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#I would think I was Crowley but then realize I was Aziraphale all along
skyefullofdaisies · 3 days
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The ending we got was devastating as hell but can you imagine if it had been the other way?
Crowley agreeing to go to Heaven with Aziraphale? Either of his own free will or, maybe, The Metatron subtly threatened them both to come along quietly or else? Making it clear he wasn’t offering Crowley the choice to be re-angelfied but that it *would* be happening whether he liked it or not?
That the final scene is not the elevator ride for Az & the Bentley with Crowley. There’s no kiss but it shows our Ineffable Husbands riding the elevator up. It shows the anxiety and fear for both of them. Instead of the desperate kiss the camera pans down to either Aziraphale or Crowley taking the others hand firmly in a small act of defiance (and comfort) not caring that The Metatron is right there next to them and can see it. The elevators open to other angels standing there and they immediately separate Crowley and Aziraphale. Both fighting to get back to the other while The Metatron tuts and says there’s no need for all the dramatics. That he just doesn’t want to delay having Crowley Rise again. While that’s happening he’ll introduce Aziraphale to his new position. Crowley is taken away before they can get back to each other and it’s shown their hands being wrenched apart. Neither one of them can stop it.
Now the final scene is Aziraphale demanding to know where Crowley is. The Metatron says Az’s behavior is unfit for The Supreme Archangel and he must control his emotions better. Just to have doors open behind Az. He turns around to find Crowley in a pristine white suit. Yellow eyes gone. His slicked back red hair gone. It’s in some new angel style (not the one we saw in the S2 opening scene because I hated that, lol). The Metatron smiles and greets Crowley by his angel name. “Crowley” approaches Az and shows him the proper deference as he is now the leader of all Heaven. The final shot is a horrified look on Aziraphale’s face. All color is drained from it. A hint of the crushing grief as he realizes right away that this angel doesn’t know him. Doesn’t remember him, their 6,000 year history and, most importantly, their love.
I think that woulda been a great alternative to them being separated physically. They’re still together but not as this man shaped being is no longer Aziraphale’s Crowley.
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I think I have a potentially controversial opinion on Aziraphale and the ending.
So one of the things that made me smile so, SO much, was THIS:
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That PURE ABSOLUTE UTTER JOY.
We have not seen ANYTHING like that from demon Crowley. We've seen him be drunk and silly, we've seen him be amused, but we've not seen this.
Now, let's consider what we know about Heaven:
It's never fully populated. ALL of the shots are completely devoid of angels, except for a few, who are almost always just getting somewhere and never really talking to each other.
Where I thought the archangels were a tight clan, it really looks like they're super catty and prone to jealousy. No doubt they would stab each other in the back happily if it came down to it. How much of Heaven is like that, if even the archangels all hate each other?
Aziraphale already has a nervous disposition when he meets Crowley. Is he perhaps an angel that NEVER fit in? Is he familiar with being ostracized by his peers? Just how lonely IS Heaven? Crowley seems to be a pretty powerful angel, and HE doesn't even know that it's all getting shut down in 6000 years -- it's like no one talks to anyone.
Aziraphale, during their whole meeting, looks absolutely smitten. At one point, Crowley goes, "Look at you! You're gorgeous!" and Aziraphale looks over with happy surprise, just before realizing he's not looking at him but rather at what he's created. And then, when Crowley starts going on about making suggestions and asking questions, Aziraphale is IMMEDIATELY concerned and doesn't want him to get into trouble.
Aziraphale is hooked on this angel, and I cannot help but think that this is perhaps the first angel who has ever WELCOMED Aziraphale into his company.
He is hooked on this angel, and the way Crowley smiles is with the light of all the stars he's just created, and it's infectious and it brings a smile to Aziraphale's face as well. And then this angel shields him from the oncoming falling stars.
He is hooked on this angel, and then this angel goes and joins the Great Rebellion, and becomes fallen himself.
"You were an angel once," Aziraphale said, softly, at the bandstand. He remembers.
I think it's reasonable to guess that Heaven has never felt so warm as it did in the presence of millions of exploding stars, next to the (arch?)angel that may perhaps be one of the few (only?) to pay him any positive attention.
I think it's reasonable to assume that Heaven was not the same after Crowley fell. I wouldn't be surprised to find out Aziraphale had wondered about the angel, wondered if he was okay. I would imagine that Aziraphale keeps that picture of pure, angelic, unbridled joy somewhere inside of him.
So, really, is it any surprise that threaded throughout EVERY interaction, Aziraphale has this deep-down feeling that Crowley is good? Would it be any surprise that Aziraphale, an angel who goes along with Heaven as far as he can (which isn't always), feels that if HE is still an angel, then what was done to Crowley was a great injustice?
I think it would make sense that we are shown "before the beginning" not just because it is fun, but because THIS is the foundational context for everything Aziraphale thinks Crowley is, everything Crowley enjoys. I think he remembers this moment and wishes he could live there forever. With Crowley. The two of them with this happiness, forever.
But nothing lasts forever, as much as he wishes it did.
I'm not saying Aziraphale was right with what he did to Crowley at the end of s2. There is a lot I think he did wrong. I think he held onto this picture so tightly, he didn't realize that Crowley had long since let it go, and painted a new one with Aziraphale with all the shades of grey he picked up as he sauntered (or plummeted) vaguely downward (into a pool of boiling sulfur).
I don't think he was right, but I do think he is understandable. I think there was a lot of selfishness, but also some misguided selflessness too. I watched that first scene with angelic Crowley and my heart actually broke a little, because I thought, "What a shame this joy was taken away from him."
I think Aziraphale is trying to right the injustice he feels has been done. But I also think Aziraphale doesn't realize that Crowley can never go back. The concept of falling never crossed Crowley's mind when he suggested that he ask a few questions, and he will NEVER get that kind of innocence back. And Aziraphale doesn't understand, because Heaven has clearly always just been that way for him (he is already aware of the danger of asking questions).
Crowley does not want to go back because he can never go back. He can never be the same angel he was when he thought he could build a universal machine that would crank out stars for eons and eons. He can never be the same angel he was when he thought he could make some suggestions and ask some questions and co-create with THE Creator.
Crowley understands that, and Aziraphale doesn't. But I can understand why Aziraphale would want to try. And I think it's all because of this:
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myauntspen · 1 month
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I’m thinking that the conversation on the wall as the humans made their way away from Eden was a major formative moment for Crowley.
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When Crowley says “You’re an angel, I don’t think you CAN do the wrong thing,” he is absolutely yanking Aziraphale’s chain. The book explicitly says it’s sarcasm and in the show, David Tennant’s delivery makes that clear with his smirk and sneery tone.
But when Aziraphale innocently takes the comment at face value, Crowley lets him think it was sincere. It’s his first act of kindness toward Aziraphale. My reading is that Crowley is happily surprised that an angel would allow himself to be comforted by his words and it takes away his desire to tease. He got his first little taste of doing good AND HE LIKED IT!
That interaction is perhaps the first time Crowley realized that he’s not necessarily cut out for sowing misery.
Also, consider his shock at Aziraphale’s admission.
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Crowley was told to come to Eden and make trouble so he did. He doesn’t seem to have thought about it at all, just got an order and executed it. What if learning that Aziraphale has given his sword away is the thing that makes Crowley realize that he, too, can make his own unexpected decisions.
It was Crowley that gave free will to the humans, but maybe it was Aziraphale that made Crowley realize that he could also have free will. Even though Aziraphale hasn’t embraced his free will, he has perhaps just given Crowley the impetus he needed to do so.
