#many are available on Internet Archive as well

[annabolinas]

Tudor Week 2023:

Day 5: Most Used Tudor Related Resource: A Non-Comprehensive List of My Favorite Tudor Books

I know I said this wasn't comprehensive, and it really isn't; I used 63 secondary sources and 9 primary source collections for my novel alone. These are just my favs, the ones I go back to regularly, plus one surprise. Warning: this is a long post. *crying emoji*

Tudor England: A History - Genuinely the best one-volume history of Tudor England out there. If you're a Tudor buff, GET THIS BOOK!!! There's not only refreshingly balanced interpretations of every Tudor monarch, but Wooding is careful to focus on ordinary people in Tudor England, with chapters dedicated to their religion, literature, relations with the wider world, authority and dissent, and more! Plus, the footnotes and Further Reading are an absolute delight, chock-full of fascinating research. This is academic history at its absolute best.

The Tudor Chronicles - Ever forgot what important stuff happened in Tudor England in 1505? 1563? 1589? This is the book for you. It's a year-by-year look at Tudor history. This was an invaluable book while writing the novel; it really provided a chronological framework on which I could structure the story. Absolutely essential.

Henry VIII by J.J. Scarisbrick - Despite being published in 1968, this remains a classic biography of Henry VIII, one of the very best out there. While Scarisbrick has aged poorer in some areas than others (i.e. his underestimation of Anne Boleyn and Catherine Parr), his treatment of Henrician foreign policy and the struggle for the annulment has IMO never been bettered. Plus, he has a whole chapter on matrimonial canon law if you want to better understand the background to Henry's quest for an annulment from Catherine of Aragon.

Henry VIII by Lucy Wooding - I actually think Wooding is a better biography of Henry than Scarisbrick, if only because this was published in 2015. Understanding yet never excusing Henry, and with balanced and well-argued interpretations of every historiographical controversy in his reign, this is a book I keep coming back to! Plus, she manages to be sympathetic to Catherine, Anne, and Henry in the Great Matter, no small feat.

Henry VIII: The Mask of Royalty - A bit of an odd book, this is a psychological profile of Henry in his last years, 1540-7. Nevertheless, Smith is careful to never armchair diagnose Henry with anything, but rather bring out facets of his personality which are often ignored, like his obsession with honor and deep-rooted conviction in his close relationship with God as an anointed monarch. This was really helpful in fleshing out Henry as the main character in my novel.

Henry VIII: The Decline and Fall of a Tyrant - If Lacey Baldwin Smith focuses mainly on Henry's psyche from 1540-7, Robert Hutchinson provides a more general picture of these last years. He's particularly insightful on Henry's declining health, his war with France, court factionalism, and the economic woes England faced as a result. I wasn't as familiar with the non-matrimonial aspects of Henry's reign when I was writing the novel, so this book proved a godsend to me.

Six Wives - I know, I know, David Starkey is a racist POS. But he somehow managed to make the (so-far; I hope Suzannah Lipscomb will change this) best overview of the six wives. Weir is downright unreliable and Fraser repeats a number of myths and is a strong CoA partisan. It's Starkey who debunks myths and offers intriguing interpretations of everything from the dating of Anne and Percy's relationship to proof of Foxe's story of Catherine Parr's near-arrest.

Catherine of Aragon by Giles Tremlett - Why it took seventy years to supersede Gareth Mattingly's biography on Catherine, I don't know, but Tremlett did it. This is a richly detailed, fair book on Catherine, and while he is sympathetic to Catherine, he doesn't present her as a plaster saint. Still, it's hard to feel anything but admiration for her after this biography. This is the closest book we'll get to knowing her as a person.

The Life and Death of Anne Boleyn by Eric Ives - This book deserves to be called "the Anne Boleyn bible". An underrated feature of this biography is its fascinating and insightful analysis of Anne's faith, presenting convincing evidence of her evangelical beliefs, and her artistic patronage. Even if I don't agree with his theory of her fall, this is still the best Anne biography out there.

Jane Seymour and Anne of Cleves by Elizabeth Norton - In a small field of books about these two queens, Norton manages to produce the best ones. Due to the paucity of evidence, there's naturally a lot of speculation and use of "might have", but she does the best of any book at producing a picture of these two queens as actual people (with thorough citations to boot).

Young and Damned and Fair by Gareth Russell - I feel I should clarify that I don't agree with Russell's analysis of Catherine Howard's relationship with Manox and Dereham; it was not consensual (although I think Dereham groomed her into thinking it was). That being said, Russell sweeps away many of the myths and misconceptions about Catherine to present a very empathetic, yet never biased book about this tragic queen. Plus, he includes a wealth of details about court life and anecdotes about Catherine not found in other bios.

Catherine Parr by Susan James - James is practically the expert on Catherine Parr; it was James who really proved that Catherine was far more passionate and lively than popular belief has it. Thus, it's no surprise this biography is superb. James is particularly good on Catherine's 1544 regency, household, and her Protestant beliefs, really giving you a detailed picture of her faith.

Letters and Papers (L&P) of Henry VIII and the Calendar of State Papers, Spain (CSP Spain) - These two Victorian primary source collections are invaluable resources for researching Henry's reign. They're collections of summaries (and sometimes transcripts) of primary sources for Henry's reign. This is the bedrock of nearly all books about his reign, so much so that excerpts of it are part of my set texts for next term. Plus, there's so much in it; it's a never-ending-buffet for Tudor buffs.

Dress at the Court of Henry VIII - What color shoes did Catherine Parr like to wear the most? How did clothes communicate royal status and political leanings, for both Henry and his wives? How did Henry's children, courtiers, and servants dress on different occasions? This book is the one-stop shop for Henrician fashion. My only complaint is that its illustrations are B&W, but if you combine this with the drawings of gowns in Herbert Norris' Tudor Costume and Fashion, you're pretty much set.

Elizabeth I - The later Tudors aren't really my wheelhouse, but I had to include this amazing biography of Elizabeth I. Forget Weir or Plowden, this is the best biography of Elizabeth out there, and it's a masterpiece of historical biography, period. This book manages to grapple with everything that happened in Elizabeth's nearly 70-year life without getting bogged down in details and preserving a sympathetic, nuanced picture of the woman behind the queenly mask. 10/10, highly recommend!!

#tudorweek2023 #dailytudors #tudor era #this is a long post #many books #short reviews for each #but I hope you enjoy!! #for legal purposes what i'm about to say is not me endorsing this #but nearly all of these books are available on *certain e-book* websites #if you're not feeling adventurous #many are available on Internet Archive as well

[kithj]

😇💗

#my collection...she grows #lesbian sex book is honestly mostly for the illustrations #esp cus i got an older edition vs the updated one #i really really want to try and find one of kitty tsui's books next #but they are INSANE expensive. if u can even find them #just kinda have to keep your nose to the ground and scrounge around for cheaper offers #so far abebooks have been my go to #i got butch/femme lesbian sex book & s/he from them #and for WAY cheaper than they go in other places #i got sbb many years ago for very cheap as well #like $10 from lulu.com #obviously all of these are available on the internet archive #& sbb is free as a pdf on leslie feinberg's website #but im a physical media bitch. i love Holding things #personal

[mellowsaturns]

in losing grip, on sinking ships (you showed up just in time)

BUCKY BARNES X FEM!READER

summary: when the avengers pick up unusual activity, they realize that not all of hydra was destroyed. one unidentifiable face sends the team into a frenzy but bucky knows it. he could recognize those eyes anywhere.

warnings: heavy angst, one sided enemies-to-lovers-ish, hydra!assassin!reader, hurt/comfort, happy ending, brainwashing, trauma, guns & knives, fighting, implied kidnapping of reader when young, all the feels, misunderstandings, poor attempt at writing action

wc: 4.7k

a/n: sorry it’s been forever but i hope my fellow buckyluvrs are still here <3 i actually wrote this a long time ago but never got around to editing until recently so i guess you can say this is (from the vault) ? inspired by the idea: what-if there was another winter soldier and bucky finds himself in steve’s position this time trying to get you back to him. anyways, i hope you enjoy this one :)

Bucky’s life was a never ending montage of gunfire and bloodshed. It didn’t matter if he was under the clutches of someone else, he still lived through the wars—the lingering smell of smoke and tang of metallic forever ingrained in his senses.

And just when he thought it was finally over—a glimmer of peace at last—it comes and steals that dream away from him.

Like deja-vu, he’s looking at faces that were once responsible for his pain.

On the screen, three Hydra officers stare back at him. All faces identified by Tony’s system. Alive. Last seen in the outskirts of some small country in Europe. Irrelevant low ranking officials that had managed to survive the fall of S.H.I.E.L.D and have been hiding and secretly continuing Hydra’s mission underground ever since. Low officials or not, it was one too many.

Bucky freezes in his spot when Tony swipes the screen. The billionaire goes on a rant saying this particular face cannot be identified, which was according to Tony, bullshit because his face recognition system is the best in the world. The rest of the team is arguing and flipping through countless files and internet archives. But Bucky knows. He knows that face and those haunting eyes that he still sees in his dreams.

“Buck,” a voice calls out. “You know her, don’t you?”

He looks up at Steve from his spot, his best friend's face worried and all knowing.

One thing about Hydra was that they were always prepared. They had backups and multiple plans ready, or else how would two heads take its place when one was cut off? Unfortunately for the world, Hydra managed to make another deadly assassin, one whose work was so discreet and nimble that even intelligence didn't know they existed.

You were a ghost story that lived in the shadows of the Winter Soldier. You were another one of Hydra’s prize possessions—less known, but just as deadly.

With Steve’s comment, all eyes are now on Bucky. A pregnant pause fills the air and he gulps before he confesses, “I wasn’t the only one.”

The room becomes tense. The war that they thought was over suddenly looms over like an unpredicted oncoming storm. “Jesus Christ, Barnes. You couldn’t have informed us about her earlier?” says Tony.

