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carbone14 · 4 months
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Billie Holiday au Downbeat club - New York - Février 1947
Photo de William P. Gottlieb
©Library of Congress
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linesandmarksonpaper · 6 months
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Milton Caniff - Steve Canyon 02/02/1947
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meikyuunolovers · 4 months
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Happy 76th Birthday, Gordon Edwards !
(26/12/1947 - 28/02/2003)
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Today, we are celebrating the birthday of the Kink who stayed in the band for the shortest amount of time, since he only stayed during 1978, replacing John Gosling and then being replaced himself by Ian Gibbons. There are not a lot of informations about him around the Internet, so I tried to gather some content about him. And while searching for information, I found out he was Welsh ??
First, I'm going to share some videos I found on YouTube. Here's a video of the Pretty Things during the time where he was in the band. I knew he was part of the band previous to being with the Kinks, but I was surprised to see he had such a large part in their sound during the mid 70s !
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Now, here are two videos of Gordon, alongside Ray, performing some Kinks songs acapella. First link is Lola, second link is Waterloo Sunset.
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Next, here are some extracts of "Ray Davies: A Complicated Life" related to Gordon.
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I wish I could add more, but the other books doesn't seem to mention him much...
Finally, I don't really know how to conclude this post... Maybe I'll add more things through the reblogs. Maybe I won't.
[Now, for the long talk, this post is the first of a (hopefully) long series where I celebrate the Kinks' birthdays with some fanart while sharing some content about them. I'm going to try to keep the costumes consistent, making them look the same way as mobile games' birthday cards (a bit like how Bandori and D4DJ and Project Sekai had matching birthday outfits for their characters).
I'll try to stay committed to it, but I am still uncertain about whether my hyperfixation will still be here by July or not. I originally planned to wait until February, but for that reason, I decided to start in December so I could do Gordon and Pete sooner.]
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fashionbooksmilano · 2 months
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Ciocca 1912-2012
Cento anni di storia nel tessile / One Hundred Years of History in the Textile Industry
a cura di Massimo Martignoni
Skira, Milano 2012, 207 pagine, 25X29cm, ISBN 978-88-572-1369-9
euro 50,00
email if you want to buy [email protected]
I primi 100 anni di attività del Calzificio Ciocca, esempio centrale di industria tessile italiana del XX secolo.
Un traguardo importante, i cento anni di attività, è l’occasione per raccontare un percorso aziendale profondamente intrecciato con la vicenda generale del tessile in Italia. Il secolo di vita compiuto dal Calzificio Ciocca corrisponde infatti, per tempi e risultati, a una delle centrali esperienze industriali italiane del ventesimo secolo. Non si celebra tuttavia in questo volume una nostalgica rimembranza di fasti trascorsi. Spinti dall’esempio del fondatore Luigi Ciocca e del figlio Giuseppe, artefice del consolidamento del marchio, i Ciocca della terza e quarta generazione non si trovano impreparati. Le trasformazioni del settore li hanno portati a individuare una più elastica strategia manageriale, non imperniata come nel passato sul processo produttivo, spingendoli al tempo stesso a una riconversione quasi antropologica della loro identità imprenditoriale: aperta alle sollecitazioni del mondo dell’arte contemporanea e della moda, consapevole del proprio agire in uno scenario internazionale. Ciocca 1912-2012. Una storia che continua. Massimo Martignoni, storico dell’arte e giornalista, è autore di numerosi studi e ricerche riguardanti l’architettura moderna e il design. Tra le sue pubblicazioni: La più amata dagli italiani. Scavolini 1961-2011 (Skira 2010); La Triennale di Milano (Skira 2008); Gio Ponti. Gli anni di Stile 1941-1947 (Abitare Segesta 2002).
02/03/24
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«El nacionalismo en general es imbecilizador, aunque los hay leves y graves, los del forofo del alirón y el que se pone el cuchillo en la boca para matar. Hay gente sin conocimientos históricos, el nacionalismo atonta y algunos son virulentos... El nacionalismo es una inflamación de la nación igual que la apendicitis es una inflamación del apéndice".
- Fernando Savater 1947, filósofo español.
https://estebanlopezgonzalez.com/2015/02/14/sobre-el-nacionalismo/
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elarchivodeariel · 2 months
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DÍA DEL BAILARÍN: POR QUÉ SE CELEBRA EN 28 DE FEBRERO
Cada 28 de febrero se celebra en nuestro país el Día del Bailarín, en honor al nacimiento del argentino Jorge Raul Itovich Donn, considerado en todo el mundo como uno de los más grandes exponentes de la danza clásica del siglo XX.
28/02/2024 •
Bailarín y director artístico nacido en El Palomar, Buenos Aires en 1947, Jorge Donn comenzó su formación a los ocho años en el Instituto Superior de Arte del Teatro Colón, siendo alumno de la emblemática coreógrafa y terapeuta de la danza, María Fux.
