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#under the sea
outregeneration · 4 months
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I know you probably forgot about Cthulu, but Cthulu didn't forget about you. Grab him from my shop!
Pattern via https://craftyintentions.com/
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~ Blue and Gray ~
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maureen2musings · 2 months
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Bloodybelly comb jelly
mbari_news
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staff · 1 year
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tumblr tuesday: the many benefits
@aquariumpacific and @oregonzoo joined us last week! Welcome! To celebrate, here are some blogs you might enjoy if you like sea (and sea-adjacent) creatures. 
@marinememes​:
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@sarahmackattack​ is on a mission to get everyone to know exactly how cool squid are:
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@montereybayaquarium​ is known for its jelly cams, but have you checked out the other live feeds? Currently: nesting African penguins!
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@noaasanctuaries​ shares wonders from the national marine sanctuaries in the US:
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And finally, as mentioned, @aquariumpacific​ are new here. They want you to meet this leopard shark. His name is Sam. 
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mbari-blog · 1 month
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Spectacular seafloor finds. 💜
This is Psychropotes longicauda, one of the sea cucumber species commonly observed at MBARI’s research site Station M. These sea cucumbers grow from 75 to 150 millimeters (three to six inches) long and feed on detritus that drifts down from surface waters. This group of sea cucumbers is found worldwide in very deep waters ranging from 2,000 to 6,000 meters (6,560 to 19,685 feet). Although they have the ability to swim, researchers aren’t exactly sure what the large fin is used for in this species.
Long-term studies at Station M have revealed that this species of sea cucumber seems to prefer eating older detritus that has been partially decomposed by bacteria. The observations made over the last three decades of research at Station M provide a glimpse into the dynamics of life on the ocean floor.
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tampire · 1 year
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Ariel Under The Sea
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mon-petit-coeur-noir · 6 months
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maskedmayhem14 · 3 months
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Remember these babies I designed?
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Well… I’m working on a thing… 👀
(Under the Sea cover by VoctaveSings)
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artist-issues · 1 year
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And another thing.
The original The Little Mermaid is about understanding. One of the main plot devices is that the witch takes what from Ariel, ladies and gentlemen?
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Her voice.
Ariel did not leave the sea “for a boy.”
Ariel left the sea to be understood. Because for the whole first part of the movie, we’re shown hints of what her life is already like, and how she’s tried to be understood but nobody’s listening or communicating.
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She’s introduced by describing a ship as amazing and wonderful, while her fish friend clearly does not understand and wants to get out of there.
Even her best friend doesn’t share her love for another world.
Her first interaction with her father, count how many times he’s speaking over her.
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He has this prejudice against humans, and because she’s disobeyed him, he won’t listen to any of her evidence that they may not all be bad.
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Even when she has a voice and a cavern full of proof that humans aren’t all barbarians, her father won’t listen to her, so he can’t understand.
And the truth is, she doesn’t have that much proof. She knows that humans are clever and make “wonderful things,” and that’s what she bases her belief in them on. But those beautiful objects, and her pretty ideals, are not enough to make her abandon her family and culture and world.
When she sings and talks about why she wants to be Part of That World, it’s because she wants to understand it. And, subconsciously, Ariel also hopes to be understood up there. Where they make cool devices, and maybe daughters can stand instead of being reprimanded. There’s this hope for freedom and being known associated with the surface.
But it’s not until she meets Eric that those ideals are really, actually, proven true.
Ariel sees Eric out on the sea exploring instead of staying in a palace on his birthday. He gets a gift from the closest person to him, and it’s clear that even the closest person to him doesn’t understand his tastes—he doesn’t want an over-dramatic statue of himself. He sticks to his ideals in an argument that somewhere out there, is the right girl for him. But he doesn’t have to leave the argument in frustrated tears. In the end, he risks his life to not only watch out for his friend, but nearly dies going back to a burning ship to save his dog.
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Eric personifies everything Ariel has always idealized about the Human World—AND he might understand her.
In her one observation of him, she finds out that he, a human, is:
A Prince, but nobody can tell him what to do.
More interested in activity and exploration than palace ceremony.
Unable to relate to his closest companions.
Handsome—beautiful, not a savage.
Criticized for “silly, romantic notions” but sticks to the idea of something wonderful out there in the great beyond.
Brave, self-sacrificial, and compassionate to animals.
Eric is, all at once, everything Ariel always hoped a human could be, and yet still so like herself. They have twin souls.
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She’d rather be exploring human ships, he’d rather be out exploring the sea. She believes the surface world is good and beautiful, he believes in the girl of his dreams, no matter what anyone says. She has nobody who gets excited about new adventures, and he has nobody who gets excited about new adventures.
When she sees him, she falls in love not just with his upstanding character, or even the human world he represents—she falls in love with the hope that he might understand her in away nobody under the sea does.
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Then the ironic thing is, she’s got to make him understand who she is and what she should mean to him without a voice. And unfortunately, that’s really hard because he is suddenly associating his dream girl with a voice and a magical rescue.
As close as they may get when she finally does meet him face to face and gets herself human legs, Ariel and Eric can’t be together until he knows who she is, for real. After all, how can love be true without understanding?
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And we’re not DONE with understanding. Because even after he learns what and who she is and still commits to her and saves her and loves her, Ariel’s back to having a tail. She’s back to being in a world where he can’t be.
Except now, Triton is the one who understands. He finally sees what they’ll do for each other—and that Eric, ”savage, spineless, harpooning fish eater with no regard” saved his daughter. He sees that they love each other and are each worthy of the other’s love.
It’s not until Triton understands what Ariel has known and felt all along that he gives her human legs the right way.
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That’s the point of Disney’s The Little Mermaid. “True love is found in understanding and sacrificing for one another.”
Triton had the sacrificing idea down, but he didn’t have understanding. Eric had understanding, but he didn’t have the chance to sacrifice for it.
Ariel has both. She understands that Eric’s world is not only barbaric, but beautiful, and she’s willing to sacrifice her tail to be understood in that world.
That is what this movie is all about. And because they’re probably willing to sacrifice critical scenes, like the Prince saving the day (which is important because it provides Triton with a new understanding of humans) or the girl leaving the ocean to be with the boy (which is important because what she really wants is to be understood) the creators of the Live Action Little Mermaid are going to miss the point and ruin the movie.
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fyblackwomenart · 10 months
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"The Little Mermaid" by Xaviery
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walloruss · 8 months
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Had some time to draw some concept art of these characters in my head 😬
A merman and his human girlfriend 🧜‍♂️
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~ Aqua and White ~
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if Beanie was a mermaid 🧜‍♀️
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mothershipwreck · 9 months
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🫧 Bubbling Under 🫧
Some gentle kisses
(I spent the whole day painting this mf, I tell ya. I haven’t put anything in my mouth since breakfast. 😂 Adhd is strong with this one. How do you guys even adult? Damn.)
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mbari-blog · 2 months
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Red siphonophore (Marrus claudanielis)
Meet Marrus claudanielis, the red siphonophore. These siphonophores have a maximum size of 30cm (12in). Like many siphonophores, Marrus live their entire lives swimming and never touching the seafloor. They are found between 500m (1,640ft) and 1,500m (4,920ft) deep.
Red siphonophores capture prey with a curtain of potent stinging cells. They are ethereal and delicate organisms, readily jettisoning body parts when threatened. The cast-off swimming bells are bioluminescent and likely function to confuse predators, but this trait also makes them particularly challenging to study. This species was first described by MBARI researchers and their collaborators using ROV video observations and careful collections.
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