#Shop Drawing Company Cambridge | Explore Tumblr Posts and Blogs

exeggcute · 4 months

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there's a developing story in Australian media about Tiktok pixels collecting unauthorised data in an aggressive manner via their ads on thrid party websites, and I was wondering what a Professional like yourself made of it

ooh reading into this now... full disclosure that (1) until/unless I get another job in adtech I am technically not a Professional anymore lol and (2) pixel tags weren't a big component of my last role so I only have a fairly basic understanding of how they work. but from what I'm seeing here it sounds like the main issue with tiktok rn isn't the data collection per se, since these pixel tags are functionally identical to the ones employed by facebook and others, just that tiktok isn't obtaining user consent the way other companies are ostensibly do. although even that seems like a convenient lead-in for the whole Oh My God A But Chinese Company Is Doing It thing.

and tbf I kinda can pull that in both directions—on one hand facebook in particular has gotten in a lot of trouble before for bad data collection practices and putting that data in the hands of people who used it to (maybe, allegedly) sway public opinion, so the general fear underpinning this thing is like, not unfounded right. (even though I don't think the issue behind the cambridge analytica scandal was centered around tracking pixels specifically?) on the other hand the very nature of facebook's rocky history re. data and privacy proves that western companies can and will spy on their users and it's for sure disingenuous to act like ~shady foreign governments~ are the only ones with any incentive to do so lol.

I guess you could argue that facebook's incentive for all the spying was simply Making Money, even if they took money from people who did use that spy data to spread propaganda; like, to the parent company, the propaganda wasn't the goal. whereas many will obviously argue that with tiktok data some undefined form of propaganda is the goal. but seeing that tiktok ads are a multi-billion dollar enterprise(!) I'm way more inclined to believe that tiktok is also spying for the sake of Making Money. clearly a whole fucking lot of money!

this is something I've for sure said before but I also wholeheartedly believe (and to some extent, know, although again pixel tracking isn't my exact wheelhouse) that advertising data is a lot less granular and therefore less useful than most people imagine it to be, which severely limits the kind of compromising shit you can pull under normal circumstances.

even in the article I linked, where they talk about tiktok pixels being able to track the shopping/browsing habits of users, basic device info, and occasionally some PII like phone numbers and email addresses... like, okay, so let's say tiktok knows that [email protected] used an iphone to look at a website that sells orthopedic shoe inserts. or even maybe something more salacious like, idk, questionably legal gas station dick pills. from a "let's use tiktok to spread propaganda" perspective I really struggle how that information would be valuable or what you'd do with it other than emailing that person outright to taunt them about their fucked up feet and/or dick? (if the goal is to show people certain kinds of content in tiktok's app then certainly you have both the means to do so and plenty of behavioral data to draw up on in the app itself. it's a literal video platform lol.) otoh from a "let's use this data to create advertising segments" perspective then you can easily monetize this info by telling advertisers that you know a guy who's a prime target for ads about podiatry treatments or whatever, in which case advertisers are more eager to spend money on ads because they think they're talking to a relevant audience. and in that case advertisers don't really care what the guy's name or email is, just that he ticks certain boxes that make him a worthwhile use of ad dollars. and even in cases where bad actors do want more specific data for shady purposes, it's pretty difficult to collect it and even harder to propagate it across different platforms; one thing I think gets overlooked a lot with cambridge analytica in particular is that it happened on a platform where users willingly share their full name, birthday, gender, relationship status, political leanings, job title, etc. outright, and then create connections between other people who also willingly share all that info. in some ways I don't think it could've happened anywhere but facebook, because this is a situation where you really didn't have to squeeze anything out of users—they just came out and told you! (it's also part of why non-shady facebook ads are so lucrative; you don't have to guesstimate audience data when you can literally just specify that certain ads should only be shown to people whose profile says they're between the ages of 35 and 55.) and as far as I'm aware tiktok just does not have anything remotely approaching that kind of profile data.

anyway lol. as far as I can tell I think this is a GDPR-y consent issue first and foremost, which will probably turn into a thorny battle over whether tiktok can/will be held to EU data standards or similar statues with a good helping of Chinese Company Bad mixed in for good measure. also side note but remember the whole thing about tiktok data transparency but the american company they put in charge of it is fucking oracle?

