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#KERRY WAS SUPREME
elvenbeard · 2 months
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A Like Supreme
#cyberpunk 2077#cp2077#cyberpunk vp#cp2077 vp#cyberpunk photomode#kerry eurodyne#cyberpunk v#male v cyberpunk#masc v#kerry eurodyne x v#vincent ezaki#my vp#otp: to bad decisions#HHHHH LISTEN#A Like Supreme is one of my most favourite quests for so many reasons#it's done so so so well - everything#and there's also so many little implications that are excellent headcanon fodder#eg do Nancy and Denny/Henry ever wonder about V's shift of demeanor and how they play the guitar so well? where Kerry even found them?#also the whole thing of there 100% being pics or recordings of the whole gig and V seeing themselves afterwards - I cannot imagine#seeing yourself move like you're a different person with just a few to zero memories of the whole thing#but for Vince - despite the weirdness and shock of seeing himself how he is like with Johnny in control#it's also a relief to know from the recording that Johnny behaved this time around and didn't do weird shit#rebuilding at least a fraction of their broken trust again#and also Kerry coming back to life on stage and surely at some point realizing that he wouldn't be there without V#how V really is the one making all this possible and risking so much by trusting Johnny#just to make him feel better and give them both a chance to find the closure they never got#like... man. my feels#in my hc that's not yet the moment when Kerry falls for Vince#but surely the moment he realizes there's so much more to him he wants to get to know properly - just needs to figure out how
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now-watching · 2 years
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Recommendations 26-30:
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26. CONFIRMATION (2016), dir. Rick Famuyiwa
“IT ONLY TAKES ONE CHOICE TO CHANGE HISTORY.
Judge Clarence Thomas’ nomination to the United States’ Supreme Court is called into question when former colleague, Anita Hill, testifies that he had sexually harassed her.”
Availability: Available on HBO Max with a subscription and can be rented via YouTube, GooglePlay, Amazon, AppleTV, and VUDU
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27. ¡ALAMBRISTA! (1977), dir. Robert M. Young
“After the birth of his first child, Roberto, a young Mexican man slips across the border into the United States. Seeking work to support his family back home, he finds that working hard is not enough.”
Availability: Can be viewed on The Criterion Channel with a subscription
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28. KEEPER OF THE FLAME (1942), dir. George Cukor
“THE SCREEN’S MOST EXCITING LOVERS IN THEIR NEWEST ROMANTIC TRIUMPH!
Famed reporter Stephen O’Malley travels to a small town to investigate the death of a national hero,”
Availability: Available for rental on YouTube, GooglePlay, AppleTV, Amazon, and VUDU
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29. FIELDWORK FOOTAGE (1928), dir. Zora Neale Hurston
“Under the tutelage of anthropologist Franz Boas (her former Columbia professor) and Harlem Renaissance arts patron Charlotte Osgood Mason, Zora Neale Hurston spent nearly two years, from 1927 to 1929, studying the folkloric customs, work songs, spirituals, and vernacular language of African American communities along the River Road and from New Orleans to Florida.”
Availability: Available for free at The Black Film Archive and available on The Criterion Channel with a subscription
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30. A TRIBUTE TO MALCOLM X (1967), dir. Madeline Anderson
“A short film made for William Greaves’ “Black Journal” that discusses the influence of Malcolm X, and includes an interview with his widow, Betty Shabbazz.”
Availability: Can be rented on Amazon and available for free on the NMAAHC site
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[The American Experience Film Recs]
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freshthoughts2020 · 1 year
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cleoselene · 3 months
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Did you know?
