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#Shigurui
trulyunpleasant · 6 months
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藤木 源之助 (Fujiki Gennosuke)
Star pupil of the Kogan Dojo.
From Shigurui by Takayuki Yamaguchi and Norio Nanjo.
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sweetdreams-aremade · 8 months
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On Berserk and Takayuki Yamaguchi.
I'm making this post to vague about a stranger, and also to talk about Takayuki Yamaguchi, who rules.
Someone once said that, in the wake of Miura's untimely death, Takayuki Yamaguchi should take on the mantle of writing and drawing Berserk.
No offense (OK, some offense) to the guy who wrote this, but I can't think of a mangaka with a more diametrically opposed creative voice to Miura's, even if they both had similar root influences (Go Nagai, Fist of the North Star, Phantom of the Paradise and henshin heroes like Ultraman, Kamen Rider and Kikaider) and aesthetic interests (intense gore and violence, muddy textures, weird and often extreme sexual imagery).
For one, Takayuki Yamaguchi is a man who IIRC has directly stated that he's not great at subtle or nuanced emotion and thus excels at creating narratives built off of repressed characters unable to fully express themselves and asking him to illustrate a manga whose identity is partly defined by its creator's mastery of expression and subtle emotion isn't a great idea, really.
He was good at rendering subtle emotions once, during the early chapters of Shigurui, and he then promptly abandoned that skill in favor of intense stoicism for good reason.
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One, he makes it look good, two, his work is defined by its detached, clinical tone. He deliberately views characters at a distance, by either using impersonal, novelistic third-person narration, viewing his protagonists through the lens of others within the narrative, or through something as simple as avoiding language and explicit information, valuing weighted silence over exposition. This dovetails *beautifully* with the narratives he handles.
Gekikou Kamen is about a tokusatsu enthusiast's relationship with Imperial Japan as reflected in the art he consumes, Shigurui is a critique of rigid class structures and loyalty to the state, and Exoskull Zero is his version of Casshern Sins I.E a manga about a former superhero in a doomed, fantastical landscape at the end of time out to save people who might not even exist.
They're manga that require an ambivalent approach to function: any kind of emotional scrutability or visceral intimacy would contradict Yamaguchi's novelistic style and frank examinations of flawed social structures and the people they produce.
Shigurui's macroscopic critique of Edo Japan doesn't work as an emotionally intimate narrative, and Gekikou Kamen's critique of the imperialist subtext behind much of tokusatsu doesn't work if you were immediately sympathetic to or understanding of its wannabe imperialist lead, for some examples.
If you asked Miura to draw a Yamaguchi manga, he'd have failed spectacularly because of his love of intense, emotionally intimate storytelling and illustration. He was simply not capable of (or perhaps more accurately simply uninterested in) the kind of emotional ambivalence that Yamaguchi excels at.
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Hell, as I'll discuss later, intimacy vs. ambivalence might be the best summation of the differences between Miura and Yamaguchi's respective styles.
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I don't think Yamaguchi would be a great choice for Berserk's action scenes either. Yamaguchi displays his mastery of action illustration by dilating time to show every individuated step of the process of movement, making his action feel intensely deliberate and methodical. Every step, and every step within that greater step, matters.
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Kentaro Miura, meanwhile, often did the opposite with Guts, depicting the beginning and end of a sword swing and deliberately excising everything in between to generate a sense of speed and kinetic intensity.
