As of posting, it has never been outright stated in the game that Mizuki is transgender, although the fact can be inferred from several hints in the story, mainly from how their classmates act around them. Outside of the story, there are several visual codes that suggest or even confirm the fact that Mizuki is trans.
A lot of color coding and symbolism is used to suggest that Mizuki is transgender, perhaps the most obvious example being their Fragment SEKAI, which uses the same color palette as the transgender pride flag. You can read more about that in this post.
Both the 2D and 3D MVs for IDSMILE, Mizuki's first commissioned song, switch betwen a pink (typically feminine) and blue (typically masculine) color palette, but are pink for the vast majority of the song. In the 2DMV, the background changes to blue for the first part of the final chorus, before returining to pink before the end of the song.
In the 3DMV, the lighting changes to blue during the instrumental, then shifts between pink and blue during the bridge, and then remains as pink for the final chorus.
A similar use of lighting can be seen in Mizuki's trained The One Who Gave Me Courage 4*. Mizuki's room is lit in blue, with pink light filtering in through the window, which Mizuki is leaning towards.
This point was submitted by @glitter-and-strangle-hugs
And if you look closely at Mizuki's Nightcord icon, you'll notice that it uses the same blue, white & pink color palette as the trans pride flag.
This point was via a reply from @misty-is-a-dragon
All of the symbolism and color-coding aside, the fact that Mizuki is transgender is actually confirmed by their middle school appearance. When they were in middle school, Mizuki had a typically masculine haircut and wore more masculine clothes. They also wore Kamiyama's male uniform, indicated by the tie used, the side of the blazer that the buttons are on, and the fact that they are wearing trousers.
You might also notice that in their middle school bedroom, they have a cloth covering their mirror, but in high school the cloth is folded over and the mirror is visible. This could be linked to their appearance at both points in time, and Mizuki being more comfortable with their feminine presentation.
A final, song-based example of Mizuki’s trans coding is that they (alongside Mafuyu) covered Villain, a song with a transgender narrator. Mizuki also has a solo Another Vocal of the cover, which you can listen to in the video above.
The song IDSMILE also adds to the case, since the lyrics describe Mizuki’s situation of being afraid to tell people their secret [about their gender identity] and distancing themself from their friends by keeping it hidden.
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[Morƒonica ハーモニー・デイ (Harmony Day)]
[Commemorative Exhibition] Sanzigen Fan Art "Harmony Day" 2DMV
Les paroles FR :
Flottant dans les joies d'il était une fois
J'ai fait un pas vers un nouveau départ.
Tu as hoché la tête à côté de moi
Je laisse les étoiles aller et venir, et mon cœur bat la chamade.
Porter un ton chatoyant
Le futur qui est entré dans mon cœur, tu vois
Je t'ai donné des ailes sur mon dos
Je partagerai mes craintes, aussi, en tenant la main avec le son
Si nous partageons, il n'y a rien à craindre.
A l'étoile que j'aime
Peu importe à quel point mes jambes tremblent
Un (deux) trois (quatre)
Même si c'est lentement (on peut continuer)
Au-delà de la lumière, le jour t’attend.
Ça va aller.
The lyrics ENG :
Floating in the joy of once upon a time
I stepped out into a new beginning
You nodded your head next to me
I let the stars that come and go make my heart flutter
Wearing a shimmering tone
The future that I saw in your heart
I gave you wings on my back
And I'll share my fears with you, holding hands with the sound
If we share, there's nothing to be afraid of
To the star that I love
No matter how much my legs were shaking
One, two, three, four
Even if it's slowly (we can go on)
I'm waiting for the day when the light is at the end of the road
It's going to be all right
2DMV : https://youtu.be/DRqxpWT_XoU
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What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)
Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.
I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not
Exemple's being :
-Akito's second comm foreshadowing his third event
-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event
-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation
-Probably way better exemples that I forgot
I've seen people make Some assumptions which I don't agree with but there is one thing I think is true
There is 100 pourcent gonna be struggle between corporation/reality and WxS.
Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.
The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution
We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.
Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).
This is the only time the chorus is like that, the others have a much more even distribution.
In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.
It's even more evident considering the lines they chose to make WxS sing compared to only just Rui
Emu/Tsukasa/Nene saying kimi (you)
Rui saying boku (i)
Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.
In fact remember how the flashback that showcases that has Rilley working on a film
Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.
Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.
In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange
And then we of course have Tsukasa's solo lines
Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.
Then we got his big boy solo lines
These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.
And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.
IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.
What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.
And with that let me bring back Tsukasa's lines
These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.
Now if you think about everything I've layed out I think you can gain a pretty clear picture.
Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.
Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .
Which now you get into the line distribution where WxS is implied to be talking to Rui.
And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.
Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.
Now how this would happen really depends since there are multiple ways they can go about it with the time they have.
There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :
-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview
-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally
But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi
Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.
Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.
Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.
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In the animated MV for Tokugawa Cup Noodle Kinshirei, Rin and Len occasionally appear in the corner of the screen performing the Caramelldansen choreography.
The choreography originates from a Japanese visual novel called Popotan, which featured two characters doing the now-famous dance to a sped-up version of the song. This version of the song is known as U-u-uma uma in Japan and the dance is known as the Uma Uma Dance, based on a misheard lyric.
Rin and Len only appear doing the dance when the lyric "uma uma" is sung, referencing the meme.
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