“I thought,” he says, shifting his eyes onto the ground, “I thought she fell with S.H.I.E.L.D.”

Bucky couldn’t find you anywhere after he escaped their grasp. After he joined the Avengers, he tried once again secretly using Tony’s technology but it was to no avail—it always ended up being a dead end. And for that, he assumed Hydra had put you out of your misery the day they were caught.

But the face on the screen says otherwise. And suddenly, Bucky feels very guilty.

Steve clears his throat, “Well, they were picked up not too long ago heading north. If we leave now, we might be able to find them and stop them once and for all.”

Everyone looks at each other, debating on his proposal. “What the Captain said. Everybody, suit up. Quinjet leaves in ten,” says Tony.

On the jet, Bucky stares off into space but countless questions run through his mind.

Steve walks over and sits beside him. “What’s going on in that head of yours?” he asks, voice quiet.

Bucky sighs, “I just… I thought she was gone.”

“Hey, it’s not your fault. You didn’t know.”

He looks up, wondering if he should tell Steve the truth. That he’s not brooding about the fact that he concealed you to them. After a moment, Bucky speaks up. “When we get there, let me handle her. Please.”

Steve didn’t know what kind of history Bucky had with you. But judging from the look his best-friend is giving, it’s more than what Steve could understand or even comprehend but he trusts Bucky and so, he gives him a nod. “She’s all yours.”

After scouting the area and tracing the location to a very hidden underground warehouse in the middle of nowhere, they split up. The warehouse was dark and dusty, surely abandoned, but Bucky knew better—it was their facade behind the most sinister of activities. Through the comms, Natasha announces that she has already taken care of all the troops in the West wing. Moments later, Sam reports that he has eliminated one of the Hydra officers. They wouldn’t last long. Hydra didn’t have much resources or time to rebuild—their current empire was weak, they were no match for the Avengers this time.

The only person Bucky’s truly worried about is you. The fact that he trained you, made you into what you were today already gave him the chills. He’s not the Winter Soldier anymore, but he was certain that you were still in that killer mindset that Hydra forced upon you.

Step by step, Bucky walks through the quiet hallway, the echoes of his footsteps the only noise. It’s cold here, he notices, which gives him flashbacks to those days in his dirty cell and the cryostasis chamber. Down a hallway to the next, round a corner and another, there wasn’t a single soul in the eerily Eastern wing.

But he spoke too soon, because seconds later, a garrote wire was around his neck. The swift invisible steps and the perfect pressure that was being used to quickly cut off his air supply was all too familiar. He knows this move, he taught this move. You’re here, and you’re dragging him backwards.

Before all oxygen gets cut off to his brain, he jabs his elbow backwards and hits you hard on the rib which releases the hold you have on him and sends you stumbling back. Bucky takes a moment to regain his breath but you’re on your feet again. He looks at you and for a moment he freezes, then you let out a sinister grin. “Nice to see you again, Soldat,” you taunt, before running towards him.

Bucky’s deflecting your punches one after another. Maybe he’s glad he was the one who taught you everything you know because your moves were predictable—if it were another person, there is no doubt they would’ve been on the ground with multiple concussions bleeding out already. You’re ruthless when you do a triple roundhouse kick on him. On the fourth one, he manages to catch your leg and twists it, sending you to the ground with a groan.

How familiar this scene was, Bucky thinks.

Some forty-years ago, Hydra brought a woman into the training room. There was no further instruction than to train you and that’s what he did. He could tell you were well trained already—compliant and pliable. You were good. And you were just like him, injected with a serum that made you a hundred times more efficient and stronger. In just under a year, Hydra would start sending you on missions. Sometimes with him, sometimes alone.

During training, the both of you would spar for hours, leaving each other bloody and bruised, but it didn’t matter to the overlookers, the both of you would heal in a few hours anyways.

Once you pick yourself back up, he pulls a gun out on you. “Stop this,” he commands.

You smirk, “You going to shoot me, Soldat? I want to see you try.”

He clenches his jaw. You continue to look at him, a dark look on your face that shows no sign of true recognition.

His thoughts are disrupted when you tackle him onto the ground. You kick his gun away and pin his arms down as you straddle him. “I’m going to kill you,” you declare, “I’m going to put a bullet through your head.”

When he looks up at you, your eyes are full of rage. Bucky doesn’t know whether that’s the brainwashed version of you talking or the actual you talking—maybe both.

“What are you going to do after you kill me?” he says, irritated. C’mon, please recognize me. “This is all that remains of Hydra. Half the troops are already dead. One of your new leaders is dead. In a few hours, Hydra will be no more. What will you do after that? What are you going to do after you kill me?”

“What does it matter? You’re my mission. I’m going to finish it.”

He groans at your stubbornness that was identical to his Soldier persona.

He says your name slowly. “Get off. You can walk away from this.”

You frown, but he continues, “I know how you feel. You’re feeling helpless.” He clears his throat, “There’s someone behind this version of you. I want to talk to her.”

“What are you talking about?” you utter in annoyance. “Stop stalling.”

He says that name again, with calamity and care. You want to rip out his tongue.

“Let me talk to her. Please.”

“I don’t know who you’re talking about!” you shout, grabbing for the gun that’s strapped onto your waist. “Stop talkin–”

“I was in the cell next to yours. You liked the colour green. You were wearing white when we first met. You always wanted to visit Bucharest. You hated the leaky cold showers in the Siberian facility,” he rambles, trying to remember every single thing about you in a desperate attempt to get your attention so this version of you won’t shoot him in the face.

And for a moment, it works because your hand freezes on the grip of your gun. He takes that moment to flip you over, so you’re under him now, hands pinned above your head. He takes your gun and throws it behind him.

You snarl at him while trying to escape his grasp. “I know you’re under there,” he says. “Please, come through. Please talk to me.”

Your face scrunches in pain, not from him—he would never hurt you—but from the mental warfare that’s currently going on in your mind. You close your eyes as he speaks again. “Listen to my voice, you know me, don’t you? мой милая.”

My darling.

For a moment, your entire body tenses up and then you let out a painful breath. When your eyelids start to flutter open, he finally sees the eyes he came to know and rely on—eyes he came to love.

The both of you are looking at each other unblinking. A scene neither of you expected but always dreamt about.

You break the silence with a whisper of, “James?”

Bucky slowly nods at your disbelief. Finally, he thinks. But such respite doesn’t last long, because seconds later, you hook your foot under his and flip him over and escape his grasp.

There's darkness in your eyes and he can tell that the Soldate is back and the fighting resumes.

You’re chasing him down the twisting hallway and when you catch up, you grab his shoulder and throw a punch to his jaw. He stumbles back and then a voice comes through the comms.

“Just took down the second one.” Steve. “Bucky, how are you holding up? You’ve been quiet ever since we split up.”

He’s trying his best to block your hand, which now has a damn pocket knife. Your quick movements are starting to tire him out. Maybe he taught you too well, he thinks.

“Buck? Bucky. Confirm your status, right now.”

Groaning in frustration, he taps his earpiece. “I’m fine,” he grunts. A second later, “Shit!” he huffs out as you nearly slice his face.

“You don’t sound fine. Is she with you? I’m sending back up.”

“No!” he says, “Don’t send anyone. I can handle her.”

In truth, he’s struggling right now—your stamina has always been better than his—but he’s worried that you’re going to accidentally get hurt and even more agitated when people appear. His main priority was keeping you safe. Fuck the mission statement they talked about back on the Quinjet.

You’re angry—no, you’re extremely angry at him. It doesn’t take a genius to tell. It’s a mixture of pure rage from both the brainwashed and actual you.

He supposed he deserved it. You should be angry. Because for the longest time, it was you and him.

Other than turning you into a ruthless assassin just like him, an unexpected companionship also formed during those hazy in-between moments when the two of you weren’t frozen or on the metal chair getting fried by those machines—during the times when he was just Bucky and you were just you, two unfortunate innocent souls that shared the same suffering.

They weren’t pleasant moments. It was dehumanising. It was getting shoved into draughty cells with nothing but a blanket until it was time to train or time to embark on a mission. Luckily, your cells were next to each other and it made the endless nights a little more bearable. He was a little off-putting at first, but when he yelled at you to stop crying because they would torture you even more for it, you knew he meant well.

During your shared time together, glimpses of your true selves would seldom come up and you would tell each other about the little bits and pieces of a life once known. And the both of you would hold onto each other's memories and stories in case the other forgets.

And whenever they prep the two of you for the chamber due to there being no current missions for the time being, the two of you would look at each other—a look of longing with the secret squeezing of each other's hand before going under.

Despite the absolute awful situation the two of you were in at the time, the both of you were hopeful for the next shared moments together. Because even when all hope was gone, you had each other. And that was good enough for the two of you.

He misses you. So damn much.

“Shut up,” you mutter.

He didn’t even realise he said it outloud. “Well, I do,” he admits, his back hitting a wall.

“You talk too much, Soldat,” you say, creeping up on him. “I ought to cut your throat.”

“I’m sorry I left you with them.”

You halt in your steps and your jaw ticks. In a second, you pounce on him, your knife against his throat. He’s gripping your hand to stop you from continuing your job.

He says your name again. You’re pushing but he’s pushing back just as hard. “I’m sorry…” he repeats, “I’m so sorry.”

The desperation in his voice… You glance up at him slowly and he sees the pink forming in your eyes and your trembling lips. “What are you doing? What are you doing to me?” you whisper.

He sees the internal war behind your eyes once again. Bucky gulps for a moment before letting go of your hand, trusting that you won’t do any actual harm, and moves his hands so he’s cupping your face, firm enough so you’re forced to look at him. You look into his eyes for a second, then a minute, and for a moment, everything stops. Your breath hitches, because those eyes… those arctic blues… you know them. You fell in love with them many years ago.

