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#we can make change on a community level
lucienmemento · 6 months
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I have one of the best jobs ever. My team is contracted in to manage waste stations at events. This involves a lot of interaction with local communities, especially some of our most diverse communities. Most of the events I do involve cultural celebration. Not only do I get to watch the most beautiful displays of culture, I also get to watch the joy of people participating in culture, whether it is their own or not. I get to watch families and children existing in a space that is built for them. I have had some of the most beautiful interactions with people because of this job and the work that we do.
Beyond the community and social aspects of my job, I also get to see the amazing work my team does. We are there, interacting with the public and ensuring their waste goes to the correct bin. One of the biggest impacts of this on our local waste system is that the recycling is less contaminated, so less will go to landfill and will be correctly recycled. However, the biggest impact I have seen is in the collection of the compostable waste. There has been a big push recently to have all food vendors use certified compostable packaging to reduce the amount of packaging that has to go to landfill. Many in the public still assume that these compostable containers should go into the general waste bin. That's where my team step in and guide them towards the correct bin, the organic waste bin. Since starting my job in January, I have seen mountains of organic waste that we have saved from going to landfill. I have also seen a slow shift in the public's interactions with us. A surprising thing I have noted is that the kids are noticeably better at getting the right bins than the adults.
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highfantasy-soul · 1 month
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So as we're thinking about the casting of Toph in the Netflix adaptation, please please please remember that Toph isn't REALLY blind representation. Like so many other 'blind' characters, the narrative gives them superpowers that let them operate in the world in ways an irl blind person can't (Daredevil is a good example of this too). So let's not put those expectations on irl blind (or visually impaired) actresses and say "well, they're blind, so they'll actually move like Toph does!!" No. They won't. And to expect them to interact with the world like a fictional, superpowered blind person does is, in my opinion, pretty abelist.
It's a disability - shying away from the fact that blind people don't have perfect echolocation isn't putting them down. Refusing to acknowledge that they need aids to help them get around the world isn't helping anyone, it's dismissing what they deserve to have provided for them.
I'm not saying no visually impaired person could possibly play Toph well, what I'm saying is that I've been seeing a lot of posts claiming that a blind actress would be the only one able to accurately (and safely) portray the way Toph interacts with the world completely forgetting that Toph uses vibrations in the earth to see....pretty much everything - something irl blind people CANNOT DO.
We of course need to see more visually impaired representation on screen, but I think the best way to do that is to write characters that don't have superpowers that negate their disability. Have characters be strong and badass without declaring that 'well it they were REALLY blind, then they would be weak - they're strong because their superpower NEGATES their blindness to a large extent' or god forbid 'irl blind people develop superpowers, so if they need aids of any sort, they're just lazy and not working hard enough to compensate for their lack of sight'.
Just something to keep in mind when thinking about casting - if they don't cast a blind actress for Toph, unless I see otherwise, I'm not going to assume it's because they just don't like blind people. I'm going to assume they took into account the entirety of making the show and what was a realistic way to portray Toph and what was reasonable to expect the actress to do.
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volivolition · 3 months
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what's the theme you're fucking going for here voliiii!!! what are you fucking getting at!!! what are you trying to say, what's the point??
#still working on this drama chapter in Swept Up. they're. confusing to work with? from an empathy standpoint at least.#skill who is trying to honestly understand the other skills VS skill who is just always lying and putting on an act.#and then theres the whole thing that im not going to spoil yet but the dynamic. fuck man. i dont even know what im trying to say here#lying is bad? no i dont care about that. honest communication is important maybe? i feel like i need a central theme for this.#and i dont want the theme to be ''empathy good'' because low-empathy people are also good and i love them!! and also:#empathy is a flawed character!! i try to portray this. i dont like moralism/centrism which empathy believes in and is the main skill for#empathy you stupid centralist (affectionate) i know this is just because you don't know how to make everyone happy. who can fix this?#you dont think you can fix this! you feel too much debilitating sadness to make meaningful change!! responsibilite to others more capable#still. i do depict empathy as often kind on a small level because i think that's in character. empathy just helps you understand.#i guess this fic is also a ''empathy doesn't mean kindness. kindness is a choice you can make afterwards but empathy just means empathy''#but that's not a centralizing theme that all the chapters share. its also about vulnerability and the mortifying ordeal of being known#urgh. i'll think about it some more. knowing me its probably another ''love (in all forms) is the meaning to life'' type story lmao <3#i need to make a skill chart for this harry. all i know is that Volition is his skill signature but Empathy is his highest stat#hyper-empathetic harry with the rsd that comes from adhd!! haha!! suffering. everybody fucking hate you. this is based on me btw lmao#i was working on voli's chapter which has a flashback and child empathy! new to the mindspace looking out through harry's eyes and crying#the world is full of sad people and it's just too much for a lil guy! the backstory i have planned for this like. huh okay. wild. anyway!!#oh shit ive made a fucking breakthrough with the drama chapter. its not a theme but its something i figured out at least. we stay winning!!#chemi chats#task: swept up
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running-in-the-dark · 5 months
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today was exhausting - my friend was here for about 7 hours and I just. oh man I love her and all but it's just a lot sometimes. it's probably for the best that we only meet up like 2-4 times a year now (gives me enough time to forget how draining it is so I look forward to it, and recover afterwards)
I don't talk to anyone but my husband most days, and he doesn't really talk. so that's maybe 15 minutes total of talking. and today it was literally. 7 hours. no breaks except when we were eating (but no even then someone was always talking).
