(6:22) going with a DC/AC AU I find it a little funny if it's just Desmond in the world of DC and seeing as there's nothing on the brotherhood or templars is confused on what he should do next. Until wait a second is that fuckin Edward?!?
But can you just imagine Haytham Kenway’s Bleed just giving Desmond a headache because, as far as Haytham Kenway’s memories go, he always remembered his father wearing prim and proper clothes like these:
Then he sees John Constantine wearing this:
And he’s like “Oh no. Father’s return to his ruffian roots.”
Anyway, if Desmond gets punted in the DC ‘verse and has no idea what to do, I can totally see him following John just because he looks familiar.
John would be “???” but, at the same time, there’s something about Desmond that attracts… well, the sort that John’s pretty familiar with.
They don’t know it but it’s because the demons and other supernatural beings know Desmond is not from their universe. They can feel it (and some of them can even see or smell it). Desmond is different and they either want to kill him or they want to ‘know’ him.
Desmond just wants to go home and he honestly believes that all this supernatural and magical bullshit he sees being John’s sorta-assistant is just some kind of sci-fi bs he can’t understand. The Isus have screwed his perception so badly that he can’t believe in demons and magic and whatever.
Weird demonic being? Genetic mutation or experimentation gone wild.
Superheroes? Samesiessss.
Magic? Dude’s holding some kind of POE-equivalent item that can do crazy shit.
John is both impressed and annoyed by Desmond’s skepticism. He is absolutely confused at the mental gymnastics Desmond does just to explain everything as sci-fi bullshit.
The demons and other beings who get called ‘fakes’ and ‘genetic mutations’?
Yeeaaaahhh. It’s a good thing the first rule of getting isekai’ed to other worlds is that the main character gets a cheat power.
And Desmond’s cheat?
He can summon a moving pillar of fire and light from the fucking sun like a homing laser beam ala Moonbeam (no, we are not calling it Sunbeam, come on).
(This does mean that he absolutely works as a freaking battery for Superman though but Superman’s cool so Desmond’s okay with that)
(The Batfamily x AC AU that started this)
74 notes
·
View notes
I've been writing for a while so I thought I'd share some writing tips I've learned along the way.
1. Never sacrifice the flow for a quirky line.
That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.
2. Dialogue is a dance.
Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.
3. Show don't tell is a guideline, not a rule.
Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.
4. If it's boring to write, it's probably boring to read.
If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.
5. Everything needs to have a purpose.
I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.
6. You don't need to explain everything all at once.
I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.
7. Write in a way that comes naturally.
I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.
8. Try to make us feel connected by cutting out certain words like "felt".
"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.
9. We don't need to know every physical detail of your character.
I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.
10. You're allowed to be vague.
Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.
11. Writing is a skill that takes practice.
Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.
12. Leave your work to rest.
I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.
And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.
Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.
I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.
I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.
2K notes
·
View notes
Info about my Goncharov characters
The story takes place in Prague, Naples and New York
Some info about Goncho and Andrey:
So Goncharov is the main protagonist of the story. Not much is known about him, his origin is very mysterious but it is later revealed the crime boss Andrey had his whole family murdered for owing him money and Goncharov is of polish-italian origin (I'm not sure what I want his real name to be yet). In the story Andrey is about 10 years older than Goncho in order for this to work, the actors are the same age but the eyepatch ages Andrey up so it works. Murdering Goncho’s family was one of Andrey’s first things he did after his rise to power. And so basically the story is about revenge. Andrey is half czech and half italian and he operates from Naples but his crime ring works all over the world.
If you asked Andrey how he gained all his wealth and power, he would tell you it was through hard work and that he came from virtually nothing. That's a lie as his family was very well off. The extend of his wealth can be also attributed to all the blackmails, murders, abductions, frauds, thefts and other crimes he and his crime ring commited. Maybe these are the things that constitute as "hard work" to Andrey. Andrey is also a classist and something of an ethnonationalist as he often refers to himself as full blooded italian and rarely admits his half slavic origin.