Democrats have won the popular vote in seven out of the last eight presidential elections going back to 1992? The only time the GOP has won the popular vote in the last 36 years in a presidential election was in 2004, and it was a pretty narrow margin. This was a wartime election and the first election post-9/11. The Democratic candidate was the unfortunately uninspiring John Kerry, who had been lied about. You know how in politics we say someone has been "swiftboated" when a successful lie is told about them? That term originates with the 2004 election because a bunch of people concocted an elaborate lie about John Kerry's military service. He wasn't super inspiring as a candidate, but that was the worst thing he did. He wasn't a bad guy. He was just running in a very gross, jingoistic time after the worst terror attack in American history, and had a bunch of successful lies told about him to the point where a whole word about a specific kind of lie was invented about it. THIS is the only time since 1988 that the Republican party has won the popular vote. George W. Bush did not win the popular vote in 2000. The Supreme Court ordered that votes stop being counted in Florida and handed the victory to Bush.
Donald Trump has never ever won the popular vote. The electoral college handed him the victory in 2016, less than 15,000 votes across three states decided the election. Hillary Clinton in total won about 3.7 million more votes than Donald Trump. Trump HATES hearing this number. He hates even more that Joe Biden got about 7 million more votes. He hates even more that you bring up the fact that he lost his midterm elections for his party in 2018, badly. And that the "Red Wave" in 2022 did not happen because of backlash at his Supreme Court. Or that in 2023 voters continued to reject his Supreme Court at the polls.
He knows, the Republicans know, that if more people vote, they lose. They don't want small d democracy. They want authoritarianism. They want to suppress it.
So when you get cute about not wanting to vote, you're not doing activism. You're surrendering.
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reportwire · 2 years
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Kerry: Despite setbacks at home, US to make climate goals
Kerry: Despite setbacks at home, US to make climate goals
WASHINGTON (AP) — U.S. climate envoy John Kerry said Friday that setbacks for President Joe Biden’s climate efforts at home have “slowed the pace” of some of the commitments from other countries to cut climate-wrecking fossil fuels, but he insisted the U.S. would still achieve its own ambitious climate goals in time. Kerry spoke to The Associated Press after a major Supreme Court ruling Thursday…
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silverdynetrutherr · 1 month
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something that sort of irks me about fanon kerry is just how much some people miss the point of his storyline. like a lot of people seem to think that kerry just accepted johnny back into his life, and wanted to continue a relationship/friendship with him. furthermore, some people think that kerry used v to get close to johnny, but that isn’t the case.
the entire point of kerry’s storyline is that v helps kerry get over johnny. firstly, by getting his closure in ‘a like supreme’. all kerry wanted after fifty-four years of waiting was to play one last gig with johnny and put it to rest. and we KNOW for a FACT that this is all kerry wanted, because johnny is the one to ask ‘wanna do it again?’ to which kerry replies, ‘huh? no. this was enough.’
from this quote from kerry alone, we know that he didn’t want to continue his relationship with johnny, at LEAST not the way they had before. kerry doesn’t even comprehend that johnny would want that at first, and this could be because of his own ideas about how johnny feels towards him, but the ‘huh?’ indicates clearly that kerry’s intentions in doing this show was to get closure and put it to rest. and kerry likes to process things alone, we know this from when he says he needs a power nap after meeting johnny again, and on the roof of dark matter, and, when kerry leaves after johnny resigns his music career to kerry, giving him his guitar. ‘won’t play without you.’ both of them, in this moment, accept that they will never be what they were. too much time has passed and too much pain has been caused.
this leads me to my next point; being that despite kerry being able to put aside his grief for johnny, and begin to overcome it, he still struggles to overcome the feeling of inferiority. this is what he calls v for. and when kerry calls, he initially asks ‘johnny?’ and a lot of people see this as evidence that kerry is hoping for johnny, and is disappointed when it’s v, however, kerry clearly states that he doesn’t know how the situation with johnny works, and is receptive when v explains it. during the gig where v and kerry blow up the us cracks’ gear, a number of people had come to the conclusion that this was a ‘show’ for johnny, to make an example of the kind of person he was. however, i don’t think it was done with the intention of johnny seeing it, of getting johnny’s approval. however, kerry didn’t know johnny can see what v sees, so this makes that impossible from the get-go. the reason kerry did this was not for the approval of johnny, because he had put the chase for approval to rest after the last show. the reason kerry did this was less about johnny, and more about the impact johnny had left on kerry.
