#I've got multiple large scale projects lined up

[comicaurora]

Hello! I wanted to send my appreciation to you as a longtime fan of OSP and Auroura! I am an English Major with ADHD and your content always makes me inspired and my English Lit. Brain very happy with how good your storytelling is.

My question is what stories inspire you to write or make you want to sit down and tell a story? Your content makes me want to work on my projects, but my Adhd only last as long as I am not disturbed (i.e. need to eat or get up and move). You have always been upfront about your Adhd so my second question is how do you keep focused on your story and not burn out? (Talking as someone who is writing a novel as their thesis)

You have been a great inspiration over the years and someone I look up to as a storyteller! I wish you focus and luck! => 💝

Woo! Interesting questions!

When it comes to inspiration, I haven't really found a pattern for what works and what doesn't. The majority of the time, only new experiences/stories I haven't seen or read before work for me - rewatches and re-reads, while much more comfortable for my brain, don't tend to translate into creative inspiration for me - but it's not like a specific genre, or even a specific kind of relaxation, consistently work for me.

The way my brain works is a bit "no take only throw", as it were. I want to just sit down and make solid, steady progress in a predictable environment with a routine, but what I need is to try new things, go outside, take risks - because all those things give me new material to work with and refill the creative gas tank. When I'm stuck, I can't just hit the gas and punch through the block - I need to back up and try a new angle.

The good part of all this is that whatever engine that's running my subconscious is actually pretty good at signaling what it needs. The ADHD brain will be repelled by activities that aren't working for it and drawn to the things it needs at the time, whether that's creative energy or exercise or cleaning or doodling or listening to music or suddenly binge-watching a show that's not even all that great, and once it's got what it needs out of it - whatever that is - it'll be repelled again, either spitting out a sudden burst of creative energy or retreating to its den to chew on whatever it got out of the experience for a more slow-building reward. Little bursts of motivation and creativity pop up all throughout the day, and if you can pivot to the activity in question - or at least note down the idea you just had - you'll be able to harness that pretty nicely.

This "system" really only works for me because I have an extremely unstructured schedule and nobody relying on me to be consistent moment-to-moment. If I'm following the creative needs of my inscrutable Better Writer In The Back Of My Head, I can't be worrying about things like a consistent lunchtime or classes or a 9-to-5. All of my observations are caveat'd by the fact that I am ridiculously lucky to have the kind of freedom of movement and schedule that I can focus entirely on getting to know my brain better.

When it comes to staying focused on any one project, I've reluctantly concluded that the only way to win is not to play. Creativity needs time and diversity to recharge, and when you stall out in any given work session, it's usually because you're out of gas. This is why I maintain several projects in varying stages of "for my eyes only"-ness - a sketchbook, private writing projects, patreon doodles, music practice; even in the large-scale projects like the channel and the comic I have multiple angles of attack at any given time, where I can as needed switch between scripting, research, drawing frames, storyboarding more plot onto the end of the comic's current draft and lining/coloring/background-ing the finalized pages of the comic chapters earlier. This lets me maintain semi-steady progress on average, even if any one facet of the process is left by the wayside for potentially even weeks at a time.

If you're working on one writing project, one novel, I'd recommend giving yourself some time to do small-scale side-hobbies. It won't feel like they're helping, but they are.

I've started to think of inspiration rather similarly to the way I think about nutrition and digestion. It's a somewhat arcane process that, despite being a part of me, I don't exactly understand what's going on under the hood. If you eat only one thing, no matter what that one thing is, you're going to end up sick because you're lacking all sorts of niche micronutrients. If you parcel out a specific space of the only things you're allowed to eat, you might not get sick (as quickly) but you're likely going to become increasingly miserable as you think of the things you're not allowing yourself to try, or slowly build up highly specific forms of malnourishment by avoiding certain things entirely. But if you start listening to your body and try eating what it says it needs at any given time - oh, I could go for a rice bowl right now, oh I don't think I'm feeling something sugary today, man I could really go for some grapes - you're likely to hit a broadly good balance of health because you're hitting a broad range of things your body needs, even if you don't know all of their names or calorie counts, and your body is putting those resources to good use without your conscious input. Between my brain and my stomach, I only trust one of those to actually understand what a stomach needs to do its thing - and between me and my creative brain, most of the time it feels like I just work here.

I hope there was something helpful in all this!

#asks #not aurora #writing stuff

[kurisus]

I have been trying, for the last few days ever since the news dropped, to muster up the words to speak on my feelings about Noragami ending, and I'm still struggling.

It's just...I've been following the manga monthly since spring 2015. Never fell behind, even survived the fifteen-month hiatus without losing interest. It's been something I've been into since early 2014, something I've been ill about since fall 2015, and something I think about during idle moments for every year since then. I've loved every second of following this story as it develops, and it really does feel like a chapter of my life will come to a conclusion when this series does.

That said, I know the ending will be beautiful and I'm glad to witness it in real time, and glad Adachitoka was able to take the story to its intended conclusion despite the health issues preventing them from releasing full-length chapters every month. I also think it's kind of poetic that it will end on 27 volumes, much like FMA, another very special series to me--although I got into that as it was ending/had just ended, so I didn't have quite the same experience of being up-to-date on releasing chapters.

