>>> Risk ineffable husbands, 7 pages
here's a little comic, it's not completely show!gomens compliant but its headcanons i enjoy
comic notes under cut :)
I enjoy Az already realising he likes Crowley by the time Adam appears but hasn't yet worked out what to do with that information bc acts-of-service Crowley Can't Talk, Wont Talk.
Crowley on the other hand has been VERY GOOD at ignoring why he spends so much of his time around Az so only on the crux of YOU'RE GOING TO LOOSE HIM did anything manage to force its way through to his brain. (i did not enjoy crowley being told he was in love with az in s2, i think he could have worked it out himself)
i rly enjoy hcs where they started sleeping together and with humans for fun (i mean the ox ribs scene sets some v good precedent for this) az sleeps with humans bc he indulges! he likes pleasure! crowely on the other hand is very bad at catching feelings and doesnt like it when they die so has mostly only slept with az (did i mention he's VERY good at ignoring his feelings) but they probably haven't slept together for a few hundred years when adam pops up.
my compliant show!hcs are still that az knows he loves crowley (i mean the scene with jim where he leaps out of the chair to attempt to protect crowley saying no he defo doesnt know ANYONE who he feels that way with, don't look closely at anyone he is with) and is just sort of sitting on it still, waiting for any hint from crowley, planning a ball definitely only for humans and no other reason. Crowley is obviously very protective of Az but he still hasn't clicked why he's worried about him but he doesn't have the excuse of heaven or hell anymore so it wouldn't have taken much for him to work it out (hello one of his first lines in s2 is "you ever think, what's the point?" the point is love you idiot)
(book!gomens is just they're already married and have been fucking for centuries but the book just doesnt mention that.)
28K notes
·
View notes
christopher eccleston do you know that i would die for you (1 2)
20K notes
·
View notes
Well i dont know what y'all were so worried about - apart from a couple of late trains it seems your dear friend jonathan is having a great time on his buisness trip
4K notes
·
View notes
4K notes
·
View notes
“Ninth was my name,” said the new arrival. “Ninth was my hearth, and my homeland. Here have I come at your calling. None may return from the River unless he be bidden by blood-rite; tell me, why have I been drawn here?”
Art print store here!
16K notes
·
View notes
I've walked past the Barbie branded selfie booth, sat through the reel of old commercials that precede the previews, and watched Margot Robbie learn to cry, and I’m still not sure what “doing the thing and subverting the thing,” which Greta Gerwig claimed as the achievement of Barbie in a recent New York Times Magazine profile, could possibly mean. This was the second Gerwig profile the magazine has run. I wrote the first one, in 2017, which in hindsight appears like a warning shot in a publicity campaign that has cemented Gerwig’s reputation as so charming and pure of heart that any choice (we used to call them compromises) she makes is justified, a priori, by her innocence. This is a strange position for an adult to occupy, especially when the two-hour piece of branded content she is currently promoting hinges on a character who discovers that her own innocence is the false product of a fallen world. But—spoiler alert!—the point of Barbie’s “hero’s journey” is less to reconcile Barbie to death than to reconcile the viewer to culture in the age of IP.
“Doing the thing and subverting the thing”: I haven’t finished working out the details, but I think the rough translation would be Getting rich and not feeling feel bad about it. (Or, for the viewer: Having a good time and not feeling bad about it.) One must labor under a rather reduced sense of the word “subvert” to be impressed with poking loving fun at product misfires such as Midge (the pregnant Barbie), Tanner (the dog who poops), and the Ken with the earring, especially given that the value of all these collectors’ items has, presumably, not decreased since the film opened. Barbie may feature a sassy tween sternly informing Robbie’s Stereotypical Barbie that the tiny-waisted top-heavy billion-dollar business she represents has made girls “feel bad” about themselves, but if anyone uttered the word “anorexia,” I missed it. (There was a reason Todd Haynes told the story of Karen Carpenter’s life and death with Barbies, and it wasn’t because an uncanny piece of molded plastic has the magical power to resolve the contradictions of girlhood and global capitalism.) There’s a bit about Robbie going back into a box in the Mattel boardroom, but Barbies aren’t made in an executive suite; they come from factories in China. On the one hand, it’s weird for a film about a real-world commodity to unfold wholly in the realm of ideas and feelings, but then again, that’s pretty much the definition of branding. Mattel doesn’t care if we buy Barbie dolls—they’re happy to put the word “Barbie” on sunglasses and T-shirts, or license clips from the movie for an ad for Google. OK, here’s my review: When Gerwig first visited Mattel HQ in October 2019, the company’s stock was trading at less than twelve dollars a share. Today the price is $21.40.