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siliconec · 1 year

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siliconecuk · 19 days

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steeldetailingconstruction · 1 year

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brookpub · 1 year

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Pub Life and Best pubs near me - Cambridge

It's easy to forget how strange it is that the United States has so few pubs until you visit the United Kingdom to know more about pub life and the best pubs nearby. Despite sharing a shared history and a penchant for liquor, this cultural practice never caught on in the United States.

Bars vs Pub Life:

Unsurprisingly, the United States is home to many drinking establishments. However, bars are not the same as pubs. One may compare a pub to a neighbourhood cafe. However, alcohol is a central theme that one could find in a typical pub. In addition, the fact that many beverages, especially the cask ales, have low alcohol-by-volume concentrations supports this theory.

If you're looking for an excellent spot to have lunch, a pub can fit the bill. Alcohol is the focal point of bars, but only some enjoy imbibing. It's more about the atmosphere and the people you meet. In all fairness, that is still what it comes down to on occasion.

British Pub Culture:

Student life, and British society more generally, is deeply rooted in the pub culture. A bar is a gathering spot for friends and neighbours to unwind over drinks and conversation. You don't have to be an alcoholic to appreciate this essential aspect of British pub culture.

Pubs provide a similar social and cultural function for Britain as coffee shops or teahouses in other cultures. In British society, pubs play a crucial role, and it is a commonplace to see people dressed in traditional pub garb.

When the British want to relax and socialize, they often go to their local pub nearby, and it's not uncommon for them to bring their whole family, even young children. Every afternoon, the bars have a warm and welcoming vibe. In most British pubs, minors are welcome with a parent or guardian. Children are not permitted inside after 6:30 pm. They often gather there for social gatherings, including beverages.

Why do the British like going to PUBS?

Pubs have flourished along with British culture and now serve as community hubs for individuals of all ages and backgrounds. Traditionally, most consumers were males stressed out by job and family responsibilities. The pubs were a haven for those breadwinners, a location where they could escape the bustle of home life and focus on themselves.

Pubs were formerly reserved for males alone, but as the economy and culture have improved, this is no longer the case. Public houses have become popular gathering places for people of various socioeconomic backgrounds and ages. Pubgoers, particularly the young, will brave the cold to stand outside and get a beverage even as the temperature drops.

These days, it's not only the drinks and the food that bring people to bars; it's also the friendly, laid-back vibe. Some people find that a frequent visitor to their favourite pub is just what they need to unwind and recharge.

In addition, there is plenty of pubs spread out over the countryside where locals like to go for Sunday lunch. Customers often dine with their loved ones or friends on roast beef, chicken, and other sides.

What draws customers to a bar?

Promote sales and unique activities like karaoke, wine tastings, and themed parties. During the week, business is often slow since most individuals would instead relax at home after a long day. Tequila Tuesdays, Thirsty Thursdays, and Fizzy Fridays are just a few examples of specials that might draw consumers into your bar.

What sets a bar apart?

Every bar is unique, but there are certain constants: low ceilings, wooden beams, log fires, etc. Many bar names are also very conventional; however, some are pretty creative and even mystical.

Best pubs near me:

The Brook is one of the best pubs near Mill road in Cambridge, serving up seasonal, locally produced food along with cask ales, craft beers, soft drinks, cocktails, coffees, and teas in a casual and welcoming setting. As our name indicates, we like spending time in the great outdoors, where a refreshing beer and excellent company may help you unwind after a long day. Customers from Cambridge and the surrounding areas often spend their free time at our sports pub.

If you're looking for a great place to watch the Soccer World Cup, go no further than The Brook, a bar in Cambridge noted for its Live BT Sports broadcasts on five massive screens. The tournament kicks off in November. In addition to providing excellent service, we go out of our way to make our clients feel welcome by providing amenities like free Wi-Fi, BT sports, a dog-friendly environment, draught beers, an open fireplace, and the most beautiful beer garden in town. We also have one live music on 10th December 2022 so book your place now !! Our Facebook page is where we announce breaking news or planned events, so be sure to like us!

Every day of the year, the Brook, the most excellent pub in Cambridge, serves you traditional pub fare and specials. Monday through Friday, between 5 and 7 pm, you can receive any Burger and curry with a complimentary pint with every purchase. On Saturdays, you can get our authentic Biryani and beer for only 12 pounds. Our business hours are as follows: Monday through Thursday, 3 pm to 11 pm; Friday and Saturday, 12 pm to 11 pm; and Sunday, 12 pm to 10 pm. We have everything from appetizers to steaks, burgers, chicken wings, lasagna, the Sunday roast, delicious desserts, and a menu just for the kids.