first of all ouch, it hurts (my voice is very hoarse now). and also. it's so so so draining. like. we really have nothing in common at this point. but she's my oldest friend and I do love her so it's tolerable... but just barely. these days there's way too much diet/food/weight loss talk, and also she seems to be getting into alternative medicine which I cannot fucking stand (it's one topic where I can't pretend or be nice about it either). lots and lots of very preachy vegan stuff too (I don't have any problems with it, I admire people who can do it, but fuck dude you know I eat meat and that I've said many times that I *can't* go vegan (I would starve. there's not enough foods that would be left. seriously.) and it feels pretty shitty to keep going on about it every damn time. I'm not sitting there trying to convince her that she should really be an atheist or something, because I know what her thoughts are about that and I respect it.
when she hangs out with her other friends a lot it's mostly just talking about all the issues that come from that (they fucking suck). I don't know, it kind of feels like I'm her therapist. when I talk about something I'm interested in she doesn't ask many questions and it kind of sucks. like, dude I don't care about your plants either, but I'm interested because you care, so. maybe try that too. would be nice!
#like I know alllll about her other friends and their shitty behaviour#and just. it's exhausting#it's also exhausting telling her over and over again that she is too nice. yes being nice is good and all but she lets people walk all over#her and afterwards she goes 'oh well I guess it was probably just because [they had a bad day/other thing that happened/I said the wrong#thing]'. I do that too! but it's just EVERYTHING. always. even when someone is CLEARLY being shitty to her. like her shitty friends. she#will still excuse their behaviour#it just makes me sad man.#buuut#like come on maybe let me talk about my stupid tv show for 5 minutes and try to seem a little interested? I know it's irrelevant I know no#one cares but damn you really can't pretend?? I've mentioned it before a couple times on the phone and she's always just vaguely like 'ah#that sounds interesting' WHEN I HAVEN'T EVEN SAID ANYTHING ABOUT WHAT IT'S ABOUT. but she doesn't ask what it's about so. I just stop#talking about it and we change topics.#like. yeah I know it's a bit weird that I'm in my 30s and that is one of the most important things in my life rn but. that's how I am. it's#always been that way. and my other friends care (or at least pretend to because they care about *me*)#so it feels pretty shitty!#like if I can look at 15 pictures of how big her fucking plants and herbs are getting. idk maybe ask one question about my show.#or like. even things like our new apartment and stuff. she listened and everything. but it's just. there's no interest there really. just#live 'oh that's nice :)' and we move on to the next topic again#idk man it makes me a bit sad (and I know it's ironic because I say she needs to acknowledge that people don't treat her well but. I mean I#do know this isn't great. and I limit my communication with her to a level that doesn't feel too exhausting. so. idk I feel like it's#different or whatever. buut really I just don't have many friends and I get lonely and it's better to listen to someone talk about#themselves all the time than not talking at all)#okay I'm gonna shut up now#and anyway I'm just exhausted and it's all very fresh rn and I'm incredibly tired so I'm very grumpy. usually it's really not that bad.#I just needed to vent I guess#okay bye and goodnight and I will stop talking now I swear#personal
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chewwytwee · 7 months
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Y’all realize having an account on tumblr is giving tumblr money right? Logging in everyday and scrolling through posts gives them ad revenue, posting on their site boosts their SEO and brings in more users, talking about tumblr on other sites and platforms makes it more known and all of this serves to increase the theoretical ‘value’ of the site. I agree that we shouldn’t be giving tumblr our hard earned cash because they do suck, but let’s not get too holier-than-though because you’re still using this site everyday which in very direct terms ‘gives the site money’
#.txt#all the posts ON TUMBLR criticizing people for giving the site money#like I’m sorry but they’re all painfully ironic to me because they just… idk they’re so surface level#and fail to understand where tumblr draws its value from#like all it serves to do is give people a moral imperative it doesn’t even DO anything#how are you actually helping or changing anything by not giving tumblr money???#you can use tumblr it’s okay#you can even give them money it’s okay#yes the CEO is a shithead and there are def shitheads on the dev team#but like…. so does everything????#the modern corporation is too big and complex for your money to ‘go’ to a specific person#so if we’re really on the level of ‘bad people profit from this company so we need to boycott it’ then you gotta stop using basically#everything#you gotta make sure all your screws are sourced from local shops who only employ people who agree with you#it only bugs me so much because it takes away from real discussion that has real impact and is actionable#people might feel good by… saying they won’t give tumblr money#but I don’t really care? i use this site to talk to people and communicate news ABOUT PALESTINE#and so it’s like. even tho the site employs and is run by shitty people it can still be used to further goals those people don’t agree with#there’s nothing wrong with boycotts obviously but it really feels like these posts are much more to serve the mostly white western user base#who want to feel like they’re doing something for Gaza even though all they’re doing is… vent posting about their mutuals
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fungi-maestro · 1 year
