Tumgik
#NoahSegan
centroshotcinema · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
🎞️Glass Onion: A Knives Out Mystery (2022) 🎥Rian Johnson 📷Steve Yedlin
1 note · View note
Text
BLOOD RELATIVES - Noah Segan Interview
0 notes
film-book · 1 year
Text
Tumblr media
Film Review: GLASS ONION: A KNIVES OUT MYSTERY (2022): Daniel Craig is Back in a Wild Mystery Sequel with Plenty of Twists and Turns https://film-book.com/film-review-glass-onion-a-knives-out-mystery-2022-daniel-craig-is-back-in-a-wild-mystery-sequel-with-plenty-of-twists-and-turns/?feed_id=116087&_unique_id=63817c5ca1060
0 notes
therealmrpositive · 5 months
Text
Cabin Fever 2: Spring Fever (2009)
In today's review, I find more than love is in the air at the local high school. As I attempt a #positive review of Cabin Fever 2: Spring Fever #NoahSegan #RustyKelley #AlexiWasser #GiuseppeAndrews #ReganDeal #MarcSenter #MichaelBowen #LindseyAxelsson
There was a time when the fear of infectious diseases was reserved for the offshoots of conspirational thinking, not a major policy to constantly worry about. Teens could go about their lives without worrying about Zoom classes, masks, and the like, while it would be nice to go back to such a time, such precautions may have been invaluable in certain fictional settings. In 2009, a follow-up to…
Tumblr media
View On WordPress
0 notes
geekynerfherder · 3 years
Photo
Tumblr media
#Looper, first released in cinemas #OnThisDay in 2012⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #TitleScreen #OTD #RianJohnson #BruceWillis #JosephGordonLevitt #EmilyBlunt #PaulDano #NoahSegan #PiperPerabo #JeffDaniels https://www.instagram.com/p/CUVbMoBLovL/?utm_medium=tumblr
11 notes · View notes
doomonfilm · 4 years
Text
Review : Knives Out (2019)
Tumblr media
Rian Johnson, despite being put through the Star Wars fandom ringer for his choices on The Force Awakens, is known for being a consistent creator of genre-bending and visually appealing stories.  With Brick, The Brothers Bloom and Looper under his belt, Johnson has proven his ability and range as a director, and he continues to add to his varied menagerie of films with his latest offering, the modern-day whodunit Knives Out. 
Harlan Thrombey (Christopher Plummer), a famous and wealthy crime novelist, is found dead by his housekeeper Fran (Edi Patterson) after a family party full of tough news.  With the death looking like a suicide on the onset, Detective Lieutenant Elliot (Lakeith Stanfield) and Trooper Wagner (Noah Segan) are assigned to investigate the case, and they bring Benoit Blanc (Daniel Craig) with them due to an anonymous request he received asking for his involvement.  The investigative group interviews the key members of the family in hopes of uncovering information : Linda Drysdale (Jamie Lee Curtis), eldest daughter, real estate mogul, husband to Richard Drysdale (Don Johnson) and mother to Ransom (Chris Evans); Walt Thrombey (Michael Shannon), the youngest son of Harlan, the CEO of Harlan’s publishing company, husband to Donna Thrombey (Riki Lindhome) and father to Jacob (Jaeden Martell); Joni Thrombey (Toni Collette), Harlan’s daughter-in-law, free-spirited influencer, and mother to Meg (Katherine Langford); and Wanetta (K Callan), Harlan’s aged mother.  Due to family in-fighting and possible deception, Blanc gravitates to Marta (Ana de Armas), Harlan’s Guatemalan nurse, caretaker and confidant with an odd quirk that forces her to vomit if she lies.  As the investigators learn more and more about the circumstances surrounding Harlan’s death in light of Harlan’s last minute decision to cut his family out of his will and pass his fortune on to Marta, everyone is on edge and stakes raise higher and higher until the entire situation comes crashing down.
Like many in the general and critical audience have stated, Knives Out is a modern update to a classic style, though more in pacing and slight tonal adjustment than an all-out alteration to the style.  The film adheres to the traditional style of seeding that leads to reveals, but with a Pulp Fiction-esque approach to exposition and the revelations of key bits of information that allows us to think we know more than we more, and trust whether we want to rely on our assumptions.  What appears to be misinformation at first is often revealed to be pertinent on several levels, and the way that much of it is shrouded in comedy works much to the benefit of Johnson’s directorial style and talented cast.  The heavily textured story is left with no loose threads due to these tenants, with a wonderfully solid balance between family madness and motives that ping-pongs you between the aforementioned exposition and the ever-present tension.