And later, Crowley returned the favor when he explained about going along as much as you can. That was painful for Aziraphale but helped him to be more himself. It was a moment when he realized, like Crowley on the wall, that if doing good means breaking the rules sometimes, then sometimes that’s what must be done. In his guilt and fear, he didn’t put that together in Eden, but Crowley showed him at Uz.
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Anyway, I’m rambling, but these two have made each other better, and happier, since the world existed and that’s just lovely.
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microclown · 4 months
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I was rewatching s1e3 and something finally clicked for me..
Please forgive me if this seems obvious to you. It helps me to type out my thoughts, but I'm sure I'm just an idiot and no one else needs this explained to them, lol. That said - I was always slightly confused by the emotional weight of the holy water arc during the flashback sequence. Particularly I was confused by how angry Crowley got when Aziraphale referred to their relationship as fraternizing in the 1862 fight. I mean, "to associate or form a friendship with someone, especially when one is not supposed to" is exactly what they are doing, right? So why the 80 year breakup?
Crowley says he wants the holy water for if "it" all goes pear shaped. The phrasing is necessarily vague, and could mean lots of things. Since I know what he eventually uses it for, I was thinking about it in the context of Armageddon, or maybe more generally and vaguely about Crowley not always choosing to go along with Hell, and associating with Aziraphale. But there was not much reason for Crowley to already be thinking about Armageddon back then.
As we know from the full diary entry Neil posted, the timeline of the Edinburgh entry, and the cut bookshop opening scene, it seems like Crowley and Aziraphale were spending A LOT of time together by the 1800's. When Crowley is pulled back down to Hell in 1827, he learns that Hell is paying more attention to him than he'd previously thought. Crowley realizes at this point that spending so much time with Aziraphale is actively putting him in real danger. He recognizes that, and instead of breaking things off, or seeing Aziraphale less, he doubles down. If this relationship is dangerous, then he wants the tools to fight for it.
That's what I think I didn't get about the holy water request. It's not just general insurance, it's specifically insurance for if Hell finds out about him and Aziraphale. It's also a super vulnerable request because in making it, Crowley is openly acknowledging how important their relationship is to him. Aziraphale casually brings up the arrangement at the beginning of the conversation, and that's part of it, right? Because the whole basis of their relationship is the arrangement. It continues to be the pretense under which they meet, despite the relationship clearly having developed beyond that. And the arrangement, as Crowley proposed it in 537, is born out of convenience, and the assumption that Heaven and Hell would never notice anyway.
Crowley's request for insurance breaks that facade. He's acknowledging that it's not convenient, or safe, but he wants to do it anyway, despite the risk.
Aziraphale, on the other hand, is not ready for the screen to be taken away so abruptly. To make it worse, he assumes Crowley wants the holy water as an escape, rather than a weapon. Suddenly he is confronted with both the danger their association poses, and the idea that Crowley might choose to take his own life. He can't imagine the guilt of being directly responsible for the latter.
I also think the strength of his own emotional response to the thought of losing Crowley catches Aziraphale off guard. He hasn't admitted to himself how much he actually cares, and it scares him. Worrying about Heaven is more comfortable and familiar, so he falls back on that and switches to "If they knew I'd been... fraternizing!"
But bringing up the threat of Heaven reads to Crowley as Aziraphale saying "You may be willing to put yourself at risk for the sake of our relationship, but I am not." The word choice of "fraternizing" comes off as a dismissive and demeaning way to describe a relationship that Crowley just admitted he would risk his life for.
It's an unintentionally deep cut when Crowley is already at his most vulnerable, and so he lashes out. As far as we've seen, this is possibly the first time Crowley has truly lashed out at Aziraphale. So yeah, 80 year breakup makes sense!
And what makes this so much worse is what happens next. Crowley reaches out again in 1941 with a dramatic gesture (rescuing Aziraphale from the Nazis, saving his books). It's clear they've missed each other. They don't discuss the fight, but it's there subtextually. Aziraphale, tentatively and thrillingly, refers to them as friends, for the first time ever. He tells Crowley that he trusts him.
And then, that very same night their worst fears are confirmed. Just when they've finally reconciled a fight over the dangers of their relationship, and just when Aziraphale has finally admitted that it is not a relationship of convenience, but genuine friendship, they are exposed. Crowley is going to face punishment from Hell, explicitly for being Aziraphale's "trusted confident", and he doesn't have insurance. If Aziraphale's trick hadn't succeeded, Crowley would have had no way to protect himself.
idk it just makes me feel things ok
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thethingswedotomorrow · 6 months
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I love the Good Omens 'Night at Crowley's Flat' trope where after stopping the apocalypse in season 1, they go to Crowley's Flat and talk and kiss and fall in love and have a peaceful night, I do.
BUT
What if the night became 'The Night an Angel and a Demon Get Insanely Drunk and Teach Each Other How to Act'
Because honestly
They go to the flat, and ALL they know is they are going to have to swap themselves if they want to survive and finally be free from Heaven and Hell
But they have absolutely NO clue how to pull it off successfully
Sure, they know each other in and out.
Aziraphale has Crowley's eye color committed to memory (and also to paper, since Aziraphale spent 4-5 years in the late 80s trying to find a craft store in London that could help him do the color justice)
Crowley could find his angel in a crowd of millions (and not even just because only one single person in that crowd would be dressed in that ridiculous shade of tartan)
BUT they know they have to truly get this right, down to the exact detail.
So, naturally, they start by promptly opening the closest bottle of scotch that Crowley had available
Crowley was convinced this would be the easiest thing they've ever done
"Only you, Angel, would find a way to worry yourself to death AFTER stopping an apocalypse"
They begin with the easy part, switching corporations and clothing.
It was easy. Until Aziraphale realized he had to actually physically move in the very, very tight pants Crowley prefers.
The first three times he tries walking, he falls face down. And each time, realizes how it's equally hard to get back up again.
Not to mention that Crowley's corporation had learned that after 6000 years, it didn't really need all those vertebrae and bones since he never used them anyways
So now Aziraphale is just laying on the floor in terribly tight pants, very confused on how Crowley has managed all this time
(Crowley is also on the floor, having dropped there laughing after the 2nd attempt)
After they both get up (one much faster than the other) Crowley tries coaching the angel on how to walk like him
Until Crowley realizes he doesn't actually know how he walks, he just sort of wills himself forward and hopes his limbs keep up with him along the way
Eventually, after enough drinks, they settle on a technique called "Just pretend all your limbs are snakes. And you're a snake. Honestly, just as snake-y as you can manage, Angel."
Aziraphale, as difficult as this was for him, figures out that he may have gotten the easy side of this situation here. Crowley very much disagrees.
"Once an Angel, well, definitely not always an Angel, but close enough right?"
He very quickly realizes he may be wrong when Aziraphale asks Crowley to copy his walk
"Dear Lord Crowley, it cannot be that hard. You simply have to walk in a straight line"
It was indeed that hard.
Crowley has all his vertebrae now, but no knowledge of how they should be used
He tries to hold his hands behind his back and march forward, walking in what he thinks is probably, on some plane of reality, maybe a straight line
He's convinced that he's the perfect image of a stereotypical angel, head held high, an air of 'holier than thou' surrounding him
When Crowley asks Aziraphale, he only says, "Well, I suppose it will have to do for now."
Internally, Aziraphale thinks of the fact that Crowley looked identical to a bumbling penguin walking on ice.
When Crowly sits down, very pleased with himself for an impeccable performance ("As always, Angel. I've still got it." Aziraphale uncaps the vodka and drinks straight from the bottle, just staring into the distance.
He has just realized that their existence hinges on whether Crowley can figure out how to sit on a chair like a proper being with appendages and a spine.
