#Fourdrinier

[bagfzm34j2j9]

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#Moham #begirdle #varicocele #lackeyed #collying #TASS #torrent-swept #underpopulating #keramics #scaphognathitic #repost #Fourdrinier #skemmel #blennemesis #McConaghy #Amadi #bombardon #peeoy #cloakroom #Andrias

[ortut]

Léo Fourdrinier - Mind and Senses Purified (Icare), 2022 [Steel, neon, Yamaha TDM 850, polystyrene]

#art #sculpture #leo fourdrinier

[uwmspeccoll]

Shakespeare Weekend!

Continuing our look at The works of Mr. William Shakespear: in ten volumes published in 1728 by Alexander Pope (1688-1744) and Dr. George Sewell (d. 1726) for Jacob Tonson (1655-1736), this weekend we pore over Volume Seven.

This volume contains the tragedies Antony and Cleopatra, Titus Andronicus, The Tragedy of Macbeth, and problem play Trolius and Cressida. All four plays were published in the First Folio, however Trolius and Cressida seems to have been haphazardly squeezed in on unnumbered pages between the histories and tragedies adding to its genre identification problems. In step with Shakespeare’s other problem plays, Trolius and Cressida’s ambiguous tone bounces around creating a montage of possible intents and leaves viewers puzzled about how to relate to the characters. 

The Tragedy of Macbeth is contemporarily known as a cursed play and superstitiously often referred to as The Scottish Play. Proposed origins of the curse are rumored in Shakespeare having used real witches’ spells in the text below angering witches who then cursed the play.

Like Rowe’s earlier collection, scene divisions, stage directions, dramatis personae, and full-page engravings by either French artist Louis Du Guernier (1677-1716) or Englishman Paul Fourdrinier (1698-1758) precede each play.  

Pope’s editions of Shakespeare were the first attempted to collate all previous publications. He consulted twenty-seven early quartos restoring passages that had been out of print for almost a century while simultaneously removing about 1,560 lines of material that didn’t appeal to him. Some of those lines were degraded to the bottom of the page with his other editorial notes.  

View more Shakespeare Weekend posts. 

-Jenna, Special Collections Graduate Intern 

#shakespeare weekend #the works of mr. william shakespear in ten volumes #alexander pope #dr. george sewell #jacob tonson #antony and cleopatra #titus andronicus #the tragedy of macbeth #the scottish play #trolius and cressida #problem play #louis du guernier #paul fourdrinier #engravings

[mimeticspace]

Léo Fourdrinier

#Léo Fourdrinier #sculpture

[wynterrrrrrrrrr]

#Fourdrinier Corrugated Paper Making Machine

[the-paintrist]

Emmeline Deane - Self Portrait  - 1891

Emmeline Deane (1858 – 1944) was a British portrait painter.

Emmeline Deane was born in Bath, one of thirteen children of the Rev. John Bathurst Deane, a South African-born English clergyman and author, and Louisa Deane, daughter of Sealy Fourdrinier. Her siblings included novelist Mary Bathurst Deane and Eleanor Deane Wodehouse, mother of author P. G. Wodehouse.

Deane trained at the Académie Julian in Paris. She exhibited numerous times at the Royal Academy between 1879 and 1892. Her works include a portrait of Cardinal John Henry Newman, her first cousin once removed, that is in the National Portrait Gallery and a celebrated portrait of painter Anna Bilińska, her classmate in Paris, in mourning dress that is in the Victoria Art Gallery. Bilińska's portrait, depicting the artist in deep mourning, was painted by Deane in Paris shortly after Bilińska's father died in 1882. This painting evoked such emotional intensity of loss that, when exhibited in Paris and London, it "caused such a stir that it featured in a cartoon in Punch magazine." The work is considered to be significant because it was not common, at that time, for women painters to create formal salon-style portraits of other women painters, let alone to exhibit them.

Emmeline Deane died in 1944 in Uxbridge.