One can find many best pubs near Mill road but Brook pub offers you to sample some of the city's finest Cask Ales, wines, and spirits while watching live sports on TV and eating some delicious pub grub. You may try a variety of our beverages to find the one that best suits your preferences. Customers keep returning to our establishment because we always provide excellent service and a wide selection of delicious cuisine and beverages.

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woodruffmontoya99 · 2 years

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charmed-and-alarmed · 5 years

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If you enjoyed my nonsense about Aziraphale loving grad students then look no further, I have something even better. That’s right, I have some ‘furiously doting Crowley’ shenanigans for you

- If you ask Crowley, he will say that he loves college kids because they’re an amazing source of bad ideas and poor decision making. They’re hormonal, stressed, and usually inebriated right at this pivotal moment in their lives - what more could a demon want? And best of all? It was programmed in humans at the very beginning. It was enough to make you wonder what a certain Someone was thinking when they made that decision.

- Aziraphale does not wonder. It’s part of the great Ineffable Plan. The reasoning will become clear to him… eventually. Hopefully.

- Many drunk students over the decades have stumbled out of a bar or party alone, miles away from their beds. They may notice a taxi cab idling just around the corner, light on, waiting for passengers. The window is open and the driver calls out to them as they pass by, offering them a ride home. When you wake up after a night of heavy drinking, you can’t expect to remember much of anything but you can’t help wondering how you paid or why the driver didn’t ask for their address. But with a massive hangover and some social damage control to do, it’s quickly forgotten

- Days or even weeks later, you will find a little business card tucked away in their bag or pocket is black with the words ‘Don’t Be An Idiot’ and the number of a cab company. This company will bring drunk young people home for free, thanks to charitable organization that funds the program. If pressed for details about this charity, the employee will offer to transfer you to the person in charge. You can listen to the tinny, musak cover of ‘Margaritaville’ as long as you want, it doesn’t matter. The call always drops.

- There are tiny slips of paper hidden all around the Fell & Co. bookshop. Between book pages, tucked underneath coasters, crumpled up at the back of a desk drawer. They are coupons, every one unique with its own uniquely hideous design. If you find one, you will be surprised to see that it’s 75%, 90%, off for college textbooks at your local (non-antiquarian) bookstore. It’s always your local bookstore, actually, regardless of where you live. [1]

- Crowley likes to remind everyone that he is a very mean, nasty demon who causes chaos and destruction wherever he goes. Aziraphale likes to remind him of that incident in the 1890s when a young theology student’s beau stormed into the store. He was shouting and threatening violence and shoving books onto the floor as he advanced on the poor, trembling student. It was obvious something had to be done but before Aziraphale could do anything, the awful man cried out in pain and started hopping on one foot, shouting about something biting him.

He still remembers the look on the students face (Jim? Or Jill, he can’t recall) when the brute screamed in terror as a long, black snake slithers across his chest and out behind his neck. There was a moment of shock before Jim or Jill burst out laughing. As the snake slithered down his arm to the shelf nearby, the whole store erupted in laughter. This snake avoided the human hands that tried to pet him, hissed at their cooing compliments and bared his fangs, but no one was afraid. Especially not when it took to napping on the table by the door and hissing at new customers.

- Crowley has no idea what the angel is talking about. On a completely unrelated note the student’s name was Meredith and they went on to teach a course on demonic symbolism in literature at Cambridge. Or so he heard.

- it’s not until the whole “Prepare to Die Fools you shall all peri-, psych! did you really think we were going to end the world? oh man, you should have seen your face” mess was over that Crowley spent any time in the bookshop when it was actually open. That is, not as a snake. It was only after they all didn’t die that Crowley came to the shop shaped like a person.

- those students that recognized the Bentley parked outside started to pack up. The man came inside, calling out ‘Angel’ and waving his hand vaguely in their direction. Suddenly, those students were very interested in staying for a while, maybe play games on their phone for a few minutes as a well deserved break. They returned to their work eventually, annoyed with themselves for procrastinating. Mugs of cocoa appeared, sloshing a little as they ‘thunk’ed onto their coasters. Mr. Fell had asked his friend to serve cocoa which he did as dramatically as possible, sneering at everyone and ‘thunk’ing mugs as loudly as possible. You might have been afraid of this angry man but you can see Mr. Fell in the background smiling fondly at his friend. That initial unease evaporates and you smile at the man. He makes a face and sticks out his tongue at you before turning away. If you noticed that tongue didn’t look normal, you decide it’s not important and go back to work.