And the odds are not in their favor, if they way the demon is sprawled out on the couch (reminding Aziraphale suddenly of a very well-done noodle, and suddenly he's starting to wonder if humans had the right idea with stress eating) is any indication
Crowley announces that he refuses to utter the words tickety boo, even if faced with destruction
"Honestly I think I'd rather have the holy water at that point" "Crowley." "I swear you just make sounds up sometimes, those aren't even real words"
4 bottles (and a very large order of takeout) later, they've got the act down well enough that it's starting to weird Crowley out
"Angel, seriously, enough with the nose. When have I ever done that with my nose? Exactly zero amount of times. I'm not a rabbit"
2 bottles later and Aziraphale has miracled Harry the Rabbit into the flat for a reason they can't quite remember
But they've got music playing from somewhere in the corner, and plenty of drinks, and the night goes on into the morning, and then they're sobering up and marching out for the most dramatic acting of their lives
And the world hasn't ended yet, so they'll probably be fine. Probably.
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onceuponapuffin · 23 days
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Ineffable Bureaucracy and Ineffable Husbands
So, especially in the early days after the release of S2, I saw and heard a lot of people comparing these two as if they were the same. There were fan comics and fanart and fanfiction that included dialogue that was something along the lines of "why are they so healthy after only a few years and we aren't?" or "why do THEY get a happy ending and we don't?" And I mean, I haven't seen any of that in a while so maybe people have come to this conclusion on their own, but just in case, I wanted to point out
That they are fundamentally different. They are not the same.
And the reason why comes down to this conversation from 2x3:
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So, hold this conversation in your brain while we go through this.
First of all, we have our Ineffable Bureaucracy, Gabriel and Beelzebub.
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So these are the ones who, figuratively speaking, were born in a castle.
Gabriel was the Supreme Archangel for however many millenia, and Beelzebub was the Grand Duke of Hell for the same, roughly speaking. They are equals in positions of power.
So, when they fall in love, you have two supernatural authorities who have lived their existences believing that they can reasonably expect to have and keep whatever they want. After all, that's exactly what their lives have been (with the one exception being Beelzebub's Fall) - they want something, they get it, they keep it, and no one tells them no.
The biggest risk is to Gabriel. If Heaven were to find out, he would Fall. I can imagine Beelzebub being a bit concerned, but "Oh no," Gabriel probably figured "I Fall to Hell, and straight into your arms!" And I could see Beelzebub with a little smirk saying "I'd look after you, babe," in response.
The only time Gabriel actually worries is when he finds out that there's another punishment that he didn't realize was a possibility.
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Falling to Hell is one thing, but having his memories erased is an actual threat, and possibly the first time he's ever been told no. This is when we see him panic, and leave Heaven in a mess, storing his memories away to keep them safe from the Metatron. We find out later that he was on his way to Hell anyway and just forgot halfway there and got lost.
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And so, we have two beings who were always told they were Good Enough, who approached each other knowing they were able to have whatever they wanted, and were therefore able to communicate and fall in love in a healthy way. They didn't need to tip toe or hide, because they had no reason to believe anyone would ever tell them no until someone did. Their risk, because of their positions of authority, wasn't nearly as great as Aziraphale and Crowley's risk.
So now we come to our Precious Ineffable Husbands
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Crowley and Aziraphale start off in much lower positions on the Celestial Food Chain. We know that they have to be very careful about their relationship to avoid the repercussions. They can't mention The Arrangement out loud, they can't put their feelings for each other into words. It has been made clear to them that they are always being watched, and anything they have can be taken away from them on a whim.
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So how can they communicate safely when they've spent millenia living on eggshells and tightropes? Of course they won't, and of course it's going to be much harder for them to believe they can once they finally are safe. I definitely believe that they will get there (for my own wellbeing I have to believe that their love is stronger than anything), but they will need to fight tooth and nail in a way that Gabriel and Beelzebub didn't. All because they aren't figures of authority.
It might honestly be another good argument for Crowley taking the Grand Duke of Hell job (even though I reeeeaaaally don't want him to). It would put them in the same position as Gabriel and Beelzebub, and might give them the footing to actually escape the system (even though I think it's more likely that they're going to dismantle and/or repair the system in s3, but that's my own opinion).
These two pairs aren't mirrors of each other. Rather, they illustrate the problems with inequity that Crowley was pointing out in Edinburgh. And if S2 showed us that, I'm hoping S3 will show us possible solutions for it.
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bunshr00m · 2 months
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Do you have any good omens head cannons?
when "the them" get older they still bring up that one time adam went all evil when they're annoyed w him
anathema thought she didn't wanna date until she met newt and realized her type was just very pathetic boys and she hadn't met a pathetic enough boy
for some reason i think muriel would get asked out a lot on earth but at first they wouldn't realize they're dates so they're just happily cruising along being an absolute player. after realizing they'd be like "so if i just keep making lip contact with my dates they'll purchase more human sustenance for me? what an interesting trading system!"
i also headcanon that muriel is a lesbian though because i sense my own
gabriel finds flies on him a lot. in pockets, in hair, in his teeth. beezlebub just wants him to have lil friends
nina isn't very good at expressing affection so she'd do it really awkwardly. she'd hand someone a trinket, say "its yours" and then leave without explaining anything.
maggie hates nina's ex more than anyone. if she ever met them she'd give them a proper little smack. also i can see her as the "with all due respect, which is none..." meme
this one is basically canon but crowley makes fun of aziraphale for saying such british things despite also being british. "just popping off to the loo :)" "jUsT pOpPiNg OfF tO tHe LoOoOo"
finally i think crowley eats burnt ass toast bc he's just weird like that.
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actual-changeling · 3 months
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I was once again re-watching good omens, and I once again realized something incredibly painful, so welcome back to
Alex's unhinged meta corner.
I really need to make a masterpost at some point.
You see, the very first episode not only foreshadows their last argument, it also tells us exactly why it will happen and what problem/offer they will have to face.
We don't usually pay much attention to it because it's a) in the very first episode and then doesn't come up again and b) we know that Crowley would never accept it.
My realization is that Beelzebub's offer mirrors the Metatron's. Both Crowley and Aziraphale are given the same kind of opportunity—but one says no and the other says yes.
Let's have a look!
This is not going to be chronological but more of a go with the flow thing because the aspects are the same but they don't appear in the same order.
The most obvious part first: the job offer itself.
Beelzebub offers him a promotion and later on specifies that he can be a Duke of Hell, one of the few people in charge. I believe that if Gabriel and Beez' plan had been to run away together from the very beginning, ze would have offered Crowley zir own job as Prince of Hell. Still, being a Duke would probably put him in a standing similar to Michael or Uriel's.
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The Metatron obviously offers him the job of Supreme Archangel, which is the highest possible position for an angel to hold, aka it's the same promotion, just different colours.
Both offers also stem from the exact same problem—Gabriel is gone.
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Now, Beelzebub and the Metatron aren't stupid, they know that they need to convince them to take it, they have to embellish it and play with their wants and fears.
Beelzebub presumably makes the correct assumption that Aziraphale is hiding Gabriel or that the two of them are somehow involved (because they always are), and while ze uses it as a threat/warning, the Metatron takes what is now fact and uses it in the opposite way.
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Additionally, ze trusts Crowley to not only deliver Gabriel back to zem but to take care of him until he's safe and sound with his partner.
'I trust you with him' -> 'He trusted you with himself'.
I will now do a little jump to the last part of Aziraphale's conversation with the Metatron right in front of the lift. Once again, they appeal to a characteristic Crowley and Aziraphale share.
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'You know earth and that is a useful asset.' What has previously been punished and was seen as a weakness—what is he, he has gone native, you've been down here for too long—is now praised.
