IN A NUTSHELL: "AS LONG AS IT'S FAST AND EXTREME, I DON'T GIVE A SHIT."
PIC INFO: Spotlight on individual shots of David Vincent, Jesse Pintado (R.I.P.), Oscar Garcia, & Pete "The Feet" Sandoval of American grindcore/deathgrind band TERRORIZER, recording their genre-defining "World Downfall" album at Morrisound Studios, Tampa, FL, c. 1989.
JESSE PINTADO✝: "...we were coming from a hardcore and punk background."
UNBELIEVABLY BAD: "You can hear plenty of that in the mix of styles that TERRORIZER do."
JP: "Yeah, it's just a mixture of the old hardcore and punk and then I got into metal and then it became grindcore and I don't know… as long as it's fast and extreme, I don't give a shit."
Sources: www.reddit.com/r/colorizebot/comments/52xonb/terrorizer_1989 & https://unbelievablybad.wordpress.com/2016/08/27/a-classic-interview-with-jesse-pintado-on-the-10-year-anniversary-of-his-passing.
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Remembering Jesse Pintado today on the anniversary of his passing.
Photo of Jesse and me in Milwaukee on July 27, 1991. I was 20, four months away from Broken Hope’s first album coming out, and I’d just met one of biggest guitar heroes.
Jesse’s influence on me as a young man—specifically Jesse’s work on Terrorizer’s “World Downfall” album—is profound beyond measure—as were his contributions to Napalm Death (ie: "I Abstain" & "The World Keeps Turning").
Over the years we became friends. He’d come to Chicago and we’d go out and grab food. I’d always pick his brain about Terrorizer and he’d always be like, “You’re really that crazy about World Downfall? Those riffs were just simple, spontaneous things.”
And I would answer, “Yes! And your riffs and style are brilliant and you’re a fucking god!”
I miss you, Jesse. You changed my life through your music. And you were such a great person. I summon your spirit every time I write new tunes.
image and text taken from JeremyxWagner
posted originaly on august 27th 2022
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Terrorizer - Darker Days Ahead
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Getting a bit more experimental, I tried to do art paying tribute to my personal favorite grindcore record, Terrorizer’s World Downfall. The background is a collage of different images in history, because I wanted to pay homage to the original album cover. Being my first time doing something like this, it’s pretty rough, but I think it was a great chance to test my creativity.
Featuring Reshiram Ellis (inspired by the art of @isshusgotissues).
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BECKONING VOID-FACE GRINDER
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Terrorizer - Corporation Pull-In
World Downfall (1989)
Big money business
take what they can
always for a profit
never for the consumer
using all tricks
using a trap
taking all the money
for their personal gain
Corporation Pull-in
Corporation Pull-in
The rich get rich
the poor stay poor
working hard
all for nothing
life of dreams
shatter faith
down and grim
there's no answer
Corporation Pull-in
Corporation Pull-in
Always in it for money
government bastards are to blame
no one cares any more
about society and economy
millions die
loss of values
corporation takes control
no way out this misery
always backing big business shit
The economy of this nation
is slowly drifting away
self-righteous bastards
never caring about society
Who-suffers-pays the price
People-prisoners-to the system
The wealth and greed
the power to gain
fucking over others
just to stay ahead
Can't they see - they must help
Stop - the pain of mankind
Racial power keeps minorities down
who died and made them God
If they want an apartheid state
then take your shit and fuck off
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Escuela Grind - Memory Theater
The other day I posted a review on the new Kill Division album, a record that brought together current and former members of bands like Megadeth, Gruesome, Malevolent Creation, and Soilwork, just to name a few high profile bands that this band is coming together from. The album was called Peace Through Tyranny, and while it was a good homage to the 80s grindcore bands of yesteryear, it failed to do anything more than that. It didn’t have something that kept me coming back to it, let alone something that made it exciting or unique, but luckily, I also checked out an album that came out last week in the same vein that does -- Escuela Grind’s sophomore album, Memory Theater. Escuela Grind is a grindcore / hardcore-punk band from New York that are making quite a splash in the scene with their brand of very politically charged music, especially from unique perspectives, as there are women of color in the band, so it’s cool to hear more representation in the metal scene from other kinds of people. Diversity is great, despite what conservatives will tell you, or want to believe themselves. Memory Theater is my first experience with this band, as I never heard of them before this record, but they’ve been making waves the last couple of years in the new New England scene, and for good reason -- their brand of grindcore, death-grind, and powerviolence is some of the most vicious I’ve heard in a long while.
There’s not a whole lot to it, per se, but this album is 24 minutes of nonstop brutality, and it’s awesome. I guess I should take that back a little bit, because there are some unique flavors here, as they lean into other kinds of extreme music for their sound, not just strictly straightforward grindcore. Death-grind, powerviolence, and hardcore-punk make their way into the mix for something rather interesting, even if it doesn’t seem like it at first listen, just because of how chaotic everything is. Then there’s the matter of vocalist Katerina Economou, who has one of the best snarls I’ve heard in a long time, too; her vocals are utterly fantastic, and they breathe life into a genre that already has a lot of life in it, but this record is what I was looking for -- something intense, refreshing, and interesting, versus trying to just recapture the “glory days.” There’s nothing inherently wrong with that, but if that’s all you’re doing and not either reexamining the past, or trying to build upon the past, it’s not that interesting, unless you can add onto that sound somehow. Kill Division really didn’t do that, but Escuela Grind has one of my favorite albums this year. It’s a nice little grindcore record, but it packs quite a punch in the process. In between their lyrics that are very socially aware, their sound that is diverse in a subtle way that doesn’t feel too jarring or overpowering, and their vocalist that can offer a unique perspective in the metal world, what’s not to like here?