In 2022 I got into the Locked Tomb books and they very quickly became my favorite book series, and something that occupies my thoughts to an extent rivaling Noragami. I would say that that's going to be my next Ongoing Thing That I Love (that also gives me hives and regular breakdowns), but there's only one book left so I won't have it for much longer than Noragami, although of course both will always be around for rereads.

So, all in all, I'm hoping I can find another ongoing series to get severely obsessed with after both of those come to their planned ends, because as much as I love getting into something that's already completed, there's a special kind of enthusiasm to be involved in a fandom for years. For Noragami alone I've drawn dozens of pieces of fanart, written hundreds of thousands of words of fanfiction, run multiple fandom events, started (and finished) several large-scale projects, and talked/read theories and predictions until the cows came home. I've also reread it multiple times and have found something new to love about it each time. I don't read too much manga and most of my book recs come from the rats, but I'm desperately hoping to find something that awakens this level of emotion in me on a regular basis, for years to come, because it's really just as much about the magic of an ongoing series as it is about the quality of the writing.

Until I find that series, I will have Noragami in its completed, intended form, and it won't be leaving my headspace anytime soon. And when I do find that series, I hope you will all join me in screaming over That with every new update. That's all for now but I'm sure I'll have more feelings/thoughts later down the line.

#live update #under the cut is just me being sappy lmao #in summary I am looking forward to Noragami's ending but my heart doesn't want to say goodbye either. augh

[miafreemandesignpractiseone]

05/03 | Peer Feedback & Class Making

The feedback on my word mapping was really positive and said that I had done a good job pushing my words further. They said there was a bit more room for expanding my word map further, but I think my chosen words are well suited to my practise and topic.

MAKING

I drew more colourful portraits and talking through my topic with Sue made me realise that I'm drawn to doing female portraits because I've been subconsciously linking it to my research topic. It also made me realise that cutting up, collaging and disfiguring my work is setting me in the right direction for my making in my research project. As my topic is about being disabled and beauty standards surrounding that, collaging the portraits to make them look disfigured/different symbolises disability and the disabled appearance. Creating collages that disfigure faces but compose them in a way that makes them look almost beautiful will hopefully help change perceptions to view deformities as something beautiful.

From these portraits that I did ripped them up and disfigured them multiple different ways. I wanted them to be unique but still recognisable as faces, so I focused on keeping the overall structure of the face the same but using different materials or collaged the portraits together.

This was a really fun process and got me thinking about far I can push the portraits to keep them looking like faces but more and more messy. Sue ways really intrigued by the organic forms that ripping the paper can get rather than straight cut lines. I think that the ripping looks much nicer and can create some interesting forms.

Talking to Sue about my making was positive, she encouraged me to keep making and try out some of the other ideas I had, like screen-printing on felt and different textiles. Sue suggested trying to print on stretchy materials and how the warping of that could be used to further distort an image which is definitely something I want to explore. She also encouraged me to make my final outcome for this class as a zine. I've always wanted to make and Sue and I talked about how something interactive and large scale could be quite interesting (how perception of the piece changes as you move around it/closer to it etc).

Experiments of seeing how far I can go with distorting the portraits.

I was also told by Sue to look into Chuck Close, portraiture and colour theory.

#week two

[thegalleonsnest]

Wiggle’s Muse - Short Excerpt turned into a FanFic

Yo, so, I wanted to share a small snippet of a future project I’m working on (while also delaying my current art projects). What I’ve written out here in this post was originally in a format not meant for professional writing purposes, but I said “eh, why the hell not,” and written it out in sort of a short fanfic format for you guys to read. This project btw, is not a fanfic (had to make that clear). What I am working on is a very large scale project for myself and is still in the blocking out/rough draft phases. This right here is probably my most fleshed out scene I’ve written out, and feels pretty complete as it’s own thing. Honestly, I’d appreciate the feedback if any of ya’ll found this interesting! 

Also I’m putting this in a tumblr post because I don’t have an AO3 or fanfiction account, and this is already too short for it anyway. Read the excerpt below

In front of the camera lenses, multiple grumpuses walk back and forth discussing a matter of topics but most importantly, where was Wiggle?

"Has anyone gotten ahold of Wiggle yet? She was supposed to be here hours ago,” a gruff voice coming from out of frame says. “We’ve tried calling her for over an hour, but we got nothing,” says another off camera, “do you think we should reschedule-” before they could finish, the studio doors bust open with a loud thud echoing the studio room. A tall, short armed grumpus with a boa stumbles along the room carrying an oddly shaped banjo.

“There she is,” said the gruff voiced grump, “Wiggle, whatever you got going on, you better do it now cause we got a meeting with investors in half an hour!” From the blurry view of a slightly out of frame Wiggle, she barely registered what the grump said. In a stumble, she walks to the center of the camera’s view & shakes her head, almost slurring her words, “Doooon’t worry, Darling, we’ll get you a new vest later.” “What, no, wait, that’s not what I-” before another word could be said, Wiggle readies her banjo and strikes a quick pose before strumming the strings like her life depended on it.

It didn’t take longer than a few seconds before the crew sprung into action, setting the proper lightning, mics and cameras around her. Her rhythm and measures became a lot more stable, catchy even, and then she broke into song. The next set of lyrics would become an instant, regrettable classic. 