A los 15 años conoció a Maurice Béjart, una de las figuras de la danza más importante del mundo, quien estaba de gira en el país con el Ballet del Siglo XX. Quedó tan fascinado con el coreógrafo que, al poco tiempo, decidió mudarse a Bruselas. Allí se consagró como intérprete en la compañía de Béjart, que lo tomó como fuente de inspiración para muchas de sus piezas. Fue partenaire de bailarinas rusas de la talla de Maya Plisetskaya y Natalia Makarova y, a partir de allí, adquirió fama internacional.
En 1976 fue nombrado el director artístico del Ballet del Siglo XX y pocos años más tarde, en 1979, fue galardonado con el Dance Magazine Award, el premio más importante de la danza. En 1988 dejó la dirección artística del Ballet del Siglo XX para fundar su propia compañía, L´Europa Ballet.
Aunque era considerado una estrella en todo el mundo, la sociedad argentina de aquella época lo miraba con cierto prejuicio. Su aspecto pelilargo, su manera de hablar, su forma de vestir y sus demostraciones de afecto, resultaban chocantes para el público local.
Ya habiendo triunfado como bailarín en Europa, adquirió su popularidad definitiva en 1982 con el estreno de la película Los unos y los otros, de Lelouche, en la que interpretaba a Boris Itovich (uno de sus apellidos reales), personaje que lo consagraría para siempre por su interpretación del inolvidable Bolero de Ravel. Otros hitos memorables de su trayectoria fueron Bhakti Nijinsky y Payaso de Dios. A los 39 años se lo pudo ver bailando por última vez, en Madrid, donde interpretó el Bolero y Diva.
En 1989 fue premiado por la Fundación Konex, siendo reconocido como uno de los cinco mejores bailarines de la historia en la Argentina. Además, fue uno de los pocos bailarines latinoamericanos elogiado y reconocido por la élite europea del ballet del siglo XX.
Jorge Donn murió el 30 de noviembre de 1992 en Lausana, Suiza, a los 45 años. Luego de su muerte lo homenajearon muchos artistas y bailarines, entre ellos, Maurice Béjart con su "Ballet por la vida".
En Ciudad Jardín, barrio donde nació el bailarín nació, se nombró un pasaje con su nombre.
Fuente:
©2022 TiempoSur Digital - Río Gallegos, Santa Cruz, Patagonia Argentina
Dirección Lic. Roberto Gustavo Torres. Presidente LJK Editorial S.A. Responsable Editorial
https://www.tiemposur.com.ar/cultura/dia-del-bailarin-por-que-se-celebra-el-28-de-febrero-1
#JorgeDonn #DíaDelBailarín #Danza #Arte #Magia
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turtleations · 4 months
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Pink Couldy Sky, Chapter 07 – Letter (Summarized) - Part 1
Note 1: Once again, the chapter is split into two parts. This first parts has the majority of it, but the secong part contains a long section that is actually, directly translated, and I will need more time to edit it properly. I hope to have it up before the year is over, but I can make no promises.
Note 2: This post contains pictures. I am not happy with how tumblr is sizing/cropping them on my screen. Click on them if they are not shown in full.
Chapter 00 - 01 Chapter 02 Chapter 03 Chapter 04 Part 1, Part 2 Chapter 05 Chapter 06 Part 1, Part 2
Under Professor Arakawa, REM’s days of acquiring knowledge as a dentist continued after graduation. He joined Arakawa’s study group where he gained practical experience on various cases and worked very hard on becoming an actual dentist. Otherwise, he wouldn’t have been able to justify himself to his late mother, nor to hide and the other members of SAVER TIGER. Those feelings were his main driving force. The other members of his dentist-band AMIT also joined Arakawa’s study group and they pushed each other forward.
To REM, who was practical by nature, this study circle was very helpful. He learned about the technical aspects from a medical point of view, and also about mental self-discipline.
In this time, again thanks to Professor Arakawa, REM also met Beat Takeshi, aka Takeshi Kitano [born 1947, actor, director, comedian etc.].
He vividly remembers the first time they went drinking together. They met at Takeshi’s place and he took REM to a snack bar in Roppongi’s underground. Takeshi was in a good mood and sang a lot at karaoke. His way of singing was exactly as REM had imagined it would be. Song after song he got on the floor and fired off jokes in rapid succession.
Takeshi seems blunt, but REM thinks he actually has a direct and kind personality and is very aware of his surroundings. When REM showed him a photo from is SAVER TIGER days, Takeshi laughed and said, “You really were a dentist already. Time didn’t change you.” Then he got serious and said, “But it’s interesting. Do your best.” The timing and the delivery were exquisite. [Note: I’m guessing that there was a joke in there that I fail to make sense of.]
When they talked about hide and discussed music, Takeshi pulled out one creative idea after another.
“When Doctor REM does a live, I’ll secretly enter the stage with no announcement, sing one song, and leave again without saying anything.”