The real updates come in the way that the film is very self-aware of both story and style.  No real new ground is broken in terms of the plot, but the contrivances are skirted by old tropes being given new facelifts : Joni, though remaining hippie in name, is now an influencer rather than a traditional free spirit... the problematic son, in the form of Jacob, is now a troll that hides behind social media... even the fact that the head investigator is black has absolutely zero bearing to the story (in fact, the key protagonist is also a minority whose family is in the United States illegally, which is only played as leverage for blackmail).  In terms of style, the film is very self-aware of the classic and more modern tropes of the ‘whodunit’, with references to Clue, Murder She Wrote, Sherlock Holmes, Hallmark movies , CSI and even Baby Driver popping up.
If forced to compare this film to an earlier Rian Johnson film, I’d say this one falls in the realm of The Brothers Bloom with its whimsical deception that carries heavy consequences, and its cast of characters with standout personalities.  The set design of the maze-like home is a true sight to behold, with visual flare populating nearly every inch of the screen as the camera floats through the home... the home stands out even further when compared to the small handful of locations visited outside of it within the world of the film.  The humor is wonderful, going from plenty of political-based humor to screwball absurdist dialogue with surprising grace and fluidity... ‘I’m running on pure adrenaline, I fell like I swallowed bees’ is easily one of my favorite lines of the year.  I am sure that, upon repeat viewing, the film will unveil itself as host to many visual surprises not noticed during the first viewing.
Daniel Craig is given the comedic leeway he was given in Logan Lucky, where the force that he plays against type makes his character as hilarious as he is perceptive.  Ana de Armas holds her own against both Craig and Christopher Plummer, with her down to earth nature making her a great protagonist and audience surrogate in light of the gravitas the Plummer holds on-screen, and the way Craig demands the attention of the audience.  Chris Evans makes the most of his limited screen time, leaving a lasting impression despite demanding the least attention of the family that is cast.  Jamie Lee Curtis does a wonderful job playing a generational echo of Plummer, trying her best to bring dignity to a band of misfits.  Don Johnson’s wildness plays well against Michael Shannon’s uptight portrayal, and Toni Collette stirs the pot wonderfully with her suspicious nature blanketed by a show of free spirit.  Katherine Langford plays a good bridge between the family and Marta while still portraying the most tactless Thrombey traits, and her verbal sparring with Jaeden Martell works well.  Lakeith Stanfield and Noah Segan not only do a great job pushing the narrative forward, but their random colloquialisms and observational statements are great modernizing elements.  Edi Patterson, Riki Lindhome, Frank Oz, K Callan, M. Emmet Walsh and Marlene Forte also make memorable appearances.
For what it’s worth, Rian Johnson has been one of the silent champions of modern day film, with an extremely successful catalog of films that, in my opinion, will stand the test of time.  This one feels like it has the potential to be his cult classic, depending on what his next directorial steps are... it is running up against heavy competition this year (especially this Fall and Winter release season), but I could see it making honorable mention status at years’ end.
7 notes · View notes
gqtmovies · 5 years
Photo
Tumblr media
They all have their secrets and their motives. Hell, any of them could have done it. Knives Out is in theaters November 27.
13 notes · View notes
awesomebeasy · 4 years
Photo
Tumblr media
Nothing brings a family together like murder. The morning after family gathers to celebrate his 85th birthday, famed crime/mystery writer Harlen Thrombey is found dead, and almost as famous (?) Detective Benoit Blanc is mysteriously hired to get to the bottom of it. I think I put off seeing this one as long as I did because I thought it was gona be similar to Ready or Not, it wasn’t actually that similar though I was reminded of Ready or Not (and Mouse Hunt for some reason). That first shot of the house (the dogs, the slight fog...) was perfect, and the sets/props (that house, all those knick knacks), wardrobe, and performances were all top-notch. The intercutting and flashbacks during the interrogation scenes were pretty cool (the director said that was a tough part of the script to read through for a lot of people) it worked really