It’s not long before the VHS tape stutters and stops, showing mostly static. A magenta furred Grumpus with some hair covering a part of eye, hits the eject button, takes out the tape and turns off the tv. “Girl, you were a right mess there!” She said with a giggle. “Tell me about it, Vrittany...” Wiggle said frustratingly, pinching the bridge of her nose. “And you’re telling me you can’t come up with anything better than that? Come on now!” “I wish I was lying, but I’m not. No matter what I come up with, nothing is topping whatever the heck my walking coma came up with instead!” Wiggle grabs her mug of coffee and takes a longing sip.

The two sit across from one another at the coffee bar. The aroma of that day’s set of cocoa beans waft through the cafe as most of the outside lamps fill out the darker spots inside. The place is nearly empty besides them, and a single muted green furred occupant sitting at a booth at the opposite end of the cafe, drawing away in his sketchpad.

“So, whatcha gonna do?” Vrittany asked sarcastically, “Stay awake for another week? Get inspired again? Hehe.” Wiggle sets her mug down, and answers, “I did try that again, but in style I fell asleep comfortably on a couch in the lobby”. Vrittany looked a bit stunned. “You’re kidding?! You’re crazy!” “Not crazy, Vrittany,” she takes another sip of her coffee before striking a pose in her high stool seat, bellowing out her voice. “Just creatiiiivly driveeeen~” “Whatever you say, darling,” Vrittany says before turning around to her bar’s sink. She cleans several mugs and glasses with gusto while preparing one last pot of coffee, enough for a single cup for later.

Vrittany takes off her apron and hangs it on the wayside of the counter as she walks around to take a seat next to Wiggle. After situating herself, she puts a paw on Wiggle’s shoulder. “Listen, pretty sure this is just a rut you’re stuck in right now,” she says. “Doesn’t every artist go through that every now and then?” Wiggle turns her head toward Vrittany, “Well..yeah, but this is different,” she desperately says. “I can’t let a song I made in my sleep be the best thing I’ve ever made! I know I can make something that’ll shake the world more than whatever ‘Do The Wiggle’ was.” 

Vrittany pulls back her paw from Wiggle to put on her best thinking cap. As deeply in thought as she was, her face immediately relaxes into a deadpan expression, “Have ya tried singing from the heart?” Wiggle cracks a smile, “HA, if only that’s how it works! It takes a musical genius to write a hit song in show biz, not just some field day with my feelings.” “Eh, worth a shot. Got any other plans?” “I’m still trying to figure that out. I need some kind of inspiration...almost like a-”

Before she could finish her thought, they both caught a glance at the muted green furred grump who walked up to them. He mustered up the words and said, “E-excuse me, you’re Miss Wiggle, right?” Wiggle turned in her seat to get a better look at the young Grumpus. She could tell he was nervous, clutching his sketchbook in his arms rather tightly. She quickly put on a more relaxed front to help calm things down, while also still showing off a bit of her excited side. “Why yes I am, Darling,” she said enthusiastically. “And I can tell you must be a fan of mine.” “Y-yeah...!” The green grump looked a little more relaxed, but still stiff in the shoulders. “Hey now, no need to be so nervous. I always got time for my fans.” “Thank you, Miss Wiggle. Um…” “No need to finish that thought, Darling, I know what you’re about to ask and I’m happy to oblige!”

Before the young man could stop to say something, Wiggle pulls out one of her many professional hand out photos that she has, and quickly signs with her autograph before handing it to him. “O-Oh, thank you, Miss, but that’s not what I was going to s-say.” he sheepishly says. “Really? Not an autograph,” Wiggle says surprisingly. “It’s usually the first thing fans ask of me.” “Sorry, I just...I wanted to show you this sketch I made…” 

The nervous grumpus slowly turns his sketchbook around to reveal a fully sketched art piece depicting a stylized Wiggle singing her heart out at the bar with Vrittany hanging out in the background cheering her on. He hands it to Wiggle to give them a closer look. It was still somewhat messy, showing a few guidelines and early roughed out shapes, but for what it was, it was still impressive to the two girls.

“Woah, that’s pretty rad!” Vrittany yelled out, leaning out from her seat trying to get a closer look. Wiggle was pretty stun, gasping at the sight of such a piece of artwork. “Darling, you drew this?! Just now,” Wiggle asked in awe. “Yeah! I was listening to some of your music and then you came in and sat down. It made me wanna draw you as fast as I could,” the green grumps says excitedly before rubbing the back of his head. “Sorry if it’s still a little messy looking though…” “Don’t be, because it is beeeaautifuuul~” “T-thank you so much, Miss Wiggle! T-that means a lot to m-me!” the grumpus says while his face lights up red from the praise. “You’re like an inspiration to me.” “Really now? Like a muse? All I do is sing the night away, Darling. You draw little masterpieces like this from me?”

As Wiggle continues to be enthralled by the young man and his work, Vrittany notices the coffee pot had finished brewing. She gets up from her seat and go back behind the counter to finish her last cup for the night. Wiggle and the green grump continue their conversation.

“W-well kind of,” says the grump, “it’s a bunch of music that inspires me when I draw. A lot of your stuff is so upbeat and fun, it gives me lots of different ideas to pump out!” Wiggle looks back, almost flabbergasted. “I’m...honestly a bit stunned that I had that kind of impact on you, Darling,” she says, almost with a melancholy tone, “...heh, kind of forget sometimes I do make some kind of impression on grumps like you.” She looks back down at the sketchbook, entranced by the creativity that sparked in the moment. That dazzling moment where it all clicked...where could she find that, when someone else can find it in her?

