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#also touya specifically has a similar thing going on where his best covers are the ones where hes using more of a head voice
chisatowo · 2 years
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Society if 25ji used their head voices more often *insert image of bug (the song) here*
#rat rambles#sekai posting#idk if thats exactly the right term Im looking for but idk how else to word it dhdnhdjd#like the chorus sounds so so good (as does the rest of the song but the chorus especially to me)#and I was like looking at other 25ji covers to try and place why I dont like most of them and I thinkkkk Ive got an idea now?#basically a lot of their covers are very chest voicy which is my nice way of saying it feels like theyre just talking at me#like thats not an inherently bad thing per say but their voices just. do not mesh well a lot of the time like that#plus a lot of the songs they cover just dont rly work well with those kinda vocals in my opinion#cough cough lower#also touya specifically has a similar thing going on where his best covers are the ones where hes using more of a head voice#like they can sound soooo good but also can sound soooo bad dhsnyxkdydj#Ill give his yobanashi decieve solo cover some slack though since he was clearly meant to be more backing akito in the group cover#honestly thats where 25ji rly flounder their voices dont support each other usually which can make their music feel kinda flat#tbf its not like everyone else is much better wxs are the only one that I can think of more than like 2 examples for off the top of my head#wxs just work together rly well at their best individually I dont strongly care abt any if their voices but together they can be soooo good#anyways sorry for screaming abt rhythm game music again do you still think Im hot
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bbq-hawks-wings · 3 years
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Chapter 316: BBQ is capable of critiquing BNHA and… Oh boy.
Let's start this off properly, Horikoshi's typical quality of writing has been diminishing in recent chapters, but this week it was so different that it didn't even feel like Horikoshi was the one who wrote it.
To be clear, I'm not blaming Horikoshi for the issues I'm about to bring up. The man is criminally overworked, usually doesn't even get the final say in what makes it in the final drafts, and even in his other rough patches he's still produced decent chapters that hold up amongst the grand scheme of things. This feels like something else is going on behind the scenes, and while I have my suspicions on who/what might be the culprit behind it, I choose not to share it at this time because if I name names some people might go off on a crusade, and that's not what I want.
I just want to be clear that I'm not blindly firing off shots in the dark, but despite my frustrations I want to wait to see if this gets resolved down the line, and while I do I can complain about the specific reasons this chapter left such a bitter taste in my mouth.
Buckle up, buttercups, because we got a lot of points to cover.
Where's the Gun?
Not a literal gun, but I mean Chekhov's Gun. It has always been a staple of Horikoshi's writing and the reason so many of his long-standing plot lines have paid off so well.
Chekhov's Gun is a writing principal that if you see a gun on the table in the first act of a play, it will be used in the murder that happens in act 2. Basically, the author should include details that are relevant to the story and not betray the audience by leading them in one direction and at the last minute pull the rug out from underneath them to go in another direction.
Horikoshi has done this to phenomenal success in the past. Just as one example, he dropped hints about Nomu being human experiments early in the series but held off explicitly stating it for a while. He hinted at the loss of Shirakumo in the main narrative and that he was important to Aizawa and Mic as well as approved it for Vigilantes so when it was revealed that Kurogiri was Shirakumo's body, not only did it narratively make sense but it also pulled in Eraserhead and Present Mic's emotional stakes into the battle with the Doctor, and then when Ujiko reveals he was after Aizawa's quirk the whole time it made the payoff for Mic punching him in the face all that much better and brings the weight of his crimes and the impact they have on the victims full circle.
That's 3 different guns paying off in the long run: the Nomu, Shirakumo, and both Mic and Eraserheads' personal arcs past the loss of their childhood friend and that they could finally finish processing their grief and avenge him in full righteous fury instead of chalking it all up to cruel chance.
He has left details, some particularly innocuously, in plot lines like the Touya Todoroki reveal, Hawks' backstory, Shigaraki's blood connection to Nana Shimura, even with Mr. Compress's backstory, and more. When re-read, these details become more obvious and usually leaves us with a greater sense of satisfaction in the plot knowing that twists and turns were not only planned, but built up to and hinted at for us to find so the payoff is that much better and it feels purposeful instead of just shock factor.