It's good that you know earth, we see that you are worth something, you are different but that is good now.
Crowley does not care about that at all, he gives exactly zero fucks about what hell thinks of him, but Aziraphale? Who has been trying to impress the Archangels for six thousand years and been humiliated by them during Armageddon? This is what he has been craving all along, respect for his job on earth and to be recognized as a Good Angel.
Well, that was the carrot, time for the stick: threats.
They remind them of their respective status—they're both traitors, personae non gratae, and they could still be punished for that. After the trial, they were largely left alone, but they drew attention to themselves again, they became a problem.
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The Metatron is more subtle, as usual. He knows that Aziraphale lied his ass off several times, including directly in front of God. This is not a just compliment, it's a threat—I know who you are and I have the power to make you feel that
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'You don't just tell people what they want to hear.' Again, they are sitting at this table and both know that the opposite is true, and the Metatron is both using it to threaten him and to establish the clear expectations he will have for him should he take the job. Also, by saying he thinks Aziraphale is those things, he gives him more praise, more respect.
Both sides know that Aziraphale and Crowley are each other's biggest weakness; they want to be safe and together. I think it is clear what kind of threat/danger Beez is presenting Crowley, but we rarely talk about the fact that the Metatron also threatens him, just not as explicitly.
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Aziraphale will be destroyed if they find Gabriel with him, and Crowley cannot let that happen. However, contrary to heaven, hell has more or less known about the two of them for decades, and they never actually cared about the arrangement as long as the job got done. They punished Crowley when he did good deeds aka not his fucking job but the opposite.
'I know you care about him, he's at risk if you don't help me find him.'
The Metatron on the other hand makes it clear that HE specifically knows about him and Crowley, and Aziraphale did not know who exactly was privy to that information and if it reached the Metatron. Not just that, he emphasizes that he has been doing research on them, he can dig up whatever dirt he likes and then kill them both.
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No one would be able to stop him.
This next part is going to be interesting because it is a parallel that Aziraphale doesn't and currently wouldn't be able to see, while Crowley does see it very, very clearly.
When the Metatron tells Aziraphale he can take Crowley with him to heaven and make him an angel again, that is good news to him! It is PERFECT! It would solve out of his problems, and who wouldn't want to be an angel, on the side of good?
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Everything the Metatron did up to this point, from 'saving' them from punishment at the hand of the Archangels, over getting him coffee, to giving twisted praise, has had one primary objective: Get Aziraphale to trust him.
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It worked. Consequently, Aziraphale does not question what he tells him now, and believes that he truly could take Crowley with him and make him an angel again. He has no concept of what falling actually means, and what it meant for Crowley in particular, so he cannot discern the threat within it.
Yet when he presents it to Crowley, who is horrified and rightfully so, we are once again shown that no, Aziraphale does not understand. Crowley does, though. That angel he was no longer exists, he cannot go back to it because they're gone, and he would not want to either. Everything they have built on earth their life, their existence, would mean absolutely nothing and cease to exist.
Do you see the threat yet?
Here is what Beelzebub tells him, and what we are told over and over and over again throughout the season.
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Erased from the book of life, gone from existence, everything they were, had, owned, lived—gone.
Erased from the book of life vs. turned back into an angel that doesn't exist anymore, that CAN'T exist again.
Put the threat and the 'offer' next to each other, and Crowley sees the same fate in both: His existence will be destroyed. Aziraphale, like I said above, doesn't. The book of life is a threat, but turning him into an angel is a blessing.
Right now, it doesn't matter whether the book of life really exists or if a demon can be turned back into an angel. What matters is that they both BELIEVE those things are real and possible, because that is what they act on, belief.
Beelzebub sends him away with bad news, the Metatron pushes Aziraphale to tell Crowley good news. Same offer, same possible outcomes (either they get to live together or one of them/both get destroyed), but entirely different responses.
Crowley says no. Aziraphale says yes.
Aziraphale thinks Crowley should have said yes.
Crowley thinks Aziraphale should have said no.
So. We know what happens next and personally, combing through all of this in detail only made it hurt worse!! If it did the same for you—you're welcome, I love my job.
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very-normal-abt-this · 3 months
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hypothesis on what Aziraphale was thinking during the elevator ride (s2e6)
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They rode the elevator in silence. Hundreds of thoughts raced through the Angel's panicked mind, as he tried to figure out what just happened.
But after panic, came anger.
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Anger, which was caused by an answer to the sudden question that arose in his mind. The question was - How is HE the best angel for the job of "wrapping things up" on Earth? That actually made absolutely no sense. Certainly, after Aziraphale thwarted the last attempted Armageddon, Metatron was highly aware of Aziraphale's disapproving stance on Earth obliteration and on starting wars between Heaven and Hell. So then...why would the Metatron recruit him??
Aziraphale could think of only one reason that made any sense. He suddenly remembered what the angels had said about the combined miracle performed by Crowley and himself - "almost 25 Lazarii", and they had barely put any effort into it. (Metatron's plan all along was to separate us, in order to prevent us from interfering in their plans again!) Aziraphale realized that Metatron was probably *betting* on Crowley rejecting the offer to come back to Heaven. It was probably the lynchpin of his entire plan. On top of that, the bastard also used Aziraphale's affection for the demon as bait, to get him to consider the offer, while knowing the whole time that Crowley would never go for it. (Unbelievable. Actually...completely believable, but still. Unbelievable). Aziraphale was absolutely seething. Metatron had played him for the fool. He had played both of them. (And we completely fell for it. United we stand, divided we fall...isn't that some famous human expression?) Aziraphale tried very hard to control his facial expressions, trying not to let his bitterness and disgust be overly apparent. He wasn't totally successful...
After anger, came resolve.
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(So, you think you've tricked me? You think you've neutralized your biggest threat? Fine. Good on you. I will let you think that. And I will use that to my advantage.) Aziraphale was thinking that it is all up to him now. That he WILL figure out a way to stop this from happening. Once and for all. He has to. Aziraphale's eyes darted around the elevator, as he considered his nex steps.
The elevator was slowing down now, and Aziraphale knew that the doors will be opening in a few seconds. He steeled himself internally, and stuffed all his genuine thoughts and emotions very deep, and very far away from his face. He then conjured up the most pleased/excited smile that he could muster.
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The problem is - Aziraphale was never good at hiding his emotions. He tended to wear his heart on his sleeve, and his emotional state was usually quite obvious to those around him.
So, as often happens with disingenuous and forced expressions of emotions that are the opposite of how we are actually feeling - Aziraphale's "pleased/excited smile" came out as over the top, maybe even mildly grotesque. But he didn't care. He knew that most angels had a very limited understanding of emotional expression. And...they had a very limited understanding of him.
(full fic located here https://archiveofourown.org/works/50747473/chapters/128195287)
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im-this-kind-of-girl · 7 months
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Aziraphale and Crowley's unhinged character analyzis (pt2. Crowley)
Controversial opinion:
Aziraphale and Crowley at the end of Season2 managed to accomplish the main goal they each had since the beginning of time. Only to realize that what they wanted no longer made them happy.
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Disclaimer: I have no idea about what is going to happen in Good Omens. This analysis could clearly be considered a theory since I'm not Neil Gaiman, but as someone who knows about narrative and character structure, I'm going to elaborate. Also, English is not my first language, so sorry in advance.
I've already talked about Aziraphale's possible transformation arc in the Good Omens story. In here I've also written important definitions such as what's a transformation arc. I highly recommend it to read it first.
Now it's time to talk about Crowley.
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Crowley, the co-protagonist and love interest.