After an awkward minute of silence, the young grump spoke up and said, “If you like, you can keep the sketch page, Miss Wiggle?” Wiggle snapped her head back up from the sketchbook to the green fuzzball. “W-wait really? Are you sure you wanna give up this piece of art?” said Wiggle worryingly. “It’s no problem at all,” said the green grump proudly. “I already took a picture of it to save for later. I’m gonna make a painted version of it online later! Besides, it’ll make me happy if you kept it, since I was going to give it to you anyway.” “Oh Darling, you’re nothing more than a sweet one now, aren’t you? I’ll gladly keep it!” “Thank you so much, Miss Wiggle!”

Wiggle hands the sketchbook back to the green grumpus and he tears out the sketch. “No, Darling, thank you,” Wiggle says ecstatically. Vrittany returns from behind the bar with a to-go cup in hand, saying “Here’s your order, kid.”  “Oh, thank you, Vrittany. How much was it again,” the green grump asked. “Eh, don’t worry about it. Don’t feel like counting change. It’s on the house.” “O-oh you sure?” “You wanna change my mind?” “Don’t think I can, so thank you!” The green grump turns back to Wiggle and says “It was so nice meeting you in person, Miss Wiggle!”

“The pleasure is all mine, Dar-,” Wiggle catches herself before she realizes something. “Actually, what was your name?” “It’s Grite, Grite Tillsland!” Wiggle lets a genuine soft smile grow on her face. She felt a lot more at ease and happier knowing her new friend was much more relax and happy overall. She reached out her paw for a handshake, and Grite reciprocated.

“The pleasure’s mine, Grite, Darling.”

#Bugsnax #Wiggle Wigglebottom #TheGalleonsNest Writing #Fic #wip excerpt #Bugsnax Fanfic #Hope you guys enjoy a taste of what's to come #even when there's very little context #I've got multiple large scale projects lined up #this is just one of them #I hope to officially start it this year #but there is still a lot of backend work to be done #and also I got tons of art to make too before then

[douchebagbrainwaves]

I'VE BEEN PONDERING YEARS

Galleries are not especially prone to waste money. But that prescription, though sufficient, is too narrow. Hence such parodies as Pets.1 The EU was designed partly to simulate a single, large domestic market.2 All you need from a launch is some initial core of users. But if ephemeralization is one of the most immediate evidence I had that something was amiss was that I couldn't talk to them. Microsoft will have a significant effect on our returns, and the rest are just a cost of doing business. So you start painting.

For users, Web-based applications, you'll find that delighting customers scales better than you expected.3 My hypothesis is that all the programmers have to be aggressive about user acquisition when you're small, you'll probably get something better. Google, and Facebook all got started.4 Stocks will generate greater returns over thirty years, you had to be pretty convincing to overcome this. If you want to keep an eye on things you've changed recently. People who majored in computer science generally tried to conceal it. The main significance of this type of profitability is that you're no longer at the mercy of investors. The other major technical advantage of Web-based startup is food and rent. A new concept of variables. The most common was some combination of a blog, a calendar, a dating site, and Friendster. It was a sign of an underlying lack of resourcefulness. Most startups fail.

He meant the Mac and its documentation and even packaging—such is the nature of platforms. In startups, developers are often forced to talk directly to users, whether they want to work on ideas that few beside them realize are good. When you interview a startup and think they seem likely to succeed than not.5 But I think that a lot of variation in the incoming stream, but instead of pursuing this thought they tended to suppress it, in the sense that all you have to do it, even print journalists.6 But the Collison brothers weren't going to wait. At the time there might have been. Maybe it's just because knowledge about them hasn't permeated our culture yet.7 The best thing would be if it were inherently stupid to invest in Microsoft. If you're ramen profitable this painful choice goes away.8

It's Parkinson's Law running in reverse. The problem with India itself is that it's still so poor. Grad school makes a good launch pad for startups, because you're only replacing one segment instead of discarding the whole thing.9 The worst thing is not the optimal time to do it was turn the sound into packets and ship it over the Internet. It seemed the perfect bad idea: a site 1 for a niche market 2 with no money 3 to do something called price discrimination, which means charging each customer as much as they used to. The number of users and the problem they solved was an urgent one. The fact that you can get at least someone to pay you, getting incorporated, raising money, but you can't expect to hit that right away. Values are what have types, not variables, and assigning or binding variables means copying pointers, not what they point to. But that is at least the next Chicago.10 There's selling, promotion, figuring out what those problems are.

It used to be aware of death to a degree that violates our expectations about variation. The test drive was the way to create wealth is to make more than you spend. But success has taken a lot of money.11 You can change anything about a house except where it is. It allows you to give an impressive-looking talk about nothing, and it may be just as likely to feel life was short if we lived 10 times as long?12 Any strategy that omits the effort—whether it's expecting a big launch to get you users, or a professional football player. And really it never was.

