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whencyclopedia · 9 months
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Richard Strauss
Richard Strauss (1864-1949) was a German conductor and composer of both innovative late-Romantic and Modernist music. He is best known for his symphonic poems and operas like Salome and Elektra, both of which caused a sensation. Strauss gained a whole new generation of admirers when his Also sprach Zarathustra was used in the 1968 film 2001: A Space Odyssey.
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whencyclopedfr · 9 months
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Richard Strauss
Richard Strauss (1864-1949) était un chef d'orchestre allemand et un compositeur de musique avant-gardiste romantique tardive et moderniste. Il est surtout connu pour ses poèmes symphoniques et ses opéras comme Salomé et Elektra qui firent tous deux sensation. Strauss gagna une toute nouvelle génération d'admirateurs lorsque son œuvre Also sprach Zarathustra (Ainsi parlait Zarathoustra) fut utilisée dans le film 2001 : l'Odyssée de l'espace (1968).
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radsiarai · 4 months
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Richard Strauss Till eulenspiegel
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Radio-Frankfurt Symphony Orchestra, conductor: Walter Goehr Richard Strauss, a prominent German composer of the late Romantic period, crafted a masterpiece known as "Till Eulenspiegel." This captivating orchestral tone poem showcases Strauss' extraordinary talent for musical storytelling. Through a combination of intricate melodies, vibrant orchestration, and clever thematic development, "Till Eulenspiegel" takes listeners on a whimsical and satirical journey. Composed in 1894-1895, "Till Eulenspiegel" was inspired by the mischievous and legendary figure of Till Eulenspiegel, a trickster character from German folklore. Strauss, known for his innovative approach to symphonic writing, sought to bring this iconic figure to life through his music. The piece premiered in Cologne, Germany, in 1895, and was an instant success, solidifying Strauss' reputation as a leading composer of his time. "Till Eulenspiegel" unfolds in the form of a symphonic poem, a genre in which a composer uses music to depict a narrative or a story. The composition begins with a playful and mischievous theme, representing Till Eulenspiegel himself. The music portrays his cunning and adventurous spirit through lively and virtuosic passages across the orchestra. One of the notable aspects of this piece is how Strauss masterfully weaves different musical motifs together. Each motif represents a different character or event in the story. Through skillful orchestration and thematic development, Strauss paints a vivid picture of Till's escapades, from his pranks and encounters with authority figures to his eventual downfall. The use of instrumentation in "Till Eulenspiegel" is also noteworthy. Strauss harnesses the power of the full orchestra, utilizing various sections to create contrasting moods and textures. From the playful and light-hearted passages to the more dramatic and intense moments, the orchestra showcases its versatility and range under Strauss' direction. "Till Eulenspiegel" has endured as one of Strauss' most beloved compositions and remains a staple in the orchestral repertoire. Its popularity stems from the composer's ability to capture the essence of the mischievous character and translate it into musical form. The piece continues to be performed by orchestras around the world, captivating audiences with its dynamic storytelling and engaging melodies. Furthermore, "Till Eulenspiegel" serves as a testament to Richard Strauss' innovative approach to composition and his contribution to the development of programmatic music. By intertwining music and storytelling, Strauss pushed the boundaries of traditional symphonic writing, influencing future generations of composers. Richard Strauss' "Till Eulenspiegel" stands as a testament to the composer's mastery of musical storytelling. Through its vibrant melodies, clever thematic development, and skillful orchestration, the piece vividly brings to life the mischievous character of Till Eulenspiegel. Its enduring popularity and impact on the world of classical music solidify its status as a masterpiece of the late Romantic period. Listening to "Till Eulenspiegel" is an invitation to embark on a whimsical and satirical journey, where music paints a vivid picture of the legendary trickster's escapades.
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joansutherlandfan · 5 months
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It's #MadMonday !!!
"Instead of June 30, my last operatic performance was in Frankfurt on June 16, where I was engaged to sing Elektra. It was a great performance and I felt I was in my best form, as though it was the high point of my career. At the end of that Elektra I said to my colleagues 'This was my final performance.' And I was at peace with this decision." Birgit Nilsson about her farewell on stage in 1982.
I need to say her piano note here, which ascends to a forte is so fresh, even more bright and limpid than a note produced by a young singer. That's what I call "technique."