It was a very fun night of drinking. They separated with REM excitedly promising to make that song for him.
Come to think of it, this was just one week before that unfortunate accident befell Takeshi. [Note: This is likely referring to a near-fatal motor scooter accident on 2. August 1994, which may or may not have been a suicide attempt.]
After this, they met several more times, with Takeshi also coming to Yokosuka for drinks, and continued their exchange. Takeshi would probably scold REM for embarrassing him if he read this, but he truly is a generous and warm person.
-
Hide continued to call REM about once a month. When he called from overseas, REM had the habit of taking notes on his calls in his diary-substitute-notebook.
For example: “31. August. Call from hide in L.A. at 6:30 AM. Today, it seems Megadeath came to the studio and he listened to their rehearsal.
He chatted about various things with the former guitarist of Cacophony, who apparently speaks Japanese.
When they went to a Japanese-style iszakaya afterwards, Ron Wood was drinking there…”
Beyond that, he would always contact REM when he returned to Japan, come directly to his apartment from Narita airport, and drink until morning to combat jet lag.
In the first half of the nineties, “X” turned into “X JAPAN”. In this time, hide rapidly grew not only as a guitarist but as an artist in general.
In 1992, he showed his talent as a visualist with the publication of his solo-photobook “Mugongeki”. His stage turned from Budokan to the Tokyo Dome to the world. REM, on the other hand, having given up music, turned into a normal dentist.
However, whenever hide returned to Yokosuka, they would go drinking at Dobuita together – as drinking buddies, as best friends, as music companions who would forgive each other for every stupid thing said.
In a sense, it was a pretty strange connection.
Now, REM wonders if it wasn’t obvious that he was holding back around hide for fear of bothering him. To say nothing of the fact that the bitter feeling of not having been there for hide when he needed him most would not leave him alone.
But – and he thinks it may sound pretentious to put it like this – REM wonders if in this town of Yokosuka, where hide had been born and raised, all the cloudy hesitation and misunderstandings and strange fears weren’t blown away by the constant salty breeze from the sea.
REM couldn’t help but think that way.
When they drank at Dobuita until morning, there were no obstacles between them.
Hide always listened intently to REM’s silly music stories. Is that artist good or not, which CDs are cool – he always had an earnest discussion with REM about these things.
Looking at hide’s carefree smile, REM always heard a voice deep in his heart, saying, “Now I owe him again…”
Without his noticing, that murmur changed to, “No matter how, I want to pay him back. No matter how many years it takes, one day I will…”
One day when hide was in Yokosuka, REM went to “Parkside X” together with Professor Arakawa. He’d been thinking that he should introduce hide to Arakawa, so when they happened upon him, REM introduced him with the words, “Arakawa-sensei, this is hide.”
And Arakawa smiled and stood with, “My pleasure, I’m Arakawa.”
Hide, also standing, looked a little nervous, and said, “Likewise. Thank you for always taking care of REM. I’m hide.” He removed his trademark hat and sunglasses and gave a quick bow.
Then, he slowly put them back on and apologized for being impolite by wearing those things while drinking, and sat back down.
REM was astonished that he had taken them off at all, because at that time, he never did that in public. It seemed that hide was particularly respectful towards Arakawa because of the relationship he had to REM, and REM’s surprise soon turned into deeply moved gratitude.
After a night of drinking together and talking about all sorts of things, Arakawa also praised hide as a young man who, striking appearance aside, had firm opinions and was very polite. The way in which hide expressed his friendship that night had been typical for him.
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In December 1995, REM announced that the was leaving his bachelor life behind and got married to a woman named Miwa. [Note: At least, that’s what I think her name is. REM gives the kanji for her name, but not the reading, which might differ drastically from the common (or even any sensible) reading of the characters.]
For the wedding reception, they reserved a cozy restaurant for their few dozen guests, which included family and only their closest of friends. One invitation was handed to hide, who was happy as if it were his own wedding and confirmed that he was definitely going to attend.
On the day of the wedding, REM was nervous and embarrassed like never before in his life. This was no fault of his bride’s, he simply had a raging case of wedding nerves, and it defeated him. As soon as the nerves hit him, he would drink any alcoholic beverage he could get his hands on. He honestly thought that since it worked on stage, it would work for getting married.
Hide had sent them a large bouquet of flowers in the name of “X Japan hide” but was nowhere to be seen in person.
In fact, it seemed that hide had chosen his timing well, considering the commotion that might have happened at the gathering place if word had gotten around that a member of X Japan was present.
An hour into the event, hide was there, just sitting casually in the front row in his hat and sunglasses. He grinned when he handed more alcohol to REM. At this point, REM was already blazingly drunk.
Hide for his part was fidgety and restless, talking to Jimmy and pointing out that it was time for the afterparty.
Then, during the preparations for said party, those two kept whispering to each other about something.
The wedding reception was not unlike a live show, with plenty of music buddies present. There were former members of SAVER TIGER, Hikaru, who used to be the bassist of X for a while during their indies days, and the current, much more famous X Japan-bassist heath.