kerry has a ‘sore-spot’ when it comes to success, the offence and upset kerry expressed is genuine, because he believes that his success is his own, and his fame is already in a precarious situation. we know he is aware of this, because he keeps several copies of articles criticising his music around his house. kerry is sensitive, and insecure and believes that his music may not be good enough. this is because of johnny, because johnny stole the show, because johnny had convinced him he’d never make it alone. we know this because of the conversations v and kerry have at dark matter. so, the act of blowing up the van, the act of breaking into the venue, the act of threatening them with a gun, was not to impress johnny. it was an act of severe retaliation to insecurity, and his own defensiveness, caused by johnny. when kerry decides to allow us cracks to use his song, it’s a major breakthrough for him. it’s one act that is symbolic of his maturity growing.
and that was not something that johnny helped him do. it was something that v helped him do.
the conversation they have at dark matter is also important here, and i can’t remember the exact quotes, but the entire gist of the conversation is kerry discussing how he feels about success. how he feels about night city, and how he still feels like he’s in johnny’s shadow after all this time. it’s negative, it’s holding kerry back from allowing him to achieve everything he’s ever wanted, and to enjoy it. he doesn’t WANT johnny to be around him, because he WANTS to be free of the feeling of entrapment, overshadowing and inability to achieve. that is the entire point of the conversation. and in a moment, (male) v is able to stop him being afraid, to tell him, he doesn’t need to be afraid, he doesn’t need to be insecure, he doesn’t need to hold himself back. johnny is dead. kerry is at the top of the city, literally, overlooking everything else. (and all it takes is a little kiss from v in that moment to make him smile)
AAAND finally, boat drinks. literally the epitome of character development. kerry tells v about the six months he spent at sea, working in a cruise ship, where he learned what it meant to bleed ‘in service of the rich’. this memory he shares with v is about him, alone. it’s about his life and when he decided what he believed in, it’s about when he came up with his first great song, and it’s not about johnny. kerry discusses ‘life’s loops’, and tells v that they’ve inspired new songs, a whole new album, and that they’ve helped kerry overcome his fears and inhibitions.
v alone, i repeat, V ALONE, inspired kerry, and helped kerry reach maturity, and reach his full potential and creativity, so that he could move on and be an independent person. for male v, this is why he loves him. v is special to him.
it was never about johnny, it was never an attempt to keep johnny in his life. it was about getting rid of the debris johnny left in kerry’s life. and despite the fact that they had loved each other, it did not work. johnny had made his choice in 2023, and kerry had made his in 2077.
johnny chose to die, in hiding of himself, and then kerry chose to live his life, in search of himself.
i can and WILL elaborate further on ANY point that i have either mentioned, or any counterpoint
thank u
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kharonion · 10 months
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Hi I'm suddenly Emotional thinking about this one tiny part of Kerry's quest...
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Seems like a generic video game thing of "oh wow, look at his unique weapon for your collection", but to me, it's anything but.
Because this is the same firearm Kerry walks out of the shower with. And sure, you can write that off as something less if you want but... the implications are harrowing.
Especially when you think about the moments in Holdin' On—when Johnny tells V about Kerry's past attempts on his own life, when Kerry evades all the questions about the tabloids and then lets slip how everyone in his employ has that very day off. When you think about how he doesn't need to readily arm himself for defense because he has numerous bots patrolling the villa at all times.
When you think about the implication that if V did not show up that day, there would've been catastrophic consequences.
And now, we fast-forward to this moment in A Like Supreme, when Kerry hands V the very pistol that could've resulted in that awful result.
The trust he puts into V in this very moment is astronomical, brings me to tears every damn time. Kerry is basically saying without words to V "hey, you saved my damn life", and he takes the first step toward a new lease on life, feeling more invigorated—and even a smidgen more positive.