None of that happened this chapter.
Lady Nagant has zero business being in this plotline. She was never hinted about before this arc, and her existence does nothing to tell us about the plot moving forward or the world that they're trying to change. Nothing her existence provides actually has any bearing on the universe or tells us anything we don't already know. But that's not how she was presented.
In the beginning we're given a glimpse of her helping Overhaul escape from Tartarus. The focus on her was odd enough to begin with as a new character, and the fact that she didn't look like she fit the profile of someone who belonged in Tartarus was like a flashing neon sign saying, "Pay attention! This new character is important!!!" She then shows up later with Overhaul in hand to attack Deku out of the blue. We get her talking about how she thought Overhaul might be useful and her disillusions with Hero Society. We catch her mannerisms with eery similarity to Hawks only to find out immediately after she was a senior colleague in the HPSC. Never once to my knowledge has Hawks referred to any of his senior colleagues as a "senpai" - not even his fellow heroes - and when he catches her in midair, he uses the words, "Don't die on me, senpai!" as if she's near and dear to his heart.
The entire character arc is set up for her to have known about Hawks and grapple with her desire to help people and her fear of re-creating what she hated, and this also set up Hawks to be the successor who succeeded where she failed and helped bring her to a place where she could be a hero without guilt again. What actually happened?
They're strangers.
They have never actually met before, and while he seems to know a lot about her, she doesn't even seem to have any idea of who he was - at least as far as being another hero under the thumb of the HPSC. So ALLLL that setup, all that gesturing, and all of the potential themes that would be right at home in an arc like this goes completely out the window.
Her story doesn't tell us anything new. The HPSC bad. We knew that. They're not above throwing innocents under the bus to achieve that goal. We knew that. They preyed upon young hopefuls with powerful quirks with the intent to maintain the status quo. We knew that even if the fact that Hawks isn't the only one now makes more questions than answers. We know that these young heroes can never say no under threat of steep, life-shattering consequences. We knew that already.
So what does Lady Nagant even bring to the table?! The entire "you're just a puppet doing what you've been told" angle is a little tired and out of place in this point and time with actual anarchy in the streets (not to mention hypocritical considering she was a blind puppet following orders and offers zero actual solutions that supposedly fall in line with her heroic nature), and it could have been left to any number of other villain characters who could have executed on the theme better - you know, like Shigaraki who's justification this entire time has been, "hero society doesn't make people safe, it just makes them feel safe" from the moment of his inception.
So from that angle she's unnecessary.
Her presence messes with the continuity of the series as well. If Hawks is supposed to explicitly replace her, that would mean that he wasn't just a fluke find on the commission's part and grabbed to mold into their own special superweapon; and that also would mean that her killing of the former president was before he was discovered which should put her at least in her forties. If this isn't the case, and he was meant to simply replace her in a "special agent" case, that still begs the question of how many more gifted children the commission preyed upon and are still out there.
And maybe the worst kicker for me is that something stinks. The way the art in this chapter is presented, if you completely blanked out the speech bubbles, is the same setup I had before - Hawks reaches out to his former mentor and pulls her from the brink of despair with a moving message about why he never gave up hope in being a hero who could actually make a difference.
Again, this is not what we got. He claims he knows her, and it's implied to have been a deep, personal character witness; but at best he only knows about her from secondhand sources. Even his reasoning as to how he never lost hope doesn't vibe with his character.
We have gotten so many cool one-liners for Hawks, but there has always been a consistent tone and imagery with them.
"Those who can fly, should."
"I don't belong in a cage."
"I'm free of my shackles."
"Can I be a shining light, just like him?"
What we got was, "I'm an optimist to a fault" which was the wording the official release went with and was by far the best iteration I have seen, but even this falls short of being truly in character for him and answering her question properly.
@mikeana made an edit of the titular panels for us Hawks stans this week with dialogue we and a few other friends felt was more fitting not only with the imagery of the chapter itself but internally consistent with the specific expressions Hawks uses in his heartfelt, personal dialogue. I just tweaked it a little bit more to fit what I was going for in our original conversation.
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Which brings me to another concern.