SAVER TIGER served as the lead act. With hide jumping in, it was like the illusion of a SAVER TIGER revival session. The song they played was “Double Cross”.
The title of the song seemed a bit too fitting for the situation, but they chose it because it was representative of SAVER TIGER.
So REM, unsteady and hugging his guitar, started to play (“Ei!”) with the timing he was used to, only to be met with perfect silence from everyone else involved.
Thus, he declared, “It can’t be helped, you’re all doing it wrong,” regained his composure and started playing the phrase again.
Once again, hide and the others met him with grinning silence.
And REM thought, “I’m being deceived!”, finally realizing that he was falling victim to a prank, and that the prank smelled strongly of hide. Surely, hide and Jimmy had set this up when they were whispering to each other before.
In that moment, the room erupted into laughter and hide smiled earnestly at REM while looking very satisfied.
REM’s memory of the events after this point are essentially nonexistent.
Among the things that he vaguely remembers are heath getting up on stage and accepting a trophy he had won at their bingo tournament with a smile, and hide’s younger brother Hiroshi being delighted about having won a guitar.
From what REM could put together from the stories of his wife and the others, hide gave a musical performance that day, looking truly happy. This was not X Japan’s hide, this was an amateur at a free-for-all, lost in the spur of the moment, strumming his guitar with a relaxed smile on his face.
“At least, he was grinning as he played and looked like he was truly having fun.” That’s what Jimmy always murmurs when remembering that wedding reception.
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[December 1995: REM's wedding reception. Photos exist for when your memory doesn't. (Click on the image for full view if tumblr cut it weirdly.)]
Due to REM’s work, the newlyweds couldn’t go on honeymoon right away. Only in the following year, in spring 1996, was he able to take the time off for it.
REM and his wife immediately agreed on the destination they wanted to visit. They both recalled at once how hide had told them to come to L.A. at least once, so that was where they wanted to go for the occasion of their once-in-a-lifetime, somewhat late honeymoon: The L.A. where hide was.
REM called hide over there at once. When he told him, “We’re thinking of travelling to L.A.,”, hide said, “Wait a second, I’ll call you back,” and hung up.
He had probably gotten a call for work, was certainly busy right now… REM and his wife speculated such while they waited, but when hide called them back after only a sort time, he gave them a list of the major hotels in Los Angeles, with information on their rating, how far they were from the airport, the price, if it was okay to smoke in there, what attractions were nearby…
After hanging up on them, hide had researched all that at the speed of light. REM and his wife were nothing but grateful. Hide, for this part, was very enthusiastic about their upcoming visit.
“What do you want to do when you’re here?”
The two of them told him they wanted to watch a Nomo Game [Note: Probably referring to Japanese baseball pitcher Hideo Nomo, who was playing for the Los Angeles Dodgers at the time.], visit the Universal Studios, and other things. And hide said brightly, “I got it! You don’t need to take care of anything, just make the reservations for the flights and the hotel…”, and then quickly hung up the phone.
The weather in L.A. was clear.
They arrived at the hotel they had picked from hide’s list, checked in, and rested in their room for about an hour before hide arrived, going “Yaa, yaa, yaa!”
Hide was in the middle of recording his solo single “Misery” at the time and hadn’t slept in three days, but you wouldn’t know it from the way he acted. He was wearing his usual hat and sunglasses, and his usual smile that lit up his whole face when he said, “So, what’s the plan?” He pulled out pen and paper and wrote down the schedule for their stay in the city, while asking REM and his wife for their wishes. Then, he asked, “How do you feel about Las Vegas?” and added his own recommendations, arranging everything from flights to hotel reservations.
He also insisted that REM’s wife, pregnant at the time, had to eat! And handed over a bundle of ten onigiri that he had brought for her.
Her due day happened to coincide with hide’s thirty-second birthday. Whenever he stroked the bulging stomach of REM’s wife, he would tell the unknown baby to better get born on schedule, so they could share their birthday.
In any case, to REM and his wife, hide was the world’s best tour conductor, taking care of every aspect of their journey. His thoughtfulness, attentiveness, kindness and warmth were extraordinary and he made sure that they got whatever they wanted. REM and his wife could only be grateful and impressed by his warmth that asked for nothing in return.
It was thanks to him that this trip became one of the best memories of the couple.
One day, after hide had left for recording, his manager at the time, Kudo-chan, took them downtown for dinner. After parking the car, they waited at a traffic light, discussing where they wanted to eat.