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Terrorizer - Caustic Attack
(2018, full album)
[Deathgrind, Death Metal]
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RECORDED (AND MIXED) IN EIGHT HOURS, AND THIS IS NEWS TO ME!! SOUNDTRACK TO OUR WORLD DOWNFALL.
PIC(S) INFO: Spotlight on the CD pressing of "World Downfall," debut and sole studio album by Los Angeles, CA, deathgrind/grindcore band, TERRORIZER, and released under the UK's Earache label in 1989.
NIHILISTIC WEBZINE: "How exactly did recording for "World Downfall" come about and how did you react when you were told that you’d be recording for Earache? I read an ancient interview with Jesse that the LP was recorded in 8 hours and that you didn’t play guitar on it because you forgot half the riffs (or is this Jesse just being a smartass???)??? How did DAVID VINCENT end up playing bass (duh, he was what, TERRORIZER’s number one fan right???)?"
OSCAR GARCIA: "Jesse would correspond with Mick from "Napalm Death", who in turned talked to "Earache" and got us the deal. Yes, "World Downfall" was recorded in 8 hours. It wasn’t that I forgot, I was rusty and since we were not given much time, I didn’t want to hold up the recording so I just told Jesse to play all the guitars. David Vincent was just lucky to get on the recording, we needed a bass player at the last minute, and he was at the right place at the right time. "
Source: https://nihilistic-webzine-distro.fr/Interviews/terrorizer.htm.
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what are your thoughts on grindcore stuff?
Yeah theres a lot of grindcore and related stuff like deathgrind and goregrind that I like, some faves are Unholy Grave, GO-ZEN, Righteous Pigs, Last Days of Humanity, Repulsion, Fuck The Facts, Dead Infection, Meat Shits, Scour and Extreme Noise Terror
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Grindcore
.
.
#napalmdeath #terrorizer #extremenoiseterror #brutaltruth #carcass #grindcore #deathgrind #noise #hardcore #punk #repulsion
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Assista a "Massacred - Pandemonium Of Terror FULL ALBUM (2023 - Brutal Deathgrind)" no YouTube
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DISGUSTING MELTING CORPSE ZINE & RANCID OF GORE PUTREFACTION FANZINE (split fanzine from chile)…!!!!!!!!!
trabajando en nuestro 1er issue split fanzine con un monton de carroña putrefacta de info / stuff material realmente putrefacto y brutal; split en la vena horrorgore con estilos putrefactos y descompuestos en: grindcore / gore noise / deathgrind / pathological sick goregrind / horrified death metal / gore stench splatter / goregrind; con un variado stuff gore ultra chacal en recorte y pegado; un monton de secciones muy diversas como: reseñas de revistas de death metal antiguas y de cine horrorgore como: PUTREFACTION MAGAZINE / POSSESSOR TERROR ZINE / ANALPHABETIC JOURNAL ZINE / GORE GAZETTE / VACIA OJOS ZINE / THE SPLATTER TIMES / CREMATION ZINE / DEATHPOWER FANZINE / SUPPURATION ZINE / ZINE SHOCK / VIOLENCE ZINE / RIPPING SLAUGHTER ZINE; etc….. ademas de otras secciones de culto donde se rinde tributo a material clasico en tapes demos y vinilos con: DEAD INFECTION / DEAD (ger) / BLOOD / IMPETIGO / GERMEN / SUFFOCATION (spain - INTOXICATION) / MORTICIAN / CARCASS / PATHOLOGIST / HAEMORRHAGE / MEAT SHITS / EXULCERATION / REGURGITATE (tape demo); etc……. una seccion repugnante con revistas de horrorgore del pasado dibujos clasicos del horror de culto con: EL SINIESTRO DR. MORTIS / EL MONJE LOCO / LOS APARECIDOS / CIMITERIA / MONSTRUOS / LEYENDAS Y TRADICIONES DE LA COLONIA / MUSEO DEL TERROR / MUNDO DE SOMBRAS / etc…… ademas de una seccion clasica de culto a la escena death metal decada del 90" con reseñas a tapes demos clasicos con bandas del calibre de: CREMATORY / TRAUMATIC / INVERTED / MOLESTED / ROTTREVORE / INCANTATION / CENOTAPH (mex) / GOREAPHOBIA / LUBRICANT / TOTTEN KORPS / DESULTORY / FUNEBRE / ATOMIC AGGRESSOR; etc……….. se agrega la seccion tradicional del split fanzine a las peliculas de horrorgore clase B de los años 1970 - 1990 con gore reseñas con: EVIL DEAD (parte 1 y 2) / CANNIBAL FEROX / HOLOCAUSTO CANNIBAL / EATEN ALIVE / THE THING / THE BEGINNING / FRIDAY 13 th / BRAINDEAD / BURIAL GROUND / CREEPSHOW / THE TEXAS CHAINSAW MASSACRE / ZOMBIE FLESH EATERS / SUPERSTITION / CITY OF THE LIVING DEAD / THE HOUSE BY THE CEMETERY / ZOMBIE HOLOCAUST / NEKROMANTIK; etc……. ademas de un reportaje a fondo a los CANNIBALES en el cine de antaño; ademas de reseñas actuales de material podrido y brutal; aparte de reportajes buzarros y cronica roja gore y un monton de putrematerial embalsamado en un solo split fanzine que traera un material stuff gore junto al 1er issue del split fanzine……..!!!!!!!!!!
por mas informacion adicional enviar tu correo a las siguientes email oficiales del split fanzine:
DISGUSTING MELTING CORPSE ZINE
RANCID OF GORE PUTREFACTION FANZINE
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Jigsore Terror - World End Carnage (2004) Deathgrind Sweden https://www.instagram.com/p/CjM9HyhO6Kx/?igshid=NGJjMDIxMWI=
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