Essentially, this is just a small yet powerful moment that tugs at my soul every time, and I wanted to talk about it. :')
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elvenbeard · 1 year
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/come join the dance of destruction/ /valor, sweet as a kiss/
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vole-mon-amour · 2 months
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Thinking about Johnny gifting his guitar to Kerry at the end of A Like Supreme.
Thinking about Kerry's in awe, "Really? Are you sure?"
Thinking about the spark in Kerry's eyes and the joy on his face when Johnny confirms that yeah, Kerry can have it.
Thinking about Johnny always being a part of Kerry and his life, even when Johnny is no longer physically with him.
(Softly) Yeah...
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plazmafields · 2 months
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Oh boy you better get your asses ready because I just beat the game again on 2.1+ and I think it actually has interesting implications for Kerry’s romance. SPOILERS FOR THE SUN ENDING SPECIFICALLY!
Like many other players, I got the Sun ending the first time I played, and (other than when I’m roleplaying a new type of character) it’s the ending I always go for and consider canon for my main oc Vesper. Over on the subreddit(s), people seem to view this ending as definitely 100% implying that V finds a cure and lives to see old age. While of course I would love my character to live a long and happy life, I don’t think that’s the case. V free floats off into space toward a several trillion dollar heavily guarded spacecraft filled with the most elite of the elite. That job was a suicide mission, and I interpreted this ending as V going out with a bang so they could finally, actually become a real Night City legend.
I believe Kerry knows this. When he calls you during the credits, Kerry asks you in a casual tone to buy some olives on your way back, then his voice gets soft and he goes, “Actually, you know what, forget it. I’ll buy them myself.” He does this backtracking in conversation several times during his romance, and I always read it as him being uncomfortable talking about his feelings. He stops himself from apologizing to V during A Like Supreme: Kerry gives V the gun he tried to shoot Johnny with, V reminding him that he was actually aiming the gun at V’s head. Kerry says “yeah…” in an apologetic tone and then starts saying “And earlier when–” then stops himself and says “nevermind.” Kerry also does this during Boat Drinks. He starts by saying “You shake things up, V. Make me feel…” trails off for a second, then stutters before saying “uh, I mean.” It sounds like he has a habit of stopping himself when he starts to feel he’s being too vulnerable.
Now, during the Sun epilogue, Kerry doesn’t hesitate when he tell’s V “I don’t want to lose you.” This would normally be a very vulnerable thing to say, and Kerry’s shown that he always backtracks in moments such as these. He even goes so far as to repeat it and make direct eye contact as he says it again. This makes it seem like maybe he’s done some emotional growing and is now more comfortable talking about his feelings, specifically with V. So, if that were the case, why does he restart the habit of backtracking in the credits call? He doesn’t backtrack during the emotional part, when he tells V he wants them to spend more time together and try to be less busy for one another. He only corrects himself when he talks about V coming back. Because he knows V isn't coming back. Even before that, right before V gets on the flying Delamain to head to the Afterlife, he says “Take care of yourself.” to Kerry, which feels very final, like he doesn’t think he’ll see Kerry again.
With all the other romances, saying goodbye in the mansion makes perfect sense. Panam is leaving with the Aldecaldos, Judy is leaving Night City for good, and River expresses that he feels their relationship doesn't feel equal. The conversation V has with Kerry feels very much like any of their other conversations throughout the game: Kerry talks about his stuff, then once he’s gotten it out of his system, asks how V is doing. But with some notable, very subtle changes.
Kerry is always excited to talk about himself, and rarely asks much about V unless he’s making sure V isn’t already dead. The text that actually sparked me wanting to put these thoughts to paper is the one where Kerry takes a personality quiz and it labels him as a narcissist. He’s self absorbed, sure, but he doesn't have the psychiatric disorder Narcissism as far as I’m convinced. Whichever reply you send, his responses are pretty funny. However, getting that text reminded me that the first time I played Cyberpunk I really wasn’t all that into Kerry as a character, and definitely not as a romance option.
