So I watched I Want to Believe (2008) last night, and I hated it. Absolutely hated it. The storyline was all over the place and didn't make much sense. Don't get me started on the plotline of Scully (re)finding her faith through a pedophile Catholic ex-priest grrrr. And there was barely any cutey, domestic moments between Mulder and Scully when they freaking LIVE TOGETHER. Instead, they spent most of the movie separated and/or fighting and just generally making me sad.
And the moment the mother of the sick boy said to Scully "if you were a mother, you'd understand," I nearly wept. Scully my love!
being a movie nerd is so embarrassing because i've recently rewatched fantastic mr. fox and now it is literally the only thing i am physically capable of talking about. we start chatting and before you know it i'm telling you about all the symbolisms and hidden details in that movie (you haven't even watched it and you have no idea what i'm talking about)
Eventually there will be a Wes Anderson movie where Wes Anderson just comes to your house, makes you dress up in a corduroy suit and then reads to you from a pop-up book the story of your own life, as interpreted by Wes Anderson.
Hey Sophie, I've never seen a Wes Anderson movie! Any suggestions on what to start with?
Hey! Oooo, yeah, I think I'd say to start either with Fantastic Mr. Fox or The Royal Tenenbaums?
The latter was my entry point to Wes Anderson and is definitely the one of his I've rewatched the most. The cast is amazing, but I think it encapsulates a lot of what I love about his work at its purest which is stylisation and comedy for the sake of emphasising genuinely human moments, and emotional truths that just rip a hole in you. If I was to ever make a list of my top fifty movies, I think The Royal Tenanbaums would be on it (Ben Stiller's line deliver of I've had a rough year, dad is genuinely iconic to me).
Fantastic Mr. Fox I think though is just both good and pretty accessible? His style of writing/direction/filmmaking lends itself well to stop motion, and he's a bit of a dream match for Roald Dahl adaptations tbh. It's a great movie and a great story anyway, and particularly if you feel inclined / know you like animation, I think Fantastic Mr. Fox is a very good place to start.
Rewatching the Resident Evil films now that they're all available on streaming without needing to rent/purchase. I forgot how depressing they were. Alice was a badass(thanks to Mila's fine ass), but damn every time she got out or helped people the umbrella corporation was right there. Them mfs was ten steps ahead every time. Ain't no escaping.
watched the darjeeling limited and the verdict is it could’ve been worse, but I’m tired of art films that rely on people being quirky and rude why can’t we have more characters that are just nice kind people
Also the only redeeming character was adrien brody’s but my enjoyment of him only lasted until a minute after the end of the movie which was when I learned he is tragically a creep and I took back everything nice I said about him
The iconic logo of the lady holding the torch that you currently see at the beginning of every Columbia Pictures movie was born in the apartment of Pulitzer Prize-winning New Orleans photographer Kathy Anderson in 1991.
The final version is a painting, but few people know that it was based on a photo of the photographer’s colleague, captured during a portrait shoot in a small space using very simple props.
“During the shoot, Jenny asked if she could sit down for a minute,” says the photographer. “I shot one frame of her seated, which may be my favorite image from the shoot. But after chatting for a minute, she confided that she was pregnant. After congratulating her, we resumed shooting, but I was worried about her standing on the box.”
The Photo Behind the Iconic Columbia Pictures ‘Torch Lady’ Logo
Peter Anderson: Hi, my name is Peter Anderson. I'm from Peter Anderson Studio and we created the title sequence to Good Omens Season Two. So this scene is quite literally a continuation from Season One.
An interesting detail with this scene is the fly. The fly is significant because it stores Gabriel's memory.
Gabriel is hidden in every scene. This is the first time we see it.
This goat is half bird, half goat, representing a mistake in a moment of transformation.
In the pickled herring barrel, we have literally red herrings sticking out.
A lot of the gravestones have hidden engravings, easter eggs, all written by Neil.
[This one says: HERE LIES THE FORMER SHELL OF BEELZEBUB referncing Beelzebub having a new face in S2 :), another ones are: EVERYDAY, JANE AUSTEN, Here lies ADAM (the Adam from Adam and Eve is meant)]
Another hidden Gabriel.
Our same character that was trying to escape Hell in Season One titles is also trying to escape here, moving in the opposite direction to the rest of the procession. Except this time he's apprehended and dragged back into the procession.
Our Hell spider from episode four makes a little appearance in the background here.
Can you tell where the bus is going? Director Douglas McKinnon selected Powell and Pressburger's Stairway to Heaven to put on the billboard.
Another thing to note here is the type is all handmade specifically for Good Omens. The Alphabet only exists within the show.
The big floating turnip is a nod to Azirafel's magic tricks.
The Ladies of Camelot poster we pulled from the show.
We added plaques to the back of the chairs and Neil chose who to honour.
[There are: A TALE OF TWO CITIES by CHARLES DICKENS, PRIDE AND PREJUDICE by JANE AUSTEN, THE CROW ROAD by IAIN BANKS (twice!) and GOOD OMENS by TERRY PRATCHETT (Neil missing for some reason :) <3)]
Saraqael made an appearance from Heaven.
Our Space is back from Season One. Aziraphale and Crowley are having a little dance here. A moment of flirtation. There's a tiny planet in the middle that comes into existence at this moment.
Our Scottish tartan hills make an appearance here.
The aeroplane and the airline is a little bit of a clue here.
[THY KINGDOM AIRWAYS 👀]
It's raining love hearts in reference to Aziraphale's attempt at making Maggie and Nina fall in love.
Here are elevators to Heaven and Hell. A wee thing to spot. Here is Gabriel in the lift arriving from Heaven.
We've updated our flags to reference some of the plotlines in Season Two. For example, The Second Coming.
The movie poster artwork changes every week, representing the episode plotlines and the minisodes. We made the posters to look like the time period and in this case we've got a Good Omens version of Buddy Holly.
[The posters are:]
In the snack bar some of our popcorn is actually communion wafers.
There are specific characters from Season One in the boxes watching the movie as the procession goes by. This includes some of our original concept art from Season One.
The duck playing the accordion is from a newspaper headline that someone is reading in The Dirty Donkey from one of the episodes.
[this is also from the Good Omens book :): "Daily Mail. 'Letter From America.' Um, August the third," said Newt. "Just after the story about the woman in Worms, Nebraska, who taught her duck to play the accordion."]
Each episode is showing a new movie on the screen, each one selected by Douglas, and has clues about what's to come.
The season one phone box tumbles in the background.
The big mountain is made of all the ingredients from Season Two and a couple of remnants from Season One. We are heading towards the biggest Easter Egg, which is the lift. We're heading towards the Second Coming..