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The Question #5 (1987)
#book club#the question#vic sage#aww is someone never going to be able to escape the guilt of the human condition? ❤️#has someone decided to bear the weight of all the mistakes of everyone around them? ❤️#is there someone here that hasn't quite realized that they cant change everything no matter how much they try? ❤️#screams.#dc comics#comics#ok so this. its like TDOVS. except TDOVS didnt get the fact that vic is a little self sacrificing freak!#beyond just death.#what TDOVS got wrong is that they assumed Vic would want to be some kind of leader or something#no. he wants to change everything. by himself. with no help. he NEEDS to do it. but he's painfully human.#and he knows that but he feels like he shouldnt be. no amount of punishment and self sacrifice will make him strong enough to fix everything#the question is commentary on the fact that its so easy to get caught up on change at the individual level that we forget about the system#and ultimately get stuck in cycles of making ourselves suffer because we think we can change it with enough of our blood and sweat and tears#but we forget that we can work together and form communities that work with more than that. and are stronger than even the superman of us.#but Vic gets stuck in that zone. and we've all been there. its universal.#i think thats what makes him such an important hero to me. like. think about the current cycle of learning about current events.#obviously to a lesser extent than what hes doing but isnt doomscrolling and succumbing to depression sort of like this?#i think about that post thats like. 'people who have sparked real change pick one thing and care about it a lot'#but i think we. like vic. cant just pick one thing. theres so much all around us.#like in this story with the multiple characters and their horrible lives. theyre all suffering independently.#and their stories effect each other (like all peoples do) but one person can't change every single one of these stories#no matter how long they stay up#no matter how hard they push themselves#no matter how mucht they punish themselves.#Vic sage is a timeless and human hero.#anyway sorry for rambling i probably could have made this it's own post#but this is how i roll. reaching the tag limit. didn't know there was one....
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blueish-bird · 1 year
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writing a Part 1 CSM fic where everyone’s just hanging out, but I can’t work on it for too long or it makes me sad and lonely and a little hopeless because. at least they have each other and an apartment/home and know how to make food lmao.
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slugandthorn · 2 months
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pain and agony of having so much to learn to make more things but I need a job/further schooling to learn but I have to have made the things first
#.txt#Painful cycle unable to find value in my art but I already gave up and I'm already trying again some one needs to make this easier#And I think my life would be simpler if I just focused on drawing over 3D and tech anim but the time it would take#To function at a professional level as some sort of concept artist.#Also fine artist and concept artist community is well. Unfortunately unbearable.#Lacking so much animation experience in 2D and 3D I'm having trouble focusing on it to move forward.#The most experience I have is in 3D character art at this point probably but inability to finish things which also plagues#Every other concentration. As well.#I am sitting alone in the room trying to find something of value to express and it will never reach anyone. Existential dread like.#I think it's the searching for storytelling skills limiting me because I do not have the competitive nature#To be that into raw technical skills. Which is killing my ability to make a portfolio.#If I had more time to just keep on keeping on at my part time job I think I would just make the graphic novel I want to make.#To have something expressed and in the world. And then I could actually focus on technical things.#But this thinking has just become a roadblock it is not feasible but I do have several paths planned I just have to.#Recognize what is useful to me. But not just giving up anytime I have a new idea.#My interest goes between implementing animation within a greater scene and also the technical minutia I think is whats killing me.#Making multiple portfolios at once. Which isn't so bad bc ideally I'd be doing generalist work. But generalist means more time limitations.#My brain is convinced it can just work past time as a factor. Which is how we reach the problem I am having now (need money).#I think something I need to recognize is I've always thought my perspective and understanding of stories held some value.#But that only stands from my own perspective and it does not have value outside of that.#Even if it does reach other people it does not retain interest. And while it benefits me internally. I'm not making a career of it.#Which is fine.#I think the things I valued from story can still be found in technical skills. And anyone can develop a technical skill with some time.#If I keep my focus.#I think that's something close to a resolution I've been looking for. Been needing some profound change in my life and I think the desire#And constant failure of communication has been what's preventing me from moving forward.#I want to go out and do things. That is possible. Focus on skill and ability. Maybe the other stuff will come later.#Digesting this and hopefully not spending my days sleeping anymore.
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beatrice-otter · 2 months
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I’ll be honest, when one party’s aiding and abetting the genocide and the other’s outright gonna kill all my friends, I don’t really care if the fascists “win”. They’ve won already.