In our role as audience, Crowley is the character with whom one tends to empathize the quickest. By the end of the second season, most would be tempted to think Crowley was right. However, this is a lie. Not only is Crowley not right, but he rejected Aziraphale just the same, choosing his principles over love.
Now, why in the first instance do we not see it that way? Well, because we have Aziraphale's point of view. We always get the angel's reaction first, we always see the way Crowley shows up again and again and again to rescue him unconditionally.
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Very rarely do we have a moment where Crowley is alone in crisis because his beliefs are challenged. No, everything he does is in function of Aziraphale and we see the story from his perspective, that is, from the perspective of someone who is in love with Crowley. Because of this, Crowley is equally liked and attractive to everyone equally: we are inside Aziraphale's in love POV.
By the time Crowley proposes Aziraphale to run away together, we as the audience are seeing a proposal that is incredibly tempting to us: we want Aziraphale to accept it because it's what Aziraphale really wants. That's why the fight hurts so much, because we know internally that the two of them had the chance to be together but didn't because they're not ready yet.
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Crowley's Objective
Crowley, unlike Aziraphale, was happy in Season 2 with his current situation. Having cut ties with both Heaven and Hell pleased him, because Crowley always sought only one goal throughout his entire life: freedom.
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The one thing Crowley has always desired is to be himself with no excuses and no strings attached.
Since before the beginning of time, Crowley came to the conclusion that he didn't fit in Heaven. He thought he would fit in Hell, but soon realized that it was like a deteriorated version of Heaven, so he didn't fit in there either. On Earth he doesn't quite fit in either. Sure, he likes humans, has a certain admiration and curiosity for them, but he still considers them a species far different from his own. He is not human and never will be, so he can't really identify with them at all. He enjoys the advantages of humanity, but he is not one of them.
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The Job episode is an indicator of this, he himself says so "I am a demon who goes along with Hell as far as I can".
In this same episode, however, the major problem he has with this is also expressed. Azira tells him "that sounds lonely". The counterpart of freedom is loneliness. To be truly free, you need to have nothing and nothing to bind you. That's why Crowley is someone who is unsympathetic and even disinterested in dealing with third parties. He does not remember faces or names, he does not get significantly close to anyone because that would compromise his desire for genuine independence.
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This characteristic is the only one that is present in absolutely all versions of Crowley: the book, radio drama and even in the cursed script of the movie that never was. That's why whenever he sees danger, his first reaction is to run away.
Being free he has nothing to lose… or does he?
Crowley's dilemma
Well, Crowley never fit in by being different and so he always felt somewhat an outcast. However, it wasn't long before he noticed that Aziraphale was also different.
Clearly the angel was not like the other angels in Heaven: he enjoyed Earth, he fell into temptations, he lied to other angels. Also, it is obvious that he would not fit in Hell, and while he is more empathetic to humans, he is still innocently aloof. Aziraphale has a pure goodness that Crowley admires, the goodness that made him be kind to the demon in the first place.
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Moreover, no matter the time, no matter how little they knew each other, Aziraphale could always see through Crowley's evil masquerade. The demon could burn goats and murder people, and yet Aziraphale has always held a blind faith towards him. Crowley, the Serpent of Eden, who had been his entire existence told that he's doomed to be a crawling tempter, finds in the angel an unexpected possible friend who's never been afraid or bothered by him.
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Crowley eventually feels they are both the same: two supernatural entities left on Earth who learned to enjoy life on their own terms. Crowley sees in Aziraphale the companionship he never thought he'd find, the friend he thought at the moment he fell he'd never have. And that feeling of companionship and admiration slowly morphed into something more until it became love.
The season finale isn't the first time Crowley has considered leaving Earth. Probably not even his fight in Season 1 was the first time he considered it. Yet he never did. He never could because, without Aziraphale, running away would doom him to a life of solitude. Free, sure, but completely alone since no one except his angelic friend could understand him.
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However, I think Crowley is not aware of what he feels. Or at least, he hasn't been for a long time. I'm sure his moment of introspection about his feelings was when Nina confronted him about it. Up to this point, Crowley considered Aziraphale his best and only friend, obviously. Crowley is loyal to a fault and always thought his relationship with Aziraphale was perfect just the way it was, but suddenly someone put it into words and he realized that yes, that's what he really wants with Aziraphale.
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Crowley's decision
Crowley wants his freedom. That's why he never asked Aziraphale for explanations (because at the end of the day they were just friends), that's why he never told him that he was living in his car (because he would end up depending on him), that's why he never talked about his fall (because that would be opening up too much).
The most ironic thing about the whole ending, is that just like Crowley did with Aziraphale… Aziraphale proposed to Crowley the one thing he wants more than anything: to be together, for good, but sacrificing his freedom.
Crowley is capable of doing anything for his angel, even without acknowledging that what they had was love. He's capable of driving on fire, capable of killing Gabriel, capable of walking inside a church. Of everything except one thing.
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It's the one step Crowley didn't dare take. He is not a martyr like the angel, no, he is not willing to sacrifice himself to be together. So, the obvious happened: Crowley chose his freedom over Aziraphale just as Aziraphale chose Heaven over Crowley.
The end of his arc and Aziraphale.
As I said before, I don't think Crowley will have a significant change comparable to Aziraphale's. His personality and beliefs will not be changed in a momentous way, as Crowley no longer has ties to Heaven or Hell by pulling the tab on both sides.
His side is already picked: Humanity.
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His biggest change is likely to be one of purpose. Crowley is no longer going to be satisfied with his freedom. And the latter is a fact: Crowley is officially free. Without Aziraphale in the equation, he no longer has anything or anyone tying him to do anything or be any other than who he truly is. Crowley can go to Alpha Centauri and never come back; he can sleep for 3,000 years; he can go around the world in the Bentley. He can do whatever he wants. This might seem ideal to the Crowley of 300 years ago, but today's Crowley is completely consumed by loneliness.
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Crowley never cared about building a home or having material things because he never wanted to be tied to anything earthly for the sake of doubt. He was always aware of the destruction of the Earth.
Love is not something that can be prevented though, and in the absence of having a home, he found it in Aziraphale.
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Aziraphale: trustworthy, sweet, warm, funny, a bit of bastard but always irrevocably good. Everything Crowley lost when he fell he almost automatically found back.
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To this day I wonder what Crowley is going to do now that his angel is gone and the possibility of him fleeing to the stars is becoming more and more possible. It's going to depend a lot on how much time passes between seasons, but I don't think it will be much. For not only he was his anchor, no, without Aziraphale, he doesn't have someone to cause him to want to do better, he doesn't have someone to be vulnerable with, he doesn't have a goal anymore, nobody else to impress.
He isn't evil. He isn't good. And now, he is alone.
First Crowley lost the love of God and now the love of Aziraphale. And it is then that Crowley will realize that what he really wants is not to be free, but to be loved. And this desire can only be fulfilled by the love of his life, Aziraphale.
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The thing is... Crowley has always wondered why.
Why falling? Why becoming the cursed Serpent? Why could he never be truly free?
At the end of his arc, he must come to the conclusion that the answer was always in front of him:
Love is the only answer he needs.
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carowleysposts · 5 months
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When I tell you I NEED Aziraphale and Crowley to kiss again, I mean it.
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Anyone who thinks asexual people don’t kiss (or don’t have sex, but that’s not the point of this post) is misinformed. Asexual people - or celestial beings, for that matter - absolutely can and do express feelings and desires by acting physically upon them. Many ace people enjoy the sensations, the nuances, the feelings involved in the physical expressions of love - the only difference is HOW they experience attraction, which has NOTHING to do with kissing or sex, but with what motivates wanting to do those things.