A realisation washes over your face, one that Bucky doesn’t miss. You’re back.

The first tear falls. Then the second. “Bucky.”

“Hey, sweetheart,” he whispers.

You let out a small cry before you press the blade harder against his neck, your grip a vice from his betrayal. He could feel the sharp cold metal pierce through his skin ever so slightly, but he doesn’t try and stop you.

“Give me a reason to not kill you right now,” you grit through tears. “You left me. You left me behind to rot alone. You promised me. You fucking promised,” you say, voice laced with venom and so much hurt.

Bucky’s heart breaks at the sadness of your voice. Because he did promise. There wasn’t much to do in the cells other than throw around false hope. But whenever he told you he was going to escape one day and that he was going to take you with him—it didn’t feel like false promises at all because it wasn’t, and you knew it too.

Until he broke that promise and left you all alone.

“I didn’t mean to,” he says, voice breaking. “I didn’t mean to leave you there with them.”

“I waited for you,” you cry. “Day and night I waited for you to come back. Even when they relocated, I waited for you because I knew you’d find me.”

You remember that day clearly. Everyone was in a frenzy when the death of Alexander Pierce broke out and that they could not locate the Soldat. For a moment, you could taste your own freedom because government officials would come anytime now and finally arrest all these criminals. But right when they came, a few Hydra officers managed to escape and took you with them, and when you woke up, you didn’t know where the hell you were. But even then you didn’t lose hope because James Buchanan “Bucky” Barnes, the name you committed to memory, was going to come for you just like he promised.

Until days, months, and eventually, a year came with no sign of him.

You were angry at first, but it slowly turned into worry because what if something bad had happened to him? But what do you know? You were stuck in this building and only went out whenever they spoke those trigger words to you. And you were always under their watchful eyes, giving you no chance to even attempt an escape. Surely he would never break his promise to you so something must’ve happened to him, you told yourself multiple times.

But he was standing here right in front of you. Alive. We’re under attack, your handler said to you moments ago, Kill the Soldat before he kills you.

“You’re a liar. You never cared about me,” you hiss.

Sometimes, it got too much. But whenever reality was a bit too hard to endure, Bucky was there, always reaching his hand out to you through the metal cage, which you took and held tight. And it meant the world to you, that someone cared.

“All those moments, did it even mean anything to you?”

He uses this opportunity to pull your arms down slightly, knife finally away from his neck and his eyes start to sting from his own tears. “They meant everything to me. I care about you.”

You look up at him with a defeated expression and Bucky never wanted to punch himself in the face more. “Then why? Why didn’t you come back for me?”

“I did,” he chokes out. “When I escaped, the first thing I did was go back for you, but the facility had already been raided and there was no one there. I checked every inch of the building.”

Bucky had never felt so scared, because what if the government took you too? They would never understand—framing you as a villain even though that was far from the truth. But there was no news of your capture, so with a breath of relief, Bucky continued to look through other known Hydra facilities.

“I tried my best looking for you, but I also had to be careful because I was a wanted man at the time. When months passed by and there were no clues, I thought that maybe you had escaped. I was in Bucharest waiting for you. Remember how you said you always wanted to go there? I knew that if you escaped, you’d find me there. Even when you didn’t show, I never gave up. Steve… I think I told you about him once—he found me, he helped me and cleared my name. After that, I still searched for you but it all ended up being dead ends. And…” he pauses for a moment, “and so I thought you were dead. I should’ve tried harder. I’m sorry.”

He had mourned you and blamed himself endlessly for it.

He knows he should’ve asked for help, but instead, he took this task upon himself until it got too much—because that was the one thing he struggled with the most, asking for help.

When his side of the story finally comes to light, you break into a sob. “I don’t expect you to forgive me,” he says, “but please, drop the weapon and let me help you.”

You swallow hard at his confession. He never stopped looking for you. You didn’t even consider how hard it must’ve been for him after everything and yet you’re lashing out on him.

“How are you going to help me?” you say. “I’m a mess. All you have to do is say those words and I turn into a weapon.”

Twelve. Ember. Fragment. Nine. Academy. Order. Frigid. Yearning. Blue.

Those were your trigger words.

“I got you out of your trance, didn’t I?” he says with a gentle smile.

Hydra needed you to rebuild their empire and they relied on those nine words to do so. To them, those nine words were your greatest weakness but one of them, the last one, the one they liked to spit out in vexation, was also your greatest strength—your salvation.

Blue.

You think back, moments prior, when all he had to do was use his voice and all you had to do was look into the blues of his eyes. Hydra can repeat those words all they want, but Bucky would always be able to bring you back.

At that, your grip relaxes and the knife finally drops onto the floor, it’s noise ricocheting off the walls.

“There’s a place called Wakanda and I know someone there who can help you. Her name’s Ayo and she’s amazing. She helped me overcome my words.”

He brings his hands back up to cradle your face and you shutter at the familiar touch—at the calluses on his palms. “And I think you’ll like it there. It’s quiet and there’s so much… green.”

You let out a small laugh through your tears but doubt still fills your mind. “But… all the things I did,” you whimper, “I did such terrible unforgivable things. There’s… there’s so much blood on my hands.”

Sadness flares around his heart. It was all so familiar. He knows the feeling.

“It’s not going to be easy. God knows how long it took for me to believe that none of it was my fault. But let me be the first one to tell you,” he says, wiping your tears away with his thumb. “None of what you did was your fault. You were a victim.” He swallows a deep breath, “There are going to be days where it’ll be too much too bear and there are going to be nights where all those casualties will haunt you,” he admits. “But… but you’ll get there. Someday, you’ll learn to stop punishing yourself for something you didn’t do.”

And he vows that he’ll help you every step of the way.

You breathe out slowly, digesting all his words. “You can trust me,” he tells you, “I won’t let you down this time. I’ll be here.”

Blinking up at him, the small hesitant part of you so desperately wanted to say, “How can I trust you?” but his eyes were telling you everything you needed to know. Because it was filled with nothing but honour and truth.

He breaks away from you and reaches out his hand. An invitation. You stare at it for a while, then you slowly lift yours and brush your fingers amongst his before grabbing it tightly—a truce of sorts, a promise. He squeezes back in return, a loving smile on his face, just like all those nights many moonlights ago.

Your breath hitches when he pulls you into his embrace, your face burying perfectly into the valley of his chest. He wraps his arms around you in urgency, in fear, almost afraid you’ll slip out if he doesn’t.

“It’s over,” he mumbles into your hair.

Because two floors down an explosion erupts, finishing off the last remaining garrison of troops. Three hallways down, Natasha sets fire to a room that contained the other small red leather book that held those nine suffocating words written in Russian. Outside, the last Hydra officer attempting to flee falls to his knees from an arrow to the chest. And the only hope they had left to rebuild their regime was safely in Bucky’s arms.

He pulls away and uses his thumb to rub gently across your cheek, “It’s over. The war is finally over.”

Now that the worst is over, Bucky’s hopeful. There will be other conflicts to come, that was just how it worked, but this one, the one that held you and him underwater for years was finally over. War always took too much, but this time, it gave something back. Because among the ashes and ruins you came back to him, no more oceans in between.

“What do we do now?” you press nervously. You were taken at a young age and spent years in the Red Room before you were sold off to Hydra. Like Bucky, you’re in the wrong time period, there’s no one to go back to.

There’s so many things you could do, Bucky thinks. You can finally start living the life you deserved, the life that was taken from you too early. He’ll have to explain all this to his teammates but he knows they’ll understand. They treated him so well, there’s no doubt they’ll show the same kindness for you. Then, he’ll go with you to Wakanda, get rid of the words, maybe stay there for a while so you could heal—maybe show you the goats he took care of during his time there.

You’ll probably adjust to the 21st century better than him—you won’t need to start off with a flip phone, that’s for sure. He’ll make you listen to all the great records and watch all the movies you missed out on. There’s so many things he wanted to do with you. He knows you have no memories, no recollection. It didn’t matter, Bucky thinks, he would make new memories with you, ones worth cherishing and remembering. If you’ll have him, of course.

But first and most importantly, “Let’s get you cleaned up, okay? Then we can talk about it,” he says, rubbing the grime off your nose.

He grabs your hand and heads for the exit. But before he does, you pick up your knife from the floor and in one quick motion, you spin around and throw it. The knife embeds itself into the wall a few metres away, right next to a prying face. You stand in front of Bucky and stare at the intruder with a murderous gaze and Bucky’s heart races at the thought of you still wanting to protect him after everything.

The blond raises his arms up in surrender.

“Steve,” Bucky says from behind and you briefly recognize that name. You turn around to look at him and he meets your eyes, nodding. You relax your stance.

“Hi,” Steve says, voice slightly hoarse. “I hope I didn’t interrupt anything.”

Bucky scoffs at him, as if he wasn’t eavesdropping the whole time.

Steve looks at the both of you, then a gentle smile adorns his face. “C’mon, the rest are waiting outside for you both.”

You step forward. This is it. Freedom. A new life. Bucky notices your hesitation as you suddenly stop in your tracks. Intertwining his fingers with yours, he squeezes with reassurance. You take a deep breath, then the two of you follow Steve to the exit, leaving behind the smoke and memories of your old life.

Outside, the sun comes up slowly but surely on the horizon, painting the awakening sky a gentle warm hue of oranges and pinks.

A new beginning awaits.