well with all the slight variations depending on who was being questioned, and the character backstory and family history/dynamics/hierarchy that reveals 👌🏼. Seeing/hearing #DanialCraig as, as Ransom put it CSI: KFC with that accent was interesting, and #ChrisEvans went from America’s Ass to America’s Asshole - but that cable knit👌🏼. Trooper Wagner being the big Thrombey fan was humorous. With the “truth” coming ot so soon, I had no idea what to expect (I’m not even sure I knew really anything about the movie - aside from that it seemed really Ready or Not ish) or how they were going to get it back to one, or more, of the family members/affiliates (for a part of the movie it seemed like every flashback to the group there was another face lurking in the back (à la Jacob Thrombey). Overall I really liked it, and I’d buy it. #ssmovieof2020 #comedy #drama #crime #CSIKFC #AnadeArmas #JamieLeeCurtis #MichaelShannon #DonJohnson #ToniCollette #LakeithStanfield #ChristopherPlummer #KatherineLangford #JaedenMartell #RikiLindhome #EdiPatterson #FrankOz #NoahSegan #JosephGordonLevitt written and directed by #RianJohnson movie of 2020 number 2) #KnivesOut https://www.instagram.com/p/B95NBUmHPUE/?igshid=3p1jdnygzbe4
0 notes
who8mycat · 5 years
Photo
Tumblr media
This was a fun one! Here’s the review for KNIVES OUT folks. https://youtu.be/QyfcjT0QXuE #knivesout #rianjohnson #danielcraig #anadearmas #jamieleecurtis #tonicollette #chrisevans #lakeithstanfield #michaelshannon #donjohnson #christopherplummer #katherinelangford #jeadenlieberher #rikilindhome #noahsegan #edipatterson https://www.instagram.com/p/B3ujY3kFdhB/?igshid=1fehkl1e17tcb
0 notes
moviesengage · 5 years
Video
"I suspect foul play and I've eliminated no suspects."~~Daniel Craig, Chris Evans, Jamie Lee Curtis Watch Official Trailer 1 of "Knives Out"
Follow @moviesengage (instagram.com/MoviesEngage)
Acclaimed writer and director Rian Johnson (Brick, Looper, The Last Jedi) pays tribute to mystery mastermind Agatha Christie in KNIVES OUT, a fun, modern-day murder mystery where everyone is a suspect. 
0 notes
thrauma · 6 years
Photo
Tumblr media
“Starry Eyes” in dvd e bluray targati @midnightfactoryit 🧟‍♂️ https://goo.gl/2idYrZ Sarah Walker è un'aspirante attrice che farebbe di tutto per ottenere il suo primo grande ruolo. Dopo innumerovili provini andati male, riesce finalmente a ottenere il ruolo di protagonista in un film. Ma nella sua scalata al successo dovrà fare un patto con le persone che stanno dietro all'elite di Hollywood fin dai tempi della Golden Age. Hanno il potere di fare di lei una star, ma a un prezzo terribile. Quello che segue è un racconto sull'occulto, l'ambizione e il costo della fama. #thrauma #viareggio #starryeyes #midnightfactory #kevinkolsch #denniswidmyer #noahsegan #amandafuller #horror #horrorfilm #horrormovie #horrormovies #dvd #bluray #cinema #movie #film (presso Movieshop Thrauma.it)
0 notes
movizark-blog · 6 years
Text
First ‘Mohawk’ Trailer Teases Bloody Colonial Chaos!!! Check It Out!!
First ‘Mohawk’ Trailer Teases Bloody Colonial Chaos!!! Check It Out!! #Mohawk, #KaniehtiioHorn, #JustinRain, #EamonFarren, #NoahSegan, #RobertLongstreet, #SheriFoster
Synopsis – Late in the War of 1812, a young Mohawk woman and her two lovers battle a squad of American soldiers hell-bent on revenge.
Directed – Ted Geoghegan
Starring – Kaniehtiio Horn, Ezra Buzzington, Eamon Farren
Check out the trailer:
View On WordPress
0 notes
muatyland · 4 years
Text
Cena con delitto - Knives Out #Film
Cena con delitto #KnivesOut #DanielCraig #ChrisEvans #AnadeArmas #JamieLeeCurtis #ToniCollette #DonJohnson #MichaelShannon #LakeithStanfield #KatherineLangford #NoahSegan #EdiPatterson #RikiLindhome #ChristopherPlummer
Cena con Delitto – Knives Out è un film di genere thriller, giallo del 2019, diretto da Rian Johnson, con Daniel Craig e Chris Evans. Uscita al cinema il 05 dicembre 2019. Durata 130 minuti. Distribuito da 01 Distribution.
Attori:Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Toni Collette, Don Johnson, Michael Shannon, Lakeith Stanfield, Katherine Langford, Noah Segan, Edi…
View On WordPress
0 notes
doomonfilm · 6 years
Text
Thoughts : Looper (2012)
Tumblr media
By 2012, Rian Johnson was on a run for the ages.  He’d already given Jospeh Gordon-Levitt a breakout performance in his alternate take on film-noir with Brick, and he made a beloved cult classic with The Brothers Bloom.  With his next step, he’d take the time-travel genre and infuse it with a fresh sense of style that encompassed an intriguing tale of the criminal underworld, its excesses, and the eventual fall of the entire system at the hands of an overlooked victim.  This left the world with the wonderful film that is Looper. 