As they waited, REM spotted a man waiting at the opposite side of the road who looked like a musician to him, from the way he dressed to the way he wore his long, lustrous hair. Then, the signal turned to “WALK”, they did just that, and as the guy came closer, REM thought that his face looked like he had seen it somewhere before…
It couldn’t be. Here, on this giant continent of America, in the middle of this giant city of Los Angeles…But damn, if that guy did not look exactly like…
And so it came that REM and heath embraced right there in the middle of that pedestrian crossing in L.A., celebrating their unexpected reunion. Babbling along the lines of:
-“Hey, what are you doing here? No, this is where I… Where are we, anyway…”
-“N- no, I heard from hide-chan that you were in L.A., REM, but that I would meet you here…”
Since the time heath came from Osaka to Tokyo, REM had often gone drinking with him. Their meeting here was as much of a surprise as when hide had told REM that heath had joined X.
Thanks to this prank of the gods, they all went to a Japanese restaurant together, chatting happily. It was a day full of surprises and deep emotions.
Just two or three days before REM and his wife were to return home, hide invited REM to the studio and asked him to play the guitar solo of “Misery”. So REM borrowed hide’s guitar and contemplated the song’s guitar phrase there in that place.
And after he played it, hide said, “Well, REM-chan, let’s have you record it before you go home!”
Somewhat incredulously, REM agreed.
However, the next day, something urgent came up with X Japan and the recording of “Misery” had to be interrupted.
Looking regretful, hide told REM over and over that it would resume the next week. But REM’s work did not allow for the delay. And so, with painful reluctance, REM and his wife boarded the plane home.
The day before their return, hide somehow managed to take them out for dinner despite his busy schedule. Since REM’s pregnant wife couldn’t drink, REM and hide drank beer and wine for three. Afterwards, they returned to hide’s apartment building, hung out on the roof at the pool, and continued to chat while looking at the giant, illuminated HOLLYWOOD-sign.
At some point, without anyone noticing, hide had taken off his sunglasses. Hide, who had returned to bare-faced Matsumoto Hideto, and REM, who had returned to bare-faced Araki Masahiko, continued talking with a beer in hand for a long time.
It had been more than ten years since REM had first come to this city as a middle school student. Now, the L.A. night breeze was as fresh as it had been back then, and so dry they could basically hear it.
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[2 May 1996: Last night in L.A.]
The next day, hide was driving the car himself when he picked up REM and his wife who were puking all over due to hangover and morning sickness respectively and took them to the airport.
Hide seemed to enjoy himself when he looked over his shoulder at their pale faces in the backseat and asked with a smile, “Honored passengers, how did you enjoy your trip?”
That kind smile of hide, that rare entertainer, was swaying before their eyes.
Hide had been serious about what he had said at the studio in L.A., as REM came to understand that the afterparty of the secret live hide and his band gave at the Yokosuka Art Theater that autumn. He had really meant for REM to play the guitar for “Misery”. REM had been baffled, and felt that now there was another major depth he was owing hide.
He murmured those words as he watched hide’s cheerful form fussing around. His wife, who had heard him, nodded in agreement. She was approaching her due date.
“He’s really supported us at every important point, hasn’t he?”
And so he had. When REM and his now-wife had been dating, it was hide who had looked at them and declared that they absolutely had to get married. He kept saying it. He even said it on New Year’s Day of the year they did get married, just like hide had predicted.
In that moment, REM and his wife likely had the same mental image: Of hide, cheerfully playing guitar at their wedding reception with a mischievous smile on his face, or his kind hospitality in L.A., happily going along with everything they wanted. REM’s thought of, “I want to repay hide for all he’s done” turned to “I must repay hide” turned to “No matter how many years it takes, one day for certain,” and finally arrived at “I must start at once.”
On the sixth of December, 1996, about one week before hide’s birthday, REM’s wife gave birth to their first child without problems. It was a boy, and they called him 柊衣. [Note: The Japanese names strike again. This is probably read either “Hii”, “Toui”, or “Hiragi”.]
Hide came to meet their beloved son the following year, in February 1997.
Hide loved children. Even now, REM remembers how hide played with their son tirelessly all day. He passionately gave this baby, only two months old, rhythm training and taught him how to hold a guitar pick.
This was another day when hide took off his sunglasses. It is their absence that REM blames for the fact that hide, holding the baby in his arms, looked so innocent and vulnerable it hurt.
Continued in part 2
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workingclasshistory · 2 years
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On this day, 3 August 1947, Britain's last anti-Jewish riots took place, when a racist mob, several hundred strong, rampaged through the Jewish Cheetham Hill area of Manchester. Two days previously, Zionist Irgun guerrillas had hanged two British Army sergeants in Palestine in response to the execution of three Irgun fighters, which was reported extensively back in the UK. The mob in Manchester smashed windows, threw bricks from cars, attacked a synagogue and shouted abuse at a Jewish wedding party. Over the next couple of days antisemitic riots also took place in Liverpool and Glasgow, and there were scores of attacks on Jewish property around the country in places like London, Hull, Bristol and Warrington. Hostility towards Jewish people had been inflamed by politicians and the media. For example Labour Foreign Secretary and former union leader Ernest Bevin had made comments about European Jews “pushing to the front of the queue”, and had falsely insinuated that Jewish black marketeers were hoarding fuel during a crisis. Meanwhile, the conservative Sunday Times newspaper accused British Jews of failing in their “civic duty and moral obligations” by not condemning anti-British violence in Palestine (which some readers may note is basically identical language to that used today about Muslims). Amidst widespread antisemitism, fascists led by Oswald Mosley were organising opening on the streets. Our podcast episodes 35-37 tells the story of the Jewish ex-servicemen and women who fought against the fascists up and down the country: https://workingclasshistory.com/2020/02/17/e35-37-the-43-group/ Listen on our website on this link, or listen on Spotify, Apple Podcasts, or your favourite podcast app. https://www.facebook.com/workingclasshistory/photos/a.296224173896073/2048951368623336/?type=3
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awesomecooperlove · 7 months
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The Flat Earth PsyOp was created to hide two main things.