#emmeline deane #uk #women painters #paris #selfportrait #history

[darksilenceinsuburbiareloaded]

Léo Fourdrinier | Mater, 2017 | sculpture, strap, reconstituted stone statue, wood, 190 x 36 x 130 cm

#leofourdrinier

#art #contemporary art #sculpture #mixedmedia #installation #contemporarysculpture #leofourdrinier

[drawingpad-studios]

mainly doodled this so I can have something to visually look back on to locate where everyone would be at certain points of the story. sense I plan on getting the characters to go places outside of the main area of SPR.

I got the idea of, "Hey, the main area of the last game kind of looked like a brain, what if there were more areas that kind of looked like other organs too, outside the main area." like if the re-creation of the Plot book opened up everyone to the other areas. so here we have it.

an area that is in the shape of the heart, lungs (main cities of heaven and hell respectfully), the stomach, intestines, appendix, and sinuses. and technically spleen if you shape the port of fourdrinier to look vaguely like a spleen.

If I ever do another fanfic of SPR that's a continuation of my current one, I'll probably expand on this map. other than that, I'm sorry chapter 2 is coming out slowly, I've currently got the things that didn't make sense figured out and I will try to get it out as fast as I can while still being good.

#super paper roblox #super paper roblox:hundred year symphony #art #maps #fantasy maps

[gogmstuff]

ca. 1786 The Fourdrinier Family by John Downman (National Portrait Gallery - London, UK). From Wikimedia; removed spots w Pshop 2400X1765 @72 1.1Mj. 

According to the National Portrait Gallery, the sitters are:

Charles Fourdrinier (1767-1841), Brother of Henry Fourdrinier.

Henry Fourdrinier (1730-1799), Paper maker; father of Henry Fourdrinier.

Henry Fourdrinier (1766-1854), Inventor of mechanical paper making.

Jemima Fourdrinier (1772-1836), Sister of Henry Fourdrinier and mother of Cardinal John Henry Newman.

John Rawson Fourdrinier (1770-circa 1836), Brother of Henry Fourdrinier.

Mary Fourdrinier (1728-circa 1813), Aunt of Henry Fourdrinier.

Sealy Fourdrinier (1774-1847), Paper manufacturer; brother of Henry Fourdrinier.

Minerva Manning (born 1763), Stepsister of Henry Fourdrinier.

#1780s fashion #Rococo fashion #Louis XVI fashion #Georgian fashion

[rhianna]

Paper & paper making : ancient and modern by Richard Herring

Paper & paper making : ancient and modern by Richard Herring

https://www.gutenberg.org/ebooks/70338

CHAPTER I. Introduction—Language—Origin of the Art of Writing—Various modes of recording events which preceded it—Materials upon which men first Wrote—Stones, Bricks, Metals, Skins and Intestines of Animals, Tablets, Leaves, Bark, etc., etc.—The Egyptian Papyrus, from which Paper (so called) was first made—Process of Manufacture—Usual dimensions and extreme durability of Papyri—Modern Paper—Its general advantages to mankind—Supposed period of its Invention—The Introduction of Paper-making into Europe—Historical incidents connected therewith—James Whatman—The superiority of his manufacture—Adoption of the Fourdrinier-Machine—General advantages of Machinery over the Original Process, etc., etc.

CHAPTER II. On the Materials employed in the Formation of Paper—Method of Preparation—Processes of Comminution, Washing, Bleaching, etc. described—Paper-making by Hand—Paper-making Machine—Sizing Apparatus—Cutting-Machine, etc. explained—General Observations on what are termed Water-Marks—Manner of effecting the same—Importance frequently attached to them—Ireland’s Fabrication of the Shakspeare MSS.—Difficulty in procuring suitable Paper for the purpose—On the perfection to which Water-Marks have now attained, especially with reference to the production of Light and Shade, as seen in the New Bank Note, etc., etc.

