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ruimeo · 9 months

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Sudden 骤变 Episode 4e

"Do you remember the table you always reserved for me? It's the same for me. I have a table reserved for you. It'll stay vacant, awaiting your return. I believe you'll turn up one day."

Chuning reaffirms her love for Qiliang by referencing what he had done for her in Tasmania (https://www.tumblr.com/ruimeo/726255416694243328/suddenep4a?source=share). Photo Credits: - Sudden 骤变 Episode 4 on meWATCH https://www.mewatch.sg/watch/Sudden-E4-41036

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springtomorrowfoodtravel · 2 years

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Pinang Peranakan Mansion | Filming Site of The Little Nyonya

The Pinang Peranakan Mansion is one of the main filming sites for MediaCorp's 2008 drama, The Little Nyonya & is also a must-see attraction in George Town. Pretty fun to join the free guided tour & see the Peranakan culture comes to life. #penangisland

I never knew the existence of Pinang Peranakan Mansion until I read in entertainment news many years ago that it was one of the filming locations for Channel 8’s 2008 drama, The Little Nyonya. Never did follow the drama then but I briefly caught a few episodes of the rerun and remembered seeing this green building with gold trimmings. Everything inside was just so grand and elaborate. I actually…

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#georgetown penang #penang attraction #penang museum #penang travel

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loadcustomer288 · 3 years

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Jenmam X Vijay Tv Serial Download

Jenmam X Vijay Tv Serial Download Site

Jenmam X Vijay Tv Serial Download Full

Jenmam x tamil serial watch: munde uk de punjabi movie songs Watch Indian Channels Online at nettv4u website. Indian Tv Channels includes Aaj Tak, ADITHYA TV, AXN, B4U Music, Colors TV, Channel providing a total free entertainment for tamil people. Sharing Free tamil mp3 songs, Tamil movies,Tamil serials/drama, cute scenes for download,free. This is an incomplete list of Tamil television soap operas, broadcast on nationwide networks Sun TV, STAR Vijay, Kalaignar TV, Zee Tamizh, Jaya TV, Raj TV, Polimer TV, Puthuyugam TV, Vendhar TV, Mega TV, Makkal TV, DD Podhigai, Captain TV, Vasanth TV, Shakthi TV, Vasantham TV, Nethra TV, MediaCorp Vasantham, Astro Vaanavil, Astro Vinmeen HD, IBC Tamil, Global Tamil Vision, Jeyam Tv and Deepam TV.

Mun Jenmam

Former title card of the show while it was known as Mun Jenmam

GenreTalk showPresented byAjay Rathnam Raja NarayananCountry of originIndiaOriginal languageTamilNo. of seasons1No. of episodes39ProductionRunning timeapprox. 45-50 minutes per episodeReleaseOriginal networkVijay TVOriginal release19 November 2011 – 12 August 2012External linksWebsite

Mun Jenmam is a 2011-2012 Indian-Tamil languagetalk show which aired on Vijay TV from 19 November 2011 to 12 August 2012 for 39 episodes. The show is hosted by television presenter Raja Narayanan. Happy wheels full version google sites. The show was initially presented by Ajay Rathnam, a famous actor in Tamil Cinema.

About the show(edit)

The show is noted for its interesting part on the person's past life. Dr. Vethamalika interviews patients under hypnosis and brings out the events in past lives that have connection with problems of the patients in current life.

List of Episodes(edit)

EpisodesCelebritiesTelecast date01Bose Venkat19 November 201102Nisha26 November 201103Kaveri3 December 201104Lakshmi10 December 201105Bobilona17 December 201106Kavya Varshini24 December 201107Lalitha31 December 201108Ammu7 January 201209Sabarna14 January 201210Abitha21 January 20121128 January 2012124 February 201213Revathi Priya11 February 20121418 February 201215Ragavi25 February 201216Yogini3 March 201217Hamsaveni10 March 201218Father17 March 201219Gana Viji24 March 201220Rajendiran31 March 201221Kavitha7 April 201222Gayathiri15 April 201223Vadivukkarasi21 April 201224Selvaraj Swami29 April 201225Charmila5 May 201226Swapna12 May 201227Shanthi Williams20 May 201228Danalakshmi26 May 201229Andai Kumar3 June 201230Sulakshana10 June 201231Deepa17 June 20123224 June 2012331 July 201234K. R. Vatsala8 July 201235Sai Priya14 July 201236Initha21 July 201237Rani29 July 201238Santhiya5 August 201239Sindoori12 August 2012

karthikeyan

External links(edit)

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Mun_Jenmam&oldid=968351573'

Sundari Neeyum Sundaran Naanum is a Tamil television Serial, which is telecasted on Vijay TV from Monday to Saturday at 1:00 PM. It premiered on 22 July 2019. Vinoth Babu and Tejaswini in the main protagonists of the Serial along with Sahana Sheddy and Latha in Important roles and Ashwanth Thilak, Seetha Anil, Jeevitha and Deepika in Supporting roles.