Joe (Joseph Gordon-Levitt) works for a crime organization in 2044 Kansas, 30 years prior to the invention of time-travel.  Although time-travel is immediately outlawed upon creation, crime families use it as a means for disposing of problem individuals.  They simply send their problems back in time to be shot point blank via blunderbuss by Joe and his comrades, known as ‘loopers’.  Eventually, the crime bosses send the older version of a respective looper back to themselves for disposal, effectively ‘closing the loop’, a practice that Joe notices is increasing.  One night, he is awoken by fellow looper Seth (Paul Dano), who is in a panic after letting his loop run (allowing his future self to escape).  Through Seth, and the eventual third degree Joe receives from future transplant turned crime boss Abe (Jeff Daniels), Joe learns of a ‘holy terror’ from the future known as The Rainmaker, a man powerful enough to hunt down and eliminate all loopers single-handedly.  Within days, Joe comes face to face with is future self (Bruce Willis), who promptly escapes in an attempt to hunt down and kill the young version of The Rainmaker.  A triangular game of cat and mouse ensues, with both versions of Joe, the crime syndicate, and a young woman named Sara (Emily Blunt) that is taking care of a young boy named Cid (Pierce Gagnon).  With the reality of the future hanging in the balance, everything comes to a head in the way that only a time-travel thriller can.
When it comes to high concept/high execution, Rian Johnson is definitely a modern day unsung hero.  His ability to humanize stories, be they skewed perspectives, outlandish tales of brotherly love, or tried and true genres rife with the trappings tropes, shines through brilliantly in Looper.  Even with a large number of characters and the easy narrative tripwire that time travel can be, you don’t find yourself lost emotionally or chronologically as the events unfold.  At any given point in the movie, you are able to assess a particular character’s actions and make a strong determination on their motivations or emotional state.  Nothing is spoonfed to you or dumbed down... the viewer is trusted to keep up with the story, creating a wonderful sense of pace, intrigue and anticipation.
Overall, the production design is strong.  The future is not given the Blade Runner treatment, as many are apt to do.  Instead, the future looks familiar, with hints of ideas to come that are based on practical scientific application rather than a wish list from The Jetsons.  From the mechanisms placed on cars to make them more fuel efficient to the slap bikes to even the 4-fold flat cellular device used for communication, nothing seems like a stretch or unimaginable based on what we know about technology and its pattern of advancement.  The only bit of design that is remotely bothersome or distracting is the face prosthetic used to make Joseph Gordon-Levitt favor Bruce Willis slightly more.  Personally, they could have left that out, and allowed us to suspend our disbelief, or come up with some reason/method in the future for older Joe to slightly alter his appearance... but that’s me nitpicking where it’s not due.
The looper crew is full of wonderful up and coming actors, with Joseph Gordon-Levitt being perfectly cast as the audience surrogate.  Not only do he and Johnson have an actor-director rapport that works well, Levitt carries himself in a very grounded but direct manner, slightly less showier than his counterparts.  Paul Dano continues to be the closest thing our generation will get to Dennis Hopper in terms of infusing skill with completely unique acting choices.  Bruce Willis goes by the numbers that we all love, which is not a bad thing at all, as the story almost feels created for him.  Noah Segan is wonderful comic relief in the role of Kid Blue the gatman.  Jeff Daniels probably could have done a bit more with his role, but playing a crime boss only gives you so much leeway before your performance goes into caricature category.  Emily Blunt showed some of the first signs of the actress we’ve all come to know and love, bringing a steely reserve to her natural beauty and believable acting.  Pierce Gagnon knocks his role out of the park, an amazing feat for an actor so young.  Piper Perabo and Tracie Thoms made me happy as they each respectively took one for the team, playing roles that are far beneath their status in terms of screen time and importance to the overall narrative.  
I’m not the cosplay type, but this film sat so well with me that I am now the proud owner of a mock blunderbuss.  Occasionally, when Halloween rolls around, I pull out the old blunderbuss, skinny tie and pocket-watch, and I play ‘name that obscure costume’ with the masses.  It makes me happy to discover other fans of Looper in that manner, and it gives me the chance to recommend a nice, overlooked favorite of mine.
1 note · View note
gqtmovies · 5 years
Video
youtube
Nothing brings a family together like murder. Watch the new trailer for Knives Out now. In theaters November 27. Starring Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Toni Collette, Don Johnson, Michael Shannon, LaKeith Stanfield, Katherine Langford, Noah Segan, Edi Patterson, Riki Lindhome, Jaeden Martell, and Christopher Plummer.
0 notes