are all chopped into wee pieces. AZIRAPHALE: Well, that isn't how it actually… CROWLEY: Heaven isn't all it's cracked up to be, you know. WEE MORAG: It's no right. I'm telling you. CROWLEY: Yeah.
For humans, though, there is supposed to be no return once you cross that threshold.
When we, the viewer, see the two worlds meet, it's usually signaled by the presence of fog, mist or smoke. When Lesley the delivery driver meets Death, the fog arrives, as he is no longer in the living world. When Aziraphale and Crowley leave Tadfield Manor, we have smoke telling us we are seeing two different times and places at once - the past and the present are overlaid on one another.
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The Bentley must exist in both the Human and subliminal worlds at the same time - how else can it drive like it does? It doesn't really need Crowley's hands on the wheel to guide it. It couldn't have started out like that - it was made by humans, but we all know the Bentley is more than just a car now.
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It chooses the music to play on its radio, it refuses to speed when taking Aziraphale to Edinburgh until Crowley yells at it, it tries to follow the angel after he gets out at the end of the journey. How it got like this we will probably never find out, but we figure its become an extension of Crowley by close association, much like Aziraphale tends to influence the world around him without effort as well.
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In terms of it being a black horse - well, now we get into some interesting stuff!
Horses have been companions to humans for longer than cars have been around, so there is lots of lore and symbology associated with them. Previous metas around S2 have focused on "dark horses," as they were specifically mentioned twice in the script. But a dark horse is not necessarily a black horse, and vice versa, so lets look at some of the aspects of black horse symbology in particular that could be relevant to the Bentley and it role in traveling between worlds.
Horses were the original vehicle of the ancient world. While Famine was supposed to ride a black horse (the others were white, red and pale green for pestilence,) the black horses could also be messengers of death, a demon bringing death or a guide to the afterlife. In the Illiad, Achilles sacrifices four horses on the funeral pyre to accompany Patroclus to Hades.
[Edit: I've just put myself through the pain of watching S2E6 again, for reasons, and realised why the ethereal lift is in the entrance to the Dirty Donkey - because a black horse is a guide between worlds! Of course!]
They became associated with the Devil during the Middle Ages as the church tried to break the link to old pagan rites. The broomsticks witches ride are supposed to represent horses. And then there is the sexual connection to horses...which leads in a round-about way to the practice of nailing horseshoes up for luck and protection. Although perhaps the burning horseshoe on Jasmine Cottage is more directly linked to the story of St Dunstan tricking the Devil and making him promise he would never cross the threshold of a house that had a horseshoe nailed to the door.
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Our favourite Bentley has been beyond veil and returned. Though it was kept valiantly alive through the sheer will of Crowley to escape the unnatural flames of the Sigil of Odegra, it expired at the Tadfield airbase once Crowley arrived and finally released it. It was only appropriate that Crowley took a moment to acknowledge its service.
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Then Adam restored it the next day. Resurrected it, one could say.
Time for the "final curtain" to wrap this meta up.
To "face the final curtain" is another euphemism for facing death, or at least an ending. It's the final curtain of a theatre show, after the encores are done. Its the final fall of the curtain at the end of a run. Sometimes we might say its just "curtains" for something or someone, meaning it will be ending, as a shortened form. But both Aziraphale and Crowley knows death isn't the end; its a beginning as well. Its just matter of perspective to them.
I've seen other writers associate this final curtain with the first Armagedon't, and now we appear to maybe be facing the "big one" in S3 - the Second Coming. I think that is too simplistic an association, especially for GO. The reversed side of the veil could be so many things: the final battle, the ability of our ethereal heroes to move between worlds, it could even be Crowley returning from the "death" of being one of the Fallen. As always, the meaning will be need to be considered within the context of the scene, and which side of the curtain we are looking from.
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confettifluff · 2 years
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huh that’s kinda pretty moments in marble hornets ⨂
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