A. That the US Military Industrial Complex has developed state-of-the-art aircraft capable of interstellar travel, thanks to your tax dollars, here: https://www.bitchute.com/video/CAMMdMNn0sER/
and B. Inner Earth, known as Agartha.
A 1. Not only has the US MIC developed state of the art aircraft capable of interstellar travel, but these aircraft and "defense" corps are now arming "space" which is why NASA photoshops so much of their content.
A 2. The Flat Earth PsyOp is also used to hide human trafficking and use of human slave labor off planet. However, most people won't believe this because they have slept most of their lives and are trapped in mental constructs like Democrat vs Republican, Black vs White, Hollywood movies, religion, and other things that they are used to holding onto the people divided and in a state of low consciousness, unaware of the amazing information that can actually set us all free. This is the main war alongside the spiritual, the battle for your consciousness, which is why natural plants and remedies like cannabis and ayahuasca are illegal in the western world.
A 3. Last but not least, the flat earth disinfo also tries to hide that other governments have developed sophisticated aircraft, like Germany for example with their "Haunebu" saucer:
https://www.bibliotecapleyades.net/ufo_aleman/esp_ufoaleman_2.htm
https://www.bibliotecapleyades.net/ufo_aleman/esp_ufoaleman_8b.htm
https://www.bibliotecapleyades.net/luna/esp_luna_46.htm
Links that match the information in this film:
4:00 https://en.wikipedia.org/wiki/Edmond_Halley
5:25 https://en.wikipedia.org/wiki/Leonhard_Euler
https://en.wikipedia.org/wiki/Carl_Friedrich_Gauss (where the Gauss or EMF meter came from)
https://en.wikipedia.org/wiki/Gauss_(unit)
https://en.wikipedia.org/wiki/Magnetic_field
https://en.wikipedia.org/wiki/Gauss%27s_law_for_magnetism
14:40 https://en.wikipedia.org/wiki/Nicholas_Roerich
16:35 https://www.bibliotecapleyades.net/vimanas/esp_vimanas_9.htm
https://www.bibliotecapleyades.net/vimanas/vimanas20.htm
https://www.bibliotecapleyades.net/vimanas/esp_vimanas_4.htm
https://www.bibliotecapleyades.net/vimanas/vs/
18:50 https://en.wikipedia.org/wiki/Woolpit
19:30 https://en.wikipedia.org/wiki/The_Smoky_God
https://www.amazon.com/Smoky-God-Willis-George-Emerson/dp/1609420373
http://www.checktheevidence.co.uk/pdf/The%20Smoky%20God.pdf
https://www.ourhollowearth.com/PartTwo.htm
http://files.abovetopsecret.com/files/8c9c87674f67eec6.pdf
https://www.bibliotecapleyades.net/tierra_hueca/esp_tierra_hueca_33.htm
21:50 https://en.wikipedia.org/wiki/Fridtjof_Nansen
23:25 Thule Society: https://www.bitchute.com/video/CYgeFRQvw6j2/
24:35 https://en.wikipedia.org/wiki/Heinrich_C._Berann
25:45 Admiral Richard E. Byrd https://thewebmatrix.net/disclosure/1947.html
30:40 Ray Palmer Flying Saucer Magazine https://en.wikipedia.org/wiki/Flying_Saucers_(Magazine)
31:50 operation HIGHJUMP
32:55 James Forrestal https://www.bibliotecapleyades.net/antarctica/antartica11.htm
38:35 https://en.wikipedia.org/wiki/Djwal_Khul
https://en.wikipedia.org/wiki/Alice_Bailey
39:45 Dallas Thompson https://www.coasttocoastam.com/guest/thompson-dallas-5725/
https://www.coasttocoastam.com/show/2002-10-04-show/
https://www.strangerdimensions.com/2013/02/05/whatever-happened-to-dallas-thompson/
https://www.pinterest.com/pin/583708801704674626/
👁️⏫️👁️
43:40 Richard Feynman https://en.wikipedia.org/wiki/Richard_Feynman
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bollywoodirect · 3 months
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Remembering #JuthikaRoy on her 10th death anniversary (05/02/14), the iconic bhajan vocalist celebrated as the modern-day #Meera during the pre-independence era. Renowned for her soul-stirring Meerabai bhajans such as "Ghunghat ke pat khol" and "Pag Ghunghru Baandh Meera Naachi Re," Juthika Roy carved a niche for herself in the hearts of many.