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herbstsalonpfp · 1 year
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Salomè (Prove Generali) Musiche di Richard Strauss Libretto da Oscar Wilde Scene Paolo Fantin Teatro Alla Scala - Milano #teatroallascala #lascala #salomé #richardstrauss #paolofantin #paolofantindesigner #vidamiknevičiūtė #opera #lirica (hier: Teatro alla Scala) https://www.instagram.com/p/CnVQYVQIM1W/?igshid=NGJjMDIxMWI=
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bradhorner · 1 year
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My first concert of 2023 @njsymphony @njpac @daniiltrifonov pianist #johannesbrahms #richardstrauss on the menu (at New Jersey Performing Arts Center (NJPAC)) https://www.instagram.com/p/CnIyKE-s1xi/?igshid=NGJjMDIxMWI=
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vj1i · 2 years
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Op. 82: Ei, so fliegt sie vorbei
Renée Fleming- Daphne - Op. 82: Ei, so fliegt sie vorbei —VJ1I Read the full article
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arcimboldisworld · 4 months
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Albrecht/Helmchen: Beethoven/Strauss - Oper Zürich 17.12.2023
Albrecht/Helmchen: Beethoven/Strauss - Oper Zürich 17.12.2023 #konzert #opernhauszürich #marcalbrecht #martinhelmchen #richardstrauss #ludwigvanbeethoven #konzertkritik
Nach dem fulminanten Konzert mit Wayne Marshall und Gershwin in der Tonhalle, zwei Tage später das absolute Kontrastprogramm auf der Opernhaus-Bühne mit MARTIN HELMCHEN und Beethovens 5. Klavierkonzert sowie Strauss’ “Sinfonia domestica” unter MARC ALBRECHT… Continue reading Untitled
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vamosgk · 5 months
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🚀Bamos✍🏻
#gipsykings
#vamos #bamos
#silver #plata
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#instagram
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#letters
#stanleykubrick
#RichardStrauss
#slowlife
👨🏻‍🚀
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eisunoh · 1 year
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#cab #driver playing #RichardStrauss’ #AlsoSprachZarathustra, reminding me of #StanleyKubrick’s #2001ASpaceOdyssey by #ArthurCClarke whom I had honor of meeting in #Colombo
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patchgame · 5 years
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Spaceman Pin by @thischepooka. 🎵Also Sprach Zarathustra plays in background🎵. . The Spaceman pin, inspired by #2001aspaceodyssey available at ThisChepooka.com . . . . . #space #astronaut #2001 #2001aspaceodyssey #nasa #scifi #scifiart #stanleykubrick #spaceman #thischepooka #pin #richardstrauss #strauss #pingamestrong #pinstagram #pinlife #pincommunity #pincollector #pintrill #hatpins #lapelpins #pinoftheday #patchoftheday #calledtobecreative #merchgame #enamelpin #patchgame #hal9000 #kubrick https://www.instagram.com/p/BtwiNVvHluo/?utm_source=ig_tumblr_share&igshid=uz2gzs8pfte9
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miguelangeldiazdiaz · 5 years
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El placer de disfrutar de sus obras: #RichardStrauss es de dominio público #DerRosenkavalier. Léelo en: https://buff.ly/2YXDrQ2 https://www.instagram.com/p/Bv7g9E3g3k8/?utm_source=ig_tumblr_share&igshid=19j49e9nyp87c
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operaeoperanews · 5 years
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#Repost @theatrecapitole • • • • • Rendez-vous ce soir à 20h sur @radioclassique pour la diffusion, en direct du Théatre du Capitole, d’Ariane à Naxos ! 🎙️ Retrouvez, à l’entracte, les interviews de Christophe Ghristi, Directeur artistique du Théâtre du Capitole de Toulouse, et de la mezzo-soprano @anaikmorel. . . . . . . #arianeanaxostdc #opera #Theatre #musiqueclassique #operadetoulouse  #costumes #theatrecapitole #Toulouse #toulousemaville #igerstoulouse #RichardStrauss #ArianeaNaxos #AriadneaufNaxos #MichelFau #DavidBelugou #picoftheday https://www.instagram.com/p/Bun4fFnBi1b/?utm_source=ig_tumblr_share&igshid=9hu9o6o0izj5
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arcimboldisworld · 5 months
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Simone Young: Strawinsky/Dessner/Strauss - Tonhalle Zürich 26.11.2023
Simone Young: Strawinsky/Dessner/Strauss - Tonhalle Zürich 26.11.2023 #Debüt #Konzert #Zürich #IgorStrawinsky #BryceDessner #RichardStrauss #SimoneYoung #CreativeChair #Rezension #musicwasmyfirstloveanditwillbemylast
Endlich konnte man die australische Dirigentin SIMONE YOUNG mit ihrem lange erwarteten Debüt in der Tonhalle Zürich erleben, das Programm war wunderbar, sehr speziell und eben darum der Saal auch nur mässig gut verkauft – what a shame…! Continue reading Untitled
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