Here’s some info about Katya and Goncho’s relationship from other ask (some info about Sofia too):
In my own lore, Katya is very much in love with Goncharov but is also tempted by Sofia. To Katya, Goncharov and Sofia also represent two very different ways of living. Goncho is a smuggler but an honest one and Sofia works for her boss Andrey’s crime ring. Being with Goncharov means living a dangerous life on the run but somewhere down the line there is a possibility of settling down and living life through honest means. Being with Sofia means choosing a simpler, cushier life, a life of luxury but it also means being forever part of the crime world. Who will she choose? I don’t know and neither does Katya :)
Also, I’m toying with the idea of Katya being married to Goncho (simply becasue I tagged her as Katya Goncharova a couple of times lol) but I don’t know yet :))
Info about Mario and Ice Pick Joe:
Mario and Ice Pick Joe grew up together in Sicily and were both very poor. They are not related but share somewhat of a brotherly bond. Joe’s darker side started to show from a very early age. He loved to kill and dissect small animals which sometimes freaked up Mario (although he never judged him for his impulses). Joe also talked about joining mafia from an early age, it seemed like a natural thing to do. He never imagined himself as anything else than a criminal. Mario is academically very smart. Joe often said to him that someone this smart could go study and make something of himself through honest job. But Mario was a very cynical person from an early age and thought that the only way people like them can escape poverty is through dishonest means. Also, Joe is just a joy to be around (if you’re not the animal or a person he’s dissecting), he’s funny, great cook, loves music, unassuming but charismatic. And it’s not just a front, he really is like that, he has two sides, one of them is very dark. Mario, as smart as he is, lacks the charisma and is aware of that. He is brooding and sulking and cynical. Lacks the social capital ... and friends (except for Joe of course). He also likes to go to casinos and gamble, not because he needs the money, but he likes winning and he likes the fact that other people’s social status can’t help them there. He’d never admit this to you but he secretly wants friends and wants to be liked but he is just so goddamn unlikable to the majority of people that no amount of wealth can help him with that. Mario was also always ashamed of his humble origin. When the two of them joined the crime world, they joined Andrey’s crime ring. Joe is very loyal to Andrey because he sees him as someone who gave him a chance and saved him from poverty. Joe became Andrey’s best hitman and is free to act on his darkest impulses. Mario became Andrey’s accountant, handling money. But unlike Joe, Mario resents Andrey because Andrey is a big classist and often and not so subtly lets Mario know that he would be nothing without him. In the story, Mario befriends Goncharov (the met in a casino) and will have to decide whether he betrays his boss or not. And will he be able to convince his best friend Joe to work against a man he is very loyal to?
The Naples side of my story is probably my most developed part as of now. I still don’t have everything figured out.
How Ice Pick Joe got his nickname:
Ice Pick Joe's favorite weapon of choice actually isn't an ice pick, despite many people assuming that's the case. He doesn't have a favorite weapon or a torture method. He likes them all. His nickname refers to one specific event that took place shortly after after he joined Andrey's crime ring. One of Andrey's highest ranking lieutenants was suspected of stealing money and giving up information to a rival crime lord. He was subjected to many hours of interogation and torture but still he would not confess. Then Joe asked to try. The only thing he took to the room with him was in ice pick. Nobody really knows what happened in there but it took less than 15 minutes for the lieutenant to confess how much he stole and what information he gave up. Andrey then used this information and destroyed the rival crime lord. This event prompted Joe Morelli to gain an immense amount of respect within the crime ring and ever since that day everyone called him Ice Pick Joe.
Info about Katya and her brother Valery:
Katya and her older brother Valery were born in Moscow but moved to Moldova after Katya's birth. Their moldavian mother died during Katya's birth and their russian father was very abusive but mostly absent. Valery is 20 years older than Katya and he basically raised her on his own. Valery became a high ranking officer in the militsiya (soviet police) at quite an early age, mostly due to his efficiency. He soon became disillusioned by the brutal soviet regime and defected to the USA, searching for a better life for him and Katya. He became a weapon smuggler and that's how he and Katya met Goncharov. Valery and Goncharov fell out during an event where Valery thought Goncharov had betayed him after a heist gone wrong (he didn't betray him, it was misunderstanding). He also hates Goncharov because Katya fell in love with him and choose to leave with him.
Info about Mario and Goncharov:
As for their relationship, Goncharov meets Mario in a casino in Italy and befriends him only to infiltrate Andrey’s crime ring (to revenge his murdered family). But as time goes on, Mario notices all the inconsistencies in Goncharov’s cover story and figures out he’s not who he says he is. Meanwhile, Goncharov really starts to consider Mario his friend and almost feels sorry for lying to him. At some point, Goncharov tells Mario the truth about who he is, even tells him his real name (the only other person who knows his name is Katya). It will be up to Mario to decide whether he betrays his boss and helps his new friend to revenge his family.
1K notes
·
View notes