So, the conversation you have in V’s mansion in the Sun ending is actually much more V focused than previous interactions with Kerry. When Kerry asks if you’re alright, even if you say everything’s fine, he still insists that he’s there for V and willing to talk, cuddle, fuck, whatever V needs. This is in stark contrast to when you call Kerry on the rooftop before picking your ending. During that call, he definitely notices something is off with V and asks if he’s ok, but doesn’t press any further when V says he’s fine. His dialog in the Sun ending is strangely caring for Kerry, who otherwise always seemed like V was more of a convenient side-piece with whom he shared a mutual friend. Obviously, as I’ve played the game more and considered Kerry’s quests and dialog options from different angles, I really like him as a character and see much more of his depth than I did on my first playthrough.
Now here’s why playing the game on version 2.1+ is important: 2.1 added dates with your romance options to the game (the “I really want to stay at your house” repeatable quest). If you were to consider the new texts, dialog, and gift responses from the perspective of any of the other endings, Kerry’s replies sound somewhat out of character. The phrasing, the word choice, the tone is all Kerry, but the sentiment is decidedly not so. “I really like you, V. Thought I should remind you.” after the first time he goes over to V’s. His response to getting the flowers or car, he’s almost too complimentary; I feel like Kerry would mention everything wrong with the gift first, then admit that he actually likes it, but still find a way to show his appreciation without saying the words “thank you, V.”
However, if you put everything added in 2.1 into the context of the Sun ending, it starts to feel like Kerry is growing as a person. That’s what his whole quest string was about, sure, but you don’t see him put any of those personal changes into practice after Boat Drinks (mostly because all the romance options just stop leaving their houses once you reach the end of their questlines). So the sweet, appreciative texts after dates and gifts, leading into the way he’s much more focused on V and their relationship during the Sun ending, It actually feels like a natural growth for his character. It’s like the dates, the gifts, the cute little replies, are all the beginning stages of him becoming a much more attentive partner in the Sun ending. Kerry even says himself, before V gets on the Delamain, that their relationship has changed his outlook on life and helped him reprioritize things. The 2.1 additions actually make it feel like we watched that journey begin for him, instead of it just being told to us after a time skip.
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neon-pink-witch · 2 months
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We need Kerry's version of A Like Supreme
His vocals are killer
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cherryrockpops · 2 months
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youtube
SAMURAI - A Like Supreme
I had a vision and desire to make a SAMURAI (Kerry 2023) music video. Hope you all enjoy!
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genocidalfetus · 8 days
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Brain Rot Thot
I swear to Odin, the next dumbass redditor who claims Kerry is only with V because of Johnny is getting kicked in the shins with my steel-toed boots.
Johnny has fuck-all to do with their relationship's development after 'A Like Supreme' and beyond. Anyone with more than one functioning braincell can see it in how Kerry behaves towards V. Plus, the text messages he sends are what cheesy dummies send to people they're really into.
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Kerry Eleveld at Daily Kos:
As protests related to the Israel-Hamas war erupt at college campuses nationwide, it's worth looking at the recently released Harvard Youth poll to take the temperature of what's important to young voters. Among Democrats age 18-29, women's reproductive rights topped the list, with young Democratic voters prioritizing it over other issues 68% of the time. Gun violence was a close second at 67%, and health care came in third at 63%.  That means many of the issues young Democrats prioritize are also issues that President Joe Biden and the Democratic Party are running on nationally. That is particularly true of abortion rights, which continue to permeate the national conversation.  This week alone, the Supreme Court heard oral arguments on whether to strike down a federal law that ensures pregnant patients receive emergency abortion care; Biden campaigned in Florida, where he blasted Trump for creating a national 'nightmare' on abortion; and abortion news dominated headlines in multiple states. 
Among Democratic voters aged 18-29, abortion rights and reproductive justice was the #1 issue prioritized, per a new Harvard Youth Poll conducted between March 14th and 21st.
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