#bucky barnes x you #bucky barnes x reader #bucky barnes angst #bucky barnes fic #bucky barnes x y/n #bucky barnes fanfiction #bucky barnes oneshot #bucky barnes imagine #bucky #bucky barnes

[0sbrain]

here's a list of mozilla add-ons for all of you tumblrinas out there to have a better internet experience

also, if you like my post, please reblog it. Tumblr hates links but i had to put them so you adhd bitches actually download them <3 i know because i am also adhd bitches

BASIC STUFF:

AdGuard AdBlocker / uBlock Origin : adguard is a basic adblock and with origin you can also block any other element you want. for example i got rid of the shop menu on tumblr

Privacy Badger : this add on will block trackers. if an element contains a tracker it will give you the option to use it or not

Shinigami Eyes: this will highlight transphobic and trans friendly users and sites using different colors by using a moderated database. perfect to avoid terfs on any social media. i will explain how to use this and other add-ons on android as well under the read more cut

THINGS YOU TUMBLINAS WANT:

Xkit: the best tumblr related add on. with many customizable options, xkit not only enhances your experience from a visual standpoint, but provides some much needed accessibility tools

bonus: if you are into tf2 and wanna be a cool cat, you can also get the old version to add cool reblog icons

AO3 enhancer: some basic enhancements including reading time and the ability to block authors and tags

YOUTUBE

Return of the YouTube Dislike : pretty self explanatory

Youtube non-stop: gets rid of the annoying "Video paused. Continue watching?" popup when you have a video in the background

SponsorBlock: gives you options to skip either automatically or manually sponsors, videoclip non music sectors and discloses other type of sponsorships/paid partnerships

Enhancer for YouTube: adds some useful options such as custom play speed, let's you play videos in a window and most important of all, it allows you to make the youtube interface as ugly as your heart desires. I can't show a full image of what it looks like because i've been told its eye strainy and i want this post to be accessible but look at this <3

PocketTube: allows you to organize your subscriptions into groups

YouTube Comment Search: what it says

FINDING STUFF

WayBack Machine: you probably know about this site and definitely should get the add on. this allows you to save pages and access older versions with the click of a button. while you can search wayback using web archives, please get this one as well as it allows you to easily save pages and contribute to the archive.

Web Archives: it allows you to search through multiple archives and search engines including WayBack Machine, Google, Yandex and more.

Search by Image: allows you to reverse image search using multiple search engines (in my experience yandex tends to yield the best results)

Image Search Options: similar to the last one

this next section is pretty niche but... STEAM AND STEAM TRADING

SteamDB: adds some interesting and useful statistics

Augmented Steam: useful info specially for browsing and buying games

TF2 Trade Helper: an absolute godsend, lets you add items in bundles, keeps track of your keys and metal and your recent trades, displays links to the backpack tf page next to users profiles and more. look it tells me how much moneys i have and adds metal to trades without clicking one by one oh may god

IN CONCLUSION: oooooh you want to change to firefox so badly, you want to delete chrome and all the chrome clones that are actually just spyware and use firefox

HOW TO USE MOZILLA ADD-ONS ON YOUR PHONE

if you already use firefox on android, you'll know there are certain add-ons compatible with the app, some of them even being made just for the mobile version such as Video Background Play FIx. while most of them are pretty useful, some more specific ones aren't available on this version of the browser, but there's a way of getting some of them to work

you need to download the firefox nightly app, which is basically the same as the regular firefox browser but with the ability of activating developer mode. you can find how to do that here. once you've enabled it, you need to create a collection with all the add ons you want. i wouldn't recommend adding extensions if the creators haven't talked about phone compatibility, but XKit and Shinigami Eyes should work

also, don't tell the government this secret skater move, but you can try using both the regular firefox browser and nightly so you can have youtube videos in a floating box while you browse social media.

see? i can block this terf while Rick Rolling the people following this tutorial. isn't that tubular?

#zezo talks #firefox #internet safety #accessibility #id in alt text #this will get tagged as tf2 because mine heart desires and its mentioned like twice #tf2 #long post #but it's worth it i promise #tumblr

[phanchester]

since there are so many data nerd phannies i decided to make a compilation of all the spreadsheets i could find - lmk if i missed any or if you want me to add any additional details <3

last updated: 29/04/23

actively updating spreadsheets

dan and phil uploads from 2021-2024

dan and phil’s upload schedule from all their channels with days and dates

amount of days in between videos in each channel

pie charts of days of the week they upload

made by @ahappydnp 

everything dan and phil related

all of dan and phil’s video links from all their channels from all their accounts (including super amazing project, snapchat, vine, tiktok and more)

all of dan and phil’s radio shows, including reuploads and playlists, as well as the dan vs phil, fan war and internet news if available for each show with misc clips and written recaps

all of dan and phil’s liveshows, including some written recaps and the app where it was originally posted

all of dan and phil’s vyous including the question they were answering

all of dan and phil’s collaborations and video features (even if they were in the background), including the channel they were originally uploaded on 

all of dan and phil’s interviews

all of dan and phil’s merch, including originally shop links and links to the phandom wiki which has further information

all of dan and phil’s professional photos as well as some fan photos, including the event, photographer and platform

the dates and statuses of each of these videos (lost, archived, unlisted or public)

made by @stillarchivingdnp

dan and phil 2024 upload stats

each of their 2024 videos with channel, upload date, upload time in uk, length, sponsor and editor/s (if applicable) with an accompanying colour-coded calendar

(for amazingphil videos) whether dan featured and (for dapg videos) whether it was gaming/talking and who tweeted it

interactive part where you can see the time period between two videos

averages, maximums and minimums for times between uploads, upload times and runtimes with accompanying graphs

percentage of videos with other editors, with pie charts for all channels and each channel

made by @dnpbeats

all or nothing: dan vs phil season 2

all of the games for season 2, with the year they played them and the results with and without all or nothing coming into play

how often all or nothing came into play and who suggested it

the general impact of all or nothing

made by @organized-chaotic-disaster

dan and phil saying “i love you”

when dan and/or phil said ily

the video and timestamp from when they said ily and whether it was prompted

pie chart of dan or phil saying ily

made by @ahappydnp

games where one of them decides the winner

date and link for each video

overall winner with the winner for each round

breakdown of the amount of times each of them have won each round and the percentage phil has won

made by @dnpbeats

dan and phil 2024 upload schedule

upload date for each video, with the day of the week and approximate time it was uploaded in cst, including the most common and second most common upload day for dapg

days between each upload, including the longest gap, shortest gap, average gap and first and second most common gap for dapg

a colour-coded calendar displaying the upload schedule for dapg and amazingphil

made by @kat-aa

completed spreadsheets

all or nothing: dan vs phil season 1 with a great accompanying document with further details and analysis of the data

all of the games they played, with the year they played them and the results with and without all or nothing coming into play

how often all or nothing came into play and who suggested it

the general impact of all or nothing

made by @organized-chaotic-disaster 

youtuber tours

(not necessarily dnp but it includes them!)

120 different tours, including the creators, names, dates, countries, links (if available) and producers (if applicable)

each tours’ venue capacity range, average and total attendance

individual tour show breakdown with city, state, country and additional notes

data on each venue’s capacity, number of tours, and which youtuber went to each venue

data on each country’s amount of shows, broken down into states and cities

made by @stillarchivingdnp 

gamingmas 2023 schedule

all gamingmas video titles from 2023

the time each video was uploaded in gmt

made by @cactuslester

spreadsheet screenshots in posts

listening trends in all or nothing

scatter graph for the correlation between track number and number of listens

analysis of the data

made by @serendipnpipity

analysis of dnp’s letterboxd ratings and movies with part 1 and part 2

(pt 1) rating distributions for all the movies they’ve rated, including details about which movies one rated higher than the other, and which movies they rated the same

(pt 1) a list of their five-star movies

(pt 1) a list of movies one logged but not the other

(pt 1) cute little misc notes about the specific movies and dates

(pt 2) ratings broken down into genre, studio and franchise with accompanying bar charts

made by @philsrosesweatshirt

views on post-hiatus dapg videos after specific time frames

i believe this is a work of progress!

video titles with the dates and months, along with details of whether they were sponsored or had external editors

view count after 24 hours, 48 hours, 1 week, 2 weeks, 3 months and 6 months

made by @goldenpinof

favourite dnp tour song statistics

years phannies started watching vs the year they joined the phandom represented in a bar graph

favourite dnp tour song in a donut pie graph and a bar graph

favourite song vs year joined represented in a bar graph

made by @serendipnpipity

#yes i was thinking abt making a spreadsheet for this... #but i thought that was too ridiculous #dan and phil #phan #phil lester #amazingphil #daniel howell #dan howell #danisnotonfire #spreadsheets #excel #data analysis

[undergroundbillions]

Hello!

We're noticing more people being interested in the Raggedy Ann fandom since the Amazing Digital Circus pilot released, so we thought we'd update our masterpost on where to find more Raggedy Ann media!

Books:

The first two and most well-known books are Raggedy Ann stories (1918) and Raggedy Andy stories (1920), which are in public domain and free to read online! Camel with the Wrinkled Knees (1924) (which the movie was loosely based on!) is on Internet Archive and available to read without an account. You can find many of the other books on there as well.

Cartoons:

The 1940's has Raggedy Ann and Raggedy Andy (1941), Suddenly It's Spring (1944), and The Enchanted Square (1947).

You've got the 1977 Raggedy Ann & Andy: A Musical Adventure of course.

The Chuck Jones holiday TV specials: Raggedy Ann and Andy in The Great Santa Claus Caper (1978) and Raggedy Ann and Andy in The Pumpkin Who Couldn't Smile (1979).

Most episodes of The Adventures of Raggedy Ann and Andy (1988-1990) are in this playlist here, and you could probably find any missing ones on Dailymotion.

From the Target crossover we have the animated Snowden: Raggedy Ann & Andy's Adventure (1998) and the live-action ice-skating special The Snowden, Raggedy Ann and Andy Holiday Show (1998).

Music:

I've also got a playlist of all the albums I've found on YouTube or were uploaded by us, and there's many more of the older ones available on Archive. The old Will Wooden and Frank Luther ones are very charming.

Musical:

You can watch recovered archival footage of the full first production of the Raggedy Ann musical (1984), listen to the demo album (~1985), or the Broadway bootleg (1986)!

