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#lots of that romance
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poorly-drawn-mdzs · 3 months
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You keep telling yourself that Namari.
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hdfjsjkj · 10 days
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i was talking with a friend a couple days ago about love songs and i can't stop thinking about this
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ruporas · 9 months
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captain's warm hugs! (id in alt)
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anothersuperstition · 2 months
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my chemical romance albums but make them (a24(ish)) film posters
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thepunchingbag · 8 months
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right in the motherfucking feels
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embraceweird · 15 days
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So what I'm hearing is Gorgug has the highest body count of the bad kids
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nonasemporium · 4 months
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Gideon would not be some suave fuckboy picking up chicks like skittles and somehow having Harrow as the person that settles her--Gideon has been starving for home and belonging since before she was born, Gideon doesn't know how to interact with strangers even if she barks out something aggressive or recites some line she's read, Gideon nearly blacks out when a girl she finds pretty implies the most minuscule of interest in her.
Gideon is also, without question, submissive when it comes to her relationships, and while she spits like a startled cat at Harrow (rightfully so, I will point out, as their relationship before Canaan House was violent and cruel and oppressive), she responds immediately and desperately to even the faintest taste of approval.
Even when we're in her head, even when we see her make some brazen statement or thought, even when she lashes out and tries to be bigger and bolder than she feels, we still see how awkward she is. She's an unsocialized teenager without peers. She's an absolute mess with no experience. She's the isolated teen who learned everything from material marked as too explicit for her a bit too young and took the scripts of them and then nearly choked on the reality of talking to a pretty girl who wasn't beating the shit out of her in a circumstance she could rightfully resent.
She sat there wanting Harrow to kiss her so bad, Nona dipped down to offer her relief that fell hollow as soon as Gideon knew it wasn't from her morbid mistress of bones. She's a performative little shit. An anxious, floundering, helpless butch who is quite literally dying to have someone use her, want her, and who doesn't know what to do with it other than artlessly throw up her feathers.
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jaradraws · 9 months
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playing bg3 and uhmmm. zevlor
❗NOTICE: this user has NOT completed the game. do NOT spoil this for them ❗
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lvelyii · 3 months
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gerard actually walked out in a cheerleader dress in the country music capital of the world and we all just collectively dont talk about it enough. i love you cheerard.
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guinevereslancelot · 2 years
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my favorite ship dynamic is betrayal. not when they betray each other but when one or both of them turn against their cause, their principles and/or loved ones for the other. bonus points if the person they're abandoning everything for didn't remotely expect it. ultimate declaration of love. "you mean more to me than everything i ever believed in. i am more loyal to you than my conscience. i love you more than the thing i would die for."
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s1ushyz · 5 months
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I now present..
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Gerard way eating his mic for some fucking reason
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powdermelonkeg · 1 month
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How to make a romance story:
Braid it.
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Each of your characters should have their own lives, wants, desires, etc going on that intersect often. They each have a different plotline of their own going on. THEN you have the romance plotline weaving between their two lives.
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fuckmeyer · 1 month
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the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.
if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.
choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.
if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.
even the "healthiest" option produces scars that will never quite heal.
Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.
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hensel-x · 1 year
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just sleep.
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accioepiphany · 5 months
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IF I SPEAK-
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