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stuffaboutwriting · 5 hours
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Nice whumpy thing: when people are intensely pragmatic about their injuries illnesses.
“Listen, if I pass out…”
“If you let up pressure, I’ll bleed out. So just, don’t move.”
“I know it ill hurt, just do what you need to.”
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i love unrequited love, i love blind devotion, i love guard dogs. i love being desperately obsessed with the object of your affections. i love when devotion rots into cruelty, i love when love doesn't know any better, i love when love is ugly. i love defanging and declawing yourself just to be loved. i love when a character will wait for the next time they will be loved like a bird or a dog at their beloved’s door. i love when love is insanity and by the LORD do i love betting on losing dogs
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so I’m looking at short story publishers (fantasy)
Tor, cream of the crop. 25 cents a word. Stories can be read for free (YES). Slowish response time at ~3 months. Prefer under 12k, absolute maximum is 17.5k. Don’t bother if it’s not highly professional quality. SFWA qualifying.
Crossed Genres. 6 cents a word. Different theme each month (this month’s is “failure”). Submissions must combine either sci-fi or fantasy with the theme. Response time 1 month. 1k-6k, no exceptions. SFWA qualifying.
Long Hidden, anthology from CG. 6 cents a word. 2k-8k, no exceptions. Must take place before 1935. Protagonist(s) must be under 18 and marginalized in their time and place. Must be sci-fi/fantasy/horror. Deadline 30 April. Response by 1 October.
Queers Destroy Science Fiction. Sci-fi only right now, author must identify as queer (gay, lesbian, bi, ace, pan, trans, genderfluid, etc, just not cishet). 7.5k max. Deadline 15 February. Responses by 1 March. You can submit one flash fiction and one short story at the same time. (My network blocks the Lightspeed site for some reason, so I can’t get all the submission details. >_>) Probably SFWA qualifying?
Women in Practical Armor. 6 cents a word. 2k-5k. Must be about 1) a female warrior who 2) is already empowered and 3) wears sensible armour. Deadline 1 April. Response within three months.
Fiction Vortex. $10 per story, with $20 and $30 for editor’s and readers’ choice stories (hoping to improve). Speculative fiction only. Imaginative but non-florid stories. 7.5k maximum, preference for 5k and under. (I kind of want to support them on general principle.)
Urban Fantasy Magazine. 6 cents a word. 8k max, under 4k preferred. Must be urban fantasy (aka, the modern world, doesn’t need to be a literal city). 
Nightmare. 6 cents a word. 1.5-7.5k, preference for under 5k. Horror and dark fantasy. Response time up to two weeks. SFWA and HWA qualifying.
Apex Magazine. 6 cents a word. 7.5k max, no exceptions. Dark sci-fi/fantasy/horror. SFWA qualifying.
Asimov’s Science Fiction. 8-10 cents a word. 20k max, 1k minimum. Sci-fi; borderline fantasy is ok, but not S&S. Prefer character focused. Response time 5 weeks; query at 3 months. SFWA qualifying, ofc.
Buzzy Mag. 10 cents a word. 10k max. Should be acceptable for anyone 15+. Response time 6-8 weeks. SFWA qualifying.
Strange Horizons. 8 cents a word. Speculative fiction. 10k max, prefers under 5k. Response time 40 days. Particularly interested in diverse perspectives, nuanced approahces to political issues, and hypertexts. SFWA qualifying. 
Fantasy and Science Fiction. 7-12 cents a word. Speculative fiction, preference for character focus, would like more science-fiction or humour. 25k maximum. Prefers Courier. Response time 15 days.
Scigentasy. 3 cents a word. .5-5k. Science-fiction and fantasy, progressive/feminist emphasis. Fantastic Stories of the Imagination. 15 cents a word. 3k maximum. Any sci-fi/fantasy, they like a literary bent. (psst, steinbecks!) They also like to see both traditional and experimental approaches. Response time two weeks. 
Beneath Ceaseless Skies. 6 cents a word. 10k maximum. Fantasy in secondary worlds only (it can be Earth, but drastically different—alternate history or whatever). Character focus, prefer styles that are lush yet clear, limited first or third person narration. Response time usually 2-4 weeks, can be 5-7 weeks. SFWA qualifying.
Clarkesworld. 10 cents a word up to 4000, 7 afterwards. 1-8k, preferred is 4k. Science-fiction and fantasy. Needs to be well-written and convenient to read on-screen. Appreciates rigour. No talking cats. Response time 2 days. SFWA qualifying.
Orson Scott Card’s Intergalactic Medicine Show. 6 cents a word. Any length. Science-fiction and fantasy (along with fantastic horror). Good world-building and characterization. Clear straightforward prose. Response time three months. Yes, OSC is editor-in-chief. SFWA qualifying.
Interzone. Sub-pro rates if anything (but highly respected). 10k max. Short cover letter. Science-fiction and fantasy.
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stuffaboutwriting · 2 days
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Leonid Pasternak  (Ukrainian, 1862–1945) - The Torments of Creative Work
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stuffaboutwriting · 6 days
Video
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stuffaboutwriting · 10 days
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stuffaboutwriting · 13 days
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a journey of pain, growth and persistence
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stuffaboutwriting · 14 days
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stuffaboutwriting · 16 days
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Total Solar Eclipse l April 2024 l U.S. & Canada
Cr. Deran Hall l Rami Ammoun(236) l GabeWasylko l REUTERS l KendallRust l Joshua Intini l Alfredo Juárez l KuzcoKhanda
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stuffaboutwriting · 16 days
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Obsessed with this year's grand prize winner of the Bulwer Lytton Fiction Contest
2022 Grand Prize Winner
"I knew she was trouble the second she walked into my 24-hour deli, laundromat, and detective agency, and after dropping a load of unmentionables in one of the heavy-duty machines (a mistake that would soon turn deadly) she turned to me, asking for two things: find her missing husband and make her a salami on rye with spicy mustard, breaking into tears when I told her I couldn't help—I was fresh out of salami."
