u can call me crow, i draw and write so u might see some posts abt my drawings and writings.
DNI if u just want to be an asshole or annoying. as long as ur chill we're chill. if i feel uncomfortable w u i might block u. sorry, no hard feelings. i just want to feel comfy here. i am a minor btw so keep that in mind when u interact w me.
if i say/do anything that is harmful to you or other people please tell me and explain to me what i did wrong i so wont repeat it, i want to learn from my mistakes.
i have a tendency to overreact and be super emotional abt stuff, especially when it comes to stuff i like, if u see me post in all caps, post a lot of mashed keyboard stuff, and maybe cursing a bit, that's just me being extremely emotional, sorry in advance.
i explain things really weird, so im sorry in advance, u can ask me to explain further to clear things up.
i might make vent posts from time to time, i wont be putting them in my talking tag and will add a cut before it so u may avoid it.
please dont repost my art, i'll allow you if you ask and tell me what you're going to do w it.
u can find me on ao3 as dat_toffee_crow, i got a ton of aa fics and im currently working on an au called Phoenix Wright: Ex Babysitter! (currently on hiatus tho, im not yet in the right mind to work on it yet ahaha....)
but! if u arent here for my aa stuff, i also write d4dj fics (and on the way to write bandori ones) and maybe a few king of fighter ones.
speaking of, my main interests at the moment are d4dj, bandori, and ace attorney. i also like a couple other stuff like revue starlight, revolutionary girl utena, major/major 2nd, haikyuu, blue period, kof, guilty gear, greek mythology, norse mythology, pokemon, and digimon. im also a fan of birds so u might see me rbing some posts abt them.
a couple of my comfort/favorite characters from my main interests are (comfort characters are bolded):
d4dj: all of rondo, all of merm4id, all of peaky p-key, sophia abyssmare, saki izumo, hayate tendo, kokoa shinomiya, noa fukushima, weronika abyssmare, and rei togetsu.
bandori: moca aoba, chu2 (chiyu tamade), all of hhw, all of roselia, tomoe udagawa, MASKING (masuki satou), LAYER (rei wakana), kasumi toyama, tae hanazono, hina hikawa.
ace attorney: ema skye, kay faraday, sebastian debeste, klavier gavin, apollo justice, trucy wright, and athena cykes.
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A couple of things about Limbo and Danzou, because I am constantly thinking about those two:
First of all, a possible hint at why Limbo is so fixated on her. Kashin Koji of course is her creator, and their dialogue mentions that they have a deep respect for Seimei, and not only that, their Valentine's scene brings up that Seimei was involved in the precursors to Kashin's own karakuri, and are made from the same craft. Given Douman's obsession with Seimei and need to surpass him is the whole reason he became so twisted in the first place, I doubt its a mere coincidence that the creator of the doll he's fixated on would bring up Seimei. Combined with how he found her in a helpless state where he could easily toy with her as much as he pleased, its no wonder he was quickly drawn to her and went to great lengths to hurt her so much.
The second thing I found interesting is Danzou's line for things she hates. There's no prerequisite for this line, so she's bringing it up before her interlude and heian-kyo (and apparently people were initially confused what she was referring to by the dark sun, though of course now its obvious she's talking about Limbo, that said, it IS mentioned at the very end of Shimousa, so the connection was always there- specifically the lines "He has taken in the dark god as his own personal sun, and transformed the wicked god into his own magical energy." and "Fear the curtain of night. Tremble before the dark sun.")
Anyway, I think this was an excellent way of conveying how deeply intertwined the two of them are, her story is in part about her breaking from from Limbo who continues to haunt her. This is Servant Danzou, who is based on PHH Danzou, not Shimousa's, so there's no way she would remember him, and yet he's hurt her so deeply that she has this innate fear of his symbol, the dark sun. (I wonder if the virus he implanted in her also plays a role in that...?)
Which is also why I'm disappointed Heian-kyo kinda half-assed the end of her and Limbo's entwined arc, it has a perfect lead up between Shimousa, her interlude, and the beginning of the chapter, but falls off and forgets about her for most of the middle/end. Honestly, it should have been a Danzou-centric chapter precisely because she's the one with the deepest connection (other than Seimei obviously)/most harmed by him and while she thankfully DOES get to be the one to finish him off, she didn't really do much during most of the chapter and it feels like they barely talked.
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part 2 of this ask
📝Process for hurt mezu drawing
here are the steps i dug out of an art server's wips channel lol
1. initial sketch
2. refine sketch. thats lines now babey. (omitted "the sleeves are KILLING ME WAHHH" stage that led to this)
3. grayscale, to use with gradient map (this is a more polished grayscale than I started with, i dug the working file out to get better images)
4. find nice gradient map (ended up being the same one I'd used for the piece i made right before. the goal is to make what's essentially an underpainting, not to color the whole thing with one map)
5. tweak and add colors that arent in the map with hard light layers & also sneak in a layer for special effect and atmospheric/ scenic perspective while you're at it
6. shading & more finishing effects. pretty much all of the shading was done with hard light layers! the only non-hard light layers I used for the shading were the particle effect layers & like one faint glow layer to fix some values. blood was done with linear burn
✨Inspiration for hurt mezu drawing
the coloring method (grayscale -> saturated gradient map underpainting -> additive color adjustments) is something I tried out with the piece i'd made right before (the one where gozu is holding mezu from behind) & turned out really well, so I wanted to keep going with it
I also wanted to draw them angstily again because it'd been a very long time. like half a year at least. angsting them is very enriching for my soul so I try to do it regularly, this one was overdue
subconsciously referenced the poses in the initial sketch from this old thing (feb 2021). i love doing this. all my for-fun works recycle old elements in some way. my favorite game is "what old art reminds me of what im doing rn" im so good at digging stuff out of my archives for it. everyone loves when i do this
the gangi-kozou panel also
i went through a "shade in bold red-orange & dark blue with hard light layers" phase in like..april/may of 2021. i still like that stuff a lot so I wanted to revisit it
💚Things you like about hurt mezu drawing
repasting the link there but the sixth image in the process is essentially the final so you can just look at that
the colors are nice!! I'm real happy with using more saturated colors n I think the warm vs cool balance works really well
the sleeves (man being dramatic on the sand meme)
no like fr look at the 2021 piece's kimono sleeves vs the one I just did 2.5 years later. so satisfying
Gozu's expression came out nice
i think the claws and flash lines successfully added Emphasis to Gozu's expression & the piece overall
the poses … the drama …. the brush textures are also good
⏳Things you’d do differently with hurt mezu drawing
add in a liiitle more contrast...aka use a wider range of values. Some lighter lights and darker darks. I miss my 2021 hard neon lighting
a bit more distinction between the characters and the background also
the composition isn't bad but it could be better. Should've thought more about the way the eye would flow around the image in the drafting stage (solid b&w color block thumbnails are good for this)
Moar Sparkles. (I put a solid amount of large & low opacity light bubbles in there & some finer brighter dots especially around the claw stems, but I think more clusters of tiny bright lights on the characters themselves would've gone hard)
💌Some favourite feedback on art
as the wise man Austin Kleon once said: keep a "praise file" of all the positive feedback you get (if you've never read "Steal Like an Artist," you must). so. i am prepared for this question hold on
tastes like sugar glass
multiple people have told me my art is soft & dreamlike
jayce you reblogged my touchstarved art with nice tags on april 10th ive got that saved love uou
umm theres a lot...anytime someone keysmashes or feels emotional because of my art i get happy ,,, lys messaged me about the hurt mezu piece that made me happy also,,,,,there is so much joy in the world
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