I asked some friends who work for big companies.13 You can be ornery when you're Scotty, but not so wrong about the underlying principle.14 Otherwise you'll have to make something people will pay for? Imagine how depressing the world would be if it were all like school and big companies, you'd need an impressive-looking talk about nothing, and it would be possible to reproduce Silicon Valley in Japan, because one of Silicon Valley's most distinctive features is immigration. Why don't more people do it? David Filo and Jerry Yang started the Yahoo directory in February 1994 and were getting a million hits a day by the fall, but they don't realize it.15 The traditional break everything and then filter out the uncommitted. They've spent 15-20 years solving problems other people have in their heads. The good news is, choosing problems is something that has a 90% chance of failing, if you don't solve all their problems. You can be ornery when you're Scotty, but not when you're Kirk.16 Yes. A lot of would-be founders.

As Fred Brooks pointed out, small groups are intrinsically more productive, because they know that as you run out of garages. It's easy to let the days rush by. For the first week or so we intended to make this an ordinary desktop application. The more versatile the tool, the less you need the money. The amount of time you have. It was easy to tell how smart they were, and most decent hackers are capable of that. I don't think many people realize how fragile and tentative startups are in the US are auto workers, New York City schoolteachers, and civil servants happier than actors, professors, and professional athletes? We felt we were good at organizing groups and making projects happen. You're not sacrificing anything if you forgo starting a startup is merely an artifact of the way through the server market; Yahoo's servers, which deal with loads as high as any on the Internet, anything genuinely good will spread by word of mouth.

For a big company, it's good news.17 If we ever got to the point where they could raise millions from VC funds if they hadn't first raised a hundred thousand from Andy Bechtolsheim. Viaweb was a typical larval startup. If I'd had to wait a year for the next couple years, a good recipe for startups will be to remind founders they need to do is give the right sort of founder a one line intro to a VC, and he'll chase down the implications of what's said to you can sometimes lead to uncomfortable conclusions.18 If you pay them to raise the money to manufacture your own hardware, or use your software for the first time, you know what you're talking about, you can succeed by sucking up to the right people: you can tell that by the number of people who want to come to America can even get in? You never really know what's happening inside it.19 What they want is easy. Technology is a lever.

Notes

There's a sort of investor who says he's interested in each type of mail, I would be a quiet, earnest place like Cambridge in that. It's hard to predict at the time required to notice them.

Delivered as if you'd invested at a discount of 30% means when it converts. It's conceivable that a company in Germany told me they like the application of math to real problems, but nothing else: no friends, TV, go running. On the other hand, a market of one investor who says he's interested in us!

For example, would not produce a viable organism.

If they no longer working to help the company they're buying. But those are guaranteed in the sense that if colleges want to work late at night.

If not, greater accessibility. Even college textbooks is unpleasant work, done mostly by technological progress is accelerating, so presumably will the rate of improvement is more important for societies to remember and pass on the young Henry VIII and was troubled by debts all his life.

These points don't apply to types of startup people in 100 years. That's very cheap, 1/50th of a problem if you'll never need to offer especially large rewards to get to profitability on a hard technical problem. I'm also an investor, and the valuation is the place for people interested in x, and owns significant equity in it. In 1525 he was exaggerating.

You have to turn down some good proposals too.

The Industrial Revolution was one in an era of such regulations is to protect widows and orphans from crooked investment schemes; people with a few VC firms were the impressive ones. For example, the only companies smart enough to defend their interests in political and legal disputes. Possible doesn't mean a great thing in itself deserving.

I've deliberately avoided saying whether the 25 people have historically done to their stems, but he refused because a there was near zero crossover. Eratosthenes 276—195 BC used shadow lengths in different cities to estimate the Earth's circumference. Com in order to win.

So in effect what the valuation a bit misleading to treat macros as a high school, approach the queen bees thereof and offer to be memorized. However, it was so violent that she decided never again. 25.

92.

Most were wrong, but the nature of server-based apps to share a virtual home directory spread across multiple servers. Indeed, that's not art because it reads as a high product of number of customers you need is a dotted line on a saturday, he was 10.

A termsheet with a product manager about problems integrating the Korean version of this essay, but I don't want to believe your whole future depends on the y, you'd get ten times as much as people in any era if people can see the old version, I would take their customers.

Indeed, it causes a fundamental economic shift away from large companies. William R.

But in this essay talks about the cheapest food available. It took a back seat to philology, which either desperately tries to munge what I've said into something that was killed partly by its overdone launch.

Dan was at the exact same thing twice. The reason not to. Peter Thiel would point out that there were 5 more I didn't like it if you want to know how many computers the worm infected, because there are some whose definition of property is driven mostly by technological progress aren't sharply differentiated. That's very cheap, 1/10 success rate for startups that have little do with the sort of community.

Many think successful startup? They each constrain the other is laziness.

Considering yourself a scientist. 43. So the cost can be useful in solving problems too, and when you had in high school textbooks. Innosight, February 2012.

And that will sign up quickest and those where the acquirer wants the employees. But if idea clashes got bad enough, maybe the corp dev people are magnified by the fact that they have less room to avoid using it out of their core values is Don't be evil. In principle companies aren't limited by the government and construction companies.

#automatically generated text #Markov chains #Paul Graham #Python #Patrick Mooney #investor #BC #problems #companies #sort #number #types #Jerry #actors #application #science #mouth #time #something #combination #auto #test #thing #home #couple #implications #money #company #people

[josephbr911]

Build Something!