CHAPTER III. Anecdote of an over-curious enquirer—Its probable application to many readers—Paper Making, when straightforward, extremely simple, but ordinarily involving considerable chemical and practical skill—Brief review of artificial aids—Anecdotes of the deleterious effects of bleaching, and of imparting colour to the “stuff”—Ultramarine, its use and abuse—Manufactured Paper, its varieties and peculiarities—Excise Regulations—Paper Duty—Conclusion.

#paper #paper making #writing materials #project gutenberg

[barbarapicci]

“Manifesto of fragility” by #LéoFourdrinier @leofourdrinier More info at: https://barbarapicci.com/2023/02/06/manifesto-of-fragility-by-leo-fourdrinier/ #sculpture #scultura #installationview #exhibitionview #cultureisfreedom #artisfreedom #curiositykilledtheblogger #artblogging #photooftheday #artaddict #artistsoninstagram #amazing #artwork #instacool #instaart #followart #artlover #contemporaryart #artecontemporanea #artmuseum #artcurator #artwatchers #artcollectors #artdealer #arthistory https://www.instagram.com/p/CoUpofvoeAa/?igshid=NGJjMDIxMWI=

#léofourdrinier #sculpture #scultura #installationview #exhibitionview #cultureisfreedom #artisfreedom #curiositykilledtheblogger #artblogging #photooftheday #artaddict #artistsoninstagram #amazing #artwork #instacool #instaart #followart #artlover #contemporaryart #artecontemporanea #artmuseum #artcurator #artwatchers #artcollectors #artdealer #arthistory

[remiboinot]

Rémi Boinot / dessins extraits du Journalier 2022/ 

-drawings  from  the Daily drawing book 2022/  (14,7x19,5 cm) chaque 

- Dessin du 15 avril 2020/ drawing of 15 April 2020/ 

(priv collection)

/ encre et posca sur papier / ink  and  paint marker on paper/

Beetle Beetle Juice

Ou L(a)(im)possibilité de l'invocation

avec : Rémi Boinot, David Evrard, Thomas Wattebled

Commissariat : Yann Pérol

Exposition du 21 mai au 1er Juillet 2022

l’axolotl / Toulon

photos: Léo Fourdrinier

#remiboinot #contemporary art #dessins #encresurpapier #ink on paper #daily drawingbook #drawing #galerie l'axolotl #toulon

[industrialresearch]

Paper Making Machine Market Set to Boom With Top Booming Companies 2031

The paper making machine market size was valued at $20.4 billion in 2021, and is estimated to reach $32.3 billion by 2031, growing at a CAGR of 4.6% from 2022 to 2031. 

Papermaking involves a series of machinery designed to produce various types of paper products, including toilet paper, tissue paper, A4 paper, napkin paper, and others. The machinery typically comprises four key components: the forming section, the pressing section, the drying section, and the finishing section.

Within these sections, elements such as the Fourdrinier wire and cylinder mold serve as distinct types of forming components, while the pressing process utilizes press rolls and papermaker's felts. Drying is facilitated by one or more dryers integrated into the system.

Request PDF Sample Copy @ https://www.alliedmarketresearch.com/request-sample/A08168

The growth of the papermaking machine market is expected to be driven by several significant factors, including the increasing demand for paper in the packaging industry. Additionally, growing awareness regarding hygiene and the usage of paper products is fueling the demand for items like paper napkins, especially in domestic, commercial, and hospitality settings. Furthermore, the adoption of papermaking machines that utilize alternative materials such as cloth and cotton to mitigate deforestation is anticipated to further stimulate market growth.

The paper making machine market is segmented on the basis of headboxes type, machine type, operation and region. On the basis of headboxes type, the market is segmented into multilayer and air padded. In 2021, the multilayer segment accounted for the largest share of 81% of the overall paper making machine market share.

Based on machine type, the market is segmented into specialty paper making machine, graphic paper making machine, packaging paper machine, tissue paper making machine and others. The specialty paper making machine segment held the largest market share of 31% in 2021. On the basis of operation, the market is categorized into semi-automatic and fully automatic.  The fully automatic segment held the largest market share of 77% of the paper making machine market in 2021.On the basis of region, the market is analyzed across North America, Europe, Asia-Pacific, and LAMEA.  Europe region was a highest revenue contributor in 2021.

