#Johannes Lingelbach

[laclefdescoeurs]

Falconers on a path with harvesters loading hay onto a wagon nearby, a valley beyond, at dusk, 1659, Johannes Lingelbach

#Johannes Lingelbach

[fashionbooksmilano]

The Bamboccianti

The Painters of Everyday Life in Seventeenth Century Rome

Giuliano Briganti - Ludovica Trezzani - Laura Laureati

Ugo Bozzi Editore, Roma 1983, 405 pages, 26x29cm, 65 colurs tables and 284 ill. b/n., ISBN 9788870030105

euro 60,00

email if you want to buy : [email protected]

The Bamboccianti were genre painters active in Rome from about 1625 until the end of the seventeenth century. Most were Dutch and Flemish artists who brought existing traditions of depicting peasant subjects from sixteenth-century Netherlandish art with them to Italy, and generally created small cabinet paintings or etchings of the everyday life of the lower classes in Rome and its countryside.

Typical subjects include food and beverage sellers, farmers and milkmaids at work, soldiers at rest and play, and beggars, or, as Salvator Rosa lamented in the mid-seventeenth century, "rogues, cheats, pickpockets, bands of drunks and gluttons, scabby tobacconists, barbers, and other 'sordid' subjects." Despite their lowly subject matter, the works found appreciation among elite collectors and fetched high prices.

A questa scuola aderirono pittori fiamminghi, olandesi e italiani che furono attivi a Roma, tra gli artisti di questo movimento pittorico troviamo pittori come Jan Miel, Andries Both, Karel Dujardin, Thomas Wijck, Johannes Lingelbach, Jan Asselyn, Pieter van Lint, Michael Sweerts, e Keil Eberhard e, tra gli italiani, Viviano Codazzi (1611-1672), Michelangelo Cerquozzi (1602-1660) e il siciliano Filippo Giannetto (1631-1702).

29/07/23

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#Bamboccianti #Giuliano Briganti #Michael Sweerts #Johannes Lingelbach #Thomas Wijck #Andries Both #Pieter van Lint #Roeland van Laer #pittori fiamminghi #pittori italiani #pittori olandesi #art books #fashionbooksmilano

[huariqueje]

Carnival in Rome (Detail) - Johannes 'Johann' Lingelbach ,1650-51.

German , 1622-1674

Oil on canvas , 42.5 x 51.5 cm

#Johannes Lingelbach #german artist #detail painting #carnival scene #festive celebrations #Rome Carnival

[ancientorigins]

Roman Market Scene by Johannes Lingelbach (1653)

[realllyrandommann]

AMfP Paintings Part 2

This is the second part of my file on the paintings in the game. Read the first part here.

Title: Passage on the river Styx Artist: Nicolas-Louis-François Gosse Year: 1819

Title: Leda and the Swan Artist: Paolo Veronese Year: 1585

Title: ??? Artist: ??? About: Looks very similar to Henry Woollett’s ‘The Meet’

Title: The Hunting of Chevy Chase Artist: Edwin Henry Landseer Year: c. 1825–1826

Title: Over the Fence Artist: Warren Williams

Title: ??? Artist: ???

Title: A Lady Out Hunting Artist: Heywood Hardy

Title: The Meet Artist: Heywood Hardy

Title: Watermill in a Wooded Landscape with Rainy Weather Artist: Andreas Achenbach Year: 1853

Title: Dam Square with the new Town Hall under Construction Artist: Johann(es) Lingelbach Year: 1656

Title: A ship being caulked Artist: Reinier Nooms Year: between 1660 and 1664

Title: ??? (seems to be an unnamed illustration) Artist: Jacques Fabien Gautier d'Agoty Year: between 1746 and 1748 About: From ‘Myologie complette en coleur…’

Title: The Anatomy Lesson of Dr Deijman Artist: Rembrandt van Rijn Year: 1656 About: this fragmentary painting depicts brain dissection performed by Dr Jan Deijman

Title: ??? Artist: ???

Title: The Stenograph Year: c. 1882 About: The back side of the promotional card for M. M. Bartholomew's stenograph

Title: Bristol Butcher's Hanging Meat Display Artist: ??? Year: early 1900

Title: ??? Artist: ???

Title: Boreray Ram Photographer: Gibbja Year: 2011 About: a boreray ram named Haan. The species is also known as the Boreray Blackface or Hebridean Blackface

#amnesia a machine for pigs #paintings #art #amnesia #a machine for pigs #aamfp #amfp #the chinese room #frictional games

[blucalx]

Carnival in Rome - Johannes Lingelbach

#baroque #1650s

[iskusstvo-kultura]

Разорение Рима в 1527 году

Иоганн, или Йоханнес, Лингельбах (нем. Johann(es) Lingelbach; крещ. 10 октября 1622, Франкфурт на Майне — 1674, Амстердам) — голландский художник Золотого века, работавший в жанре бамбочада.

#искусство и культура #мир талантов и знаний #history of art

[joseandrestabarnia]

Johannes Lingelbach

Vista de un puerto del sur con comerciantes y prisioneros, un barco y la estatua de Fernando I de 'Medici en Livorno, nd

Óleo sobre lienzo, 49,5 x 57 cm.