If you're interested in more, I'd recommend exploring the saved playlists on the RARE YouTube channel or the media tag on the Raggedy Ann Fandom Wiki.

We're a group of Raggedy Ann enthusiasts who got together to search for Raggedy Ann lost media (specifically the musical), but now we collect and archive all sorts of things from the franchise! Our ask box is always open and we love to find things people are looking for, or even just chat about headcanons and such.

-Mod General D.

#raggedy ann #raggedy andy #mod general d #raggedy ann and andy #raggedy ann and andy musical adventure #raggedy ann and andy a musical adventure #raggedy ann revival effort #raggedy ann musical #rag dolly #raggedy ann broadway #rag dolly musical

[quetzalpapalotl]

So because IDW lost the TF license before they could finish printing the The Transformers: The IDW Collection, I made a reading guide and compiled the files to pick up where it left for someone, so might as well share.

So the IDW Collection is probably the easiest way to tackle the IDW1 continuity, it compiles all of it in a mix of chronological and publishing order. It starts with some big leaps like, the first comic is the 2007 mini series Megatron Origin, followed by two spotlights from 2008 and 2009, instead of anything from 2005 (when the continuity started), but that sort of thing lessens as it goes on. There are still some placements I wouldn't have done like that, but really, the whole thing is comprehensible, it includes everything you need, and is much easier to just read every volume in order from beginning to end that switching between however many comics. Plus, if you read a comic file in CDisplayEx, it will open on the page you were at last time you close it, so the 300+ pages per volume are not a problem.

The Internet Archive has all of Phase 1 and Phase 2 available for download as cbr files and you can download Phase 3 here. Or if you prefer to read them online (and have a good adblocker), here is Phase 1, Phase 2 and Phase 3.

As for the rest of Phase 3, on this drive link you will find a text file with the reading order (plus where to read it online) and a zip file that contains all the listed comics numbered in cbr/cbz files.

#transformers #maccadam #idw1

[olderthannetfic]

My "too old to care, too dignified to harass", line seems to have resonated with people, and it got me thinking about what "proship" even is and why I don't really identify with it despite agreeig with it.

Ultimately, "proship" describes both a philosophical stance and an online community. I share a large part of the philosophy, but I'm not a member of the community, and my "pro-ship" philosophy extends far beyond simply fanfic and fandom spaces.

In the end, I'm anti-censorship and pro-archive. The support other people shipping ships that squick me out, and this comes from the same place as my belief that things like AO3, the Internet Archive, public libraries, and university special collections should be well funded and should archive and make available a wide variety of materials that I don't like.

I've yet to see the online proship community really go to bat for a university archiving historically important but socially problematic texts, or talking in depth about the Internet Archive and copyright law, they're too busy combating a specific type of online troll.

And that's fine, they don't need to be focused on any one specific thing, and I'm sure many individual members of the proship community share my overall philosophy and do indeed support archives and libraries and freedom of speech the way I do, but it's not what the online movement and community is about.

Very simply, I call myself a metalhead and a gamer because I am a member of those communities. Someone else might share my taste in music or play the same video games as me and not describe themselves as a metalhead or gamer, because the label describes the community, not just the musical taste or hobbies the community is built around. "Proship" is the same, it's the name of a community built around a shared philosophy.

--

The thing about the community, such as it is, is that it's really a thing for the current 20-somethings. If you're old as dirt or just feel that tired and you remember Livejournal or even tumblr in 2012, fandom is about letting your freak flag fly. We were assholes to each other, but we did it by calling each other stupid, not immoral.

The current state of proship discourse is "You're wrong: this art is not 'degenerate'. Let me explain..."

The oldschool attitude is: "Fuck off, Nazi!"

[eldritchboop]

I am Angry at The Lost Book Project so please enjoy this curated list of ebooks

TL;DR: A company is trying to resell books from the Internet Archive at a markup. Here are roundups to all the free links instead.

Please donate to the Internet Archive if you find this post valuable.

42 Ancient Medicinal Plant Remedies

7 Lost Books and Texts on Meditation

The Witchcraft and Magic Collection (51 books)

11 Secret Books for Spiritual Seekers

11 Classic Numerology Books

The Lost Entrepreneurs Handbooks

21 Rare Books on Sacred Sexuality and Magick

16 Seminal Books on Law of Attraction and Manifestation

The Ancient Greece Collection - 36 Rare Books

The Ancient Key to The Tarot - 21 Books

The Definitive Demonology Book Collection

33 Rare Hidden Books on Freemasonry

The Manly P. Hall Collection

45 Rare Supernatural Books - Ghost Stories and Mysteries

37 Ancient Lost Texts on Buddhism

20 Books On Astrology, Zodiac and Horoscopes

The Lost Book of Spells - Spellbooks and Rituals

37 Lost Books on Ancient Mesopotamia

18 Lost Alchemy and Occult Science Books Works Of Sir George Ripley

The Vikings & Norse Mythology Book Collection

My angry rant as to why I am willing to do this in my spare time is below the break.

So I received a target Facebook ad for a website called the Lost Book Project (I refuse to link to them) advertising a collection of herbal books for a nice low price. Problem - the first book I saw them selling was Culpepper's Herbal from the 1600s, meaning it's well outside copyright. I own a digital copy for this reason!

So logically, I decided to check if the other books on the list, most of which are outside copyright, were also available on Archive.org. Sure enough, the whole list is available there.

Now, for starters, this makes me INCREDIBLY angry. It's not illegal to sell out-of-copyright books, but the Internet Archive is my favorite place for old books, and like Wikipedia they operate entirely on donations. Their average donation is $17 - just about the cost of this collection.

Websites that are making money off of a free service by locking them behind a paywall are anathema to everything that the Internet Archive stands for. Furthermore, if you're in the US or UK (where most of these books are sourced from), your tax dollars have already paid for these books to be stored and digitized.

EDIT: I have also noticed that two many books are still in publication and under copyright! I have sent notices to their publishers.

Things like this activate my sense of fairness to the nth degree. I hate scammers. I hate people who sell things without adding value. And I really hate it when they're taking money from good institutions that need it. Imagine if half of the people who paid for these books donated instead!?

So please help yourself to the links on each roundup. I'll continue to do the work needed to link all of the books they offer to their proper sources.

And fuck companies exploiting the work of others for their own profit.

#witchcraft resources #witchcraft #witchblr #witch community #free resources

[centrally-unplanned]

FLCLick Noise - Archival Scan

We should be a go!

[Internet Archive Link]

FLCLick Noise is a book published in 2010 that is a deep dive into the production of and creative influences that went into the 2000 anime FLCL by Studio GAINAX. Framed as a conversation between FLCL director and series lead Kazuya Tsurumaki, and FLCL character designer Yoshiyuki Sadamoto, the two creatives watch the show together and record their thoughts episode-by-episode, alongside a prologue and a “bonus track”. It is in Japanese, with primarily text and screenshots from the show for use as conversational reference, though there is some art as well (almost all of which is available elsewhere).

FLCL is pretty infamous as a show for its free-wheeling compositional style and loose production process; everyone involved was able to throw in visual ideas, dialogue, plot concepts, and so on. Additionally, FLCL slots pretty clearly into GAINAX’s “Otaku commentary” oeuvre - it is very much anime, *extremely* anime, it would be ludicrous to suggest otherwise; but in addition to being anime it was also a vehicle for the creative team to put in ideas and influences that they believed the anime industry was not utilizing at the time, such as its rock-album concept soundtrack or its josei/seinen manga inspired-character designs.

It is this backdrop that makes a book like FLCLick Noise simultaneously more valuable for understanding FLCL than most other shows, and even possible to exist in the first place. Much of it is fun asides, many of the creative decisions are personal whims, but there is so much to those whims that it is worth reading a book about them. If you want to answer the question “why does FLCL exist the way that it does”, this book will answer that question in more detail than any other source will.

Alas this is a complex and large book - I will aim to translate it someday, but I cannot guarantee neither the timeline nor the quality of that translation as I am by no means a professional in that regard. If you want to get a sample of what the book contains, anime-youtuber-extraordinaire Hazel quasi-coincidentally just released a video essay on FLCL that has an entire section on this book and its contents (I learned of this book from her tweeting about it during research for the video, so the timeline is not pure kismet). If you want the highlights and so much more, it is an amazing video. Meanwhile, I do hope to post a “raw text” version of the different sections somewhat soon, to assist those who do want to read it themselves and would find that would help with the translation.

As always, I hope this is a valuable addition to the ‘akashic record’ of 90’s-era anime history, and gives something special to the FLCL-heads out there like me.

(I'll tag @flclarchives for the two-for-one this week, if they don't mind! And I apologize for the scan quality here - I wanted to do it non-destructively, as this is not a large print run book, which meant my typical flatbed was a no go and the new overhead setup I used was a comedy of errors. Fortunately this is a book about reading text, and despite the errors it's all perfectly readable.)

#FLCL #FLCLick Noise #anime history archiving work

[pseudophan]

what's the tea w phan directory... why do they have the death of the author thing in the bio.. yes i'm asking u i feel like u would know (it's cool if u don't tho)

haaa well basically they used to have the vday video pretty readily available on there and phil got the entire blog taken down twice by reporting it to tumblr for copyright infringement, so eventually they started password protecting it and put a bunch of disclaimers everywhere to try and keep it up. the phan directory's whole thing was basically archiving old deleted dan and phil posts from around the internet, many of which dnp didn't exactly love having floating around anymore, hence the 'i strongly believe in the death of the author, the internet owns it now' basically saying hey, you posted it, it's too late to take it back. the ethics of it all are definitely questionable but i can't not appreciate the phan directory for keeping all that stuff alive, even if they maybe.. shouldn't have. at the time, anyway.