Her melodious renditions won the hearts of Hindi and Bengali cinema audiences alike, making her a celebrated figure in her time. Her voice captivated notable personalities, including Mahatma Gandhi and Jawaharlal Nehru, who were avid admirers of her work.
On the historic day of August 15, 1947, as Nehru journeyed from Teen Murti Bhavan to the Red Fort to mark India's independence, Roy's bhajans filled the air, broadcast live by All India Radio. After her performance, at Nehru's request, she continued to sing until the national flag was hoisted, adding a memorable soundtrack to a pivotal moment in India's history.
In her reflections, Roy shared an anecdote about Sarojini Naidu revealing how Gandhi found solace in her bhajans during his incarceration in Pune, making her music an integral part of his daily prayer meetings. She even had the honor of performing privately for Gandhi at his residence.
Embarking on her musical journey at just 12 years old with her first album, Roy was mentored by the renowned rebel poet Kazi Nazrul Islam. Her collaborations with the esteemed Bengali music director Kamal Dasgupta, especially the revered Narayan stuti "Narayan Shriman Narayan," continue to resonate with listeners.
Roy's versatile talent extended beyond Hindi and Bengali, as she lent her voice to songs in various languages, including Urdu and Tamil.
On February 5, 2014, the music world lost this luminary in Kolkata after a long illness. As we commemorate her legacy, we hope for her soul to find everlasting peace.
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carbone14 · 1 month
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Billie Holiday au Downbeat club - New York - Février 1947
Photos de William P. Gottlieb
©Library of Congress
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radondoran · 8 months
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Happy birthday to my favorite radio actor, Larry Dobkin (September 16, 1919 – October 28, 2002)!
Character actor Lawrence Dobkin was a frequent supporting player in radio, with hundreds of credits across dozens of different programs. He appeared in over 170 episodes of Gunsmoke, playing all kinds of characters from gunmen to gentlemen. Other shows where he was often heard include Escape; Romance; Yours Truly, Johnny Dollar; The Whistler; Let George Do It; Frontier Gentleman; Fort Laramie; Have Gun, Will Travel; NBC University Theatre; etc.
Larry Dobkin's only leading role in a radio series was the title sleuth in Ellery Queen from February 1947 to April 1948--and even there he wasn't exactly a headliner, because, in keeping with the pseudonymous source material, the show was always coy about identifying the actors who played Ellery. You might recognize him as Lieutenant Matthews on The Adventures of Philip Marlowe, the first of three main Archie Goodwins on The New Adventures of Nero Wolfe, Dave on The Man From Homicide, or Pat McCracken (usually) on Johnny Dollar--and if you ask me, his most memorable and lovable radio character was Louie, the Brooklyn cabbie who sometimes played sidekick to Vincent Price on The Adventures of the Saint.
Dobkin also played numerous roles in film and television and later did writing and directing work for television.
Here are a few of my favorite radio episodes featuring Larry Dobkin:
Ellery Queen 1947-12-04 "Man in the Street": A swindler is murdered before Inspector Queen and Ellery can put him in jail. Whodunit? There were only about ten thousand people with a motive!
The Saint 1950-11-19 "No Hiding Place": The Saint tries to help a young man who has escaped from prison after several attempts on his life. Who framed him, who's out to get him, and why? (Louie isn't in this episode as much as in some others, but the lines he does get include some of my favorite lines ever, and anyway I think it's one of the strongest episodes of the series.)
Escape 1949-07-07 "The Fourth Man": Dobkin narrates this classic story of three "civilized" men adrift on a raft in the tropics, battling thirst and each other while their "savage" pilot calmly sits by.
Richard Diamond, Private Detective 1949-07-09: An escaped convict, bent on revenge against Richard Diamond, kidnaps Diamond's girlfriend.
Philip Marlowe 1950-01-21 "The Bid for Freedom": A woman has escaped from an asylum, and now her husband is in danger of being murdered. Or maybe it's not that simple.
Philip Marlowe 1950-07-28 "The Glass Donkey": Lieutenant Matthews calls to ask about a girl Marlowe used to date--a girl who's just been murdered. It's real personal as Marlowe offers his services to find out why a nice girl had to die.
Philip Marlowe 1951-08-18 "The Young Man's Fancy": There's no murder in this somewhat atypical Philip Marlowe episode by Kathleen Hite. Marlowe goes out for Moscow Mule ingredients, and gets involved in the family troubles of the nice old man from whom he buys his limes.
The Story of Dr. Kildare 1950-10-25: A madman with a gun is holed up inside a school building. Dr. Kildare goes in after him, while Dr. Gillespie scrambles to remotely diagnose a mental illness without ever talking to the patient.