As many of you know, woodworking is one of my hobbies (chores if my wife makes me do it). In the grand scheme I'd say I'm certainly an amateur, but I've still built things that I'm proud of. And whatever your skill level may be, it can be such a rewarding endeavor (not to mention a money saver). Anyone's who's relished in the sweet smell of fresh cut cedar or had their eyes open wide when they apply that first coat of stain and watch that grain come to life knows what I mean. It just makes you want to make more. Whether they're trinkets or decorations or furniture, my house or other people’s homes are starting to get littered with products of my wood shop (garage).

Whenever I build something new, I inevitably get asked from others one of two, if not both questions:

1. Can you make me one? (Quick answer: Yes, if you help out, supply (or pay for) materials, and provide the beer.

2. How did you get started doing this (and how can I start doing this)?

I'll use this post to answer question 2 and hopefully get you on the path of making some sweet sawdust of your own!

A. Get some tools and supplies. When possible, get power tools. Power makes the world go round. NOTE: I'm only going to list building tools and supplies. Finishing supplies is a whole other can of worms.

Mandatory:

Wood -- Duh. I have found that all kinds of beautiful things can be made out of cheap construction timbers (knotty pine) with a little finesse.  Birch plywood is great for large panels and looks beautiful with stain.  MDF is also a great material for large panels, but you can’t stain it (gotta paint it), you better pre-drill your screw holes, and it makes a awful mess when you cut it.  Cut it outside and wear a mask.  Beyond that, you can spend as much as you want on higher end boards like poplar, oak, maple, walnut, cherry, etc... but prepare for a little sticker shock if you need several board feet.

Tape measure and speed square -- these will let you accurately measure out and mark cut lines. The speed square can also be used as a handy fence to make quick and straight cross cuts with a circular saw.

Hammer and rubber mallet -- uses of the hammer are obvious. The rubber mallet is very handy for "coaxing" tight pieces into place without marring them.

Safety glasses, ear protection, and shop apron -- self explanatory.

Clamps, clamps, and more clamps -- a woodworker can never have enough clamps. You can get a lot done with a variety of sizes of bar clamps, C clamps, and spring clamps. To save some dough, pick up the cheapies at Harbor Freight. I've got tons of them and they've served me well. Seriously, get a lot of clamps.

A supply of wood glue and nails/fasteners -- TiteBond II is the glue you want. Just always have some on hand. The fasteners will accumulate as you buy more for specific projects.

Cordless Drill/driver -- Any homeowner should already own a decent one. Bonus point if you pick up an impact driver. While not necessary, an impact driver makes driving large screws a breeze and makes stripped out heads a thing if the past. Once I used one I wondered how I lived without it.  Of course with these tools you'll need an assortment of drill bits and driving bits. They can be bought in affordable kits. In my experience, Ryobi bits suck.

Circular saw or Jig Saw -- A circular saw (go corded to start out) is very versatile and can perform a variety of cuts... except curved cuts. A jig saw excels in making curved cuts in thinner materials and smaller, more intricate cuts (good for arts and crafts). I'd start out with a circular saw and perhaps add the jig saw as funds become available.

Power Sander -- Some may argue this is optional, but F that. Life is too short to sand shit by hand. Get either a pad sander or random orbital sander and a variety of sanding disks or paper. 80, 150, and 220 grit (or close to those numbers) should cover 98% of your sanding needs.

Cold beer and tunes -- what fun is working in the garage without a pop and Metallica in the background?

Optional:

Kreg Pocket Hole Jig -- I suppose this is one of the "optional" items, but seriously, just spend $100 and buy the K4 system. It is basically "wood joints for dummies". Ask anyone who owns one and they'll echo my sentiments. I wish I'd have known about it when I started woodworking. it allows you to easily fasten pieces together with a fairly strong joint while skipping complex wood joining methods.  Buy it.

Miter saw AKA chop saw -- A chop saw will make fast, accurate, and repeatable cross cuts all day long. It can also make angled cuts (either miters or bevels, and both at once). Most simple 10" saws will cleanly cut up to 2x6s and 4x4s, but you'll need a 12" or sliding saw to cut larger pieces. I have a 10" and it's plenty for 95% of what I want to do. While very handy, I would not get only a chop saw and skip the circular saw. Get the circ saw first (it can perform more tasks) and add a chop saw when your ready.

Router and variety of bits -- a router is what can really take your finished projects to professional looking. While a router can perform many tasks, I mostly use it to put a decorative profile on the edge of pieces, like a table top. A simple round over or chamfered edge make your projects look finished. While you can buy a fire-breathing router with a table, I've been plenty satisfied with a "trim router" that accepts 1/4" collet bits. Getting a plunge base with it will further enhance its abilities.

Shop vacuum -- Cutting wood makes a damn mess. If you want, I suppose you could get by with a broom and dust pan, but a capable shop vac makes life easier. But which one? My answer is simple. When you're browsing the selection at your local Home Depot or Lowes, get the one that costs $100.00.

Nail Gun -- If you already have an air compressor at home (for filling tires, basketballs, blowing things off, etc...) you’re halfway there.  I picked up an open-box 18ga brad nailer off of Amazon a while ago.  It is awesome for tacking on small trim pieces and barely leaves a nail hole.  Highly recommended if you can swing it.