You know who would be delighted to hear that? Trump and Putin. The US far right and the Russian government have poured lots of time, effort, and money over the last decade+ into convincing US leftists and liberals that things are hopeless, there's no point in even trying to make things better, and the Democrats and Republicans are functionally interchangeable. They do this because one of the easiest ways for them to win is if the left gives up and stops trying. Every person on the left they can convince to give up in despair brings them closer to complete control. Defeatism on the left actively supports victory on the right.
I think your statement is wrong on a number of levels, both factual and emotional. It comes from not understanding what the actual options are for the US government and the President specifically, either at home or abroad. And it will allow actual fascism to flourish and make the world far worse than it is now.
On an emotional level, the way to address this is to stop doomscrolling. Stop focusing on the worst things happening in the world. Don't ignore them! but don't let them consume you. Start looking for the things that are going well. Find places in your community that you can get involved in making things better. Even if it's only on a small scale like volunteering in a soup kitchen or homeless shelter, it will help you realize that you aren't helpless, that there are things that can be done to make the world a better place. Stay informed about things on a local, national, and international level, but limit how much time and attention you give to things that depress you that you can't affect. Instead of sitting there thinking about all the ways the world sucks and how awful things are, look for things you can do that are productive, and then do them. You'll feel better and you will have made your corner of the world a little better. And you will be a lot less likely to unintentionally fall into the despair, nihilism, and passivity that the fascists want you to be consumed by.
Always remember that the worlds problems are not resting solely on your shoulders, or solely on America's shoulders, and neither is the hope of fixing them. Everyone has things that we can do to make the world a better place, but there are also things that are beyond our control. We can control what we do; we cannot control what others do. We can and should try to make the world a better place, but focusing on the things we can't change has no positive benefits. Focusing on things we can't change accomplishes two things: it makes you feel bad, and it stops you from doing the things you actually can do to make things better. Neither of these things is good for you or anyone else. Look for things you can do and do them. Keep informed on the things you can't change, but don't focus on them.
On a factual level, let's look at "aiding and abetting genocide," shall we?
First, it's important to remember that the US President is not the God-Emperor Of The World. The US government has limits to what it can and can't do in other countries, and both legally and practically. If the US wants to intervene in a problem in another country, there are a variety of things we can do that boil down to basically four categories. It's a lot more complex than this in practice, of course, but in general here are the categories of things we can do:
Send in the troops. Invade, either by ourselves or as part of a NATO or UN operation. (Or maybe just send in a CIA wetworks team to assassinate the head of state.) I hope you can see the moral problems with this option, and also, we've done this a shitton of times over the course of the 20th Century and pretty much every time we've done it, we've made an already awful situation worse. On a moral level, it's pretty bad, and on a practical level, it's worse. Sure, we could stop the immediate problem, but what then? Consider Afghanistan and Iraq. We got rid of Saddam Hussein and the Taliban, and everything went to shit, we spent twenty years occupying Afghanistan with pretty much nothing to show for it. (The Taliban is back in control of Afghanistan.) Things were worse when we left than when we arrived. So this option is pretty much off the table (or should be).
Diplomatic pressure. Now, the thing is, they're a sovereign nation, they don't have to listen to us if they don't want to. We have a lot of things we can leverage--including financial aid--but the only way to force them to do what we want is to invade and conquer, and that only works temporarily. Since we can't force, we have to persuade. This requires us to maintain our existing relationship with the country in question, and possibly strengthen it, because that relationship is what we're leveraging to try and influence them to do what we want them to do. If we do not maintain our relationship, they have no reason to listen to us.
Cut ties and go home. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things and we wash our hands of the whole situation. This keeps our own hands lily-white and pure, but it also means we have zero leverage to work on any kind of a diplomatic solution. They have no reason to listen to us or care about what we think. We can pat ourselves on the back for doing the right thing, but we destroy our own ability to influence anything. Not just now, but also in the future. Let's say the current crisis ends, and then ten years later there's another crisis. If we want to have any effect then, we would have to start from square one to start building a relationship. Cutting ties would be great for making Americans feel better about ourselves, and there are times when it's the only option, but it should be a last resort. If there is any hope of being able to influence things for the better this will destroy it at least temporarily.
Cut ties and impose sanctions. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things, but also use the might of the American economy to isolate and punish them. We've done this a lot over the 20th Century, too, and it has never actually resulted in the country in question buckling down and toeing the line we want them to. What happens is the sanctioned country has an economic shock (how long it lasts and how bad it gets depends on a lot of factors) and then pulls themselves back together economically, except this time they're more self-sufficient and less reliant on international trade and financial networks. They tell themselves that America is evil and the cause of all their problems, and so not only do they not listen to us, they actively hate us. And they have fewer international relationships, so fewer reasons to care about what the international community thinks about them. So they're most likely to double down on whatever it is they're doing that we don't like. This one is completely counterproductive and utterly stupid. It's great for making Americans feel better about ourselves, but if we actually care about being able to use our influence for good (or, at least, to mitigate evil) this option shoots us in the foot. It encourages other nations to do the very thing we're trying to stop them from doing.