1. Crowley invented coupons. The trick, he had explained to the brainless masses of hell during his bi-annual progress report, was the expiration date. You get the human’s hopes up, they think that they’re going to save a little money. Feel oh-so-clever until WHAM. It’s past the expiration date. Humans are so easily distracted. they forget all about it until it’s too late. And there’s that lovely moment of frustration when they find it at the bottom of their bag, reminding them it’s all their fault. It’s just like when one sidewalk segment is slightly taller than the other - a little nudge of anger and frustration ripples outwards all day, passing from one angry human to another. And they do it to themselves!

Hell had not appreciated Crowley’s idea about the sidewalk pavers, and considered the coupon-scheme too complicated to have any real affect. In protest, Crowley invented the manufacturers coupon but that went south quickly, arguments and fights breaking out faster than he predicted. Heaven quickly retaliated and invented the gift card. At this point, it is considered a draw with no points to either side.

#az fell & co #valued customers tag #bc students are the only costumers aziraphale wants in his shop #crowley misses the kids during holidays#but then they bring xmas gifts #crowley tries to make some scathing comment about commercialism and jesus' actual birthdate #but a bunch of them pooled their money together to buy crowley a nice big rock to sun on #err #not for crowley #for the snake #it's a snake gift #for snakes #who miss sunning out in the Garden# i'm not crying angel #you're crying #shut up

#good omens #crowley #aziraphale #az fell & co #valued customers tag #bc students are the only costumers aziraphale wants in his shop #crowley misses the kids during holidays #but then they bring xmas gifts #crowley tries to make some scathing comment about commercialism and jesus' actual birthdate #but a bunch of them pooled their money together to buy crowley a nice big rock to sun on #err #not for crowley #for the snake #it's a snake gift #for snakes #who miss sunning out in the Garden #i'm not crying angel #you're crying #shut up

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siliconec · 3 months

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siliconecuk · 7 months

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steeldetailingconstruction · 1 year

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queenmark08 · 4 years

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slaaneshfic · 4 years

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Proposal: Gothic Vectors and Gothic Lacuna: Gender, Reparative Love, and Unseen Agency in Tai Shani’s “Phantasmagoregasm”

Figure 1. Phantasmagoregasm Production Print. Reprinted from "Tai Shani", by Shani, T, 2019, Retrieved from https://www.taishani.com/shop/dark-continent-productions-print-set. Copyright 2019 by Tai Shani.

This is a proposal I’ve just sent this morning for the Sheffield Gothic conf. the deadline is the 9ths so still time to submit something. http://sheffieldgothicreadinggroup.blogspot.com/

The artist and 2019 Turner Prize collective winner Tai Shani has since 2014 produced artworks as part of a project called Dark Continent (DC), named for Freud's description of the sexuality of adult women (Freud, 2002, p. 90). DC takes inspiration from texts such as Christine de Pizan’s proto-feminist work “City of Women”, adapting and deviating from them to question “what consitutes the feminine” through a “messier and more agnostic model of gender that moves beyond the binarism of Pizan” (Crone, 2019, p. xi).

One artwork within DC is “Phantasmagoregasm” (Shani, 2018, 2019, n.d.), a narrative delivered by its titular character “an eighteenth-century hermaphrodite writer of gothic fiction” (Shani, 2019) which explicitly references Edgar Allen Poe’s “The Fall of The House of Usher” in its concern for the protean interrelations of bodies, objects, buildings, and affects. Shani however, offers a radical redeployment of the tropes and structures of the gothic, just as she does with those of gender.

Firstly, I draw from Eve Kosofsky Sedgwick’s concept of “reparative reading” (Sedgwick, 2002) with its calls back to Sedwick’s analysis of the gothic forms (Sedgwick, 1986), to consider how Phantasmagoregasm replaces the underpinning gothic presumption of paranoia, with queer care and love, via absense and affect. The reparative gothic position is used as a means to approach one of psychoanalyst Luce Irigaray’s rare direct addresses to art, “The Natal Lacuna” (Irigaray, 1994, 2006), and its related debates (MacCormack & McPhee, 2014; Robinson, 1994, 2006; Whitford, 1994).