Request Customization On Demands: https://www.alliedmarketresearch.com/request-for-customization/A08168

Top Players:

The key players profiled in the paper making machine market report include Voith, Bellmer, Cellwood, Andritz, Toscotec, A. Cellie, OverMade Srl, Ihi corporation, Valmet, Kawanzoe Zoki Co., ltd., Nsk Ltd, Parason, Cnbm, Allimand, Kadant Inc., Recard SPA, Georgia-Pacific Corporation.

Contact Us: United States 1209 Orange Street, Corporation Trust Center, Wilmington, New Castle, Delaware 19801 USA. Int'l: [phone] Toll Free: [phone] Fax: [phone] [email protected] Read More: https://medium.com/me/stories/public About Us: Allied Market Research (AMR) is a full-service market research and business-consulting wing of Allied Analytics LLP based in Wilmington, Delaware. Allied Market Research provides global enterprises as well as medium and small businesses with unmatched quality of "Market Research Reports" and "Business Intelligence Solutions." AMR has a targeted view to provide business insights and consulting to assist its clients to make strategic business decisions and achieve sustainable growth in their respective market domain.

#Paper Making Machine

[uwmspeccoll]

Shakespeare Weekend!

The next illustrated collection of Shakespeare from our holdings is the second edition of The Works of Mr. William Shakespear: In Ten Volumes published by Alexander Pope (1688-1744) and Dr. George Sewell (d. 1726) for Jacob Tonson (1655-1736). Pope’s second edition was published in eight volumes in 1728, followed by supplementary ninth and tenth volumes. Sewell is only credited within the tenth volume. 

Volume One includes a preface by Pope followed by Nicholas Rowe’s biographical essay Some Account of the Life of Mr. William Shakespear and a poem in memory of Shakespeare by English dramatist Ben Jonson (1572-1637). Plays contained within volume one include The Tempest, A Midsummer Night’s Dream, The Two Gentlemen of Verona, The Merry Wives of Windsor, and Measure for Measure. 

Pope’s editions of Shakespeare were the first attempted to collate all previous publications in order to help determine authorial text and regularize Shakespearean metre. He consulted twenty-seven early quartos restoring passages that had been out of print for almost a century. Pope also took liberties in removing about 1,560 lines of material that didn’t appeal to him. Some such lines were degraded to the bottom of the page with his other editorial notes. At the time, his editorial hand was met with some criticism and dismissal but historically it may be seen as one of the first scholarly approaches to Shakespeare.  

Pope followed in Rowe’s footsteps including scene divisions, stage directions, dramatis personae, and full-page engravings preceding each play. Volume One’s engravings are attributed to French artist Louis Du Guernier (1677-1716) and Englishman Paul Fourdrinier (1698-1758). Dedicated readers of Shakespeare Weekend may notice some of the engravings’ extreme similarities to François Boitard’s work from Rowe’s volumes, particularly in the frontispiece interpretation of Shakespeare's Stratford monument.

View more Shakespeare Weekend posts. 

-Jenna, Special Collections Graduate Intern 

#Shakespeare Weekend #william shakespeare #shakespeare #the works of mr. william shakespear: in ten volumes #alexander pope #dr. george sewell #george sewell #jacob tonson #nicholas rowe #ben johnson #the tempest #a midsummer night's dream #the two gentlemen of verona #the merry wives of windsor #measure for measure #louis du guernier #paul fourdrinier #francois boitard #engraving

[swimmingwolffire]

PaperMachine #PaperIndustry

Fourdrinier Kraft Paper Making Machine of Leizhan More details: https://tpapermachine.com/fourdrinier-kraft-paper-making-machine-of-leizhan.html Welcome to contact me for more information!

Email: [email protected]

WhatsApp: [phone]

#paper machine

[wynterrrrrrrrrr]

#Fourdrinier Kraft Paper Making Machine