Número de inventario: 0232NMK

Fecha de adquisición: Comprado antes de 1905

Johannes Lingelbach nació en Frankfurt en 1622, poco después de mudarse con su familia a Ámsterdam, Países Bajos, cuando todavía estaba en su infancia. A lo largo de su vida, visitaría Francia e Italia varias veces, inspirándose particularmente en el arte italiano durante sus estancias en Italia. Lingelbach también tenía un gran talento para pintar figuras y animales, y muchos de los otros artistas contemporáneos de su tiempo, incluido Meindert Hobbema, pagaron a Lingelbach para que poblara sus paisajes. La obra de Lingelbach representa una escena en el puerto de Livorno, que se puede reconocer por la estatua de Fernando I de Medici ubicada a la derecha. Lingelbach también visitó Livorno en su viaje a Roma y dibujó bocetos del puerto. Haría uso de estos bocetos durante el resto de su carrera, donde realizó varias pinturas del puerto de Livorno. Esta imagen muestra a dos prisioneros con grilletes a la izquierda, mientras que a la derecha hay dos comerciantes charlando sentados en la carretera y encima de productos empaquetados mientras esperan la partida del barco.

Hasta el año 2019, la obra se atribuía simplemente a 'artista desconocido', pero tras una revisión de historiadores del arte, se determinó que había sido realizada por Lingelbach, precisamente por la conocida estatua y otras particularidades del cuadro. que son distintivos de su trabajo.

Información e imagen de la web de Nivaagaards Malerisamling.

[italyandthegrandtour]

Il pittore e acquafortista olandese Johannes Lingelbach dipinse con colori luminosi scene di vita italiana alla maniera dei Bamboccianti, il gruppo di pittori attivi a Roma a metà del XVII secolo. Erano così chiamati dal soprannome Bamboccio dato al loro caposcuola: Pieter van Laer. I Bamboccianti svilupparono quel genere di pittura, da lui iniziato, volto a rappresentare piccole e vivaci scene di vita popolare e quotidiana, con gusto descrittivo e realistico e animati effetti di luce e colore, dette bambocciate. In aperto contrasto con la pittura ufficiale barocca, la loro opera ebbe grande fortuna tra gli amatori. Qui Lingelbach raffigura una scena di mercato in Piazza del Popolo, il primo scorcio di Roma incontrato dai viaggiatori che arrivavano da nord. Lingelbach - nella memoria del suo soggiorno romano - ha liberamente riorganizzato la disposizione della città nelle sue immagini. In questo caso sposta la fontana e cambia l'aspetto della chiesa di Santa Maria del Popolo, sullo sfondo. 1660 circa, olio su tela, Minneapolis Institute of Art.

[classic-art]

Mediterrannean Capriccio

Johannes Lingelbach, 1651

#Johannes Lingelbach #art

[dutch-and-flemish-painters]

Jan Looten & Johannes Lingelbach(attributed) - Forest Road - 

Landscape by Looten, figures attributed to Lingelbach.

Jan Looten (1617/18 in Amsterdam – c. 1681 in United Kingdom) was a Dutch landscape painter.

Johannes (or Johann) Lingelbach (1622–1674) was a Dutch Golden Age painter, associated with the second generation of Bambocciate, a group of genre painters working in Rome from 1625–1700.

#jan looten #Johannes Lingelbach #golden age #uk #landscape

[artfoli]

Detail of Portrait of Princess Royal Mary Stuart (1631–1660), 1652, by Bartholomeus van der Helst (1613–1670) and Johannes Lingelbach (1622–1674)

#Portrait of Princess Royal Mary Stuart #art #art history #1600's #17th century #detail #painting #artwork #art blog #art history blog #art detail #painting detail #Johannes Lingelbach #Bartholomeus van der Helst #wonderwarhol

[mia-paintings]

The Piazza del Popolo, Rome, Johannes Lingelbach, c. 1660, Minneapolis Institute of Art: Paintings

Genre scene. The Piazza del Popolo Johannes Lingelbach is usually considered a Dutch artist, because he moved with his parents from his native Germany to Amsterdam when he was about 15. In the later 1640s, he spent several years in Rome, and continued to paint scenes of southern Europe even after returning to Amsterdam. Here, he depicts a small market on the Piazza del Popolo, the first glimpse of Rome for travelers arriving from the north. Lingelbach freely rearranged the city’s layout in his pictures. In this case, he moved the fountain and changed the appearance of Santa Maria del Popolo, the church in the background. Size: 22 3/4 x 28 7/8 in. (57.79 x 73.34 cm) (canvas) 31 1/2 x 37 x 5 in. (80.01 x 93.98 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/1386/

#minneapolisinstituteofart #johanneslingelbach #artsmia

[mauritshuis-museum]

Harvesting the Hay, Johannes Lingelbach, Mauritshuis Museum

https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_87.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp

#mauritshuis #europeana #museumarhive #mauritshuismuseum #artmuseum

[met-european-paintings]

Battle Scene, Johannes Lingelbach, 1671, European Paintings

Purchase, 1871 Size: 44 3/8 x 63 1/4 in. (112.7 x 160.7 cm) Medium: Oil on canvas

https://www.metmuseum.org/art/collection/search/436890

#metmuseum #europeanart #johanneslingelbach #themet

[finnish-art-gallery]

A Hunting scene, Johannes Lingelbach, Finnish National Gallery

http://kokoelmat.fng.fi/app?si=A+I+669

#europeana #artmuseum #finngallery #finnishnationalgallery #museumarchive