Christine Smallwood, Who Was Barbie?
8K notes
·
View notes
Shape-shifters, face-blindness, and "paying attention to others"
The shapeshifter is one of my favourite "monster of the week" episodes because it showcases how differently Laios processes social information than the rest of the party. It reminds me a lot of the strategies I, faceblind name-forgetter and eye-contact avoider, use to recognize people and learn things about them.
We see Laios clearly fail at recognizing the doubles through "standard" social cues that are perceived as "easy to tell", such as their clothes. This makes the team (unfairly, but understandably) weary of his ability to tell the fakes apart and even worried that he'd prefer the monster versions* over them. Nonetheless, he gives it a try!
...And is immediately overwhelmed. His lack of attention to social cues works a bit in his favor, though, as it makes it harder for him to fall for stereotypes that fool the rest of the group.
Instead, he chooses to rely on his strengths and use his investigation and animal handling skills to distract the shapeshifters, lure out the monster, and roll the most insane balls-to-the-wall intimidation check of all time.
If it had ended there it still would have been a great episode that showcases Laios' strategic mind and his strengths as a leader. He doesn't have the social skills necessary for the task, but he is clever and creative enough to use the skills he does have proficiency in to solve the problem*.
However, what makes this episode so dear and near to my faceblind heart is the revelation that Laios was able to recognize the real party members after all.
Laios is fantastic representation of how special interests actually work for a monotropic interest system. Having a special interest is not just about how much you like it and the need to know everything about it, it's a way of processing and filtering information. Laios' special interest is monsters: his skills as a dungeoneer and party leader are acquired for and informed by his desire to interact with monsters, as is his interest in eating them. He actually brings this up himself when comparing his interest in cooking to Senshi's.
And in this episode, we see that this also extends to his friends. Laios hacks one of the most difficult types of information for him to process by routing it through the lens of the special interest. And, because it's not something most people would notice, it works. He knows that Chilchuck wouldn't let his guard down around a potential mimic, that Senshi values a balanced ecosystem, that (my favourite) Marcille just isn't as thoughtful about monsters as he is.
It might not be what was expected, but it did the trick! And what's more, the narrative validates his way of thinking (even if Chilchuck doesn't).
3K notes
·
View notes
Friendly reminder that Frodo named his pony Strider when he got back to the Shire. Friendly reminder that all the hobbits continued to call Aragorn “Strider” (at least on occasion) even after his coronation. Friendly reminder that Aragorn said that the name meant so much to him that he was going to make it his family name. Friendly reminder that the hobbits and Aragorn considered themselves close friends, even with everything going on. Friendly reminder that Merry and Pippin are buried with Aragorn.
3K notes
·
View notes
3K notes
·
View notes
Most typical fantasy dragons are huge, powerful things. Discworld is hilarious for essentially making them this but reptillian:
They also explode and die when they are upset/frightened. Which is uhhh... a lot of the time. Fucking pathetic beasts
4K notes
·
View notes
[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post
2K notes
·
View notes
I completely forgot about the second "Daddy Airplane" incident
2K notes
·
View notes
The Locked Tomb Definitive Reading Order
Gideon the Ninth
Harrow the Ninth
Gideon the Ninth
Nona the Ninth
Harrow the Ninth
Gideon the Ninth
Nona the Ninth
Hope this helps!
1K notes
·
View notes