Secondly, I identify how, as a reconfiguration of the gothic form of barriers and transgressions, Phantasmagoregasm is concerned with vectors and pathways for energies witnessed only through their effects, particularly the repeated literary description of rapidly moving disembodied points of view, sound waves, wind, and abstract geometry. This “Vectorial Gothic” in Shani’s work is considered through the metaphor of director Sam Raimi’s agentic camera in “The Evil Dead” movies (Campbell, 2002; Raimi, 1981, 1987; Raimi & Spiegel, 1986; Semley, 2019), in order to create another approach to Irigaray’s text, via Sedgwick and theorist Katherine Hayles writing on Poe (Hayles, 1990).

In conclusion, I consider how the queering of Gothic Desire and Gothic Space in Phantasmagoregasm readdresses structures of sexual difference and illuminates a feminist approach to art practice concerned with affect, love, and the negotiation of the unknown, or undescribable.

Bibliography:

Campbell, B. (2002). If chins could kill: Confessions of a B movie actor: an autobiography (1st St. Martin's Griffin ed). New York: LA Weekly Books for Thomas Dunne Books/St. Martin’s Press.

Crone, B. (2019). Wounds of Un-Becoming. In Our Fatal Magic (pp. vii–xxiii). S.l.: STRANGE ATTRACTOR PRESS.

Freud, S. (2002). Wild Analysis (A. Phillips, Ed.; A. Bance, Trans.). Retrieved from http://catalog.hathitrust.org/api/volumes/oclc/51108791.html

Graves, R. (2018). Tai Shani: Semiramis. Retrieved 27 November 2019, from Corridor8 website: https://corridor8.co.uk/article/tai-shani-semiramis/

Hayles, K. (1990). Chaos bound: Orderly disorder in contemporary literature and science. Ithaca, N.Y: Cornell University Press.

Irigaray, L. (1994, June). A Natal Lacuna (M. Whitford, Trans.). Women’s Art Magazine, (58), 11–13.

Irigaray, L. (2006). The Natal Lacuna. In S. Lotringer (Ed.), & B. Edwards (Trans.), More & less 3: : Hallucination of Theory (pp. 39–43). Pasadena, CA; Cambridge, MA: Fine Arts Graduate Studies Program and the Theory, Criticism and Curatorial Studies and Practice Graduate Programs, Art Center College of Design ; Distribution, MIT Press.

MacCormack, P., & McPhee, R. (2014). Creative Aproduction: Mucous and the Blank. InterAlia Special Issue: Bodily Fluids, (9), 146–164.

Raimi, S. (1981). The Evil Dead. Retrieved from http://www.imdb.com/title/tt0083907/

Raimi, S. (1987). Evil Dead II. Retrieved from http://www.imdb.com/title/tt0092991/

Raimi, S., & Spiegel, S. (1986, May 5). Evil Dead II Shooting Script, Seventh Draft. Retrieved from http://www.bookofthedead.ws/website/evil_dead_2_in-print.html

Robinson, H. (1994, December). Irigaray’s Imaginings. Women’s Art Magazine, (61), 20.

Robinson, H. (2006). Reading art, reading Irigaray: The politics of art by women. London: I. B. Tauris.

Sedgwick, E. K. (1986). The coherence of Gothic conventions. New York: Methuen.

Sedgwick, E. K. (2003). Touching feeling: Affect, pedagogy, performativity. Durham: Duke University Press.

Semley, J. (2019). Naturom Demonto. How The Evil Dead Claims Evil from Both Literature and Cinema. In R. A. Riekki & J. A. Sartain (Eds.), The many lives of The evil dead: Essays on the cult film franchise (pp. 41–50). Jefferson, North Carolina: McFarland & Company, Inc.

Shani, T. (2018). PhantasmagoregasmFinal.pdf.

Shani, T. (2019). Phantasmagoregasm. In OUR FATAL MAGIC. (pp. 139–153). S.l.: STRANGE ATTRACTOR PRESS.

Shani, T. (n.d.-a). DARK CONTINENT. Retrieved 27 November 2019, from Tai Shani website: https://www.taishani.com/dark-continent

Shani, T. (n.d.-b). DARK CONTINENT: PHANTASMAGOREGASM. Retrieved 27 November 2019, from Tai Shani website: https://www.taishani.com/darkcontinentphantasmagoregasm

Westengard, L. (2019). Gothic queer culture: Marginalized communities and the ghosts of insidious trauma. Lincoln: University of Nebraska Press.