With that said, let’s go back to everyone’s favorite idiots: Aziraphale and Crowley.
During their kiss, you can literally see them pulling each other in, like they need to be as close as physically possible in that moment. You can see it as Aziraphale embraces Crowley for a split second, and you can see it as Crowley throws himself onto Aziraphale more and more during the kiss. He can’t even pull back for a single second, not even to adjust to the kiss - he just GLUES his lips to Aziraphale’s.
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Aziraphale’s look after the kiss CANONICALLY means “do it again, please, right now”, as Rob Wilkins already clarified. And that is writing perfection. It creates the angst - the cue - we need to make sure a second kiss - the reward - happens. I’ve been saying this in almost every post, but here i go again: the whole point of angst is that it HAS to pay off eventually, it HAS to be followed by relief, otherwise it’s just angst for the sake of angst.
Aziraphale mouths “no” as Crowley is leaving. He doesn’t say it, but he wants to. Whatever that means, whatever the reason for the “rejection” after the kiss was, the kiss changed something. He wasn’t expecting it, but he was heartbroken to see that Crowley thought he didn’t want it. You can see him not being able to keep his eyes off the door - and later on, off the window he can see Crowley through. He almost changes his mind - and that is still true even if he had a plan all along, he didn’t think Crowley would KISS him and that blows his mind.
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He touches his lips after Crowley leaves. He relives that moment by doing so, but also realizes something completely new: Crowley did what Aziraphale had spent millennia wishing for him to do, but did it in the worst possible moment. He almost loses the strength to carry on with whatever it is his plan required. But he doesn’t. He pulls it together, and goes back to heaven.
Wether Crowley knows he has a plan (the “trust me” theory) or believes he was truly rejected, they both know they crossed that line for good. They both know that, if they’re ever reunited, they will never be able to act like platonic friends again. Aziraphale, in a beautifully made parallel to the ox rib scene, realizes he had been starving for Crowley’s touch. And that is just absolutely beautiful.
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If you’ve seen my post about why this couple NEEDS a happy ending, you already know why i think Good Omens is the perfect show to give queer couples back their hopes for love. I think we are all tired of the tragic gays / couple baiting fictional couples. Now we need the happily ever after. The fairytale. The cheesy, chaotic, rom-com-y, EPIC resolution. We NEED them to kiss again. We NEED them to be happy.
I REST MY CASE.
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My heart hurts so bad for Aziraphale because I can honestly just relate to him so, so, so much.
(not putting this one under a cut so warning season 2 ahead, I'll tag it at the bottom too)
Aziraphale says, "Nothing lasts forever," but I don't believe for a second he doesn't wish that it did.
He WANTS things to go back to how they used to be. He WANTS the seraphic Crowley squealing with joy as he cranks up the universal machine and sets the stars aflame. He WANTS there to be no sides, he WANTS to believe in the idea of the host united, he WANTS to go back before Crowley got himself in trouble by asking questions. He wants, I think, to be in that moment of creation and adoration forever.
Change seems to frighten him. There's an aspect of uncertainty. There's an element of chaos, the loss of control. I understand this deeply. And what the Metatron offered him was just that: certainty, control, the ability to dictate his own narrative.
I used to be in a toxic job. On top of it, I had intense anxiety and other undiagnosed neurodivergencies that made it even harder to fit in and understand the untold rules I was supposed to follow to get along. When I first got there, it wasn't so bad -- perhaps I was, like Aziraphale, also a bit idealistic. Then there were some changes that brought instability, significant more anxiety, and a lot of nights spent agonizing over my lack of control over it all.
My friends and significant other tried to convince me to leave, but I didn't want to. I didn't know what else was out there. I didn't know if it would be worse. I didn't know what kind of stability it would have.
Then my manager left, so that spot opened up. I had worked there for a long time, and honestly, I never saw myself going into management. I didn't think I could. I wasn't sure I even wanted to. All of that extra stress, on me? Not to mention, getting FURTHER into the job that was taking a massive toll on me? But then...
Then I would have control. Then I could run things the way *I* had always thought they should run. I wouldn't need to worry about who would replace my manager and whether my life would be a living hell -- I would make it what I wanted it to be. Upper management was really pushing for it, so I applied.
To make a long story short: I don't think it went very well. I didn't have the support I needed. I didn't have the emotional skills I needed. I think I did my best, but I'm not fond of those times. At the time, I was SURE that I wanted to move up even more, I was SURE this would make it all better. I thought this was what I REALLY wanted.
But that's not what I needed. What I needed was to get out, and eventually I did. Even as ready as I was to leave, it was absolutely agonizing. I could barely stand to handle the unknown. I was going to work together with my spouse, actually, and I was so excited for that, but I still... I still was upset and worried sick over the dramatic change that would befall my life, after I had made the decision to leave.
That's where I can relate to Aziraphale. I wonder what would've happened if, before I had actually left for good, the head honchos had come up to me and said, "We want to keep you -- how about we offer you (an even higher position)?" -- would I have said no, or would I have wanted to make a difference?
Funny, I said exactly that, too. That's almost why I didn't change jobs in the first place. I said, "But I feel like I'm really making a difference with what I'm doing now." But what pushed me over the edge was realizing that none of that mattered to them, it was all about THEIR control of ME, not the other way around.
I'm so intensely curious to see what happens with Aziraphale next, but I'm sure he will learn what Crowley understands: nothing lasts forever, and sometimes it's good that it doesn't -- even if sometimes we wish it did.
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scottishmushroom · 1 month
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Anthony Aardvark J. Crowley
I know we all love to see Crowley as this slithery lil snek snake but I think we have it all wrong.
He’s an aardvark.
I think when Crowley realized he was not the demon he was supposed to be (going along as far as he can) he began to separate himself from his snake persona. Yes, we all know snakes have poor eyesight and excellent smell. You know who else does? The aardvark.
They’re known for their extremely poor eyesight but have one of the most sophisticated olfactory systems, aka smell departments, of all mammals.
They’re also primarily solitary creatures, other than when mating. Ehem, ehem. They are also incredibly skilled diggers. And we know that no one can dig himself into a deeper hole than our boy Crowley.
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Gif by @fuckyeahgoodomens
So that scene in Ancient Rome tells me Crowley already knew Aziraphale was in the room. He smelled him. He just pretended not to already know Aziraphale was there and got his attention so he would come over. The slut.
Oh and this little scene?
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Yeah, not a keen snake sense of smell. Aardvark.
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waywardtfw · 9 months
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When I first watched Good Omens 2 I was surprised by the ending. I had been so focused the romance of the season. The Jane Austen, the witty retorts, the dancing, the secrets glancing. I took the bait and when the ending came I fell hook line and sinker. Much like Crowley I felt I had drove into a pot of boiling sulfur. But then looking back I realized if I had actually been following the story we were being told instead as of getting swept up in the romance, I would have realized it was never going to end happily.
The flashbacks are what really foretell the ending. They aren’t just fun romps through history. They serve a purpose. And the purpose is to set up and elaborate upon how Crowely and Aziraphale see the world and each other, and how they see heaven, hell and earth. And what these flashbacks prove is they have huge gaps between the ways they see the world that need to be bridged. Those gaps could have been crossed ages ago but as the flashbacks show multiple times- Crowley and Aziraphale don’t communicate well and that leads to disaster. It will destroy them if they don’t sort it out- I mean their ability to communicate is so lacking that it literally ends with Crowley pointing a gun in Aziraphale’s face and shooting it. And he gets in this pickle because he loves him! Which is pretty twisted! And if the gun wasn’t dangerous enough their friendship them almost gets revealed to hell by zombies- grossly incompetent zombies at that! If Aziraphale hadn’t managed to pull off that magic trick- which easily could have happened. He’s very bad at magic. Who knows what horrible things would have happened to the both of them.