So, with those four options in mind, both option one (invasion/assassination) and option four (sanctions) are off the table for being immoral and counterproductive. That leaves "breaking our relationship and going home" and "using diplomatic pressure" as our only two viable options.
Biden has chosen option two, diplomatic pressure. Yes, he and our government have continued financial support for Israel ... but with strings attached. They have put limits on it that have never been put on any US foreign aid before. They have taken legal steps to lay the groundwork to target Israeli settlers (i.e. Israeli citizens who confiscate Palestinian homes and businesses). We've been hearing reports for months that Benjamin Netanyahu (Israeli Prime Minister, and a far-right-wing demagogue) hates Biden's guts, because Biden is pressuring him to stop the genocide and work towards peace. Biden is maintaining the relationship, and he's using that relationship to try and influence things to curb the violence and pave the way for a just peace settlement of some sort. Biden has also mentioned the possibility of a two state solution where Palestine becomes its own completely separate country. That's huge, because up until this point the US position has always been that Israel is the only possible legitimate nation in that territory. If Biden stopped US support for Israel, it wouldn't force Israel to stop what it's doing ... but it would let them ignore us. It would remove any leverage or influence we might have.
Biden's hands aren't clean. But the only way for them to be clean would be to also give up any chance of influencing the situation or working to protect Palestinians now or in the future. Only time will tell if it works, but I personally would rather have someone who tried and failed than someone who didn't even try. You might disagree about whether this is the right course of action, and there's a lot of room for honest disagreement about the issue (there's a lot of nuances that I'm glossing over or ignoring). But please do acknowledge that Biden isn't supporting Israel because he supports genocide; he's doing it so that he can continue to maintain diplomatic pressure on Israel to stop the violence.
Which brings us back to "aiding and abetting genocide." Trump is not like Biden. Trump is good friends with Netanyahu and backs Israel to the hilt. Trump thinks that all Arabs are terrorists (and all Muslims are terrorists) and genuinely believes the world would be a better place with them dead. Biden is continuing to support Israel, but using that support as influence to get them to stop or slow down. Trump would be using that influence to encourage them.
And those are the two choices. Someone who is trying to curb the genocide, and someone who actively supports it.
I really hope you can see the significant and substantial difference between those two positions.
But let's say that you're right and Biden's policy towards Israel and Palestine is every bit as bad as Trump's would be. If there was nothing to choose between them on foreign policy grounds, there would still be a shitton to choose between them on domestic policy grounds. You admit that the right wants to kill your friends, and yet you don't seem to think that stopping them from killing your friends might be a good thing to do.
"We can't save Palestinians, so we might as well let Republicans destroy the rights, lives, and futures of LGBTQ+ people, women, people of color, people with disabilities, poor people, non-Christians, and anyone else they don't like." "We can't save Palestinians, so why bother to try to save the people we might actually be able to save." "We can't save Palestinians right now, so there's no point in trying to build up a longer-term political bloc that might drag US politics to the left over the long run."
Do you get why there's a problem with that line of thought?
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staff · 2 years
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Introducing: Community Labels
As you know, art and artists make Tumblr what it is. We want everyone on Tumblr to be able to fully express themselves while also having control over what they encounter on their dashboards. That’s why we’re introducing Community Labels, an extension to your “Content you see” settings. Our ultimate goal is to create a more open Tumblr, and this is our first step in that direction. 
As a poster and reblogger, Community Labels are your way to help your followers avoid anything they’d rather not come across on their dashboards.
As a follower, setting your content preferences is a way to adjust your feed to your own comfort levels. 
How does it work?
When creating new posts (or editing old posts), you’ll see controls allowing you to label your post as unsuitable for those filtering certain content types it contains. 
When content is labeled, it will either be hidden, blurred, or displayed normally, based on each user’s preferences.
In your “Content you see” settings, you can now choose to show, blur, or hide content that depicts the following topics:
Drug and alcohol addiction: Contains discussions of substance abuse or addiction experience.
Violence: Contains violent or graphic content similar to what you might see in an age-restricted movie.
Sexual themes: Contains sexually suggestive subject matter, such as erotic writing or imagery.
Some examples of content that would require a community label:
Fanart of your favorite ship engaging with each other in...a very private moment 
Euphoria GIFs showing Rue’s substance abuse 
A movie trailer depicting graphic war scenes 
A graphic 50 Shades of Grey edit
This doesn’t change our content policies: spam, hate content, and porn bots are still not welcome in the community. It’s also still important that we abide by app store rules, which means we need to make sure that mature content is only accessible to people who are old enough and have opted in to view that type of content. More information about Community Labels is available in the Help Center.
This is an opportunity to work towards a richer, more nuanced Tumblr experience while making sure everyone who enjoys using Tumblr can do so safely. That future we mentioned above? We’re already moving towards it.
