touch-starved bernard dowd is sooo canon to me
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so as i was first watching the OP this particular sequence caught my eyes immediately:
that is a very distinct framing, with kazuki's back perfectly in the middle with the camera steadily getting closer, and then his ex-wife (?) "blooms" out. but, if it were to symbolize love/grief, i think the camera would've approached from the front, and the blooming would've happened in his heart/chest.
from the above sequence only, my mind immediately went "he's gonna get shot in the back" - then, as i was doing the screenshotting for this post, I noticed the part right before it:
a bullet going through a cake/muffin, which is absolutely kazuki's thing, and then this followed by what i'd call the "bullet pov", used in other movies/shows too leads me to the prediction that he is absolutely gonna get shot and i think somehow it's gonna be connected to his ex-wife.
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Villain enjoyer but not in a "i can fix them" way or "i can make them worse" way or "i can fuck them" way or "they did nothing wrong actually" way or combination of any of them but in a secret sixth way (i can dissect them under a microscope, write my thesis paper on my findings and then discard the remains when i am satisfied)
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ok after watching oppenheimer i can safely say with confidence that 90% of people here clearly did not watch the fucking movie and those massive posts going around with thousands of notes are for the most part complete horsehshit lol 💀
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No thoughts, just that one scene from season 2 where Jug sits with the Serpents for the first time except instead of inviting him to sit down, Sweet Pea makes him climb on his lap
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Do you think there's anyone who watched the new One Piece without knowing it's based on an anime and was like "hey what the fuck"
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Curse Servant concept: Foreigner Draupadi with her being possessed by C'thalpa
Given what they did w Yang Guifei that wouldn’t even surprise me. That being said she had 5 kids not six so it wouldn’t be a perfect matchup. Not that that’s ever stopped fate before
Honestly I get worried about draupadi getting put in fate for a lot of reasons esp bc even if they don’t do weird stuff with her origin there’s a very good chance they’ll look at things that say ‘yeah the inciting event for the kurukhestra war was her humiliation and desire for justice’ and be like ‘ah so all those deaths were her fault and her fault alone. Got it. Time to make weird comments abt her being tainted and obsessed with vengeance and sexualize the shit out of her despite her being a sa survivor’ which just. Leaves a very bad taste in my mouth because they’ve done similar things before in varying degrees and it’s definitely more complex than that, but how they’ve angled the war so far makes it seem like one where they want to remove the nuance to…idk make it more pro-kaurava? Or they’d do some wack shit like ‘she and karna were Secretly in Love’ or ‘she resented having 5 husbands’ or whatever and just. Idk man I don’t want to see that
And even if they DID write her perfectly and she was a fully realized human being given the respect she deserves the fandom is obsessed with ntr and goblin r*pe and I can’t deal with the knowledge people would put her in some scenario like that w/o understanding every guy who thought they could try shit like that ended up getting literally dismantled.
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seeing the preview for ep 10 i kind of immediately recognised what the episode was going to be about, not just on the surface level but what it's going to talk about and it made my heart swell. and yet YET this show caught me by surprise by how intricately it navigated through the nuances of disabilities and society. as the episodes go by, the questions, thoughts, pacing, dilemmas are lathered in greyness and it drives not just the characters but also the viewers' motivations and understanding of the world in a very realistic manner. i have fallen in love with this writer's careful yet powerful writing style that says out loud what can sometimes be twisted in interpretation and interprets clearly that which is unsaid.
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(Different anon) Wasn’t part of that episode like “they want to try to get her to the states because she’s less likely to be mutilated or outright killed than if she stays in Korea?”
Did the writers actually show their work on that one?
