Tumgik
#Hindu art
ritish16 · 2 days
Text
Tumblr media
Hanuman - Jai Sri Ram 🙏
27 notes · View notes
balkanparamo · 6 months
Text
Tumblr media
Kumartuli — Vikas Dutt
2K notes · View notes
ybon-paramoux · 17 days
Text
Tumblr media
Vastra-Haran, or Celestial Stripping (detail) : Anonymous ~ 19th century. National Museum New Delhi.
706 notes · View notes
h0bg0blin-meat · 1 month
Text
Tumblr media Tumblr media
Nandi
139 notes · View notes
hindulivesmatter · 4 months
Text
Tumblr media
Arjun and Krishna
182 notes · View notes
arjuna-vallabha · 1 year
Photo
Tumblr media
Bhumi, Goddess of Earth, taking her daughter Sita away,by Sagar Verma
434 notes · View notes
nemfrog · 9 months
Text
Tumblr media
Detail from "Descent of the Ganges." Mamallapuram, India. Sculptures çivaïtes. 1921.
235 notes · View notes
pointandshooter · 2 months
Text
Tumblr media
photo: David Castenson
142 notes · View notes
blue-lotus333 · 1 month
Text
Tumblr media
62 notes · View notes
ritish16 · 2 months
Text
Tumblr media
Maha Ganapathi
71 notes · View notes
Text
Something I find fascinating about the Critical Edition of the Mahābhārata is that the characters sporadically move from addressing Kṛṣṇa as an embodied mortal (as their friend, cousin, son-in-law etc) to addressing him as the Godhead; as Viṣṇu, as the Supreme Being, and as Īśvara. The succession of change between the modes of address can sometimes even happen on the same page, at a distance of a few lines. The veil is lifted, and the characters see through Kṛṣṇa’s illusion, and, through that, they become immersed in the nature of Reality; the veil promptly drops back, and God is lost. An argument for this could be that the divine modes of address are interpolations, a theory being that Kṛṣṇa became identified with Viṣṇu only in later renditions of the Mahābhārata. While this could be true at the level of historical analysis of the epic, for me, there is a subtler teaching encased here: how all of us, without exception, glimpse into the nature of Reality as we move through life, yet we perpetually proceed to return to becoming engrossed in the superimpositions we project upon Reality; and the dance continues. From Truth to dream, from dream to Truth. It is quite endearing, really. What committed and imaginative dreamers we are!
Adyashanti once talked about how one inadvertently glimpses truth; it is, after all, inescapable as it is our nature; the trick is not forgetting / losing the glimpse.
Gorgeous artwork of Kṛṣṇa: Awedict.
Tumblr media Tumblr media Tumblr media Tumblr media
124 notes · View notes
Tumblr media
Pic credit : instagram
My 'shastra uthao Parth' moment
48 notes · View notes
h0bg0blin-meat · 1 month
Text
Tumblr media
Vasant ke charansparsh 🙌
72 notes · View notes
hindulivesmatter · 4 months
Text
Tumblr media
Krishna, Balram and Subhadhra
115 notes · View notes
arjuna-vallabha · 1 year
Photo
Tumblr media Tumblr media
Amorous Couple, Miniature Painting, Nepal, 15th Century
904 notes · View notes
arthistoryanimalia · 2 months
Text
For #FishFriday:
Tumblr media Tumblr media Tumblr media
The Goddess Ganga
c. 1650-75
India (Mandi, Himachal Pradesh)
opaque watercolor, gold, & silver on paper
on display at Philadelphia Museum of Art
“The Hindu goddess Ganga personifies India's most important river, the holy Ganges, that begins high in the Himalayan mountains and flows south into the Bay of Bengal. Here she holds a vessel brimming with Ganges water while sitting atop an enormous fish — the humpback mahseer, a species of carp native to the Ganges.
Ganga also holds a lotus flower, a symbol of purity and abundance. Mythical creatures peek from the waves and waterbirds soar across dark monsoon clouds.”
35 notes · View notes