Whitford, M. (1994, October). Woman With Attitude. Women’s Art Magazine, (60), 15–17.

#horror #feminism #queer #edgar allan poe #luce irigaray #eve kosofsky sedgwick #reparative reading #art #evil dead #voids #lacuna #vectors #trajectories

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royalpain16 · 5 years

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Betting on the Royal Baby

In Britain’s celebrity pregnancy economy, Meghan Markle’s unborn child is inspiring wagers, luxury cookie tins and diamond-encrusted jars of diaper rash cream.

On the Paddy Power betting website, more than $325,000 hinged on a single unborn baby.

When will it arrive? What will its name be? The shortest odds were on (1) this week and (2) Diana.

But isn’t it kind of icky to put money down on a woman’s pregnancy? Even if that woman is Meghan Markle, arguably the most famous American in Britain, and definitely the best-known actress turned duchess there? Even if the baby is a Royal Baby?

“The idea of tens of thousands of strangers voting on the sex of your unborn baby is frankly bizarre, but it’s part of the buildup to a royal birth and an acceptable part of the narrative,” said Katie Nicholl, who comments on the royals for a living and wrote a book titled “Harry and Meghan: Life, Loss, and Love.”

She added: “It’s generally seen as harmless fun, and an age-old tradition that’s synonymous with royal births.”

It’s also a chance to make a lot of money off a newborn.

Last year’s wedding of Prince Harry and Ms. Markle — now the Duke and Duchess of Sussex — was popular with gamblers. There were guesses about her dress (Givenchy), his beard (intact) and the weather (lovely)

But there are far more bets on Baby Sussex, who will be seventh in line to the throne. At the bookmaker William Hill, wagers are expected to reach $1.3 million. Another bookmaker, Boyle Sports, is taking bets on categories like the baby’s godparents and weight.

That’s more action than for each of the baby’s three royal cousins — the children of Catherine, the Duchess of Cambridge, and Prince William, Prince Harry’s brother — who are third through fifth in the succession lineup.

On the BookMaker.eu website, odds favor the baby’s being born in the morning on a Sunday, said Angus Hamilton, an entertainment specialist for the sports betting platform, who remembers similar wagers being placed when Princess Diana was pregnant.

The betting market for royal babies is not enormous, Mr. Hamilton said. On BookMaker.eu, there is less than $100,000 in related wagers, compared with the $1 million in bets that the Oscars sometimes draw on the day of the ceremony.

“It’s not college basketball or the Super Bowl, but it’s a bit of fun,” he said. “Royal babies are big news in the U.K., but people are excited about this one in particular.

That’s why Tilletts, a jeweler in Norwich, is marking the birth by charging $5,500 for a jar of diaper rash cream. The lid is made of silver, engraved with the British and American flags and set with diamonds, inspired by “the sparkling warmth and charm of Meghan’s personality,” according to the company.

Baby Sussex is expected to be an economic stimulus for British pubs, restaurants, souvenir shops and museums, with an uptick in tourists, especially from the United States, said Richard Haigh, the managing director of Brand Finance, a consulting firm. Last year, it estimated that the Sussex wedding fueled $1.5 billion in spending.

Immediately after the birth, sales of memorabilia and other baby-related products could reach nearly $100 million in Britain and the rest of Europe, with some related spending in North America, according to the Center for Retail Research in Norwich.

Stores in Britain have already geared up for a boom in baby-related spending.

Biscuiteers, a London company specializing in iced cookies, is marking Baby Sussex’s birth with a luxury biscuit tin of decorated sweet treats featuring crowns and baby onesies that customers can buy for 45 pounds, or about $59.

#baby sussex #meghan duchess of sussex #british economy #betting on the royal baby

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sian22redux · 6 years

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Faramir Fridays

ok.. I have some time today and thought I would get back to regular posts if possible, and remembering that I never did get around to posting from my TVM talk, I decided that is what I shall cover today--- my hypothesis of how the character came to be.

It will be about 17 images of the slides from the talk..and a few written points..so after the first few I will put them under a cut... (note: not to be reproduced without permission)

Faramir, Tolkien’s sensitive, reluctant warrior who declines the Ring, arrived quite late in the story of The Two Towers, appearing suddenly, and to Tolkien’s surprise, at a pivotal moment in the creation of the chapters ‘Of Herbs and Stewed Rabbit’ and ‘Window on the West’.