I'd have to rewatch to be sure on that one, I feel like that's right? I remember they wanted to try sending her to the States after they went over it with Korean officials and found out what she would be facing if they gave her to a Korean orphanage
ill be honest I have no idea how much the writers showed their work, im not super familiar with Korean politics/views concerning mixed race children from the 50s- specifically the time of the Korean War 1950 - 1953- so I have no idea how accurately the show captured it. I know MASH very accurately captured what an actual MASH unit was like, but I cant speak for how it captured Korean culture. if someone's more versed in that, please feel free to hop onto this post!
that said, I do think this episode was one of the rarer ones from later on that was more self-aware in that it acknowledged that the presence of the US army in Korea was making things worse and creating all new problems. the later seasons tend to lose that awareness, or they almost seem to lean into it before pulling back (see Dreams as an example of that one), but Yessir, That's Our Baby really doesnt pull its punches and makes it very very clear that the problems here are a direct result of America's presence in Korea and American imperialism, and because of that this baby wouldn't be any safer in an American orphanage than she would be in a Korean one
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aldertree does lots of shadybad things but there’s also some simple stuff that shows he’s not fit to be the nyc institute head. he does not have the kind of care and respect for the people working under him that he would need to be a good leader. the fact that he’s unreachable in the city of bones because he’s more interested in interrogating/humiliating (because the questions about clary are Really unnecessary) jace than being there for his people while strange demon attacks are happening. and like sure, he didn’t originally know that it was an attack by valentine or that the demon got into the institute - but that’s sorta the problem! how could he know! he was UNREACHABLE levels of of not there. it seems like this demon case was strange to begin with. they had a lot of people working on it. alec and lydia have to take charge as authorities because aldertree is unreachable when he arguably shouldn’t have even left!
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going to start watching fourze >:)
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i don't get it I DONT GET IT what part of "you can't even write it mike" isn't clicking HE CANT EVEN WRITE IT
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i LOVE farah. woman whose special interest is Gun. & buddy is she hyperfixating
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I've fallen down the rabbit hole of watching raising dion and tbh so far I'm really enjoying it like. There's this kind of perception around the ways to be a perfect parent and this takes that and hits it with a broom because there is no such thing as perfect because parenthood is so messy and on top of that they deal so well with grief and the messy complicated completely nonlinear experience of grief and balancing that while raising a child as a single parent even with a support system and not even mentioning the super powers thing it's just
Really interesting idk
If it's been cancelled please nobody tell me I'm living my best life and I don't want my parade rained on just yet
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as a kid i thought the animorphs were so cool and wanted to be one of them so i could turn into an animal and go on cool adventures while also understanding that the protagonists were heavily impacted by what they went through and that war is bad and messy and no one really wins. fantastic balance of escapism-for-kids and grim realism
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Okay, so I'm currently in the middle of a watch/rewatch of Miraculous Ladybug, because it's a cute action cartoon with fun villain designs and I keep hearing rumors of bonkers lore that I missed, so I decided to catch up with it. The fact that I'm happily a few episodes into Season 4 should tell anyone familiar with this show just how tolerant I am of status-quo-focused, highly episodic cartoons with inconsistent lore that doesn't always make sense. I'm a longtime fan of Transformers G1, so that kinda set the bar for me ¯\_(ツ)_/¯
That said, I am STRUGGLING through "Ladybug & Cat Noir: the Movie". The one that was made a musical, for some reason, and that I unfortunately can't watch in French because I have..."acquired" it.
At every turn, I'm just going "why???". Mostly when it comes to wtf they did to the characters in the title. Why are their personalities like...half-inverted? It's like half their cartoon personalities (I know they ain't that deep, but they're existent/consistent enough that this is bugging me) have been flipped backward. One moment they act recognizably like the versions in the show I've been watching, and then they're back to Generic American Sassy Protagonists 1 and 2. Maybe a lot of it is just the English voices that don't quite fit, but it's all so off! Given that a major guy working on the cartoon directed and wrote this movie, I'm just baffled.
Also, apparently this film is the second most expensive ever made in France??? And it made back half its budget. Ouch. Watching it, I understand why the fandom didn't exactly flood the theaters, but ouch.
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