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#(I loved it actually)
allhallowstiel · 2 years
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it’s hard to articulate my feelings because a lot of them are conflicting and confusing so im just gonna do bullet points:
under the cut bc this got long
i had a feeling the marwa situation wouldn’t get brought up again so . yeah. there’s that. that’s just a thing we have to accept now ig. i’m sure i don’t need to explain why that was fucked up as many people have already done so in much better ways than i ever could. "but other characters get treated bad too-" you're telling me you don't see anything wrong with a woman of color turning into a white man and the idea that she's "happier like that"?
the colin reveal was fucking amazing like. jaw dropped and everything like. THAT was incredible and i think colin’s storyline this season overall- including his relationship with laszlo- was really well done. im gonna miss baby colin, but we knew from the get-go that it was temporary. i just wasn't expecting him to forget everything.
as far as nandermo goes, i didn’t want them together in this season like. At All. they’ve still got a long way to go and i thought that even before freddie, the episode that people say ruined nandermo. but, going back to what paul said about nandor, if nandor learned nothing from turning marwa into a freddie clone, then it does have me a little concerned on whether or not he’ll learn anything in season 5. in order for him to actually feel regret for how he has treated guillermo and work towards fixing it, he needs a major fucking realization (not necessarily a romantic one) so, it makes me worry that in season 5 their reunion will be nandor begging to have guillermo back because he can barely manage to take care of himself without him, when that shouldn’t be what reunites them at all. in fact, if that does happen, guillermo should reject him. 
so, this season pretty much reset everything and wiped the slate clean. colin robinson is back to his old self and remembers nothing from his childhood. laszlo no longer has the responsibility of parenting anymore. nadja’s club is pretty much dead. and nandor is back to being lonely and single and wants to pretend he doesn’t give a shit. guillermo comments on this, outright saying that nothing there ever changes and that he’s fucking tired of it, so he dips. and, like- i get that the vampires are very set in their ways. i wouldn’t expect them not to be. but this plus paul simms saying that nandor learned nothing this season kind of has me concerned- both for nandermo and for the show in general, but more for the show overall.
on the other hand, the season cliffhanger is an absolutely perfect set-up for some real change to happen all-around, not just with nandermo. probably not anything groundbreaking because we still have to consider how the vampires are- but wiping the slate clean creates new opportunities. but again, what paul simms said has me worried. if he wants the vampires to remain static and never actually become better or stronger people, and have guillermo be the sole dynamic character, that’s fine. despite being static, the vampires are funny enough to continue being entertaining- wwdits is a comedy first and foremost, after all. but that leaves guillermo with the task of moving whatever plot wwdits has forward- and now he’s set his sights on becoming a vampire. i doubt he’ll get what he wants right away- i don't see this whole derek thing immediately going the way guillermo wants it to- but right now it feels like guillermo is kind of carrying the show on his back (one could easily argue that he's BEEN carrying it). if he loses what makes him so relatable to the audience- his humanity- and none of the other vampires show any signs of ever even slightly changing... that kinda worries me. i mean, will i still keep watching?? uh, yeah. of course i will. i love guillermo. but it will change my thoughts on some things.
and yes, one could make the argument that guillermo’s “humanity” even as a human is barely there, given what he does and all. but the fact that he’s the only human main character allows him to connect with the audience in a way that the vampires can’t.
THAT BEING SAID. after the whole marwa thing and now paul simms saying this, im a bit... nervous. not angry (besides the marwa thing)- just nervous. so i’m going to sum up this very lengthy post with some of my hopes for s5: 
(i also want to make it clear that when i talk about the vampires changing i don’t mean them becoming “good people”. god no. by “change” i mean seeing the world in new perspectives, adapting better to the modern world, changing old ideas or beliefs, and yes- even changing how they treat the people that are important to them, because despite how stuck in their ways they are, i don’t think the vampires are completely incapable of genuine love)
i want the guide upgraded to be a main character in season 5. sean too because i think that would be fun, but i’m mostly concerned about the guide bc i think this show needs some more female characters in its main cast.
i also don’t want nandor’s two remaining wishes to be swept under the rug. this is mostly fueled by my desire to see the djinn again.
i want nandor to begin the process of accepting that he cares about guillermo and wants him in his life as more than just a familiar. im not saying i want a love confession right away- i don’t think they should dive into romance right away. i think they should take it slow, but they should also not be afraid of having nandor express care and concern for guillermo, especially if they want that relationship to be endgame (and I still believe it will be. im just a bit shaken rn but i promise im still an endgame truther).
and lastly i want nadja to kiss a woman. as wonderful as wwdits is with representing queer men, i feel like the guide and nadja don’t really get to openly express their pansexuality as much as nandor and laszlo do, so i’d like to see that explored more as well.
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ask-cloverfield · 1 year
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oh yeah i finished wuthering heights a while back
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lumenbug · 1 year
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was recently shown chainsaw man and never ever ever in my life has a piece of media so VIOLENTLY put essays in my brain
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macperalta · 1 year
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finished season 3 of the great…….
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suiheisen · 10 months
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i watch baseball for the side quests (ps: this baseball player also makes fruit cocktails midgame)
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cloud-ya · 22 days
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outcast of the village
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evidently-endless · 11 days
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i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.
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vivi266 · 7 months
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cemeterything · 7 months
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i just think it's important to understand that love is not the antithesis of horror in fact it's often the catalyst
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blushft · 4 months
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dm'ing a mutual you've never interacted with one-on-one is so embarrassing like. hi.... im sorry. you can kill me if you want... can i have your discord..... if not.. feel free to shoot me down where i stand... im sorry.. i'll leave..
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shinybulbasaur · 1 year
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tearlessrain · 1 month
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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inkskinned · 9 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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gibbearish · 6 months
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love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking
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noknowshame · 1 year
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why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?
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