Sundari Neeyum Sundaran Naanum Serial Vijay TV Info/Details

Serial TitleSundari Neeyum Sundaran NaanumTiming1:00 PMDirectorAbdul KabeezFirst episode date22 July 2019GenreRural Love Soap OperaStarringVinoth Babu, Tejaswini, Sahana SheddyChannelVijay TV Original languageTamil Running Time22-24 Minutes per episode No. of seasons1

Sundari Neeyum Sundaran Naanum Serial Cast

Latha

Sahana Sheddy

Subalakshmi Rangan

Ashwanth Thilak

Seetha Anil

Jeevitha

Deepika

Sundari Neeyum Sundaran Naanum Serial Story Plot

The story deals with two families that live apart unaware of their blood relationship. Velmurugan, who loses his parents and he is very close to his grandmother and She wants him to get married to a responsible girl. Tamizharasi is a kind-hearted girl, who lives with her mother and two sisters and runs a school for specially-abled children.

Tamizharasi and her sisters do not know the secrets of their father’s death. A Love Story between them will form the major crux of the story. https://loadcustomer288.tumblr.com/post/658055376269393920/czero-download.

Jenmam X Vijay Tv Serial Download Site

Sundari Neeyum Sundaran Naanum Serial Promo

Jenmam X Vijay Tv Serial Download Full

Promo Via: Vijay TV

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marcioaikido · 4 years

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Repost by @aikidoshinjukai Aikido Shinju-Kai @ Mediacorp channel 8. Drama series: “The Good Fight” . Featuring: @aikido_alexanderlee & @seanwishtofly . . . . #aikido #aikikai #aikidoaikikai #aikidoka #aikidolife #martialarts #budo #karate #jiujitsu #judo #aikidoshinjukai #thebudolife #sportmotivation https://www.instagram.com/p/CFjkgTRJG6I/?igshid=1utbgorxmojhj

#aikido #aikikai #aikidoaikikai #aikidoka #aikidolife #martialarts #budo #karate #jiujitsu #judo #aikidoshinjukai #thebudolife #sportmotivation

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luggageoutletsg · 4 years

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Remember to catch this latest Channel 8 drama “After the Stars” with an impressive cast at 9pm! Which celebrity is your favourite? 🤩 (at The Theatre at Mediacorp) https://www.instagram.com/p/B6IlCyanViH/?igshid=1kktc5b9hds70

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uzentan · 5 years

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🎥 Appreciation for the All Is Well Channel 8 Drama. Thank you Mediacorp for getting us down to treat the crew that worked tirelessly for this drama! . Having an appreciation for your team? Call us down now! [email protected] . Nineteen95 the Espresso Bar | Mobile Coffee Catering Singapore | Coffee Vendor Singapore | Mobile Coffee Cart Singapore . #feelgoodcoffee #mobilecoffeecatering #mobilecoffeecartsg #mobilecoffeesg #cafesg #coffeesg #foodpornsg #coffee #coffeetime #coffeelover #coffeeaddict #coffeeshop #coffeebreak#instacoffee #coffeegram #coffeelovers #coffeelove #igsg #singapore #instasg #sgig #IGerssingapore #instadaily (at Mediacorp) https://www.instagram.com/p/B3meSAflR6dFtNgvoi2d1xk27b5fkD9bKx8bKI0/?igshid=1xg8zro5isbv2

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ruimeo · 9 months

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Sudden 骤变 Episode 4d

Qiliang is happy for Chuning's promotion to junior partner, but the cheery mood turns pensive because... Love their range of expressions here. Photo Credits: - Sudden 骤变 Episode 4 on meWATCH https://www.mewatch.sg/watch/Sudden-E4-41036

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ronaldleesg · 5 years

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watching #CrazyRichAsians via #HMVod:

Pierre Theodore Png Tiang Huat (方展發 29 October 1973) is quite eye catching in the movie. He was educated at St Gabriel's Primary School and Holy Innocents' High School. He’s a Singaporean actor and comedian of Peranakan descent. He is known for starring in MediaCorp's Channel 5 and Channel 8's dramas. Early in his career, he was known for playing the role of Phua Chu Beng in long-running sitcom Phua Chu Kang Pte Ltd. He is also known for his role as a troubled and unhappy husband in the 2008 year-end blockbuster period drama The Little Nyonya, and as a villain in 2013 drama The Journey: A Voyage.