#answered

[dresshistorynerd]

kinda random question but how do you go about researching? I’ve wanted to get deeper into fashion history than just watching youtube videos, but I don’t really know where to start.

ps. thanks for making such detailed posts. they’re really interesting to read.

Thank you! I'm really glad you've found my posts interesting!

This is great since I've kinda answered this in replies couple of times, but not properly. I very much understand the struggle. Dress history is a relatively new academic field and there's not that much reliable sources available and so so much unreliable sources everywhere. Internet of course has this problem but so does a lot of books too.

I thought this would be a short one and yet, here we are again.

Disclaimer: I'm writing this from a western fashion history perspective, since that's what I know best, but especially reading up on academic research and doing primary source research applies to non-western cultures too, though often it's harder to find sources for non-western fashion.

Getting started

Imo the best place to getting started is to read a book that gives a general timeline of fashion through history. I'm not sure if that's just how my brain works, but it helped me a lot of when going deeper into one period or another to understand the broader context and what roughly came before and what after. However these books are inherently difficult to make well, because there's so much nuance and variation in every period of dress history and if you're writing about the whole timeline through thousands of years and keeping it book length, there will need to be a lot of simplification to the point of inaccuracy. There's many popular fashion history timeline books with illustrations made for the book, but I would avoid those since non-contemporary illustrations often give a distorted image of the fashion, especially when it's about earlier periods in history. I've seen some really inaccurate illustrations depicting Middle Ages and Renaissance especially.

Costume and fashion: a concise history by James Laver - I'd recommend this as the starting point. James Laver was a art historian, an important pioneer of fashion history and curator of Victoria and Albert Museum, which has one of the most extensive costume collections now. The book is therefore based on serious academic study, but being a pioneer means you'll be outdated, when the field is more established, which is partly the case with this book. There's some outdated parts, but the images are primary sources and it does give good historical background. It should be taken as a starting point, not as the end point.

A History of Fashion by J. Anderson Black and Madge Garland - This is another similar book. It's more recent, but it also suffers from some outdated parts. The writers are not academics, but it has more primary source pictures which does help (at least me) understand visually what's being said.

Books

In a given subject I'm researching I usually start with seeing if I can find a reliable book on it or related to it, if I haven't already read much on it. Often what I want to research goes deeper into details than what a book usually does, so it will work as a starting point. As said it can be hard to find these books that are actually reliable, but here's couple of reading lists to help with it.

Here's a reading list by a retired professor of dress history from Helsinki University. It's very extensive and has a wide variety of books and papers listed. There's a bit of leaning towards Finnish sources, but most are in English and about more international western fashion.

Here's a reading list by @clove-pinks, who is excellent and writes a lot about the Romantic period, especially men's fashion here on Tumblr. These are all books that can be read free on Internet Archive, which makes the list even better.

Internet sources

There's a lot of bad sources floating around in the internet, but also some excellent gems. As dress history is such a new field, there's a lot of unexplored spots and lacking research still, but some troopers in the internet have done some great legwork in going through primary sources and gathering them together. These can be excellent especially when trying to research a specific garment, since often these blog posts are by historical costumers, who are detailing their background research in reconstructing a specific garment. It's not always easy to find them, since they might not come up in the first page of the google search, but I often find them through pinterest, where the blogs are linked into the primary source images and images of the reconstructed garments. Though be sure to look with blogs like that with critical eye. The best sign that it's reliable is when each image is given a source.

There's some more general sources too that need to be taken with a grain of salt.

Fashion History Timeline - This is a page with entries to the whole timeline of fashion as well as entries of specific garments. It's very well sourced and has usually pretty good image sources too. I will say though that it often gives a pretty limited description of the period focusing on some specifics, without giving a good overall picture, especially in the Medieval sections. The medieval sections are honestly pretty useless. It's at it's best in 19th century imo (I haven't checked out the entries to 20th century since I rarely research vintage styles, but I'd assume they are pretty good too). But since it has great sourcing it is usually informative. It just shouldn't be relied upon to give full picture of a period.

Wikipedia, History of Western fashion - In some ways this is the opposite of Fashion History Timeline. Wikipedia has articles on each period. The sourcing on these articles is often quite lacking and the information shouldn't be taken at face value. Especially the terms for the garments are often used in these articles in very questionable ways. However what these articles have is pretty good primary source image collections, and what is nice is that in Medieval, Renaissance and Early Modern periods they are often divided into regions, and they often have images of working class clothing, which are for some periods really hard to find. These articles often don't either give a full picture of the period, but in someways the basic picture of the period is easier to grasp from these than from Fashion History Timeline. I use these mostly for the primary source images, and the texts of them should be taken with a bucket of salt.

Academic papers

Going deeper into something will inevitably require reading up on some academic papers. I'm lucky since I get access to a lot of academic publications through my uni, but JSTOR (my beloved) gives free access to 100 papers per month (you'll just have to make an account). Through google scholar you can search for papers on a given subject, or if you don't have access to other publications, you can just use JSTOR's search engine.

Primary sources

If some MVP hasn't already combed through primary sources to gather them on a give subject, you can do that too. It's not necessarily an easy task though. There's thankfully a perfect guide for that.

A Handbook of Costume by Janet Arnold - Janet Arnold was a legendary dress historian, who really defined the modern field. This book details the process of researching dress history and how to analyze primary sources. And it's free on Internet Archives.

I'll give some basics here though.

Extant garment

Most of us who are not academic historians don't have physical access to extant garment, but many museums have nowadays excellent digital archives of their costume collections. Here's a list of the most well known ones. MET and V&A has sometimes great descriptions of the clothing and their history, but not for every item.

MET Costume Institute

Kyoto Costume Institute

LACMA

V&A Costume Collection

Palais Galliera

Extant garments are of course the ideal sources to study, since they are the actual garments and not just representations or descriptions of them. Sometimes the collections even have pictures of the insides of the garments, giving invaluable information about their construction. However, extant garments have limitations for research, since there's a strong survivorship bias. Firstly, they heavily lean on later periods as textiles deteriorate relatively quickly. You won't find extant garments from Middle Ages, at most fragments of them. Secondly, they are mostly clothing of the upper classes. Lower classes used their clothing till they broke down, and even then often salvaged any fabric that could be salvaged for new clothing and other textiles. Upper classes didn't necessarily have to do that, so what survives is usually very expensive formal clothing that people would wear rarely and rather preserve than salvage the fabric from it.

Photography

Since camera was popularized in early Victorian era, you don't get photos before that. Photography is a great source from the times it was available, since yes it's still only representation of the clothing, but there's less artistic interpretation than in paintings and illustrations, though importantly, there still is artistic interpretation. As long as there has been photography, there has been photoediting. They of course used it for creepypasta purposes by editing them holding their own heads and editing ghosts into backgrounds, but also editing their waists smaller. Basically the exact same way photos are still edited. So no, this is not really how small the waist got in Edwardian era, since this is edited.

Another obvious limitation for early photography is that it didn't have colors, so popular colors of a given time period and given styles have to be found through other means. A great thing about photography though was that compared to painting, it was relatively cheap, and therefore a lot of lower class people were able to photograph themselves. We even get people outside in everyday situations not posing.

Photography can be found with search engines like google and pinterest, though they should be always sourced then. You sometimes come across very Victorian looking photos that are actually just modern photos that are well edited. And also it's important to date the photos, which might not be easily with photos just randomly floating in the internet. Libraries and museums sometimes have good digital collections of old photos. For example:

Digital collections of New York Public Library (NYPL) - It has a wide variety of collections including photography, fashion plates and other illustrations. I haven't found a great way to search through the collections, but the best way I've come up with is to search images within the Clothing & Dress topic, put some limiting filters, then click some right looking image and then go to the collection it was from. I bet there's an easier way but I haven't figured it out.

Paintings

A great thing about paintings and statues is that they date basically through whole history of organized civilizations. Paintings are more delicate so even with murals in antiquity, you'll get more surviving status from that time period. But because of the strong artistic interpretation inherent to these art forms, there's some tricky parts to them as sources for historical fashions.

You'll find a lot of paintings by just searching for fashion or paintings of a given period in google and pinterest, but it's sometimes tricky to source them to figure out where and when they were painted. Therefore I often check from Wikipedia a list of artists from a given time and place, and search their paintings from digital archives of museums. It also helps when you choose artists who were specialised in specific type of paintings. What kind of paintings depends on what you're researching and the time period.

Portraits are of course great sources. They depict the actual clothing an actual person wore and if the person was historically important enough you can find out who they were and gain a lot of context for the clothing. However, they are usually all rich people, though not always. Another thing to keep in mind is that sometimes portraits portray the subject in a costume. This became a pretty big trend among nobles in 18th century. They had costume parties and would have their portrait painted with their costume, but also there were trends of costume that were not even worn for parties, but only for having a portrait. Sometimes the painting would be painted like a scene and not like traditional portrait. Van Dyke costume (first picture below) in first half of 18th century paintings is one such example. It referred to mid 17th century fashion that was seen as timeless at the time. Peasant costume (second picture below) is another example of a popular costume for nobles to wear in portraits. Costume balls continued to 19th century, but after the popularization of camera they were mainly photographed. People would continue to dress up in costumes for portraits, but it wasn't as big of a trend as in 18th century.

Genre paintings were a genre of paintings that became popular first in 16th century Low Countries and then In Netherlands/Belgium area during the Dutch Golden Age (from late 16th century and thorough Baroque) and during Baroque's popularity all over Europe. Genre paintings depict normal everyday life of peasants, working class people and the bourgeois. During Baroque they often had elements of idealization, symbolism and even sexualization of the subjects, so they should be taken with a grain of salt, but they do usually depict accurately the clothes the people wore. Rococo era had a lot of these types of everyday scenes about the upper class. During the Romantic era peasants were heavily romanticized in genre paintings, but there was also a lot of genre paintings of bourgeois thorough 19th century that was wasn't as strongly romanticized. These scenes were sometimes also depicted in portrait form. Realism brought another interest into the genre and Realistic genre paintings often focused on the working class. They did the opposite of romanticism though and often exaggerated their subjects to look more wretched.