Ithilien’s Captain of record at that point, one Falborn, son of Anborn, was just finalizing his interrogation of Frodo and had been amusingly dressed down by Sam, when much lore and history of Gondor and Numenor began to be discussed. And, although a substantial part inevitably was cut to go into the Appendices, there was much that JRR wished to keep. To do that he needed a new character

The name Faramir is most commonly translated as ‘sufficient jewel’ from ‘mire’ the Quenya for jewel and ‘far’ the Sindarin for sufficient or enough. In the Peter Jackson version of the character this was a deliberate slight, that he was essentially lesser than Boromir—the steadfast jewel. Perhaps, there can be a different take. If name is destiny, Faramir, named for a Prince of Gondor who defied his father’s orders, is actually, quite simply, enough. A modest, yet noble man, with just the wisdom to resist the Ring and a play a pivotal part in Sam and Frodo’s story.

Despite this, and his enduring place as the most popular minor male character, Faramir has not often been a subject of critical analysis.

The character was conceived of and came to fruition in less than a week in early May 1944 and the relevant chapter, ‘Window on the West’, according to Christopher Tolkien, was written at great speed. May 4th there was no thought of him but by 11th he had appeared. How was an author famously obsessive about revising, one who took a decade and half between first sentence and finalized manuscript (and in so doing converted his protagonist from a hobbit called Trotter to a scion of Numenor) able to fully realize such an enduring resonant character so swiftly?

I suggest to you that it was because he had a model to draw from…. his childhood friend Robert Quilter Gilson

Robert Gilson, an artist and designer, was a member of the famous ‘Tea Club and Barrovian Society’. Hewas born in 1893 in Harrow on Hill, where his father, Cary Gilson, taught Classics. In 1900 the family moved to Marston Green when Cary became Headmaster of King Edward’s school. There, the TCBS tight circle formed, and like the others of the group, he went on to study Classics at Trinity College. His letters are a wealth of knowledge. He wrote daily, to family and friends, from university and from the Front where he served as a Lieutenant in the Suffolk regiment. He shared many qualities with Tolkien: a love of lore, and antiquity and history, but also strikingly many more with Ithilien’s Ranger.

The influence of Tolkien’s war on his writing is fertile ground for study, be it the allegory of evil mechanization in Grond; or more direct examples in his imagery of the Dead Marshes, or Sam—the doughty british batman. Tolkien was part of a generation turned their grief to work, from Everest expeditions to his own scholarship-- it was a fertile time after that great conflagration.

With respect to Faramir much has been made about him as the embodiment of a modern warrior archetype, and Tolkien, when asked by a pesky journalist which character, presumably Gandalf, he was most like, replied “Faramir,” noting though, that he lacked the character’s essential courage.

I am going to suggest that Tolkien drew on a man very like him in many ways but one who also was demonstrably courageous: Gilson.

Creating characters readers connect with is one of most important challenges for a fiction writer, for a good use of characterization always leads the audience to relate better to the events taking place in the story. Physical and psychological traits, sociological and biographical details all lend themselves to creating character. Much of what we know about Faramir in the book comes from indirect characterization.. through the lens of Sam and Frodo, how he relates to them, and they to him, and his own actions. This approach is considered more effective because it slowly discloses the inner turmoil of the character, over the course of the narrative and lets the audience understand.

For the process of this I like Alexandra Sokoloff’s quote:

‘I think all writers are always collecting characters as we go along...[stored in] the back of our minds like the shelves full of buttons and ribbons and fabrics and threads and beads in a costumer’s shop.’

This surely lends richness…but also requires one has the 'bobs and buttons’ stored.

Below I shall compare the two men, real and fictional, through the lens of the character components outlined above.

First are superficial similarities…

Faramir is typically depicted as more finely featured then his brother..an influence artists pick up, presumably from Finduilas of Dol Amroth and her descent from the elleth Mithrellas and Imrazor, the first Prince. In fact, Legolas remarks on Imrahil’s elven features in RoTK. Gilson had something of the Numenorean look given to Faramir: fine features, dark haired, and, as John Garth notes, calmly apprising eyes; a feature remarked of Faramir by number of characters in book.

Next we consider psychological traits. The above slide and below, via direct quotes from letters and the books, and John Garth’s extensive overview of Gilson’s own letters, illustrates a number of key commonalities.

