MUFON - the “oldest and largest civilian UFO-investigative organization in the United States” - kindly gave me permission to include these great 1977-'79 flyer designs in my art book Worlds Beyond Time.
My favorite is the 1978 flyer, because it elegantly illustrates the four different kinds of close encounter: Visual sighting, physical evidence, encountering an entity, and abduction. Just very cool design!
If you want a lot more retro UFO art, this link lists all the stores that are selling it (some might be out of stock, but most are good).
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Dean Ellis https://ift.tt/13XcF8J
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Bruce Pennington, 'The Green Brain', ''Science Fiction Monthly'', Vol. 1, #6, 1974
Source
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TAKE A TRIP TO THE SUPER-SEVENTIES IN THE MIGHTY MARVEL MANNER.
"If you understand "2001" completely, we failed. We wanted to raise far more questions than we answered."
-- STANLEY KUBRICK on "2001…"
PIC(S) INFO: Spotlight on a splash page of Bowman's interstellar trip, from "2001: A Space Odyssey" Marvel Treasury Edition Vol. 1 #1. January, 1976. Marvel Comics.
Story/pencils by Jack "King" Kirby
Inks by Frank Giacoia
Colors by Marie Severin & Jack Kirby
Source: https://steps-centre.org/blog/the-world-has-become-weird-crisis-natures-and-radical-re-enchantment.
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Out Now: Worlds Beyond Time: Sci-Fi Art of the 1970s
Worlds Beyond Time: Sci-Fi Art of the 1970s offers a glorious retrospective of SF-inspired imagery the artists who created some extraordinary images
Worlds Beyond Time is a new book out now from Adam Rowe, published by Abrams, described as the definitive visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of 1970s paperback sci-fi art, and the artists who created these extraordinary images.
In the 1970s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough,…
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Black Mirror and retro sci-fi paperback cover art
Someone on the Black Mirror team really knows their late-60s sci-fi paperbacks! Spoilers for Season 6 ep "Beyond the Sea."
This paperback is a 1967 edition of Ray Bradbury's 'The Illustrated Man,' with a top-tier Dean Ellis cover.
Ellis was a great paperback artist: He balanced one central image with intricate details, making covers simple yet engaging. Ellis covers don't usually have this much ennui, which makes this one a particularly good pick for the episode, about an astronaut who also feels alone.
The other main paperback featured in the episode is a 1968 edition of 'The Moon Is a Harsh Mistress,' by Robert A. Heinlein, with a cover by Paul Lehr.
Lehr is an icon of 60s/70s covers, so he's a great artist to include. This particular cover has one of his signature tropes - A crowd of tiny figures gathering around a single object, in this case a moon base.
That said, that particular Lehr cover looks more similar to the style of Richard Powers (a surreal 50s artist who influenced Lehr) than is typical for Lehr. Here are a few other 1968 Lehr covers that I think represent him better, with more shadows and monochrome.
But here's what blows my mind: We never see the cover to one paperback spine in this scene. It's this 1967 Richard Powers cover, with the yellow spine.
It seems to show a man enviously watching a woman from behind a screen - incredibly on-the-nose symbolism for this episode.
I wonder if the prop person for the show came up with multiple options and the Powers cover lost out to the Lehr one. Either way, it's an amazing Easter egg.
If you liked this, subscribe to my newsletter - My latest issue covers Black Mirror’s retro sci-fi cover art in more depth. You might also enjoy my art book Worlds Beyond Time, which has a restored version of that exact Dean Ellis Illustrated Man cover in it.
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Yoda on Dagobah, as depicted by famed Star Wars artist Ralph... https://ift.tt/mFycxDU
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