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#vince colletta
comic-covers · 5 months
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(1977)
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gameraboy2 · 3 months
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Teen-Age Romance #80 (1960) Cover by Matt Baker and Vince Colletta
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tomoleary · 6 months
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Jack Kirby and Vince Colletta - Thor #131 p14 Kirby Collage (1966)
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balu8 · 10 months
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Thor #134
by Stan Lee; Jack Kirby;Vince Coletta and Sam Rosen
Marvel
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splooosh · 4 months
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“Baby”
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the-gershomite · 3 months
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X-Men #14 -November 1965-
written by Stan Lee
 art by Jack Kirby & Jay Gavin
inked by Vince Colletta
lettered by Artie Simek
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browsethestacks · 6 months
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Outlaw Kid #011 (1972)
Art by Gil Kane And Vince Colletta
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cantsayidont · 7 months
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June/July 1971. A vital aspect of Jack Kirby's original Fourth World books is that they were, for all their strangeness, often urgently topical. There's no more forceful example than THE FOREVER PEOPLE #3, which introduces the sinister Glorious Godfrey, preacher of the church of Anti-Life. Godfrey was inspired by Evangelical preacher Billy Graham, and Kirby's feelings about him were not subtle:
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Oof. A crowd of blank-eyed, self-stigmatized believers, eager to surrender their individual will in pursuit of scapegoats upon whom to vent their rage. As we'll see, this is a call and response, part of a sermon by Glorious Godfrey:
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In later, non-Kirby appearances of Godfrey and the Justifiers, DC has presented Godfrey as having supernatural powers of persuasion and the Justifier helmets as electronic mind control devices that can immediately overcome the wills of even determined anti-authoritarian types like Oliver Queen. Kirby walks a finer line in this story: Godfrey is using his high-tech pipe organ (pictured above left) to drive his believers into an ecstatic frenzy and "stimulate the brute instincts." However, everyone in his church is there because they believe in his horrifying message: "Life will make you doubt! Anti-Life will make you RIGHT!"
As for the Justifiers, the helmets in this story don't work by Mad Hatter-derived mind control circuitry, but by something much scarier: the promise of power in anonymity.
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Godfrey's Justifier captain, for one, may be a dupe, but he's clearly not mind-controlled:
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Godfrey's facial expressions in this story make the skin crawl. Look at his unctuous smile, full of utter contempt! Kirby, who watched a lot of TV while drawing, had undoubtedly seen Billy Graham's televised sermons, and the revulsion he obviously felt is palpable here.
This is a harrowing story — the Justifiers murder, bomb, burn books, and round up whole neighborhoods of "Others" to be carted off to concentration camps run by Darkseid's henchman DeSaad — but perhaps its most unexpected twist is the revelation that at the end of the day, Godfrey is really just a huckster. He sells Anti-Life, but not only is his pitch not driven by the supernatural force of the will-destroying Anti-Life Equation Darkseid is seeking, Godfrey doesn't really even believe the Equation exists.
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Kirby draws an important contrast between Godfrey's church and the Source Wall on New Genesis, where Highfather receives the word of the Source directly, written in fiery letters by the disembodied hand of the Uni-Friend. In THE NEW GODS #1, Orion declares, "The moving hand appears! The Source gives us the irrevocable counsel!" Highfather corrects him, saying, "But it does not decide! The right of choice is ours! That is the Life Equation!"
The central conflict in Kirby's Fourth World saga, then, is not good versus evil, or belief versus nonbelief — it's choice versus subjugation, Life versus Anti-Life. Those who would remove or willfully abandon that choice are servants of Anti-Life. This is something later writers have dropped or obfuscated (particularly Jim Starlin, who can't resist filtering Kirby's Jewish ideas through his own lapsed-Catholic world view), but it's the conceptual spine of the Kirby stories.
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GH: THOR #331
Another series that I had been buying for a long time simply out of rote was THOR, so it was a simple matter to put it on the chopping block during my necessary purge. If I’m honest about it, looking back, THOR was a series that suffered throughout the entirety of the 1970s. Jack Kirby had given it its spark for its formative years, but nobody who came after his departure seemed capable of…
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comfortfoodcontent · 1 month
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Dazzler #14
Writer(s) Danny Fingeroth Penciler(s) Frank Springer Inker(s) Vince Colletta Colorist(s) Don Warfield Letterer(s) Joe Rosen Janice Chiang
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the-spinner-rack · 1 year
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Not Ever (by George Tuska & Vince Colletta from Luke Cage, Power Man #18, 1974)
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comic-covers · 8 months
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(1967)
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gameraboy2 · 7 months
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"Tears of a Fool" Teen-Age Love #8 (1959) Art by Vince Colletta
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tomoleary · 8 months
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Jack Kirby and Vince Colletta - Thor #146 page 1 splash
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balu8 · 7 months
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The Avengers #147
by Steve Englehart; George Perez; Vinnie Colletta: Petra Goldberg,..
Marvel
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splooosh · 4 months
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“Ah can’t”
Frank Springer - Vince Colletta
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