Both were good leaders, loyal yet also thoughtful and poetic, but for Gilson this new role did not come naturally: he agonized over it. In a moving letter from Albert Bradman, his batman, to Cary Gilson, Bradman noted that Robert was ‘loved by all the men in the Platoon, and I may say Company, as he was a very good officer and a good leader.’

Of course, Pippin’s thoughts when first viewing Faramir, bowed and weary, at the entrance to the citadel run this very way.

There are sociological similarities between them as well. Both were conservative, as was typical of men of their social rank; pacifists and compassionate by nature, at ease across society and with people of every class.

Both had a love of the archaic. For Faramir it is exemplified by his words to Sam and Frodo, and in his delight in tutelage by Mithrandir. Gilson, similarly loved an earlier time, for him it was Renaissance painting and sculpture and 18th century Neoclassical styles that looked back to earlier era. Both men enjoyed atypical, one could say unsoldierly pursuits. For Gilson it was art, design and even embroidery. For Faramir this was music and lore. Tolkien speaks of this deliberately, that these pursuits made men superficially judge him less courageous.

Both have a reverence for wild spaces and living things. Faramir was quite evidently at home in Ithilien and dreamt of making it the garden of Gondor once again. Gilson, restricted in what he could say in his letters from the Front, spoke frequently of his enjoyment of being on the move, in the beauty of the French countryside.

Both were modern soldiers in the sense used by Stephen Carter-- highly skilled, yet classically trained and not caught by conventional views of martial glory. Both were marksmen. Gilson’s eye for artistic detail transferred to riflery, where he won the Shooting 8 of the Officer Training Corps.

It is in their biographical details that the similarities become almost uncanny. Like the classical element of fairy stories, both lose a parent, their mothers, at a young age. Both men lived under the shadow of important, larger-than-life fathers who were the ‘rulers’ of their worlds. Faramir's being the ruling Steward and scion of Numenor; Gilson’s the headmaster of King Edward’s school,’ the self-contained world in which Tolkien and Gilson lived. Cary Gilson was an intimidating, formidable man, who moved in important circles but unlike Denethor, loved his son greatly, however much, in keeping with his era, he did not show it publically.

Gilson, like Faramir, followed his duty, if not his heart. The first of the TCBS to enlist, he left Cambridge where he had undertaken studies chosen for him by his father. Like Faramir, he struggled to live up to parental expectation at times, finding it hard to achieve grades expected in a subject he did not love. Ultimately he was confident enough to defy his father’s will and societal convention: just before the war, he announced he would give up Classics to study Architecture…something considered a ‘trade’ in those days, not a vocation.

Both loved above their station and were initially rebuffed. Faramir’s true love is of course Eowyn of Rohan, niece of, and sister to, a King, Gilson’s was Estelle King, the daughter of the American Consul. They became friends on holidays in the Scottish Highlands but she was at first utterly shocked and flummoxed by his declaration of love. Gilson went off to France thinking his suit was lost but it was not so. On shore leave they became engaged. Letters between Gilson and the adventurous King, who was serving in Holland as a nurse, detail and deep affinity.

Most heartbreaking of all is the echo of Gilson in Faramir’s charge on Osgiliath: another personally courageous scholar-soldier, calmly leading his men against overwhelming odds into a rain of endless slaughter. Gilson’s battalion went over the top the first morning of the first day of the battle of the Somme, one that would in live infamy. Gilson, the last officer surviving in the midst of battle, he unflinchingly and briefly took over leadership of the entire company. The Suffolk Regiment’s loss that day was the largest of any single battalion in their division. 70% of the officers and 50% of men, far greater than Gondor’s retreat.

Unlike Faramir, Gilson did not survive. He was killed by a shell burst that morn.

Tolkien said of his friend’s death that ‘something has gone crack’, and it was so seminal a loss that for the first time in a decade he said he felt ‘a mere individual’.

Geoffrey Bache Smith of the TCBS memorialized Rob in his poem “Let us tell quiet stories of kind eyes”

To conclude, I suggest Tolkien was able to paint such a resonant portrait in so short a time, to develop a fine characterization of a sensitive poet-soldier, adored by his men, driven by duty to do what goes against his nature, by drawing upon one he knew in life, subconsiously or otherwise. And in this we have another influence of the Great War and his childhood friends on Tolkien’s work.

Acknowledgements and Sources below:

#Faramir Fridays #faramir #meta #Tolkien in Vermont #characterization

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