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ashfae · 11 months
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The thing about romance is, it makes a good story.
As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.
The problem is a story is only a story.
Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.
But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.
And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.
Neil also mentioned Pride and Prejudice.
Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?
Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.
Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.
The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.
Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)
The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.
Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.
The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.
Quiet, gentle, romantic. It was.
But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.
But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.
The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.
And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.
Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.
But they'll get there. So will we.
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charonte-simi · 1 year
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I can't wait to move and be in a blue state and be around people that I like so that I can just completely go offline. Like, obviously that's not gonna fix all my problems and I'm gonna have the urge to log back in when I'm inevitably by myself but at the very least the first few months I'll be SO busy with settling in to a new life that I won't have the desire to be online. Cause I'm so fucking scared every time I turn my fucking phone on because I'm gonna see new legislation being proposed or another fucking nazi advocating for my and my communities eradication or another one of us being murdered.
I just can't take much more of it. I want to just focus on building a real community that I can interact with in person and focus on bettering my life and the lives of those immediately around me. Cause the doom scrolling and "staying informed" about national news is Not helping me, it's not helping anyone around me, its actively deteriorating my mental state, and it's a horrific distraction from the things I can *actually* do to help local people and make real change.
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brainbuffering · 1 year
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TL;DR : Please report any adverts or blaze posts you see that contain flashing images to tumblr.com/support 
After my blaze post about disability access in media was rejected due to reasons ungiven, I got in contact with Tumblr and pointed out their irony in rejecting my post but continuing to promote adverts that contain dangerous levels of flashing imagery, high contrast colours, and glitch effects. 
They told me to screenshot/screen record any of these adverts I saw and report them to tumblr.com/support along with the approximate date and time and the website they redirect to. 
Of course, for Photosensitive people who have been forced to witness these adverts, this sort of thing is nearly impossible. How can you have the wherewithal to report an advert whilst suffering from a seizure or migraine? 
This is where Allies come in! Please can you collect any and all adverts you see that contain flashing lights at a rate of 3 Flashes Per Second or higher/Glitch Effects/High Contrast Colours? Then, on 26th March (Epilepsy Awareness Day) I suggest that we all send these adverts in on mass! It'll help to get our point across that this is a REGULAR OCCURRENCE that affects an entire community of people, and hopefully we'll be able to enact some actual change to make this website more accessible for disabled people! 
If you are seeing this after 26th March, or worry you'll not remember to do so by then, fear not! You can send the posts to Tumblr Support year round! It's just useful to have a date to organise these things around for maximum impact.
After their rejection, Tumblr gave me a free blaze so let's see if this one gets put through! Or if they'll reject it on unknown grounds once again. 
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cripplecharacters · 28 days
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Does Your Scarred Character Have to Hate Themself?
[large text: Does Your Scarred Character Have to Hate Themself?]
(TLDR: no. literally no.)
A frequent topic that shows up around facial differences is the self-hatred, self-disgust, self-insert-negative-emotion that we must surely experience. I want to ask* writers without FDs - why? Why do you feel about us in such a way that that's the most common way of depicting us?
*- rhetorical question. I promise I know the answers, but I'm not sure if writers do.
It's frankly worrying to me. Is it really that common to assume that disabled people have this internal, never-ending hatred for themselves? The overwhelming majority of us don't. We hate inaccessibility, when people stare, or some symptoms when they get in the way, or how expensive being disabled is, but I find the concept of us being so completely disturbed by our own disabilities extremely strange. It’s “tragedy porn” intersecting “most basic ableism”.
“But trauma!”
[large text: “But trauma!”]
Trauma of what! People with facial differences don't have some sort of default trauma that we come with like it’s a factory setting. We are a group of people with tens of thousands of stories and experiences!
“Trauma of experiencing ableism/disfiguremisia” - that's better, at least this means something. If you're writing a story about this, please get a sensitivity reader with a facial difference. You can assume how we feel all you want, but in my experience these assumptions are often bizarre and unrealistic. Or just end up writing the same “disability so sad” sob story that everyone has seen a billion times. If you want to write about disfiguremisia, you need to understand the nuance and have more than just the basic level knowledge (which 99% of people don’t have either). If you can’t do that, don’t write about it. Simple as that.
“Trauma of the accident” - thankfully, the accident is an event and a facial difference is a disability. If you want to connect these two like they're one and the same, you're almost surely going to demonize disability. People with traumatic spinal cord injuries, acquired amputees, people with TBI, people with acquired facial differences - we participate in our communities, we have hobbies, we date, we play with our dogs. Disability isn't a death sentence. Media who make it feel like it is certainly don't help people who do suddenly become disabled, don't you think?
Here's a post by @blindbeta about blind characters becoming blind through trauma that’s better made than anything I could hope to write here. I heavily recommend giving it a read.