1) if you don’t have a suite, call your husband and buy the hotel? 2) this movie is just marvellous. Rachel Chu is just jor another poor girl, but a professor in Economics. 🌝

PLOT: In 2018, Nick Young (#HenryYoung) and his girlfriend Rachel Chu (#ConstanceWu), an economics professor at New York University (NYU)🇺🇸, travel to Singapore for the wedding of his best friend Colin (#ChrisPang/#吳育剛) to Araminta. In Singapore, Rachel visits her college friend Peik Lin (#Awkwafina) and her family, who are shocked when Rachel tells them that she is dating Nick Young. Peik Lin explains that Nick's family is extremely wealthy and well-known and that Nick's high-society family and friends will give her a cold reception, but Rachel is unconcerned. At a dinner party at Nick's family estate, Nick introduces Rachel to his mother Eleanor (#MichelleYeoh), while Nick's cousin Astrid (#GemmaChan) discovers that her husband Michael (#PierrePng/#方展發), a tech startup founder and former military captain, has been having an affair. Rachel worries that Eleanor dislikes her, although she seems to make a good impression on Nick's grandmother Su Yi.

Rachel attends Araminta's bachelorette party, where she is confronted by Amanda, who reveals that she is Nick's former girlfriend. Rachel returns to her hotel room to find it vandalized, and is comforted by Astrid, who tells her about Michael's affair. Nick attends Colin's bachelor party, where he tells Colin about his plan to propose to Rachel. Colin expresses his concern about the trouble it will cause Rachel, especially with Nick expected to stay in Singapore and run his family's corporation. Rachel vents to Nick about the bachelorette party, and he apologizes to her for not telling her about his family before. He takes her to make jiaozi dumplings with his family, where Rachel admires Eleanor's emerald engagement ring. Later, Eleanor recounts the sacrifices she made to become a part of the Young family, privately telling Rachel that she will never measure up. Rachel is hesitant about attending the wedding, but Peik Lin convinces her to go and stand up to Eleanor. While driving to the wedding, Astrid confronts Michael about his affair. He partially blames his unhappiness and the great financial disparity between them on her then gets out of their car en route.

At the wedding, Rachel stands up to Amanda and Eleanor. During the reception that night, Eleanor and Su Yi privately confront Rachel and Nick. Using the findings of a private investigation, Eleanor reveals that Rachel was conceived through an adulterous affair, after which Rachel's mother, Kerry, abandoned her husband and fled to the United States. Following this, they demand that Nick stop seeing Rachel for fear of a scandal. Rachel is stunned, as Kerry had told her that her father was dead, then flees in tears. Nick chases after her despite Su Yi's warnings. Rachel stays at Peik Lin's home for a few days, depressed and drained. Kerry arrives in Singapore to pay her a surprise visit, explaining that her husband was abusive and that the comfort an old classmate provided turned into love and a surprise pregnancy. She later fled in fear of her husband. Kerry tells Rachel that Nick had arranged for her visit, and urges Rachel to talk to him. When they meet, Nick apologizes and proposes to Rachel.

Rachel arranges to meet Eleanor at a mahjong parlor. She tells Eleanor that she declined Nick's proposal so his relationship with his family would not be ruined, and that when Nick eventually marries someone who is good enough for Eleanor, it will be because of her. Astrid tells Michael that she will be moving out of their apartment, blaming his insecurities for their marriage failure. Rachel and Kerry board a flight back to New York City, but are interrupted by Nick, who proposes with Eleanor's ring, revealing her blessing. Rachel accepts and they stay in Singapore for one more night for an engagement party, where Eleanor nods at Rachel in acknowledgment. In a mid-credits scene, Astrid exchanges glances with her ex-fiancé Charlie Wu.