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maurinnn · 1 year
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exiiee · 2 years
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blackcat-brazil · 1 year
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Shigurui
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digitalzombie · 1 year
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Chapter 4: "The Sticky Bean"
Shigurui by Takayuki Yamaguchi
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Ramble#9
My main focus here is on samurai manga…
top 5 samurai manga read this month:
#5. Kurozuka by Baku Yumemakura on story and Takashi Noguchi on art
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This is a story that takes samurai, crosses it with vampires and kind of just illustrates how far those two can go, It’s based on real 2 life guys, maybe even considered legends in Japan with a bridge and statue dedicated to them and everything, Yoshitsune Minamoto and Saito Benkei
Basically, the story starts with them trying to escape some pursuers in the mountains and in doing so they end up unwittingly shacking up with a vampire, a lady vampire,,, and shit just gets crazy from there…
Don’t wanna get too into it cause 1 it’s number 5 and 2 tbh the story wasn’t all that outside the romanticism and dark sides of immortality, but what I can say is that the illustration over the eras that pass and how a dude with a sword, a samurai, changes over the millenia was pretty cool to see…
Pretty rad action, decent enough story wrapped up in just 40 chapters, kind of a mid cast but i loved the concept and its illustration..
For all you anime folks it does have a 12 episode anime but I can’t speak on that adaptation and its quality, differences etc. at all.
#4. Gintama by Hideaki Sorachi
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Super popular in hella anime and manga circles, in a lot of top 10s n 5s and If you haven’t heard of it well don’t worry the world’s full of information you don't know so continue to enjoy the journey...
Anyways… Gintama… is a story… that unfortunately I can’t speak on too confidently as I haven’t finished but despite a valiant attempt to in one month while reading a bunch of other stuff, I got to 200sumthn out of 709… but yh…
Gintama is set in futuristic japan but still somehow having a shadow of the edo period mixed in, meant to give a new take on the real life events of japan’s borders opening, foreigners coming in and that essentially leading to the downfall of the samurai, except the foreigners here are literal aliens. The story follows a samurai that previously fought in the war to keep japan alien free who’s now a dead beat, sakata gintoki, a young aspiring samurai whose dad died and left him a dojo in a world where swords are banned, shimura shinpachi, and a pretty much orphaned humanoid teen alien named kagura, all just barely scraping by with doing a bunch of very odd jobs.
VERY HILARIOUS, and so far largely a gag manga but it flips the serious switch very well and what I really like about it is that unlike a lot of other samurai mcs and characters, these guys, especially the central mc of the trio, sakata gintoki, have zero ambition, but constantly stress and fight to the death with swords to rubber chickens to protect their simple way of life. This is exemplified by the words shinpachi’s dying father left him in the very first chapter “Even if there comes a time when you must throw away your sword, never throw away the sword you have resting in your soul.”
I know it builds into an amazing story where almost every character they ever interact with pitches in and I'm probably underselling like crazy but if you want something samurai but samurai like you've never seen, check it out, I hear it’s worth the time and so far that’s proving to be so over the top gags and all.
Anime peps the anime is complete with 201 episodes.
#3. Sengoku Youko by Satoshi Mizukami (mangaka of spirit circle, Lucifer and the biscuit hammer and more)
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Technically not a samurai story, leaning more into fantasy but it's in that era and a ronin is in the main cast so bite me and my list ig…
Anyways this is an epic that somehow does an incredible extensive story in 100 chapters and it's not too surprising given the mangaka (seriously check out spirit circle, i’ll never stop talking about it, my favourite manga ever at just 46 chapters and Lucifer at the biscuit hammer which is pretty up there as well, which finally got an anime adaptation this year with 65 chapters).
The story follows a demon named Tama trying to bring peace to the world traveling the land with a human named Jinka who's trying to become a demon and hates humans, but because of his love for demons does whatever Tama tells him to. Further than the usual “what is strength?” question that you could say the way of the sword tends to boil down to, this story looks at the question of “what is a human?”, as the duo run into other humans and demons with their own perspectives and characteristics.
Unfortunately it’s pretty hard to sell it more without getting excited and blabbing it all but brilliant story (admittedly with a little bit of a choppy start), great cast and cast dynamic, dope action, average but fitting art, highly recommended.
Side note, this had one of the coolest, if not THE coolest dragon depictions and fights I've ever seen in manga.
