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#which makes sense but still.
meepmeep19 · 8 months
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Out of all the Hunting Dogs members, Tachihara rly seems to be the closest to Jouno (after Teruko ofc) But why is that the case?
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I mean just LOOK at how proud Tachihara looks in this panel after receiving that praise from Jouno! It’s sooo cute I-😭 But why is Tachihara so close to Jouno of all people?
Well I HC that when Tachihara first joins the HD, his criminal background makes him understandably very distrustful/fearful of everyone else. It feels less like the HD are his coworkers and more like they’re just cops keeping an eye on him, just waiting for when he’ll inevitably slip up so they can finally lock his ass away. He just can’t get that criminal-cop mindset out of his head yet.
Jouno was the only person that could understand and relate to Tachihara considering he was also a formal criminal (tho I don’t think he was ever scared of the HD, he still felt that same distrust in his first couple years as well)
And so to make Tachihara feel more comfortable/calm (cuz he’s actually starting to care for the boy getting sick of constantly hearing Tachihara’s too fast heart beat) Jouno decides to casually bring up all the stupidly profitable crimes Tachihara could’ve committed with his ability, going into suspiciously criminal amounts of detail. Most of the heists that he brings up r stuff that he himself was planning to do in the mafia before he got arrested. Jouno talks about this to help remove the whole ‘HD-dangerous-cop’ association that Tachihara has made.
At first Tachihara is very suspicious and hesitant to answer, assuming this must be some sort twisted way to set him up. But then he realizes Jouno just genuinely enjoys talking about crimes as if they aren’t surrounded by Japan’s elite police force. And yet no one ever actually does anything to Jouno, even tho everything he says is so illegal, that he should’ve already gone to prison 20 times over just for even uttering half that stuff lol.
These conversations rly help Tachihara to stop seeing the HD as just ‘cops’ and he immediately begins to open up. Soon he and Jouno r having like hour long conversations, literally just discussing various heists in great detail.
They make Tetchou slightly uncomfortable with their blase view of big time crime so every time they start talking about this stuff, Tetchou just silently walks out of the room lol (Jouno 100% teases him for that, constantly inviting him to join their conversations, to which Tetchou always politely declines lol)
Ofc, to remind Tachihara that at the end of the day, they ARE still just only coworkers (not friends), Jouno likes to end their conversations laughing, saying ‘Of course, if you were to actually try any of this, I would not hesitate to gouge your eyes out and feed them to the dogs’ which always keeps Tachihara from being too casual.
Despite that tho, Tachihara can’t help but still see Jouno as older brother figure. A terrifying brother figure, but a brother figure nonetheless. In some ways, he actually somewhat prefers his relationship with Jouno than that with his actual brother. Don’t get me wrong: he still loves his brother but… unlike with his brother, no one pressures him to be like Jouno; if anything, they actually discourage Tachihara from becoming too much like him lol.
The HD never make him feel like he HAS to live up to anyone. Instead they actually want him to become his own person so he can add something unique to the team. They never make him feel like he’s not enough. And that just means so much to someone like Tachihara, who spent his whole life feeling so inadequate compared to perfection of the dead.
So yeah, that’s how Jouno and the Hunting Dogs became Tachihara’s found family
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uncanny-tranny · 8 months
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The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:
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orangelemonart · 8 months
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I couldn't leave out Jerry-World Finn :)
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ryllen · 4 months
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and some extra unused stuff while they are in affectionate mood
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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rojichu · 3 months
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the 1.6 update fixed this one little thing that had always bothered me... jodi and kent's bedroom now has a double bed instead of a twin! they can both fit in there now!!