S’poreans triggered because ‘Crazy Rich Asians’ not representative of real S’poreans https://mothership.sg/2018/04/crazy-rich-asians-no-minorities/

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optimarcus · 7 years

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[Television] 7 of the weirdest categories at the Star Awards

[Television] 7 of the weirdest categories at the Star Awards | #SA2017SG

Star Awards. (Channel 8 Facebook Page)

The Star Awards 2017, Singapore’s version of the Academy Awards, is almost upon us. It’ll be telecast live this Sunday (17 April) on Toggle at 7.30pm, in a move that shows Mediacorp’s growing awareness that most television shows aren’t watched on television anymore.

The Star Awards started in 1994, when Mediacorp was known as SBC (Singapore Broadcasting…

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#Channel 8 #drama #MediaCorp #Singapore #star awards #star awards 2017 #television #tv

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apkoffice-blog · 6 years

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Toggle APK

New Post has been published on https://www.apkoffice.com/app/toggle-apk/

Toggle APK

Watch Mediacorp shows, LIVE sports and Toggle Originals anytime, anywhere!

Toggle is Mediacorp’s digital entertainment service that lets you watch free videos on-the-go. Download our free app for these features:

• Watch LIVE TV channels – Channel 5, 8, U, Suria, Vasantham, okto and Channel NewsAsia • All of Mediacorp’s programmes from horror and thriller, to romance and variety, available for you to watch anytime • Enjoy Toggle Originals – fresh and exciting drama series, exclusively on Toggle

Our app is updated daily with the latest videos, so check in for your daily entertainment dose!

Want more? Subscribe to Toggle Prime and you’ll also get: • Toggle-It-First – watch Mediacorp dramas 7 days before TV telecast date • Over 19,000 hours of premium content

For supported devices and FAQs please refer to our website: http://www.toggle.sg/en/faq

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berdleychoong · 7 years

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Celebrating 50 years of National Service, bringing you a drama filled with bonds and friendships in midst of defending our nation. "卫国先锋 When Duty Calls" premieres 31 July 2017, 9pm (every Monday to Friday) on Channel 8. P.S. You can catch a glimpse of MANHUNT SINGAPORE 2017 trio in one of the episodes too! 😉 . . . #ManhuntSingapore #ManhuntSingapore2017 #ChangingLives #TheBeamSearch #TeamBeamers #BeamArtistes #WithBerdley #Mediacorp #WhenDutyCalls #WhenDutyCalls8 #Singapore #Channel8 #Ch8SG #Drama #Toggle #ToggleSG #NS50 #MINDEF #SAF #RSN #RSAF #Army #Navy #AirForce (at Mediacorp)

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cheapclothing-fan-blog · 7 years

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Men's summer fashion guide: Beat the heat in style!

By Pallavi Aman Singh, New Delhi , May 31 : Hot weather necessitates that we do more with less and when it comes to a well-dressed man's summer See Original Article

Random dresser

Joanna Theng, 19, an artist under management agency Starlist. She plays junior college student Xuan Xuan in Mediacorp's Channel 8 drama, While See Original Article

http://cheaponlineclothingstore.com/mens-summer-fashion-guide-beat-the-heat-in-style/

#blog

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rightafters · 7 years

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Open Problems

One of the earlier promises of site-specificity is that the artwork would be irrevocably destroyed if relocated. The march out of the white cube rejected the conceit of the pure idealist space of dominant modernisms for the clamor of real space. I am one visitor with many others in a bungalow in Chip Bee Gardens for the OH! Open House Tours. Sculptural objects, hand-woven pieces of carpet with explosion of yarn, hang on the walls of a child’s bedroom. A pensive photograph of an exile re-visiting Singapore at the backyard. The intrusion into site are not quite performed by the artworks themselves, being reasonable in scale and abstract in content, but rather the hundreds of stranger bodies and foreign eyes cast on someone else’s home. I cannot help but feel that the buzz around site-specific practices, the divorce from the white cube, is the hyperextension of the (post-)modern space into a total installation of everyday life. Falling into the shadow of the logic in gallery-curation, the apartments feel like the handiwork of a fastidious housekeeper preparing for guests, where no part of the visit is left outside of consideration, no stray sightlines, no laundry unwashed. This presentation of the inhabitant’s “everyday life” itself is an abstraction, an idealism burdened by expectations of unpredictability and authenticity. What is at stake is not the authenticity of the inhabitants’ domestic lives, for the guest is still a guest, art audience or not. Rather, it is the domestication of spaces with the codified expectations and habits of art-viewing practices. That the looking at art is still familiar is a problem. Despite the sales pitch of the tours, these site-specific practices are less about the fantastic intrusions into the unknown (i.e. any site that is outside the gallery) and more of modernism’s new clothes, where all the world’s an art installation.

