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sisigull · 1 day
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Really quick drawing of Duliae Laushust from Ebon Light. 
The game’s dark and muted colour scheme have surprisingly grown on me. I didn’t want to draw his cane, so I added some earrings instead <3.
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sisigull · 9 days
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reblog if you:
ARE GAY
ARE POWERFUL
LOVE YOUR PARTNER
SUPPORT OUR TRANS BROTHERS AND SISTERS AND OUR AMAZING NONBINARY SIBLINGS
no one will ever know which one
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sisigull · 12 days
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I think Stardew Valley, The Sims, and Minecraft are all in the same category of game in that you play it obsessively for weeks, losing all sense of time, and then don’t touch it for months
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sisigull · 13 days
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Meeting my seagull brethren
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Geddit? Because sisigull is like seagull because gull is like the gull from seagull—
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sisigull · 17 days
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Having lots of feelings about them
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sisigull · 21 days
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Crumbling
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sisigull · 21 days
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aziracrow in the wild wild west 🌵
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sisigull · 21 days
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Hello! This is heart anon!
I hope you’re having a nice day/night! Be sure to take care of yourself, drink water and eat something nice, take a nice, warm bath and all that! <3
Thanks for reading,
-❤️ anon
Aww thank you! I hope you’re having a good day too 🫶
Kinda shocked I still got this message when I’m not active in the fandom anymore 🥺
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sisigull · 21 days
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Coming back from hibernation to tell you about a song that reminds me so much of the ineffable husband during S2E6 it’s abysmal
It’s in my native language but it’s basically about someone begging their lover not to go since they knew each other for so long and they would go on their knees (the song title) for them to stay. This is SO CROWLEY CODED AHHHHH
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sisigull · 26 days
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and they were the best of friends forever
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sisigull · 26 days
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We’ve booped each other a long time. We’ve been on this site for a long time. I mean, you and me. I could always boop on you. You could always boop on me. We’re a team, a group. Boop of the two of us. And we’ve spent our existence pretending that we aren’t booping. I mean, the last few years, not really. And I would like to boop… I mean if Gabriel and Beelzeboop can do it, boop off together, then we can. Just the two of us. We don’t need Heaven, we don’t need Hell, they’re toxic. We need to boop away from them, just boop us. You and me, what do you say?
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sisigull · 26 days
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#please don't take him just because you can :(
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sisigull · 26 days
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the notes are broken 😂
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sisigull · 28 days
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I also wish it was real too 😔
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I love Elisabeth I wish Austria was real
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sisigull · 1 month
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Give me the hot Elisabeth and Rebecca takes!
Sure thing! (Oh boy this turned out long.)
Elisabeth disclaimer: this is purely based on vibes. I have some knowledge of the historical background, but it’s not really my field of study.
Rebecca disclaimer: this is my field of study and I have very strong opinions on it, though I do not claim that I am always correct. I do however maintain that I could back up many of my claims if I had the time to do proper textual analysis and read secondary sources.
I genuinely think Elisabeth (the musical as it was written) is a masterpiece. The framing device, the way certain melodies mirror each other to foreshadow events or indicate character development — it’s amazing! Plus, the music is ridiculously good. 100/10. I love this musical.
Most stagings/recordings of Elisabeth since 2012 though? More than questionable. Levay/Kunze musicals in general appear to be following a pattern where the original production and a maybe one or two productions after it are full of nuance and complexity, only to have that complexity broken down and reduced over time. That is no fault of the musical itself, but a worrying trend of not trusting audience to be able to handle nuance and trying to make every element of a production more palatable and easier to handle. I hate it. Both the 1992 and the 2005 Wien productions have so much to recommend them (I can’t speak for the German productions but would humbly turn over the questions to more Elisabeth-versed mutuals like @fitzrove), but it all seems to be going downhill.
HOT TAKE: I think bringing on more and more “Broadway-sounding” performers to do both Elisabeth and Rebecca is a mistake. For me, Levay/Kunze shows have a very specific sound to them, a sound that fits into European musical theatre and makes sense for when and where they were created. Hiring almost exclusively people with a way more modern, belt-y sound is not a direction I personally like for these shows. Don’t get me wrong, this is not about any specific performers, it’s about trying to change the sound of these shows into something more akin to a big Broadway musical and that really doesn’t work for me. Both Elisabeth and Rebecca are so idiosyncratic in how they sound and how they’re written, trying to make them fit into a mould they don’t belong in does them a disservice. (Looking at you, VBW.)
Maybe not a hot take: but I love the 2005 Wien production of Elisabeth so much. It was my first exposure to the musical and remains my go-to cast album. It certainly has faults and I totally understand why people might gravitate towards different productions, but since I haven’t listened to the full 1992 Wien and 2001 Essen (?) productions yet, I can only compare it to 2012.
REBECCA HOT TAKE: Michael Kunze has stated that he views Rebecca as first and foremost a love story and I think he is WRONG. Daphne du Maurier herself would probably think he was wrong (seeing as she hated the story being described as a romance). This is a core problem with Rebecca das Musical. There are many things to love (Danny, Danny, Beatrice, and did I mention Danny?), but in my opinion, the whole “this is a great love story” angle does it a huge disservice. Let’s make it weirder! Let’s make it as bleak as it fucking is! (Probably not a crowd pleaser but let me have my fun).
Rebecca the musical could have done with some serious editing.
The Magdeburg production of Rebecca, which I am aware was not very accessible to a lot of people, might be one of the best productions of Rebecca ever. Kerstin Ibald absolutely knocked it out of the park with her Mrs Danvers and gave her all the nuance and emotion we so desperately crave. Her Danny is so broken, so lost. Patrick Stanke’s Maxim strikes the perfect balance between the haughty upperclass Englishman who takes kind of a fatherly tone with his young wive, and the haunted, jealous husband who absolutely did murder his first wife. Also in this production Maxim and Ich finally have some chemistry! This production’s Ich (Sibylle Lambrecht, I think) has such a great character arc and it is completely believable that she is into Maxim, even (or especially??) after his confession. Plus, the set design was amazing!!!
More Rebecca hot takes that I’ve definitely brought up before: I know we all like to write Ich as a repressed queer woman who ends up not being all that into Maxim, but honestly, she probably is very attracted to him. We can speculate about the why, but like, it is strongly implied that they have sex for the first time shortly after Maxim’s confession. She wants him.
I maintain and will die on this hill that making Danny sing “Ich liebte sie, doch sie hat mich verraten” is a mistake. I mean, yes please let Danny tell us she loved Rebecca, but come on. Danny doesn’t lose her faith in Rebecca. She doesn’t stop idolising Rebecca. Whatever her reasons for setting Manderley on fire may be it’s not that she thinks Rebecca betrayed her. I don’t even think Danny thinks highly enough of herself to even consider feeling betrayed by Rebecca. Rebecca is god to her.
I definitely have more, but this post is really long and I’m running out of steam… Hope you enjoyed!
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sisigull · 1 month
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Lotfers, got some bad news 😞
I lost interest in the book and I really need a break to focus on skl and other things. I’ve alr been posting less and less bc I wasn’t on break too. It might come back but I just gonna say adios for now. I love you lotfies and if you still wanna interact with me I’m fine with it! Hey I might even post smth lotf related or two from time to time. You guys are a great bunch and keep being great!
Now back to skl work
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sisigull · 1 month
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If you know, you know
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Whitney Bashor, Edges (a song cycle)
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