History paintings depict events and scenes that were for the time historical too. They became very popular in 19th century, when Historism was the dominant in arts, but they have existed long before. There's even some from late Medieval period, and in those earlier history paintings, the historical figures are usually depicted in contemporary clothing and there's no attempt at recreating historical styles. In later periods, especially during 19th century Historism they very much tried to recreate historical styles. This is why it's important to always source paintings. I've too often seen Victorian paintings used as images for Medieval fashions.

Religious paintings have sometimes a bit of the same issue. They were very popular during Medieval and Renaissance eras, and usually the biblical figures would be depicted in contemporary fashions, though not always, sometimes in vaguely "biblical garbs". Religious paintings also have the issue of often being highly symbolic, so sometimes the characters in them are not dressed for the situation, or a character that in the biblical canon very poor is depicted in upper class contemporary fashions.

Illuminated manuscripts

Medieval manuscripts with illustrations are invaluable sources for Medieval fashions. They are usually commissioned by royalty and detail historical narratives, so they mostly depict royalty and nobility, but some illustrated scenes depict commoners too. You often find images of the illustrations floating around in pinterest but they can be hard to source when the source is not linked (which is quite often). The illustrations can be spotted by the quite consistent style (though sometimes they are not from illuminated manuscripts but some other rarer illustrations like playing cards).

A lot of illuminated manuscripts have been digitized and British and French libraries have quite extensive online collections of them which are linked below. The manuscrips in those are mostly English and French of course but there's manuscrips from other places in Europe too, I've seen quite a lot of the German speaking area especially.

The Bibliothèque nationale de France (BnF) The British Library

Fashion plates

Fashion plates became a thing in 1780s, so they are not useful for periods before that. They are basically illustrations that show the latest trends and they were published in fashion magazines. They don't reflect the way everyone dressed, since as they did show the latest high fashion and the people who would be wearing that were mostly young rich fashionable people. However, fashion at the time had a little different meaning than today as it was linked to dress code, and to be respectable you needed to follow fashion. So everyone, even working class people, would follow the new trends to an extent. This is especially true when we get to Victorian era, when mass industrial mass production and the emerging middle class made clothing cheaper and more available to more people. They wouldn't maybe follow every new trend or with every detail and with as much extravaganza or with the most expensive fashionable materials.

While the fashion plates didn't necessarily depict specific existing clothing, they were based on existing clothing and they were often used as guides for dressmakers. Kinda like you might go to a hairdresser with a picture of a famous person's hair or hairdressers sometimes use pictures of famous person's hair to show what they might do. And the people who might not afford something as extravagant as shown in a fashion plate, might still show it as a guide and get a simpler version of it made for them. People of the middle and lower classes especially would also use them as guides to sew themselves fashionable clothing.

Fashion plates are quite easily found on the internet, but as with other things, if you don't go straight to some organized archive, it might be really hard to date them accurately. Many bigger museums and libraries have fashion plates in their online archives, for example NYPL which I mentioned earlier.

MET Fashion Plate Collection - This is a pretty extensive collection.

Regional costume illustrations

When genre paintings became popular, artists didn't necessarily have the change to go and see what peasants wore in the places they were setting their genre paintings in, but because the whole point of them was to depict authentic real life, there was a need for illustrations of regional dress around Europe. And some artists would travel and create costume collections for resource to other artists. These are really invaluable to us today, though they should always be taken with a grain of salt, because sometimes the artists who created these drew dresses for places they never had even been in. For example some of these collections include non-European dress and they should all be probably disregarded as fantasy costumes basically. You can usually assume that the closer the region which dress they depict is to their own place of origin, the more accurate and based on reality it is. It's also good to try and google the artist and see if you can find information of where they actually traveled, because sometimes we know that pretty well.

These collections can also be found in the digitized archives of big museums and libraries, again there's some in NYPL collections.

British Museum's collections by Hippolyte Lacomte from 19th century

A collection from late 16th century on BnF archives

Honorable mentions

There's many other primary sources in different periods that can be helpful, but the ones I've mentioned are the major ones and easiest to access, when you're not doing academic research with institutional resources. I thought I might mention couple of other sources that have become handy to me as examples.

Magazine and news paper ads became wide spread in the Victorian era and from that onward is a great source. They advertise specifically ready-made clothing, so clothing that was much more available to a regular person and therefore can be really helpful to understand what a regular person might wear. I don't know a great source for them though. Many libraries have digitized old papers and magazines so going through fashion magazines is perhaps the best bet, but it's definitely a lot of combing though. Some people have though gathered ads in blogs.

Satiric comics can be surprisingly helpful for researching sort of alternative styles and seeing what trends garnered backlash. For example I've long been obsessed with Aestheticism and the other counter-cultural movements related to it, and there's quite a lot of women's Aesthetic extant garments, photos and paintings available, but very little of men's Aesthetic fashion. But then I found that Punch Magazine (conservative satire magazine) loved mocking the Aesthetes and therefore drew a lot of comics with men in Aesthetic fashion. Caution should be taken though since satiric illustrations do often exaggerate for comedic effect. For example the idea that 1770s ladies made ships out of their massive hair comes from a satiric illustration mocking the large and elaborate hair of the time.

Runaway ads of slaves and indentured servants are bleak, but can be helpful source for the clothing of poor people during 18th century. This is specific to US, but because of the colonialism poor people there would often wear at least similar clothing as those in Europe, especially Britain and France, which had the most colonial presence in that region. The clothes were described in great detail in these ads for identification purposes. These runaway ads can be also found in news papers of the era, many of which are digitized in archives of bigger US libraries, but it's definitely even more combing through. Though again some people have done some of that work already and documented it in blogs.

#answers #history #fashion history #dress history #sources #research #historical research

[gallifreyanhotfive]

Do you have any recommendations on Dr. Who books/audio format things? I haven't watched the show in a bit because Moffat wasn't my thing and I can't seem to find the old stuff. (If you have any advice on where to find that too I would be very grateful) Following your blog has been a nice reminder of why I liked the show so much. Hope you have a good day!

Aw thank you! Depending on your location, you can find classic who episodes either on BBC iPlayer or Tubi (with ads).

As for books/audios, I'll try to keep this brief as I could write an essay on this.

For books, my favorite author is Kate Orman. Orman writes wonderfully, and my personal favorite is The Year of the Intelligent Tigers. I also really liked Goth Opera, Camera Obscure, History 101, Autumn Mist, Lungbarrow, Divided Loyalties, Somewhere Never etc etc etc etc (so many more but I'm forcing myself to stop here). You can often find free versions of basically every novel (at least all I've looked for) on the internet either as pdfs or epubs or whatever. The Internet Archive is particularly useful. Some examples:

And now for the audios! I personally have sold my soul to Big Finish. I have literally hundreds of recommendations. They do have some audios for free, such as those that came from the Paul Spragg Memorial Competition. You can also find a lot of them (up until Zagreus I think) for free on Spotify. There is also almost always a killer sale going on on the website on top of that too.

As for my recommendations, it's pretty dependent on what Doctor or companion you want to listen to. They even have series centered on UNIT, Romana's Gallifrey, Benny Summerfield, and a ton of other things (including a Masterful special that just had a bunch of Masters fucking around and finding out). I'll put in some of my favorites, one for each Doctor, from what I own (which is far from everything, but I do my best).

One: The Sontarans. It was the first time the Doctor had ever encountered the Sontarans, so he was unfamiliar with them. It takes place during Dalek Master Plan, so Steven and Sara are there.

Two: Lords of the Red Planet! It's a good Ice Warrior origin story and has Jamie and Zoe in it. :)

Three: Terror of the Master. I had pre-ordered it as soon as I heard about it. Three....Delgado Master....what more do you want from an audio? It's narrated by Jon Culshaw.

Four: The Wrath of the Iceni. It was a brilliant historical with Four and Leela and Boudica. Leela gets quite a lesson in this one, first being mad at Four for not helping Boudica and then at Boudica for being cruel.

Okay now we are getting into my favorite Doctors (5-8), so these decisions are going to get difficult.

Five: The Kingmaker! Shakespeare spikes Five's drink to get him absolutely wasted to sneak on the TARDIS, the TARDIS gets hiccups as a result, leading to Peri and Erimem being separated from the Doctor. Shenanigans ensue.

Six: Doctor Who and the Pirates. Six and Evelyn have a really meaningful discussion with one of her depressed students. The third part is a musical!

Seven: The Shadow of the Scourge. Benny Ace and Seven against 8th dimensional eldritch abominations. Seven gets turned into one of these insectoids, and body horror ensues.

Eight: Oh dear I can't choose. At the moment, probably the Great War from Dark Eyes 1. Eight meets Molly and is still grieving here. He is very much doomed by the narrative.

War: The Neverwhen. Lots of the War Doctor is good if you like Time War horror, but this one has a lot of time-as-a-weapon and is well written.

Nine: Battle Scars. A nice short story about that one family Nine saved from the Titanic mentioned in the episode Rose. Has a really fantastic girl in it and a Nine dripping in PTSD.

Ten: The Time Reaver. Ten and Donna! There's this gun that basically slows down time for a single person, so that a few minutes for everyone else is centuries for them. Ten is a self sacrificing dope.

Eleven: The Geronimo boxset is the best in my opinion, but I haven't been able to listen to many of these yet.

Twelve: Another one I haven't managed to buy a lot of yet, but Dead Media is amazing. It's written to sound like a podcast with adverts and everything and is set during his time at St. Luke's. And I cried at the end.

Anyway, I'll shut up now. This was so much fun! Thank you!