***

Living near Holland Village, I have seen a changing neighbourhood from the windows of a bus. In the face of a new suburban mall I sometimes try to recall what stood there previously, mostly to no avail. It is a site of perpetual reconstruction, always in the real estate meat-grinder of erasure and renewal. Memory-loss means that my mental map of Holland Village is now plotted with nodes of food establishments and public transportation. The slow erosion place memory sees the loss of duration, where the new is anticipated, a constant that slips quietly into banality. Thus the urgent task of OH! Open House has been an endeavor in remapping, to reveal the elaborate embroidery of pasts that continue to thread into the present. The feeling of the longue durée in Holland Village is a matter of orientation: walking away from the cafes and bars of Lorong Mambong, and detouring into the leftover colonial bungalows in Chip Bee Gardens, the outdated Holland Village Shopping Center, into HDB estates that used to be a sprawling Hakka cemetery, exhumed in the 1960s and cramped into a regular grid of tombstones. This remapping of Holland Village into a bricolage of timespaces implicates the re-subjectivisation of its visitors, demanding an emergent ethics of encountering the neighbourhood. For one, the artworks in the Hakka Cemetery tour and the companion guide of “how to make this artwork” could be seen as object lessons in negotiating with the difficult past. In Grace Tan’s n.330 - twenty constructs on plane [contaminate/debris/fluid/irregular] and n. 331- exercise in cubic constructions, slices of crumbly mineral are stacks of paper treated with various calcium carbonates. Through a strict process of differential repetition, the stacks are expressions of geological time that appear ossified from the outset, but bear the latency of terrestrial motion. Unpredictable materiality is also expressed in the sculptures of Ivan David Ng, where scattered across an empty plot in Shuang Long Shan Cemetery, are incomplete forms that fall between armature and volume. Letting go of material mastery provides the ambient tone in these two works. Discursively, the preference for the disintegrating, aggregating, collapsing and cracking over the solid whole recalls the diasporic history of the Hakka people, and closer to home, the dislocation of the Singaporean Chinese ethnic identity through the loss of dialect groups. The most compelling interpretation of memory-mapping—or rather, unmapping—is found in Cartographer Mapping Scarscapes #1 by Toh Hun Ping. A vindication of memory loss, shots of a holiday not registered due to a camera fault, is achieved through cuts into the skin of film, looped into a moving image projection. Beyond its violent imagery, much of the affective intensity of the work is in the process of finding the work in the cemetery compound. In the cemetery, you find your tour-going body, your curious gaze and explorative saunter at risk of flirting with the boundaries of respectability. The voracious space let you in, only under its conditions. There is something atavistic in the cutting and scratching of the work, in denying the false clarity, the reliance of images as convenient memory-devices. There is an undercurrent urgency to the tour, where the awareness of pasts imbricates the present and its futures—in a familiar narrative, one is visiting an artifact slated for further development. What then, are the exigencies of engaging with this past, a past with dimmed futures? Whereas the pining for an irretrievable past is amplified in the Chip Bee Gardens tour, the Hakka Cemetery tour opens up to the possibilities of exercises, maps and games in memory that thrives on frictions in forgetting, approaching the past that is neither property that can be claimed nor creature that can be willed into submission. A thing that is utterly inchoate, foreign and granular. ***