And, I can't stress this enough - most of us didn't have “the accident”, most of us are born like this! "Traumatic scars" isn't the only facial difference that exists, far from it, it's only one of thousands. It's 99% of our representation and "representation". If you want to make a character with FD - please consider that we aren't a monolith. Just like not all physical disabilities are "wheelchair user with paralysis", not all facial differences are "traumatic scar with somehow no nerve damage".
The overrepresentation of it is incredibly telling, and sometimes - or very frequently - feels like the writer doesn’t actually even want to deal with us. They want to use our disability as a way to cheap drama, moral metaphors, tragic backstories. Not to represent us as living people who are much more similar to you than you apparently think.
Now, I do have enough awareness to know that that's a big part of the appeal. “Horrific Thing #2456 happens” and boom, instant drama! Of course, it's a reasonable response that they would hide their disability for years, avoid talking about it in any way, and magically change their personality to be mean and reclusive, or at least be constantly soooo sad about how much it sucks to be disabled, right?
Do I really need to say that having your character becoming disabled be the worst thing ever is ableism 101? We have been talking about this for so long at this point. Writing about the process of adapting to a specific disability is better left to people who have actual experience in it.
To give an example that will hopefully resonate more with Tumblr users, I will use the fact that I'm also gay. It's not perfect by any means but probably much more familiar territory.
Imagine, let's say, a character. He's gay. The story he's in is supposedly progressive, certainly not trying to be homophobic. The character has experienced an incident, maybe an act of aggression or a hate crime, that happened because he’s gay, which was traumatic. Happens IRL, sure. So of course the character starts hating being gay. He talks about how gross and disgusting it is, he never lets anyone know that he could be “one of them”, certainly not take a stance against homophobia. You can't mention him without mentioning the accident, they're seemingly fused together. No gay love, joy, even basic happiness, he would actually choose to be straight in a heartbeat if given the option to and complains that he can't. This is shown as a neutral, obvious thing that a gay man would do, no one comments on it. He stays like this the whole time, unless there’s a plot twist in the last 10 pages where the world is now magically perfect ("we fixed discrimination, yay!"). This is the only LGBT character in the story.
Keep in mind that there are people similar to this in real life, living with extreme internalized homophobia.
Is this, in your opinion, realistic and thoughtful representation? How does it feel when written by a cishet writer, versus a gay writer who is recalling his experiences? Do you think that it's reasonable for the majority of media representation to be like this, or very close to it? How would it affect younger gay people who might already be uncomfortable with being queer? Are gay men the target audience, or are they not even considered as a group of people who read books? Is this helping or damaging the general public's idea of how it is to be gay? Why or why not?
The Masterpiece
[large text: The Masterpiece]
From 13 to 19 of May, we are celebrating Face Equality week (what a coincidence!). It’s important to me in general - and I wish it was more important to abled people, but I digress - especially its theme for this year.
“My Face is a Masterpiece”
Great statement, it represents the community well, I do enjoy how bold it is. Very cool stuff, I love the work our advocates are doing!
But why do I bring this up?
Well, to very non-subtly show that we aren’t a self-hating group of people. We are a community, a community saying “our faces are beautiful, look!”, we are saying “treat us equally, and do it now!”. Our activism isn’t about self-disgust. It’s about fighting your-disgust. 
Why can’t writers keep up? Why are you still stuck decades behind?
Is this the only reason I bring it up?
The Call to Celebration
[large text: The Call to Celebration]
FEI, the org behind organizing it, asks a very simple question (emphasis mine):
“Why do we so often see stories about facial difference as a ‘tragedy’, when they should be about triumph?” “Calling all artists, allies, creatives, galleries.  You can rewrite the story to bring about #FaceEquality and celebrate the unique artistry found in every face. Your participation this #FaceEqualityWeek will help to tell the real story, that there is a masterpiece in every face.”
Here. We are calling for you to stop. Directly from the biggest international advocacy alliance group that's out there. If you create, this is for you.
The last argument to not have your character with a facial difference hate themselves? Because we don’t want this. We are tired and frustrated. For me personally, I’m also offended by this kind of assumption. We aren’t tragedies or cheap entertainment for abled people to pity or be horrified by. We are people, and if you can’t internalize that, you have no reason to write about us.
For once, celebrate us. Happy Face Equality Week!
mod Sasza
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foldingfittedsheets · 1 month
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Back in the dawn of days I worked at Red Robin. It was my first real job after a brief stint at a dog kennel. Many people don’t know this but there’s a costume. A Red Robin mascot costume. I’d never seen it before I worked there.
He’s a violently red bird with empty eyes, a vacant grin, the most atrocious yellow leggings you’ve ever seen, and feet to make any Kingdom heart character swoon. His name was Red.
I was a host, and we were the only ones called upon to wear the costume. We’d don the bright yellow tights and corporate fursuit with someone leading us by the hand so we didn’t crash into everything.
The mesh screen in Red’s gaping mouth was supposed to let the wearer look out. Visibility was a joke. The restaurant was a dark gray haze of bustle from inside Red’s head. So every Tuesday and Thursday there’d be a two hour shift of a designated Bird Buddy leading the visually impaired sacrifice around.