and it has some additional furniture too instead of literally JUST a twin sized bed lol
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thankstothe · 4 months
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ruporas · 1 year
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special operatives (silly interaction beneath read more)
[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]
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[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]
#trigun#trigun maximum#nicholas d wolfwood#elendira the crimsonnail#legato bluesummers#YES they were together in scene canonically for only 1 Measly chapter. Yes legato dipped like 2 seconds later but listen#trigun has such a fun cast and such a vague sense of time that i love to just throw in whatever Chances of the gung hos meeting outside of#canonic time... i mentioned before but i do think ww just runs into them on occasion from town to town#this illust would have to take place after the remembrance of july though ofc since that was when ww first saw elendira... which is still#the funniest ww ever bc he was so Shocked. LIKE AGHAST... BC IT WAS ELENDIRA THE CRIMSONAIL. he was starstruckk it was so cute#elendira of all people deserve that kind of reaction though im glad that they hyped it up with ww of all people. bc its like wow even ww is#kind of intimidated! even though he gained his grips like 5 seconds later to talk back to her. which is why i think theyd have a funny#dynamic. and legato is just there. he does not care about them but he also hates them and it's fun to think about how that'd extend to#wolfwood after knives specifically left the gung hos up to him and then explicitly didnt say shit after giving ww a special little mission#it also is just like. legato is pretty passive in trimax until someone is actively betraying knives or when its vash#and ww also does not give a shit about legato bc he also is like. vaguely aware he'd lose in a fight. so all i make them do is stare at each#other passive aggressively. TRISTAMP on the otherhand is ridiculously insane for making legato genuinely hold enough aggression towards ww#to literally activate his character arc in the season sgmkdsgm cannot wait for final phase where legato not only deeply detest vash but also#bears a similar aggression towards ww. actually im not sure whether i should be Excited for that or not but it would be an interesting#ruporas art
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flashhwing · 1 year
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i love the kirkwall squad because they all have such protagonist energy. any of them could be the main character. except for varric but he did that on purpose. any of the rest of them could be the main character
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tippenfunkaport · 4 months
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That viral post that's going around about how people who write "book quality" mlm fic are too "normal" to publish and have real jobs so only "weird" people publish their "shitty" fanfic is so completely out of touch with reality and I am giving a massive side eye to everyone reblogging it.
Not only is it completely, easily verifiably untrue (you cannot enter any professional writing space without tripping over a dozen grizzled scifi writers who got their start by filing off the serial numbers and publishing their Star Trek fanfic even going back decades ago??? it's a whole thing?? plus how can you look at the mlm category on Amazon right now and say with a straight face that people aren't publishing shitty Spirk and Stucky fanfic??? Oh, honey...) it's also the perfect example of this kind of sneering elitism that true artists would never sully themselves by seeking profit, they do it only for the purity of the thing that always somehow leads back to, "no one should be paid to make art, actually."
The only reason you're seeing more published fanfic right now has nothing to do with the idealistic purity of your hypothetical government employee written smut of the past vs the debased scribbles of those awful straights of today and everything to do with the fact that a) self-publishing has created a voracious readership that wants a ton of content so it's become a viable, flexible income stream for many, especially disabled people b) anyone can publish now with self-publishing tools so there are less gatekeepers and c) lockdown got a lot of people into fandom and therefore writing who never tried it before.
And if you really think there's no "shitty" published mlm and no "book-quality" m/f writing out there that started as fanfic, then you are clearly not a reader so why are you even talking about this?