#will clarify anything and everything if you want me to #doctor who #classic who #dw #dr who #new who #big finish doctor who #big finish audios #big finish #first doctor #second doctor #third doctor #fourth doctor #fifth doctor #sixth doctor #seventh doctor #eighth doctor #ninth doctor #tenth doctor #eleventh doctor #twelfth doctor #edas #vnas #pdas #target novelizations #doctor who expanded universe #dw eu #doctor who eu #the master #kate orman

[pluraldeepdive]

I want to share this article archived by the wayback machine in 1997 and I believe to be written by Dr. John M. Grohol. Here is a link to the archived page. I feel like it's helpful to see a piece of history like this because, even almost THIRTY YEARS later, people are still called fake or have doubt cast on them for simply being open on the Internet about having DID or being a system!

_________________________

"The Prevalence of Multiples Online

Multiple Personality Disorder or DID Seems Prevalent Online

We see a growing number of individuals who visit our Web site and write us e-mail, as well as participate in mental health chats, that seem to have multiple personality disorder (MPD), or the disorder's newest name, dissociative identity disorder (DID). People with DID seem to be in many support rooms found online for mental health support. We even host a popular discussion forum for MPD/DID here on Mental Health Net.

So what's this all about? Is DID really that prevalent online?? Does the online world somehow draw more people with DID to it? Is DID being diagnosed more often because of more accurate tests? What's going on here??

From our experiences, it seems clear that a little bit of everything is involved in the greater numbers of people who suffer from this disorder showing up online. First is the greater knowledge and education amongst behavioral healthcare professionals about this disorder. If they know what to look for, which they are better trained to do more now than ever, they are more likely to be able to accurately diagnosed MPD/DID in individuals. This has been accomplished by greater research in this area in recent years as well as more information being trickled down to the clinicians who actually do most of the diagnosing and therapy of individuals with this disorder.

In addition to greater numbers of individuals being diagnosed with this disorder, many more of those people who get the diagnosis are coming online to find out more information and support for their problem. While there is still debate about how prevalent MPD/DID is within the general population, finding reliable and accurate epidemiological information about the disorder can often be difficult, if not downright impossible. Much of this is due to the political debate which has surrounded the diagnosis of MPD/DID in the past few years (Coons, 1989). Many misconceptions still exist and are even perpetrated by some mental health professionals. So information found online may fill some people's needs with this disorder.

But because it is a rare disorder, it also means there won't be any support groups available in their community for this problem. Like rare medical conditions and the popularity support groups for those have enjoyed online, so too are MPD/DID groups popular online. People with this disorder have found one another and can discuss issues that only other people with DID/MPD can understand and sympathize with.

Last, the symptoms of DID/MPD are such that there is often times an accompanying (and justified) social fear, out of concern of the ramifications of switching personalities when in the company of others (whether at work, at home, at a party, etc.). This fear is not nearly as powerful or present when in an online chat room or discussion forum. This is probably because such forums are devoid of many of the social cues and nonverbal communications which may encourage an emerging personality to present him or herself. It may be easier, in fact, for someone who suffers from MPD/DID to talk to others in such a forum because of the ability to remain present in a singular personality.

There is no clear reason why so many people seem to have this disorder in online chat rooms. It is likely a combination of factors which have resulted in this perception. This should be no need or cause for alarm, since individuals who have DID/MPD we've spoken to have overwhelmingly given high marks to the experiences they've had in online support rooms and forums. As more and more people come online, we will expect to find more rare mental disorders represented, especially those which have a social component which may be helped through an online modality of communications."

#actuallydid #dissociative identity disorder #actuallyplural #pluralgang #plurality #pluraldeepdive #plural deep dive #sunflower posts

[magz]

The posts from 2022 when Maus was banned in government attempts to censor, are going around again.

About how you shouldn't pirate Maus, and instead buy it or get it from the library; because Art Spiegelman is still alive and it steals from artist. Because it's immoral to.

1. Art Spiegelman himself did not say to stop pirating because he's losing money. At most his *publisher* (Penguin Random House) wanted to put down the internet archive's copy of Maus thru forced request - then contributing as part of a lawsuit to shut down archiving efforts and Internet Archive as a whole (dangerous). Because publishers are greedy and realized the book was profitable again. The scans of his book online in GDrive and Online Archive are low quality - the same types that get printed at schools while having 1 or no copies. He did not lose money from this, he got more.

2. When Maus was (and is) banned n censored in specific states + districts in u.s. for inappropriateness (like Tennessee) -- in many places it barred minors from buying, being lent in library, getting Maus and other books. Getting it legally n by the books was not an option for the people most affected. This was why some stores tried to go around this by donating the books for free to them.

3. Maus isn't and wasn't available in many places, even as an option. Even if you want to get it. Even in places where it "can" be bought - it being banned made people buy more of it from fear of censorship, often always in demand in library and store supplies - always sold out in many places or with huge waiting list. It is less bad now, however there still issues exist. And thats assuming you even have a library, or that your library even has it.

4. Piracy doesn't "steal" income from artists. It is a symptom of inaccessibility and/or avoidance. When people want to support someone or something, they buy it after pirating when possible. The banning ended up being good marketing - going on 2022's best sellers list 40 years after it was published, even with inaccessibility. Especially with efforts to raise money by Tennessee comic book store, and even with California book store donating free books at deficit.

5. The actual logical conclusion to not pirate or archive banned stories, is for people without access to it - to not be able to read any version of it at all. Along with other less fortunate banned and censored books that are even harder to access. This does the intended result for censorship. Limiting information, limiting awareness and power of those that need it most.

We've already criticized the logic before.

If gonna cyclically be smug about "people needing critical thinking" and end up being reactionary about censorship and piracy, even years later... well. Am not gonna complete that thought.

#maybe a good chunk of tumblr users shouldn't read serious things if going to conclude this. #text post #o post #piracy #sij #shoah #holocaust

[carriesthewind]

a question, if you don't mind it! I read your post about the IA, and it makes a lot of sense, I wasn't aware of how their lending system operated, so thank you for that. I was curious, does there exist/do you know of any digital library that operates fairly and without harming authors? lending on a one to one basis etc? this isn't an "aha, there is not ethical option available to me so I'm allowed to steal, gotcha!", I just genuinely hope something like that exists bc for several reasons I don't have access to a physical library rn. thanks and I hope this isn't a bother <3

Hi Anon!

Unfortunately, I think the answer to what you are looking for is going to boil down to "there are a lot of free online books and resources, but not resources that will allow you to borrow any given book." But it's going to be a little bit of a complicated path to get there.

Part of the problem is the words "fairly" and "without harming authors." Because "fair" does not necessarily equal "legal," and authors can and do disagree about what systems cause them harm. So is "controlled digital lending"(CDL) (where instead of buying or licensing an e-book, the lender digitizes print book and lends the digital copy) that's one-to-one owned-to-loaned fair and not harm authors? Well, as the district court held, it's certainly not legal in the U.S. (because to be clear: while the IA was/is not doing one-to-one owned-to-loaned, the holding of the court was that even it it was, that would violate U.S. copyright law). But is it fair (or more fair and equitable than current digital copyright law) and does it harm authors? As I've said in a previous post, I have not stated and will not state a personal opinion on that. If you want to read more, the statement I previously linked by the National Writer's Union takes a position that it is unfair and harms authors; for a counter-position that it is fair and does not harm authors, here's the memorandum the EFF filed in support of their motion for summary judgement for the IA. And you can find lots and lots more written on both sides of the issue. (If you are struggling with where to start: a google search for "internet archive controlled digital lending" will bring up a lot of articles about the case with links to various statements and opinions.)

If you are looking to avoid illegal or disputed CDL, there are options, but they are limited: that is, there is plenty of digital books and reading material that is legally and fairly available online, but you are unlikely to be able to borrow any specific book. Some options that exist:

On the IA's "Open Library": anything in the public domain (including, as of 2023, anything published or released in the U.S. prior to 1928), as well as anything where the rights-holder has allowed the IA to distribute their work. (If legality matters less to to you "fair" and "harms authors," you might also be ok with works on IA if the author has permitted the IA or another site to loan their work in defiance of an allegedly unfair or exploitative contract.)

If you want to avoid the IA's "Open Library," HathiTrust Digital Library won their copyright case (correctly, imo) and host a bunch (17+ million) of digital books and other items. (By the way: this was a case where the IA - as one of their partner organizations - was on the right side and the Authors Guild, who sued them, was, imo, on the wrong side. Just to emphasize how complicated this is.) But (unless you are a member of one of their partner institutions - mostly universities) your access is limited to reading works that are in the public domain or for which they have been given permission from the copyright holder.

Lots of individuals and organizations post written material for free online! For example, while many journal articles are hidden behind paywalls, many are not; lots of short story magazines (esp. genre fic) have free digital versions; and lots of people post books for free online under a Creative Commons License. I don't know of any universal library for these kinds things though - where to look will depend on what you are looking for.

Beyond that, it depends on where you are and what you are looking for. For example, if you aren't in the U.S., there may be country-specific digital resources (e.g. does your country have a national library, and does it have digital resources)?

You can try looking into:

Local university or resource centers: sometimes, even if you aren't a student or profession, many of these institutions offer resources, including digital resources, to their local communities.

Local museums: same as above.

Local cultural or other kinds of resource centers: sometimes these kinds of organizations will have community libraries. These will often be specific to the interest of the organization in question, but it's worth checking!

Finally, if you are in the U.S.: if your lack of access to a physical library is based on the fact that you can't physically get to or access the library, but you do have a local library, you have options! Even if you can't get there to access a library card, some libraries will allow you to create a card online just for their digital collection. And many libraries have resources to assist home-bound patrons - it's always worth calling and asking.

If anyone else has any other suggestions, please feel free to add them! (Especially if you have information on non-U.S. and/or non-english specific resources)

#libraries #internet archive #asks #anonymous