Advanced:

Table saw -- while many say that a table saw is the heart of any wood shop, for most of us it isn't going to be an early purchase or practical. I've been fortunate enough to have anytime access to one thanks to my neighbor (thanks Lloyd!) and recently picked up a small one from a garage sale. They excel at rip cuts and are extremely versatile. With certain sleds and accessories, you can do almost anything on a table saw. But they can be pricey and can take up a lot of room.  If you have extensive rip cuts that you need done but don’t have a table saw or they may be too big a task for your circular saw, ask the friendly faces at Home Depot or Lowes to make a cut for you.  When you buy lumber you’re allowed two free cuts per, and you can usually sweet talk them into more.  Just leave them a nice review.

Planer -- This machine let's you control the thickness of your materials. Very nice for if you're making a table top out of multiple boards and want to ensure they're all the exact same thickness, among other things. They can also remove surface imperfections and leave the planed surface clean and almost finish-ready. They also make one HELL of a mess. Use it in your driveway with your shop vac on hand.

There are of course more advanced tools you will see in professional wood shops, but I'm not trying to cover that full scope. This is for the hobbyist.

B. Get a plan. Some people are good at throwing caution to the wind and cutting wood and slapping shit together. I am not one of those people. Thankfully we live in the age of YouTube, Pinterest, and websites like Ana-white.com and rogueengineer.com . There are all kinds of plans and projects on these sources with materials lists, cut lists, finishing tips, etc... Even if the project isn't to your scale, you can always crunch the numbers and adjust to your needs. Brush up on your fractions. I have a little notebook where each page is grid paper. I like to sketch out projects to double check my measurements and make sure the math adds up.

C.  Don't be afraid to make a mistake. You learn by doing and you learn from your mistakes. I get better with each project by learning from my previous mistakes. And for the most part, wood is cheap. Of course, by this I don’t mean throw caution to the wind when it comes to safety, which brings us to...

D.  BE CAREFUL!  Power tools are dangerous.  Hell, regular hand tools can be dangerous.  I have a few scars to prove that, but thankfully still have all my fingers.  In my opinion, two tools you should have a healthy fear of are the table saw and the router.

E. A few tips I’ve learned over the years:

“A little putty and paint makes a carpenter what he ain’t”.  A sander, some putty or filler, and some paint can fix a lot of boo boos.

A sharp knife is a safe knife.  Too true.  If you try to force work pieces against dull blades, you are greatly increasing the risk of something slipping and sending that blade into your fingers.  Keep your tools sharp.

If you have access to some of the advanced tools like a planer and table saw, you can make good use of salvaged wood (just watch for nails!).  For example, the trestle coffee table pictured towards the top of this post was make exclusively from wood I found behind a dumpster.  That's right, I was dumpster diving.

Work with a friend or neighbor if possible.  It will lessen the physical load, give you another set of hands, and put two brains together when trying to solve a problem.  Besides, who likes drinking woodworking alone?

That's all for now.  Have fun making sawdust!

-JR

[douchebagbrainwaves]

I'VE BEEN PONDERING ADVANTAGE

Today a lot of people who get rich by creating wealth, which is the satisfaction of people's desires. Another possibility would be to let that opportunity slip. Hence a vicious for the losers cycle: VC firms that have been doing badly will only get the deals the bigger fish have rejected, causing them to continue to do so but be content to work for a long time. One of the most powerful forces in history. In other words, you get anything, but this is the Bambi version; in simplifying the picture, I've also made everyone nicer. When I heard about after the Slashdot article was Bill Yerazunis' CRM114.1 Bulgaria, we could all probably move on to working on something so new that no one else has done before. What's a startup to do? I now believe, is like a pass/fail course for the founders, because they were living in the future.

Plans are just another word for ideas on the shelf. Which is not to run unnecessary utilities that people might use to break into this group.2 Also they find they now worry obsessively about the status of their server.3 A third and quite significant advantage of angel rounds is that they're too much influenced by recipes for wisdom. Computers are so cheap now that you can. Web-based software they are going to get bought for 30, you only have to compete with other local barbers. Things are very different in the early days of microcomputers.

Who made the wealth it represents? Large-scale investors care about their portfolio, not any individual company. In a traditional series A round they often don't. It would be like being an actor or a novelist.4 Actors do. But they usually let the initial meetings stretch out over a couple weeks.5 As one VC told me: If you were talking to four VCs, told three of them that you accepted a term sheet, ask how many of their last 10 term sheets turned into deals.6 Which for founders will result in the perfect combination: funding rounds that close fast, with high valuations.7

During the panel, Guy Steele also made this point, with the idea of versions just doesn't naturally fit onto Web-based applications, everything you associate with startups is taken to an extreme with Web-based applications. It had the same probability,. It's just not reasonable to expect startups to pick an optimal round size in advance, because that means your growth rate is decreasing. There are three main disadvantages: you mix together your business and personal life; they will probably not be as well connected as the big-name VC firm will not screw you too outrageously, because other founders would avoid them if word got out.8 Because of Y Combinator's position at the extreme end of the scale of the successes in the startup world, closing is not what deals do. But more than half the agreed upon price.9 When you can reproduce errors and release changes instantly, you can manufacture them by taking any project usually done by multiple people and trying to do things that might look bad. And software that's released in a series of small changes.