With the chirpy marketing pitch of “your guide to Singapore’s oldest bohemian enclave” or “grab a piece of the village”, it is not difficult to see OH! Open House as coextensive with the theatre of Holland Village, a gentrified neighbourhood in the branding project of corporate and government agencies, a site where the commodification of “heritage” and “place-making” is already congruous with the taste for novelty among expatriates and yuppies. At this juncture, I hesitate to launch hastily into a project of demystification. To unravel the supposed fetishism of cultural commodities cuts short of Deleuze and Guattari’s observation of, “something that flows and flees, that escapes… the overcoding machine”, whereby even though “capitalists may be the master of surplus values and its distribution,… they do not dominate the flows from which surplus value derives.” In short, critical resistance does not necessitate the absolute rejection of capital and the state. Instead, operating so closely between the unholy draughts of art and commodity, culture and the state, has forced the curators of OH! Open House to critically consider their positionality as map-makers of Holland Village, at least perfunctorily. In this regard, the tour of the Holland Drive HDB Flats is a balance sheet that accounts for the conflict between the “cosmopolitans” and “heartlanders”, which are social labels underpinned by class-based faultlines. Two competing imaginaries of Holland Village sets the soundtrack for the tour: first, a particular Samantha who complained on national radio of the “uncultured” heartlanders who come into the cosmopolitan hangout; and second, the Mediacorp Channel 8 drama series Holland Village, actually shot in Punggol, that presents an unpretentious, homely version of neighbourhood without the upper-middle class exclusivity. For all the acutely framed social backdrop of the tour, the artworks lack political bite. Rather than examining the frictions of class contact head-on, the artworks tend towards portrayals of the separate, bubbled-up lives of heartlanders and cosmopolitans. What could have been an opportunity for OH! Open House for self-reflexivity of its own gaze, or even a performance of autocritique, has been temporarily relinquished.

***

As I write I am reconstructing a fragmentary, discontinuous experience, especially so for a project of such a scale and complexity. Summed up, the arguments contradictory. They barely scratch the surface before trailing off, distractedly, into their specific rhetorical pathways. I could be accused of a lack of focus—or what I prefer, a willfulness on my part to preserve the mess, to dive into thick description. Considering the trajectory of modern art history, the defiant march out of the white cube is no longer a radical gesture per se. And yet, the ahistorical swamp that is contemporary art stills brims with complacent galleries and art fairs, choked with the same calcified superstitions surrounding the artist, the audience and the artwork. In this regard, if OH! Open House continues to claim its alterity against the formulaic, then its curators must sharpen the project’s self-interrogation. For all its recent success, would the art tours, in its promotion of the perambulatory and the site-specific, be domesticated into another species of exhibition-making, a dressed-up Sunday stroll?

***

Late Sunday afternoon in on Jalan Kelabu Asap and the visitor center was still frenzied with activity. Visitors streamed in and out, lead by enthusiastic superguides, as they were called, some visitors waited and left on mini-buses for the HDB tour, and other volunteers were armed with a clipboard, ready to settle new visitors. The logistical orchestration needed for the three separate tours in this year’s OH! Open House could be felt in a glance at the whiteboard— an immense augury of timings, names and indecisions. Those familiar to OH! Open House could feel the momentum of it evolution from its incipient Niven Road days. I am thinking of the community that OH! Open House has gathered, a public that has invested their interest, spaces, resources and time into the makings of this project, which is not explicitly a cause, less of a socio-political movement. It is a moot generalisation to say for certain what the contours of this community is, where they came from, what meanings they hold onto. What remains curious is what the community could do.

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marcioaikido · 4 years

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Repost by @alexisshinju ——— Performing for Singapore’s local TV drama series: “The Good Fight” on channel 8. It was an honor to be aiding in the show, even if it is for a small/side role of the drama. It was an opportunity to spread Aikido (Martial arts) to a wider community. . Thank you @zhenggeping for pulling everyone together. . Uke / partner: @seanwishtofly . . . #aikido #aikikai #aikidoaikikai #aikidoka #aikidolife #martialarts #budo #aikidoshinjukai #judo #jiujitsu #thegoodfight8 #mediacorp #training #aikidoka #稽古 #合気道 #武道 Se gostou, por favor compartilhe. If you liked, please share. Conheça Sobre o Aikido. INSTITUTO TACHIBANA DE AIKIDO Jaraguá do Sul MINAMI NO TANI DOJO [email protected] 47 98405-6463 ou 47 3276-3083 Rua: Walter Marquadt, 835. Anexo ao Ginásio do Sesi. Porta na lateral do campo de Futebol. Joinville AIKIDO KITAHIRA DOJO [email protected] 47 3028-7919 ou 47 99995-0294 Rua: Xanxerê, 71, Saguaçu. ULTIMATE FIGHT & FITNESS CLUB [email protected] 47 99956-2447 ou 3028-7919 Pirabeiraba Aikido Pirabeiraba Dojo [email protected] 47 99609-4197 www.aikidomaruyama.com.br www.institutotachibana.com.br www.essenciadobem.org.br #aikido #aikikai #aikidomaruyama #institutotachibana #合気道 #айкидо #artesmarciais #martialarts #defesapessoal #selfdefense #pratiqueaikido #aikido_techiniques #aikidojoinville #aikidojaraguadosul #aikidoguaramirim #aikidopirabeiraba #aikidofor https://www.instagram.com/p/B61UBEXp7Yd/?igshid=1hpnvf3ys9h7d

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entmtbiz · 7 years

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Spackman Entertainment Group Enters Into Non-binding Memorandum Of Understanding For The Proposed Acquisition Of Frame Pictures Co., Ltd.

