Nicholas Alan Cope
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Fashion Valley, Mission Valley, San Diego. Photo by Nicholas Alan Cope.
Shelltown, San Diego. Photo by Nicholas Alan Cope.
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Issey Miyake’s “Flying Saucer Dress” from 1994, photographed by Nicholas Alan Cope
Metropolitan Museum of Art
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Nicholas Alan Cope & Dustin Arnold
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Nick already knows somebody already has told him that he’s going to be healed. He has nothing to lose ha ha ha that’s not what I said but whatever.
So I got to go to Scottsville and explain that Nick is the culprit of this. He’s probably gonna go to prison or get killed either way, but what a mess.
If he can’t ever have that love, he doesn’t want anybody to have it
So I guess I was supposed to know that Mark would inject me with something before that’s nice. Really nice people all because you guys are afraid of children. Wow.
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Gabrielle Chanel
Oriole Cullen and Connie Karol Burks, Contribution by Nicholas Alan Cope
V&A Publications, London 2023, 288 pages, 23,5x31cm, 230 colour images, ISBN 9781838510398
euro 49,00
Edited by V&A curators Oriole Cullen and Connie Karol Burks, a stunning survey of Gabrielle Chanel’s most notable designs from her 60 years in fashion
As one of the most successful fashion houses in existence, Chanel owes much to the templates first laid down by its founder, Gabrielle “Coco” Chanel (1883–1971). Some of her most celebrated designs, such as the two-piece suit, the little black dress, and the quilted handbag, remain in vogue to this day. Chanel designed first and foremost for herself; by creating clothes fit for an independent and active lifestyle, she anticipated the needs and wants of the modern woman.
This beautiful book showcases a stunning array of Chanel’s most notable designs from her 60 years in fashion, largely drawn from the collections of the Patrimoine de CHANEL, Paris, and the V&A. It examines the cut, construction, embellishment, and provenance of the ensembles, as well as the design themes and motifs Chanel returned to throughout her career. Newly commissioned photographs of the selected pieces by renowned fashion photographer Nicholas Alan Cope are accompanied by archival images, which together capture Chanel’s unique fashion world.
03/11/23
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Nicholas Alan Cope
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Nicholas Alan Cope.
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Calavera, Carlsbad, San Diego. Photo by Nicholas Alan Cope.
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Nicholas Alan Cope & Dustin Edward Arnold
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Chanel Fashion Manifesto at V&A
"Gabrielle Chanel. Fashion Manifesto" is currently on exhibit at the V&A South Kensington through February 25, 2023. It is the first retrospective of French designer Gabrielle "Coco" Channel's work held in the UK. According to the museum's website, the show highlights "the establishment of the House of CHANEL and the evolution of her iconic design style which continues to influence the way women dress today."
Details on the exhibition "Gabrielle Chanel. Fashion Manifesto."
Related features on the V&A website.
Read about the life and work of Gabrielle "Coco" Channel.
Gabrielle Chanel, Suit (1964). © CHANEL / Photo: Nicholas Alan Cope
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Nicholas Alan Cope & Dustin Edward Arnold.
Are two artists I looked at for inspiration moving forward going into the photography studio.
My goal is to use the plastic lens i made to show my disrupted vision and the disrupted vision I have of myself in my head.
I looked at two of Cope and Arnold’s collaborative photography project. ‘Vedus’ witch is seen above was some of there later work where they were staring to incorporate fashion imagery and sculpture ed garments in there work. This appealed to me as I look at how to show the disrupted vision of my body in my work. I love how all the human or recognisable features of the models are taken away, stripped back to a basic form the person under it hidden. I hope to create a similar effect when photographing my work.
I also looked at another project ‘Aether’. This project mixed painting and chemistry with photography. What drew me to this was the combination or almost medical photos with the human figure. The photos reminder me of close the up scans done to my eyes when I get eye tests. I want to try take similar ones of the melted plastic I made and possibly layer over portraits.
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