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stuffaboutwriting · 19 days
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the rare phenomenon of a volcano producing vapor rings/volcanic vortex rings. Mount Etna today (April 5, 2024) by Boris Behncke
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stuffaboutwriting · 21 days
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Just opened my fic document and found this
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Thanks, past me. Incredibly helpful.
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stuffaboutwriting · 21 days
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I made something
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stuffaboutwriting · 22 days
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Seeking beta readers for a queer fantasy romance novel
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Fell A. Marsh's Taker of the Third Path follows Linmiru, a hedgewitch led by his god to an abandoned inn at an ancient crossroads. His task there is to meet the next person to take the overgrown "third path."
Months pass, and a growing connection with one of the inn's guests leads Lin to question his devotion to destiny—but the fate of the world rests on his prophesied meeting with the taker. And when the day finally comes, Linmiru must confront the reality that nothing at the old crossroads has been as it seemed.
If you're into character-driven fantasy, romance that explores darker, heavier themes, queer and trans characters, and some unique and vibrant world building, you'll probably love this book as much as I do!!
No experience required—the goal here is to get authentic feedback from real readers. All you need to apply for a free copy is a love of fantasy and/or queer romance and the willingness to give your honest opinion! The beta reading period begins later this month, so get in while signups are still open!
✨ Learn More & Sign Up Here ✨
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stuffaboutwriting · 24 days
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Cheat Code #4 for accommodating disabled characters in sci-fi/fantasy:
If you want to show a character's personality in the aids they use, you need to add customization, accessories, and/or specializations.
i.e.: You'll have a more three-dimensional character design if you take the time to consider what you can make unique about an aid; it should be as much a part of your design thoughts as the clothes they wear or the hairstyle they keep, and there are several ways to go about it. For example:
Customization would be things like colors and lights. A prosthetic arm can have colored guards that slide in and latch; a rich person might have those guards gilded, while a scientist might have a whiteboard arm panel to scribble notes on, and a stage performer could have theirs painted black with a bone on it to give the appearance of a skeletal window. A visor that replaces vision could have a screen that shows expressive pixel eyes for a happy-go-lucky hacker, or a practical black shield for someone in strict uniform. ⠀ To customize: make yourself a base, then take that base and imagine what each character you apply it to would WANT it to look like; prioritize aesthetics or practicality based on their personal preference. ⠀
Accessories are add-ons to your aid, rather than part of it. A cane could have ribbons wound around it if it's used by a magical girl, or a secret compartment stopper to hide notes in for a paranoid detective. A wheelchair might come with paragliding wings that open with a pullstring for a daredevil, canvas bags full of tools for a mechanic, or hubcaps that detach and can be thrown as weapons for a soldier. ⠀ For accessories, you're not necessarily thinking of "what can I add to this aid to make it special?" The process is better defined as "what would they want to have, and how can I merge the two in a way that's easy to use?" ⠀
Specializations are sort of a deeper combination of the two above features. They're a more advanced way of making your aids stand out, down to the materials they're comprised of or their intrinsic properties, that uniquely suit your character. They're typically hard to come by without being specially made, and can't be quickly modded in. ⠀ A spine brace being made of magic, living wood that grows to fill gaps when damaged would be available to a wood elf, and probably specially given to a warrior who WOULD damage it. A wheelchair made of magic-resistant metal could have use for a battlemage that can't turn to deflect spells quickly, or a witch hunter who wants immunity from the mages they're hunting. A cane that lights up when it senses radiation would be useful to a planetary explorer or warp drive mechanic, but not to a marine xenobiologist studying the starwhale population, who instead has a whalecall whistle built into theirs. ⠀ A specialized aid takes into account not only your character's wants and needs, but also their profession, their common risks, and occasionally their class—especially if you're using rare materials.
When you want to design an aid to be unique to your character, go through this checklist:
What do they want it to look like?
What would they want to add to it, and how do I make it convenient?
What would their setting offer them for their job or status?
What modifications would they have to seek out themselves, and would/could they?
Ask yourself these, and you're well on your way to making your disabled characters as varied as your abled ones.
Cheat code 1: How to avoid eliminating disability in your setting
Cheat Code 2: What kinds of aid to use to accommodate disability
Cheat Code 3: How to make your setting itself disability-friendly
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stuffaboutwriting · 1 month
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the problem with having an evil mastermind manipulator oc is that i am not particularly good at being any of those things
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stuffaboutwriting · 2 months
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i’m sorry but the way obi-wan and anakin are obsessed with each other is crazy to me. it’s been 10 years and vader is still crawling into every space dump to find obi-wan. it’s been 10 years and obi-wan is still dreaming about what happened. it’s been 10 years and still every inquisitor knows that vader really only cares about kenobi. it’s been 10 years and someone just mentions anakin and obi-wan goes into fight or flight mode. IT’S BEEN 10 YEARS and those f*ckers can still feel each other across the galaxy. that’s not normal, that’s just…. them.
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