This miscommunication gap also hurts the people around them. If Crowley had explained the why Elspeth was graverobbing to Aziraphale instead of letting him watch and figure out for himself maybe things wouldn’t have gone so far and Wee Morag wouldn’t have ended up dead. Or at least Aziraphale and Crowley could have found away to help Wee Morag that didn’t involved inspiring displays of well… Scottishness? while being drunk on laudanum that end up with Crowley getting sent to hell and tortured (tortured to the point that some people have pointed out that when Crowley gets he asks for holy water for insurance- which is just plain sad and awful, and leads to even more conflict between Aziraphale and Crowley. Or if Aziraphale hadn’t felt the need to plan an entire ball just to dance with Crowley- cause let’s be honesty that’s really why he did it- maybe all of his guests wouldn’t have ended up in danger.
I remember upon watching the episode with the graveyard and Scottish Crowley- being dismayed with how behind ideologically Aziraphale was compared to Crowley. I knew he would do a huge amount of growing in the two centuries to follow. But part of me had filled in the blanks and assumed he would be farther along in that journey by the 1800s. I remember wondering how he was going to catch up in between then and the present day. When I watched the finale episode I realized he hasn’t caught up. He hasn’t quite made the leap away from heaven. He might think he has and Crowley might even be starting to think that too. He even had us as an audience beginning to think he had let go of that baggage But Aziraphale’s problem is he wants to do good . He wants to save the world and heaven with it. he can’t quite give up the ghost- he is too self sacrificial. He’s going to need to learn that he, like many kids of abusive parents- can’t fix the situation he came from. Not without sacrificing himself. He’s going to have to stop running and confront his baggage to truly be free of it. And Crowley on the other hand needs to realize he can’t just run from his past. He needs to reckon with his time as both angel and demon. He needs to grieve what was taken from him instead of just living in opposition to it. Because Crowley’s problem is he too wants to save the world. He just wants to do it in his own (and maybe with Aziraphale, but mostly on his own). He too is way too self sacrificial to the point that he sacrifices himself and his sense of self time and time again all in the name of his own side. His side may be the only truly good one between heaven and hell. But he is only one entity. He has to learn to open up again. To truly open up. Which is why it’s so frustrating that when he finally opens up to Aziraphale in episode 6, things go wrong! But as frustrating as it is, it sets an amazing stage. It gives Aziraphale the chance to build up Crowley’s trust. To build up Crowley’s faith in them as team. So that when Crowley opens his heart again it’s done on his own terms and in a way that is healing. Poor Crowley has been though so much, and he has been through so much of it alone. People can affirm themselves and their path’s in life only so much with out needing some support from others. Notice how Crowley is still living in his car. He never asked if he could move into Aziraphale’s bookshop. He sees himself as a burden, as not good enough for the angelic Aziraphale that he so admires. He probably thinks he would weigh him down. Crowley needs affirmation to heal. He needs to be loved and not loved in a way that’s cloaked with shame, but loved in a way that is able to sit with self comfortable. But Aziraphale is not at the point where he can give that love yet. When that happens he can help Crowley heal from his abandonment by heaven. He’s been picking up after heaven’s mistakes since before his fall. It’s time for someone to take care of him in return. Because as much as Crowley says his actions have nothing to do with heaven or hell, he does still feel burdened by their weight. Now he can’t do this journey just with Aziraphale. He needs to do some of it on his own. Bu he needs love to heal- we all do. So does Aziraphale. They can give each other that. But they have to be ready to. They have to do the work they need to do on themselves to get to that point.
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vavoomed-for-crowley · 2 months
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"What If"... Aziraphale really wanted to confess in S2 Ep5?
... and they wouldn't have been interrupted? Now, hear me out. Aziraphale didn't know that demons were waiting outside, which is why he didn't share Crowley's worries. Let's just pretend for the following scene that the demons never threw the brick because they simply couldn't do any harm to the bookshop and were forced to wait for the doors to open.
Crowley had made his way through the dancing people and appeared right behind Aziraphale, who watched the scenery with a smile. "Making it rain is one thing, but a Ball with..." Crowley tried to find the right words for that absurd scenario he was in. "Look, there's something wrong. There is something really wrong." Aziraphale tried to breath even, he felt nervous as he thought about his plan once again but he was ready to shoot his try.
"Well, perphaps you could tell me" he began even before turning around to look at Crowley. "... while we dance." He looked expectantly at the demon.
"You don't dance" Crowley said sceptical, brows furrowed.
Since the reaction wasn't exactly a 'No', Aziraphale grabbed Crowley's hand excitedly and dragged him along to join the others dancing. A wide smile was spread across his face, unable to hide the joy he felt. This was perfect, utterly romantic even.
Crowley was more than just confused. Everything felt so odd, not to mention the danger awaiting them outside the bookshop. If his angel would just listen... They were safe for now but this evening couldn't last forever. Overwhelmed by the entire situation, Crowley somehow just went with it. He knew they could dance, he knew they weren't part of the miracle, yet Crowley was surprised how well they knew the steps and moved together. And that it didn't bother him at all to dance with his angel in an utterly exaggeratedly cheesy situation like this. His hand lay softly on Aziraphale's, fingers slightly curled around his hand. Their touch so softly, so gentle and not even planned but Aziraphale noticed every detail of it, his heart racing as they moved. First, he thought Crowley had curled his finger like that by accident but with every new time their hands touched, Crowley's fingers curled around his hand again like it was the most natural thing. Their eyes met and did Crowley just blush? Aziraphale's heart sure skipped a beat.
Actually, Aziraphale was curious to see how Maggie and Nina were doing but he couldn't take his eyes off Crowley. He looked so handsome and everything about this moment felt so good, he wanted it to last forever. Knowing that this was impossible, Aziraphale tried to capture every little detail to at least remember it whenever he wanted to.
"Hell has sent demons" Crowley said gravely and disturbed Azirphale's thoughts. His brows were furrowed, jaw clenched. If Aziraphale wouldn't have been so caught up in the moment, he would've realized that Crowley was actually really worried. "They are milling around outside, they want Gabriel."
Nevertheless, Crowley didn't stop dancing while talking. It was like the angel was guiding their way and the two of them never having done anything else than spending the evenings dancing together. "We're perfectly safe in here" Aziraphale tried to reassure the demon. He couldn't help the smile that still lay on his lips out of pure joy for this moment. He was dancing with his demon. "Technically, this bookshop still counts as an Embassy."
"I think you need to stop this charade" Crowley said sternly, seriously worried "and we need to work out what to do." And still, his fingers curled around Aziraphale's hand again, this time even somehow more as he really tried to hold onto the angel.
"I am not giving them... Jim" said Aziraphale strictly. He began to get mad, not as Crowley especially. But this wasn't how he imagined the moment to turn out. He wanted a dance, romantic moments, a moment of peace. With him!
"People will get hurt, angel" Crowley almost hissed whilst their faces were a lot closer than usual. Aziraphale felt Crowley's hot breath on his skin before they were more distant again.
"I think you're overestimating how much trouble we're actually in" Aziraphale tried to calm the demon. They were safe in there.
Once again, Crowley raised his eyebrow, giving the angel a sceptical look before turning his gaze towards the window next to the entry of the bookshop. Aziraphale followed his gaze. He could sense the presence of demons, he could make out that they were waiting outside but that was the point. They were outside.
"See?" Aziraphale stated and before he could lock eyes with Crowley again, his gaze met Nina and Maggie, dancing and talking. A smile was on Maggie's face as they were so close and even Nina was somehow smiling throughout their conversation. It worked! Joyfully, Aziraphale faced Crowley again, smiling widely.