After being forced to wear it during a heat wave and vomiting from the overwhelming temperature, I had vowed to never wear it again. But every new host always had a tiny secret longing to wear it when they first started. This desire never survived the full two hour shift.
So I was working a day shift with a newer host, Lauren, who had been openly enthusiastic to wear it. The manager hustled up to tell us that a little kid was here for his birthday and desperately wanted to see Red. We weren’t scheduled but impromptu requests could be accommodated when the restaurant was slow.
I said, “Great, Lauren can do it and I can be her buddy.”
I grabbed the hapless Lauren and dragged her to the dry goods storage where the suit was stored and where we changed. I closed the door and dragged the suit down. It had a particular greasy ground in smell to it.
Frying food, hot oil, and body odor had all permeated the faux fur with a unique reek. The management mouthed empty nothings that the suit was sent for monthly cleanings. It was common knowledge they were lying through their teeth. The smell of Red was eternal and unchanging.
“Okay, so take off your pants, put on the tights, then step into the body and I’ll zip you up. Then you get a vest and the head goes on last, got it?”
Lauren stared at me. I stared back. She made no move to change.
“Okay…” I repeated, “So you take off your pants and put on the tights?”
Lauren shifted nervously, silent. Not changing.
“Do you need me to turn around…?” It hadn’t occurred to me that she might be shy based on her personality, all the hosts were fairly blasé about changing in front of each other.
“I didn’t….” Her voice dwindled to a decimal only perceivable by bats.
“What’s that?”
Blushing vibrantly she raised her voice to the level of a tiny mouse to squeak, “I’m not wearing underwear….”
I stared at her harder. Our uniform pants were dark denim jeans. The thought of rubbing my bare pussy into denim for a whole shift was on par with dry humping a sheet of sandpaper. “You’re… you’re not wearing… anything?”
She shook her head miserably.
We both regarded the yellow tights worn by most of the host staff. We contemplated a lack of underwear being pressed into those communal tights, adding to the miasma of Red’s smells.
But I was sure as fuck not getting in that costume.
“Make sure to take the tights home and wash them.”
Her eyebrows went up. She met the bitter steel in my eyes and crumpled. I turned my back and she did what she had to, slipping naked as a babe into the neon spandex of Red’s tights. Lauren trustingly kept a grip on my hand as I navigated her through trays and tables to terrify the tiny birthday boy.
To the best of my knowledge, she never did wash the tights.
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enbycrip · 1 year
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One common experience of disability all across the board - relating to everything from learning/intellectual disability to neurodiversity to physical impairment to chronic illness - is the way that “one little thing” can make everything - work performance, school performance, ability to communicate etc - go right off the rails and collapse.
This is an issue I frequently see abled doctors, therapists, psychologists, teachers, social workers etc speaking about in terms of “poor flexibility”, “need to teach resilience” etc etc, focusing on this as an issue *with the disabled person.*
And that illustrates absolutely *perfectly* why a) disabled people are the experts in disability, not abled “specialists”, and b) why the social model of disability *needs* to be taught and centred.
The issue in such circumstances is not some sort of “innate preference for rigidity” (you may laugh, but that’s a phrase I sadly *still* see used about autistic folks far too often) or even “innate widespread lack of capacity” in the disabled person. It is a symptom of a system - in this case, a disabled person’s *life* - that is under immense strain and operating without spare capacity available to be used to respond to unforeseen circumstances.
Disabled people are, almost universally, *master* adapters. Incredibly adept at adaptive thought; incredibly resilient and incredibly dogged. We are that way because we *need to be* to survive in a world that is incredibly ill-adapted for our needs. The reason we are *perceived* as “inflexible”, “rigid”, “fragile”, “incapable” etc etc is because we are, very very frequently, *already* operating at the limits of our capacity just to survive in a world that is incredibly hostile to our needs and to our existence.
The medical model of disability judges all people to exist in the same world under the same circumstances, and thus judges the disabled person to be “lacking” when we struggle. Thus the onus is put on *us* to “correct” this “lack”. “You need to build resilience”.
It is the exact same mindset that blames people living in poverty for their lack of available resources, and suggests “budgeting classes” or “stopping spending money on avocado toast and Netflix” instead of recognising the need to raise wages to liveable levels in low-paid work and provide genuinely affordable housing. Focusing on, and *blaming*, the individual rather than recognising the systemic injustice and the desperate need for systemic change.
“Resilience” as long-term quality more or less means “having the resources to put into dealing with unexpected difficulty while still maintaining other functions.” Whether those resources are time, energy, money, family or community support - if a person does not have access to enough of them, the system - in this case, their life - *will* become overstretched, and they *will* fail on one, or, very often, on multiple points.
That does not represent a personal or moral failure. It represents having access to insufficient resources to meet needs. It is genuinely that simple. And that is what needs to be addressed for disabled people to live and thrive.
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