Frame Pictures is a leading movie/drama equipment leasing player in Korea's entertainment sector

Proposed acquisition of Frame Pictures to help create a more diversified and consistent revenue stream

Group is strategically positioned to further enhance the performance of Frame Pictures

SINGAPORE, March 6, 2017 /PRNewswire/ -- Spackman Entertainment Group Limited ("Spackman Entertainment Group" or the "Company" and together with its subsidiaries, the "Group"), wishes to announce that yesterday it has entered into a non-binding memorandum of understanding with an independent third party, Mr. Kim Jun Young (the "Vendor"), which sets forth the general terms and conditions for the proposed acquisition of 100% of the total common voting shares of Frame Pictures Co., Ltd. ("Frame Pictures") (the "Proposed Acquisition").

Frame Pictures is a leader in the movie/drama equipment leasing business in Korea. Established in 2004 by veteran director of photography, Mr. Kim Jun-young, Frame Pictures has worked with over 25 top directors and provided the camera and lighting equipment for some of Korea's most notable drama and movie projects including THE LEGEND OF THE BLUE SEA (2016) featuring Jeon Ji-hyeon and Lee Min-ho, as well as VETERAN (2015), the number one movie at the Korean box office in 2015 starring Yoo Ah-in. Frame Pictures had undertaken projects in 12 films including ANTIQUE (2008), produced by Spackman Entertainment Group's indirectly wholly-owned subsidiary, Zip Cinema Co. Ltd. In 2015, Frame Pictures became the first Korean firm to offer 4k resolution post-production services.

Mr. Charles Spackman, Executive Chairman and Chief Executive Officer of Spackman Entertainment Group, said, "The potential acquisition of Frame Pictures is part of our efforts to create a more diversified and consistent revenue stream which has been significantly reliant on the box office performance of our movies. The business of Frame Pictures is naturally a good strategic fit to our existing operations and investment portfolio. We believe that the Group is strategically positioned to further enhance the performance of Frame Pictures, especially in securing more film project deals, including our own in some cases.

Looking forward, we will continue to explore similar strategic acquisitions and investments that are in line with the Group's strategy of diversifying our income channels."

The memorandum of understanding for the Proposed Acquisition outlines that the aggregate consideration payable by the Company for the Proposed Acquisition shall be fulfilled via cash, other assets owned by the Company or the issuance of new shares in the Company or a combination of the aforementioned. The value of the aggregate consideration payable will be based on a value negotiated and agreed upon between the Vendor and the Company and acceptable to the Directors and shareholders of the Company where applicable.

This transaction is at a preliminary stage and the entry of definitive agreement(s) will be subject to, inter alia, completion of the Company's due diligence exercise, receipt of approval from the shareholders of the Company if necessary, all other necessary approvals and consents from the relevant parties.

The exclusive period of the memorandum of understanding is until 30 April 2017.

The Company will update its shareholders as and when there are any material developments and/or upon execution of definition agreements in relation to the Proposed Acquisition.

- End -

About Spackman Entertainment Group Limited

Spackman Entertainment Group Limited ("SEGL" or the "Company"), and together with its subsidiaries, (the "Group") is a leading entertainment production company that is primarily engaged in the independent development, production, presentation, and financing of theatrical motion pictures in Korea. In addition to our film business, we also make investments into entertainment companies and film funds that can financially and strategically complement our existing core operations. SEGL is listed on the Catalist of the Singapore Exchange Securities Trading Limited under the ticker 40E.