#2. Ichigeki aka one hit kill by Jiro Matsumoto
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This was honestly an unexpected banger, as in, my firm philosophy is that by definition the average manga is average so you gotta just be thankful for bangers when they come but even so, especially for how short it was I was blown away.
The basic premise is that some peasants are brought in from the countryside to get some quick training in the sword and used as a throwaway one time hit squad but after they survive and show some promise, they're trained more seriously and sent on increasingly important but increasingly dangerous missions.
What I really love is how this story really highlights the caste system of the time, sounds weird to say but a lot of samurai manga mainly focus on the samurai class and up which I think paints this picture that some people just chose to pick up swords and others didn't, when really for the most part a lot of that was predetermined by birth. There were organized schools that only accepted certain families and it was only in extreme off chance cases that a peasant could even get their hands on a sword much less get formal training.
But yh, story and pacing was great and would even call it phenomenal (especially relative to the length), brilliant cast and cast dynamic, really loved the way the peasants viewed themselves and were viewed by others over time as they became more established, great action and pretty dope art, absolute banger in only 49 chapters, highly recommend.
#1. Kozure Ookami aka Lone wolf and cub by Kazuo Koike on story and Goseki Kojima on art
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This is a actually apparently a classic samurai epic and when I say epic I'm not using it loosely just to say it's good which it is, but when I say epic I mean to think along the lines of the Iliad or dante’s inferno.
The story follows a famed samurai, ogami itto, official executioner appointed by the shogun (really big fukn deal), framed, defamed and now turned assassin traveling the land on the path of revenge with his son daigoro.
Now if you're familiar with epics you'll know they're quite long and tbh when I started I was a bit confused like why is this dude out here carrying out assassinations with an infant? and is every chapter just gonna be him killing randoms? do I really need to know the name and history of EVERY prefecture like fr???? (really reminded me of that one chapter of the Iliad where they just listed everybody and their moms from athens)
A little bit of a slow start for me especially as the mc was just super stoic, the ideal samurai if you will but it's through that we see his character and what a true bushi/samurai is. Through any danger and challenge he sees his duty through to the end. Even the decision not to kill in the face of certain death. Wildly enough his kid is not a prop at all as watching his father over time he picks up his habits and has his own adventures.
The action isn't the smoothest but it perfectly captures that old samurai flick vibe, phenomenal aesthetic that becomes even more exceptional in the final few arcs and some of the greatest dialogue around the meaning of Bushido I've ever seen. A small example I'll give is in a duel he has with another fallen samurai, he’s asked what the right thing to do would be when caught in an ambush. Standing by his lord’s side and defending them or leaving his lord’s side to take the initiative in battle, both with equal chances of success.
It's 142 chapters but because almost every chapter, especially early on, is isolated and almost feels like a movie, it can be a bit of a rough read but definitely worth it. (actually started last year and read the second half this month).
hm: tenkaichi, elusive samurai, gantz:e, sengoku strays
top 5 samurai manga before this year
#5. Gamaran by Yousuke Nakamaru
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I almost want to say hunter x hunter but for samurai but the only real similarity is the mc trying to find his dad + in this he's trying to kill him cause they basically pulled an itachi and killed his squad.
I love this manga but again number 5 so I'm not trying get too into it plus it's really for the most part a battle tourney, nothing against tourneys but fight fi*azP_Qzght fight gets a litlle tired over the years yk?