#love how they manipulated people into spreading that post by making it seem like a cishet vs gay thing#when the real message is OP thinks trying to sell your writing is cringe and 'weird' and 'normal people' with jobs would never#which would of course never have flown on the fandom website#so they played into the queer shipping is purer than cishet shipping puriteen thing#and it worked!#because my god people are gullible#this is the direct pipeline that leads to AI thievery#''normal' people write for the joy of it anyway so why do you need pay? you are just greedy and 'weird'!'#'oh no this isn't about who we get to call cringe and who gets to profit from art it's about um...#(quick what's a hated m/f ship?).. oh uh 'shitty' REYLO#and not our super pure uh... (spirk is still popular right? lets throw in that avengers one too to make it seem timely) stucky!'#I'm sorry if I have no sense of humor about this but the year is 2024 and people are still way too ready to sneer#about writers trying to earn a fucking living in the shittiest timeline#and i need you to look deep into yourself and ask you why it's so important to you to tell yourself that only people writing what you like#are 'normal' with real jobs and to vilify everyone else as 'weird' and 'shitty'#for trying to make an income during a financial fucking crisis#i would say sorry for ranting about this but I'm not sorry because wtf#write whatever you want#publish whatever you want#there is no moral fucking purity in what the content is#and one thing certainly doesn't make you more 'weird' or 'normal' than the other#like there is soooo much shitty mlm that started as fanfic???#that post is 100% OP made up some guys to get mad about and called them relyos for the clicks#writing#publishing#writblr#writeblr#i wasn't going to tag this anything but you know what fuck it I'm mad#i had like 5 more tags but tumblr cut me off which is fair 😅#fan fiction
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swordsofsaturn · 4 days
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early seasons spn homophobia is actually so crazy because they literally do not look gay. hamfisted gay jokes when the characters look straight as hell. "you look the type" they literally don't. is the thing
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agentc0rn · 9 months
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Oh? Looks like Ogerpon wants to give you a flower! Will you accept?
>Yes
>No (you'd better not click this)
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uncanny-tranny · 2 months
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Please intentionally attempt to see the magic in everything. Everything is magic, even if you understand the "boring" reasons why things happen. Look at the magic in growing plants, the magic of your muscles flexing and retracting, the magic of your eyes and skull, the magic of a cat's purr.
It's all magic. Understanding the "why" is just understanding what makes things magical, it doesn't change that it's all significant and magic.
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blaithnne · 7 days
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Local big sister experiences emotions, more at 6
Been wanting to do one of these with Lauren for AGES, but I never got round to it. Then I saw the Lydia and Phinium expression sheets on @littledigits’ website and I felt inspiration like never before.
The funniest struggle I have with Lauren’s design right now is that she nose too big for she got damn face. Literally, Hilda characters noses take up a fairly small portion of their faces, and her’s took up WAY too much, leaving little room for her to make facial expressions. But I struggled to find a fix because when I made the nose smaller it just didn’t look like Lauren anymore, so I took this as an opportunity to work on that!
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She still has a larger nose than most characters, starting higher up (like her grandad!) and ending lower down (but not quite as low as before). I also made her eyes a little smaller and with a shape similar to Lydia’s (though you can see in some of these I hadn’t quite landed on that yet and her eyes are a bit too big), which works both as a nod to her parentage and because I think it makes the nose look bigger. This still doesn’t leave as much room for the mouth as most other characters, but that’s okay — Lauren is a very private person who keeps her feelings close to her chest, I think it works for her to have subtler expressions, adds to how guarded she is! Oh and I also updated the shape of her hair slightly, just to make it a bit more style accurate.
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These changes are pretty small on their own, but I think combined they work well to make Lauren feel a lot more…alive? Far less stiff, anyway. I think she also has a more unique facial structure now, instead of just “what if Johanna was 90% nose”. She’s still got a big old nose and I love it but now she can emote, yay!
This is really all just concept stuff, I’m hoping to get a new fullbody style-ref for Lauren out soon! Now that I’ve improved the main issues I had with her face in the last ref, now it’s onto the silhouette! I want her to read as more of a strong character (though it comes across decently in her current ref, I wanna push it more without being as exaggerated as Ahlberg, which is. A challenge for me lol), streamline her silhouette, and finally make her taller than Johanna like she’s always meant to have been <3 I made her shorter for so long because I thought it would help her read better as her daughter but you know what? That’s dumb actually, she’s tall.
ANYWAYS, thank you for listening in on the annual Lauren redesign, and to the artists behind the show for posting so much amazing inspiring show stopping concept work for free because it makes my autism worse /pos
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vanlegion · 2 months
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spaceistheplaceart · 2 months
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found an old ekurei comic rotting in my files, decided to finish it. upon my rewatch of mp100 i kept noticing how many times dimple was referred to as a pet- but he's not ! ! ! he's a friend :)
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