Gunsmoke 1952-06-28 "The Ride Back": This recently rediscovered Gunsmoke episode is almost entirely a radio play for only two voices, as Marshall Dillon brings a twisted killer through hostile Indian country.
Gunsmoke 1952-08-02 "Renegade White": Matt goes after a white man who's been selling guns to Indians, and winds up a prisoner of the Indians himself.
Gunsmoke 1953-02-21 "Meshougah": Matt and Chester find a whole town held hostage by a crazed killer and his gang of outlaws.
Fort Laramie 1956-05-13 "War Correspondent": A smart newspaperman from the East tags along with Captain Quince, hoping to show the folks back home a fair picture of life on the frontier. He's got a lot to learn!
Fort Laramie 1956-06-03 "Don't Kick My Horse": One of Captain Quince's soldiers is a meek little man whose only friend is his horse. He's been in the cavalry ten years, and it's time for a new horse. Dude is not ready to accept this. Tragedy ensues.
Yours Truly, Johnny Dollar 1956-01-09 – 1956-01-13 "The Todd Matter": A tip on an old burglary leads Johnny into a very fresh shooting. Dobkin plays five roles in this story (two of them in close proximity) and what always strikes me is that he doesn't do five radically different voices--he doesn't even change his accent very much! He just acts each character so completely that you're not even inclined to pay attention to the actor.
Have Gun, Will Travel 1958-12-14 "The Outlaw": Paladin makes a deal with a convicted killer who wants to see his newborn son before being hanged.
Suspense 1954-07-27 "Destruction": "And it had a kind of warmth to it, this dying…" A strange, melancholy, poetic script by radio noir greats Fine and Friedkin, about a pathetic little man at the end of his rope.
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meikyuunolovers · 3 months
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Happy 77th Birthday, Dave Davies !
(03/02/1947- )
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Happy birthday to the Kink who changed the British Invasion scene with an amp and a razor ! Even though the Kinks' world domination was quickly stopped while at the height of the movement, 'You Really Got Me' and its tantalizing guitar solo went through the decades and inspired countless bands.
It's hard to find interesting information about Dave, because most of it is already available on the Internet. He's one of the two main faces of the band, after all (alongside brother Ray)...
First of all, since Dave has a solo career, I'm going to share my (emphasis on 'my') favourite tracks from his first two solo albums, AFL1-3063 and Glamour. I haven't listened to the rest of his discography yet, but I really enjoyed his first two albums.
Next one... I'm starting to run out of ideas. Bought the Lola vs Powerman album today and while looking at it, I decided to take this fun picture with a clear photocard I got from an ITZY album.
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[Please note that I was still working on the next parts of the post when Tumblr decided now was the time to upload it. I'll go back there when a new idea will pop in my head, and I'll update through reblogs. ✌️]
(I absolutely had to draw Dave in the boots. As for the haircut, it was hard to choose, as he had many great looks, but I had to go with his Arthur-era hair (around 1969)... It's just his best haircut in my opinion. I'm sorry for the underwhelming post 😭...)
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fashionbooksmilano · 2 months
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La couture épinglée
Voyages aux pays de la Mode
Hippolyte Romain
Ed.Plume, Paris 1990, 126 pages, 21x28cm, Broché, ISBN 978 2902 119 280
euro 35,00
email if you want to buy [email protected]
Hippolyte Romain (1947) è un illustratore, pittore e scrittore francese
Nato nel 1947 a Parigi, nel quartiere di Montmartre , Romain lavora fin da giovane nella salumeria di quartiere, contemporaneamente pratica il karate e inizia a disegnare per vendere i suoi disegni per strada.
Notato dal direttore di  Vanity Fair, gli vengono offerte quindici pagine sulla moda a Milano.
Dal 1980 Hippolyte Romain  collabora a Libération, Rock and Folk, L’Express. Più che testimoniare la moda, ama metterne in satira il mondo, le sfilate, le addette. Ha pubblicato i libri Simple mais couture, Les dessous de la mode e La Couture épinglé, voyages au pays de la mode.
25/02/24
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enjoypaitings · 4 months
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Daniel Sabater y Salabert (Spanish, 1888 - 1951)
01. Y donde me beso me salio un grano
02. Crei en la libertad, y me dieronesto each
03. El angel del pueblo, 1947
04. Popular type
picture resolution 1020 × 1344; 1053 × 1326; 1218 × 1600; 1300 × 1655
More by #daniel sabater y salabert enjoypaitings
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semioticas · 1 year
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Rita Lee (1947-2023).
Uma Rainha: uma das figuras marcantes da cultura e da música brasileira das últimas décadas. Há alguns anos reuni, no blog Semióticas, as entrevistas que fiz com ela e uma série de suas imagens mais emblemáticas.
Veja mais em:
Semióticas – Ovelha Negra
https://semioticas1.blogspot.com/2012/02/ovelha-negra.html
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