Now why this is top5 is that along with really great art I really loved the detail put into the choreography and technique of the fights, as in alot of times sword fights, if they're not basically pokemon battles can be bland despite the contextual meaning and weight of it all. Like it's hard to really differentiate one swordsman from another midfight because outside of their stances they all just look like they're swinging swords pretty much the same way and on occasion shouting random stuff, especially in manga, but maybe that’s just me idk… But gamaran takes the time to illustrate the characteristics of each style, strengths, weaknesses, body motions, etc, to really give almost every fight a real definitive feel
solid story despite what I said about tourneys, great art, pretty dope cast, amazing action and only 194 chapters
There’s also an ongoing sequel called Gamaran: Shura but that only has 25 chapters so far and hasn’t really gotten anywhere yet
4. Sidooh by Tsutomu Takahashi
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This story follows two brothers whose mother dies in front of them as kids, leaving them with the last words "It is the fate of the weak to die", giving them an obsession with strength that leads them to claw their way up into the ranks of society
Really great pacing, great story and amazing aesthetic, an interesting art style that's a bit inky for lack of a better word but goes really well with sword strokes and stuff like that + some of the hardest drip I've ever seen on folks in that period and some of the meanest stare downs I’ve ever seen.
It's complete with 269 chapter but only 250 are translated to English, if you've been listening for awhile this is where I usually say fuck the french cause they usually have more manga chapters translated than others in general but hate is lame and all I need to do is step up and translate shit myself if I really want to yk so yh, sorry France, all my hate towards you will solely because of colonialism and especially what you've done to Haiti. fuck France and fuck imperialism
3. Vagabond by tajehiko inoue ( mangaka of slam dunk and real)
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This is something I'm always hesitant to mention because it's so good but is almost certainly never going to be completed and there's so much other great works to see but this is a definitive work of art and it'd be criminal to leave it off the list.
This story is based on the life of miyamoto musashi, a legendary swordsman, legendary, as his feats for a self taught peasant are just incredible, in real life this eventually culminated in him founding his own sword school, the Niten ichi Ryu (roughly translated to two heavens as one) but the manga doesn't really get to that bit.
Probably by far the greatest art in this list, Inoue is a master of the craft, and the investigation of the way of the sword and what it means to be unrivaled under heaven via musashi's travels and encounters with other known legends like the yagyu and itto ryu is truly enlightening.
Brilliant characters and character dynamics, stunning art that can never be understated, brilliant dialogue, very engaging fights, just an all round brilliant manga…
Besides the fact that a chapter hasn't come out in about 7yrs… I cry… 327 chapters out and translated if you can handle it…
2. Shigurui aka death frenzy by Takayuki Yamaguchi
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This was only 84 chapters but in case the name didn't give it away it gets pretty wild
The story revolves around the participants in the first fight of a deathmatch tournament, one being blind and limp while the other only has one arm. We're shown the events that led to them being chosen to fight and what they continue to swing their swords for in spite of their condition, and both having started out as students of the same sword school.
Lots of tragedy packed in here, lots of gore, very clean art, pretty dope fights, solid cast, and a brilliant story that really illustrates the sometimes unbecoming struggle that is being samurai.
1. Blade of the immortal by Hiroaki Samura
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bro... just trust me on this one....
I Know this is about manga but 3 Anime movies I gotta mention are: sword of the stranger, Lupin the IIIrd: The Blood Spray of Goemon Ishikawa and ninja scroll
listen in to hear my top 5 swordsmen
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ogamipukobye · 5 months
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trulyunpleasant · 1 year
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Kogan Iwamoto, Grandmaster of the Kogan-Ryu School. From Shigurui by Norio Nanjo and Takayuki Yamaguchi.
Art by me.
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driftingform · 8 months
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I did a thing, guys!
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nils-jcb · 8 months
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"La boca es la fuente del desastre" Norio Nanjo (Shigurui/manga)
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maurinnn · 1 year
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whattahvv · 1 year
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gonzaemon ushimata versus seigen irako
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writerobscura · 10 months
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Sure, Jan
What cracks me up about this scene from Shigurui Death Frenzy is all the fandom speculation about how Fujki has latent homosexual feelings for Irako, and yet here is Irako taking out his anger on some statues by imagining them to be the two men who caused him pain … and look at how he handles his anger at Fujiki?!
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aorticarchnemesis · 11 months
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Is this a diss?
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