"You're way too happy about the situation" Crowley said but joined Aziraphale as he began to dance again to the soft tones.
"Well, my dear, I think what you don't see is that my plan is working and Nina and Maggie... how did you say? Vavoom."
"Vavoom?" Crowley asked and Aziraphale nodded proudly. Crowley looked over at the two mentioned women and indeed, they did not only look like having a good time but as if something had changed between the two of them. The demon couldn't help the small smile forming on his lips as he watched them, suddenly forgetting about the danger outside. Could it really be that Aziraphale's weird plan had worked out?
Aziraphale looked at Crowley the entire time, admiring the dimples appearing as soon as Crowley began to smile and his forehead softening. He felt his heartbeat fasten once again as he admired not just what was in front of him but that things seemed to work out.
"Well, now look at that, angel..." Crowley muttered, still watching the two women. "Looks like you really know what you are doing."
"You think so?" Aziraphale asked happily. Did Crowley the demon actually truly appreciate his actions?
The latter finally turned his head to look at the angel and when their eyes met, even though Crowley still had his sunglasses on, Aziraphale's heart stopped beating for just a second. It was one of those rare moments where Crowley was truly happy and enjoying the moment, no hint of malicious glee or sarcasm, no falsehood to pretend he wouldn't care or like what was happening. And to Aziraphale, he looked so wonderful in that moment, that he fell even harder, if that was even possible.
"Don't like to admit it but looks like it."
"Crowley..." Aziraphale mumbled, his cheeks blushing. The song was slowly coming to an end and Aziraphale was sure Crowley would then start talking about the demons outside again. Right now, at this very moment, this was his chance.
It was Aziraphale that curled his fingers around Crowley's hand this time, allowing even some soft pressure on them and when he did, it was Crowley's heartbeat that fastened, himself unsure to keep the eyes on the angel or their hands, surprised by the action. "I was thinking..." the angel continued slowly, choosing his words wisely. "About us. I was thinking about us, I mean."
"Us?" Crowley asked, brows furrowed once again but automatically holding tighter onto Aziraphale's hand as his heartbeat fastened even more.
"Us. As in you and me. And I realized, not that I hadn't noticed it before, but in all this time I could always rely on you. You were always there for me. Put your trust in me, helped me. And... even if you don't want to hear it, you're not so bad after all. And you show that to me every day." Aziraphale realized that the music was about to end in less than a minute. Time was running out. "Crowley, having you by my side makes me happy. I-" The courage left him; the last notes of the music starting. Now or never! "Vavoom" Aziraphale muttered and quickly shook his head. Too late. The composition came to an end and Crowley had heared what Azirpahle had just muttered, even though Azirpahle had multiply practiced what to say earlier. He blushed instantly.
"Vavoom?" Crowley asked. They had stopped dancing, a new composition started to play but they just stood there, hands still touching mid-air. Too caught up in the moment to realize what was happening around them. It felt like time stood still, even though a new composition started to play. A slight smirk was in the corner of his lips, not giving away how fast his heart was beating. Was really happening what he was thinking was happening?
"I..." Suddenly, Aziraphale felt very shy. Almost ashamed by his choice of words.
"Yes, angel?" Crowley asked, left eyebrow raised.
Aziraphel felt Crowley's fingers curled around his hand, softly holding it, felt his gaze through the sunglasses but did not notice that Maggie and Nina, even though they were still dancing, were watching them as well now.
"Do you think this is their first time?" Nina asked Maggie. "I mean, he told me they don't date but look at them!"
"I think they are about to kiss!" Maggie said with a mixture of excitement, surprise and joy. "We... We should look away" she said and adverted her gaze quickly.
Aziraphale put down his hand and placed his fingers around Crowley's glasses instead. Carefully, he put them down. "Angel..." the demon whispered, trying to stop him, trying to stop people from seeing his eyes but he was too caught up into the moment and too distracted from Aziraphale right in front of him.
"I want to see your eyes..." Aziraphale whispered, their bodies much closer now than before as he had come closer to take off the sunglasses "...when I tell you that I love you, Crowley."
"You-" Crowley repeated softly before his eyes widened. "You do what?" He didn't even wait for Aziraphale to repeat his words. He might would change his mind then. Not giving that a chance. Instead, he grabbed the angel by the collar and closed the distance between them by pressing their lips together.
Vavoom, indeed.
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lickthecowhappy · 4 months
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The three songs in the Small Back Room represent the three seasons
I want to talk about the three songs that play in The Small Back Room. They seem specific and I have thoughts on them but I would love to read more opinions. At the moment, I have two main theories about the choices and their sequence. There is probably more to it than I see but I’ll focus on just one here. I also think that threes are more important that we realize and the fact that there are three instances of the audience hearing music in the shop is significant. I also think it’s interesting that Aziraphale heard two songs and Crowley one, and which they each heard.
The three songs that we hear in The Small Back Room are:
You Don’t Own Me by Lesley Gore from the album Lesley Gore Sings Of Mixed-Up Hearts (This plays in episode 1 when Aziraphale goes to see Maggie about the “ugrent” matter.)
You Don’t Have To Say You Love Me by Dusty Springfield from the album You Don’t Have To Say You Love Me (This plays when Aziraphale goes into the shop to ask about the song Jim was singing. Maggie is “not crying” about being rejected by Nina.)
Comin’ In On A Wing And A Prayer (published in 1943) (This song is playing when Crowley goes to make sure Maggie is on her way to the Whickber Street traders and shopkeepers monthly meeting.)
For this analysis I will assume they represent the themes of Seasons 1-3, and that they are chronological.
You don't own me I'm not just one of your many toys
You Don’t Own Me represents the abandoning of their sides. It’s a song intended to say “I’ll go along with you as far as I can but don’t try to tie me down.” The lyrics are a declaration that the listener doesn’t hold any ownership over the singer, the singer has full autonomy and won’t accept any attempt to be changed or restrained. This tracks with season 1. It’s heard by Aziraphale very early in s2e1, before Jim even shows up. Aziraphale and Crowley go along with their sides in season 1 but ultimately choose their own autonomy (what’s right) at the risk of destruction.
When I said I needed you You said you would always stay It wasn't me who changed but you and now you've gone away Don't you see that now you've gone And I'm left here on my own That I have to follow you and beg you to come home
You Don’t Have To Say You Love Me represents separation and the absence of commitment. The song details that the singer is in love with the listener who has seemed to change their mind and abandoned them. The singer insists that the listener need not make a verbal declaration of love but just to be accessible. It is heard when Maggie is “not crying” over Nina and their uncomfortable feelings, and while Aziraphale is trying to uncover (unbeknownst to him) another romance. This is consistent with the results of season 2. Aziraphale has seemingly abandoned their side after Crowley’s request to remain close at hand. A romance that has been, up until now, mutually unspoken but mutually felt.
Comin' in on a wing and a prayer Comin' in on a wing and a prayer With our one motor gone We can still carry on Comin' in on a wing and a prayer
Comin’ In On A Wing And A Prayer represents reliance on hope in a desperate situation. This song is the origin of the common idiom meaning exactly that. “Things look bleak, but we have a chance.” Our plane is crippled but we’re all alive, we’ve achieved our goal, and we might yet land safely. It is heard when Crowley reminds Maggie of the meeting, and I think that it is significant that it’s the only one he hears and the only one Aziraphale doesn’t hear. If this song represents season 3, one driving force is out of commission; non-responsive. But there are still other forces at work and the listener should keep faith.
But what if these songs are all present as emotional manipulation?
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