SEGL's Zip Cinema Co., Ltd. ("Zip Cinema") is one of the most recognised film production labels in Korea and has originated and produced some of Korea's most commercially successful theatrical films, consecutively producing 8 profitable movies since 2009 representing an industry leading track record. Recent theatrical releases of Zip Cinema's motion pictures include some of Korea's highest grossing and award-winning films such as MASTER (2016), THE PRIESTS (2015), COLD EYES (2013), and ALL ABOUT MY WIFE (2012). For more information on Zip Cinema, do visit http://zipcine.com

SEGL also owns Novus Mediacorp Co., Ltd. ("Novus Mediacorp"), an investor, presenter, and/or ancillary distributor for a total of 55 films (36 Korean and 19 foreign) including SECRETLY, GREATLY, which was one of the biggest box office hits of 2013 starring Kim Soo-hyun of MY LOVE FROM THE STARS fame, as well as FRIEND 2: THE GREAT LEGACY. In 2012, Novus Mediacorp was also the ancillary distributor of ALL ABOUT MY WIFE, a top-grossing romantic comedy produced by Zip Cinema. For more information on Novus Mediacorp, do visit http://ift.tt/2jXt5Lb

Our films are theatrically distributed and released in Korea and overseas markets, as well as for subsequent post-theatrical worldwide release in other forms of media, including cable TV, broadcast TV, IPTV, video-on-demand, and home video/DVD, etc. We release all of our motion pictures into wide-theatrical exhibition initially in Korea, and then in overseas and ancillary markets.

We also operate a café-lounge called Upper West, in the Gangnam district of Seoul and own a professional photography studio, noon pictures Co., Ltd..

The Company is a strategic shareholder of Spackman Media Group Limited ("SMGL"). SMGL, a company incorporated in Hong Kong, together with its subsidiaries, collectively is the leading talent agency and entertainment content production company in Korea, managing over 60 artistes including some of the top names in the Korean entertainment industry. SMGL operates the talent management business through renowned agencies such as MS Team Entertainment Co., Ltd., Fiftyone K Inc., SBD Entertainment Inc., UL Entertainment Co., Ltd., and Kook Entertainment Co., Ltd.

On 14 September 2016, the Company announced the completion of its disposal of the Company's entire equity interest in its indirect wholly-owned subsidiary, Opus Pictures Limited Liability Company.

The Company is a 24.53% strategic shareholder of Spackman Media Group Limited.

For more details, do visit http://ift.tt/1ydN4ql

About Spackman Media Group Limited

Spackman Media Group Limited ("SMGL"), a company incorporated in Hong Kong, together with its subsidiaries, is collectively the largest entertainment talent agency in Korea in terms of the number of artists under management. SMGL manages over 60 artistes including some of the top names in the Korean entertainment industry and operates its talent management business through renowned agencies such as MS Team Entertainment Co., Ltd., Fiftyone K Inc., SBD Entertainment Inc., UL Entertainment Co., Ltd., and Kook Entertainment Co., Ltd.

The company, through its full-service talent agencies in Korea, represents and guides the professional careers of a leading roster of over 60 award-winning actors/actresses in the practice areas of motion pictures, television, commercial endorsements, and branded entertainment. The company leverages its unparalleled portfolio of artistes as a platform to develop, produce, finance and own the highest quality of entertainment content projects, including theatrical motion pictures, variety shows, and TV dramas.

Investor & Media Contact

Spackman Entertainment Group Limited Ms Jasmine Leong Tel: +65 6694 4175 Email: [email protected]

Important Notice

This news release has been prepared by the Company and its contents have been reviewed by the Company's sponsor, PrimePartners Corporate Finance Pte. Ltd. (the "Sponsor") for compliance with the Singapore Exchange Securities Trading Limited (the "SGX-ST") Listing Manual Section B: Rules of Catalist. The Sponsor has not verified the contents of this news release.

This news release has not been examined or approved by the SGX-ST. The Sponsor and the SGX‐ST assume no responsibility for the contents of this news release, including the accuracy, completeness or correctness of any of the information, statements or opinions made or reports contained in this news release.

The contact person for the Sponsor is Ms Keng Yeng Pheng, Associate Director, Continuing Sponsorship, at 16 Collyer Quay, #10-00 Income at Raffles, Singapore 049318, telephone (65) 6229 8088.

Read this news on PR Newswire Asia website: Spackman Entertainment Group Enters Into Non-binding Memorandum Of Understanding For The Proposed Acquisition Of Frame Pictures Co., Ltd.

#Entertainment

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l3hub-blog · 7 years

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#justforfun #梦想程式 #nevertoooldtolearn #coders #dreamcoder #learnsomethingnew #ch8 #inspiringdrama #inspiration #2017minichallenge

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