"...one of the things I kept saying to him was because you're so naturally tough and gruff and masculine and Joel, the more you can show me a scared, sad, frightened kid inside of you, the more I will connect with you and feel everything else." Craig Mazin on directing Pedro Pascal early on in The Last of Us (from the official podcast for Episode 1).
Joel's microexpressions that float across his face in this moment—when he sees a girl in Jackson that looks so much like his long-deceased daughter—absolutely broke my heart. I was immediately transported to this moment I giffed of Pedro's raw performance as Ricky Hauk in Touched by an Angel? Joel's repressed "inner child" and emotions that have been buried under all the unresolved trauma and sheer horror of the reality he now lives in, how it's this expression that he accesses in this moment of the most poignant, overwhelming grief? How it's so muted, so subtle, all these many years later, in such a broken man? My heart?
The way that grief never truly leaves you? Something about the echoes and contrasts between the two performances hits me in the feels? Seeing echoes of sweet larval-stage bby Pedro in 50-something Joel is so fkn sad? 🥺
And then, look at how his expression shifts in each scene...his eyebrows morph back down to that furrowed baseline, back to his hardened shell? It's incredibly subtle in his younger self, obvious in his older self, and heartrending in each.
okay we NEED to put “camp” up on a shelf where people can’t reach it too because i just saw someone call the mario movie camp like girl what in the fresh hell are you talking about 😭
shout out to when i told my dad about goncharov and he figured out it was fake because i told him "1973 martin scorsese film with robert de niro" and he said that wasn't possible because the godfather came out in 1972 and the godfather part II came out in 1974 and they wouldn't have had time to make a movie in between. a perfectly good jest, foiled by this man's weird and vast knowledge set
one detail that i love is that lisa is less doctor frankenstein but more mary shelley despite the movie's title. lisa's introduction is her stone rubbing the creature's headstone while mary learned to write using her mother's gravestone. lisa isn't a scientist she's a seamstress which is closer to mary's profession as a writer. they're women who lost their mothers at a young age and were outcasts in their respective societies. both having an odd relationship with death, finding love and comfort in it. mary connects with her mother through her grave like how lisa does with the creature's. at it's core it's a movie about grief and the non-finality of death.
it's also a campy movie about a devoted zombie romantic who would chop dicks off for their goth wife which i think stays true to the spirit of mary shelley.
I feel like tumblr should be bigger fans of The Blues Brothers. It's a movie that has everything we value as a community. Attention and respect to pioneering black musicians, open hostility to nazis, open defiance to police, Carrie Fisher with a rocket launcher and flamethrower, a soundtrack that goes hard as hell, John Belushi so blasted on cocaine that he continues to do somersaults despite having a broken ankle. It's got it all!
So it turns out getting positive reinforcement on a drawing every 10 minutes for the better part of a week really does wonders for my dedication to finishing it and pushing myself on the details. who woulda thunk. Anyway. Ive been having an absolute blast drawing this and slowly creating the studio space here and I can't wait to draw all the fun new ideas yall gave me !! Crowley does pottery !!!