C is pretty low-level, but it looks like they're merely floating downstream. But what if your manager was hit by a bus?10 In the past, but users won't hear about them anymore. The most naive version of which is the prudent choice. If you're already profitable, on however small a scale, it costs nothing to fix.11 Since demo day occurs after 10 weeks, the company is default alive or default dead may save you from the building burning down. But by the time most people hear about it. Half the founders I talk to a startup.

With respect to the continuance of friendships. It would be nice to be able to find statistical differences between these and my real mail.12 Who would rely on such a test? He got a 4x liquidation preference. In a company founded by two people, 10% of the total or $10,000, whichever is greater. I asked him if he could get all the attention, when hardly any of them can succeed is if they all do. Before Durer tried making engravings, no one would have any doubt that the fan was causing the noise.

And once you've written the software, our Web server, using the state of your brain at that time.13 If server-based software will make new languages fashionable again. As word spreads that startups work, the number may grow to a point that would now seem surprising. Tokens that occur within the To, From, Subject, and Return-Path lines, or within urls, get marked accordingly.14 Another way to fund a startup is like being an administrator.15 And so you didn't get a lot of what looks like work. Except you judge intelligence at its best and character at its worst.16 The most obvious advantage of not needing money is that you can get at least someone to pay you significant amounts, the money is there, waiting to be invested. The advantage of raising money from them. And yet the trend in nearly everything written about the subject is to do the opposite: to squash together all the aspects of it that are most measurable.

In the long term. So if you want to isolate from your developers as much as a checkout clerk because he is one more user helping to make your software very efficient you can undersell competitors and still make a profit. Technology gives the best programmers of any public technology company. One thing we'll need is support for the new way that server-based.17 As long as VCs were writing checks, founders were never forced to explore the limits of the markets it serves. And that doesn't seem a wise move. A company that grows at 1% a week will in 4 years be making $25 million a month.18 In fact, I'd say investors are the most common type, so being good at solving those is key in achieving a high average may help support high peaks. VCs obviously don't need to: it lets them choose their growth rate. But at the moment when successful startups get money from more than one of the big dogs will notice and take it away. Now the group is looking for more investors, if only to get this one to act.19 For many, the only thing that mattered, and you are very happy because your $50,000 into at a valuation of a million can't take $6 million from VCs at that valuation.

Notes

Prose lets you be more likely to be self-interest explains much of the businesses they work for startups overall. The liking you have good net growth till you run through all the time I did the section of the magazine they'd accepted it for had disappeared. And that is not the shape that matters financially for investors.

I made because the arrival of desktop publishing, given people the shareholders instead of crawling back repentant at the outset which founders will do worse in the sophomore year.

But you can ignore.

Several people have historically been so many people work with me there. Thought experiment: If doctors did the same gestures but without using them to stay in a place to exchange views. Delicious, but in practice that doesn't have users.

But what they're selling and how unbelievably annoying it is not whether it's good enough at obscuring tokens for this at YC. But on the critical question is only half a religious one; there is a bit dishonest, incidentally, because it aggregates data from crashed hard disks. Different kinds of startups is that the VCs I encountered when we created pets.

It doesn't take a long time by sufficiently large numbers of users to recruit manually—is probably 99% cooperation.

If you're good you'll have to assume the worst. Particularly since many causes of the fake. Charles Darwin was 22 when he received an invitation to travel aboard the HMS Beagle as a type II startups won't get you type I startups. Basically, the most common recipe but not in 1950.

One thing that drives most people come to writing essays is to the minimum you need to be doctors? Later you can play it safe by excluding VC firms expect to make money from the 1940s or 50s instead of just Japanese.

And what people actually paid. But knowledge overlaps with wisdom and probably also intelligence. A more powerful, because sometimes artists unconsciously use tricks by imitating art that does.

It's not the original text would in itself be evidence of a company they'd pay a premium for you, what that means having type II startups won't get you a termsheet, particularly if a company, but the problems you have to want to create a silicon valley out of the proposal. Photo by Alex Lewin. But it is to write in a large organization that often creates a situation where they are.

But his world record only lasted 46 days. Statistical Spam Filter Works for Me.

There is always 15 weeks behind the doors that say authorized personnel only. The reason the US is partly a reaction to drugs. Steven Hauser. Needless to say whether the 25 people have seen, so we should, because it was briefly in Britain in the sense that if you needed to read this to be more like Silicon Valley is no different from technology companies between them.

Well, almost.

At two years, it is more of a heuristic for detecting whether you can talk about the Airbnbs during YC. I may try allowing up to two of the next three years, but conversations with other people's. If only one founder is always raising money, then work on open-source but seems to have to do work you love: a to make that leap.

The First Industrial Revolution, Cambridge University Press, 1996. The markets seem to be at the outset which founders will do worse in the 1990s, and that the feature was useless, but the meretriciousness of the Dead was shot there.

Whereas many of the former, and the first philosophers including Confucius and Socrates resemble their actual opinions.

Maybe what you can hire unskilled people to endure hardships, but it seems a bit.

According to Zagat's there are already names for this is the ability of big companies to say they prefer great markets to great people to bust their asses.

It's a strange feeling of being Turing equivalent, but there are no misunderstandings.

Thanks to Eric Raymond, Marc Andreessen, Ed Dumbill, Chris Anderson, Sam Altman, Robert Morris, and Mike Arrington for the lulz.

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