2. What's the point?
There was no use for Nagant in the series as she's been presented so far. But more than that, Hawks has no business in this fight to begin with. He literally did nothing to earn this emotional moment, and this should have been Deku's moment.
We were teased in an interview with Horikoshi that Hawks was going to get a special moment as an important end-game character as a "shining light" of hope for others to follow as well as promises for Ochako to have another moment in the spotlight to make a difference.
If this was Hawks' shining light moment, it wasn't necessary, and it does nothing to move the plot forward or develop characters in any true or believable way. It just happened because plot. This should have been Deku's victory through and through, and even he is the reason BOTH Hawks and Nagant made it out alive instead of painting the street below them.
Deku's victory was stolen from him, too. It sours the other promises made to us about other characters moving forward, as well, if this really was Hawks' "Shining Light" moment.
By the way, did you forget about Overhaul? Me too!!! What was the point of getting our hopes up about reintroducing this beloved character with the implications this was a major arc setup to have him scream about pops and then get detained with no clues about what's going to happen to him besides, "Say you're sorry to Eri, and you get to see pops"?!
All this posturing and clumsy narrative flailing only actually succeeded in getting Deku in front of AFO again for plot when we already know Mr. Potato Head could summon, show himself to, or find Deku at any time he wanted. But instead we get this time skip with a bunch of heroes completely mended walking into a big, spooky mansion for AFO to evil monologue at Deku for… *counts*
FOUR PAGES!!!
Only to then give him the "I want YOU!" point over a pre-recorded message and the final nail in the coffin to me that something is off.
3. Ex-pu-LOOOO-SHUN!
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It's become almost a game among friends to count how many explosions have happened since the end of the war arc - and specifically fake-out explosions. In the end of 311 we get All Might's car attacked via explosion and Deku cornered by Nagant only for All Might to be fine in the next chapter. In 315 Lady Nagant herself explodes in a blaze of glory to once again not be dead.
Gee! I wOnDeR if aLl the heroes were AcTuAlLy cornered and KiLlEd in that explosion in the mansion!
None of us do. They're fine. We're going to see it first thing next week. The shock has worn off, and it's repetitive and annoying at this point. There is no cliffhanger despite how the framing might try to tell you otherwise.
It's BAD WRITING.
The writing has been moving far too quickly and clumsily with no explanation in sight, and even character interactions are being cut short to the point of them being meaningless and empty.
This doesn't even feel like Horikoshi's bad writing. It feels like someone else is trying to call the shots and rushing him through these final bits of the series, and he's run out of things he's previously set up for months and months to reappear so someone is trying to get Dabi-reveal levels of attention with arcs and storylines that don't have the build-up to result in a satisfactory payoff.
4. At least it can get better... I hope.
Maybe those who share my suspicions or know what particular suspicions I have are with me in believing that this is a temporary disappointment and we haven't seen the last of the writing that's captivated me for years. I don't blame Horikoshi for these glaring faults that all came to a head in this chapter.
It CAN get better later, and I think it WILL- we just probably are going to have to wait for it. Until then, I'm going to enjoy the Hawks panels we got, maybe edit the last few chapters to be more in line with something more like the BNHA I know in a "fix it fic" fashion so I don't groan in anticipation of how long it might take us to get there.
See you all next week, hopefully on a much brighter note.
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dreamersleeps · 3 years
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Red Wings of Temperance
A Possible Influence Behind the Color of Hawks’ Wings
A deck of tarot cards is made up of 78 cards, and the first twenty two are known as the Major Arcana. They were created in the 14th or 15th century but were not used for divination purposes until the 18th century. Tarot card readings are not meant to predict the future but to offer spiritual guidance. 
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The image above (from Oracloo) depicts the 14th Major Arcana card in the tarot deck which is known as: XIV Temperance. 
Like me, I’m sure that your mind jumped to a certain pro hero as soon as you saw the figure’s red wings. 
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What might Temperance have to do with Hawks? Let’s first look at a couple definitions of the word first. According to Merriam-Webster: 
Temperance
1. moderation in action, thought, or feeling
2. habitual moderation in the indulgence of the appetites or passions 
If Temperance is drawn, it means: 
Balance, patience, and moderation in life. 
To think before we act. To look at both sides of an issue, to walk in another’s shoes or their path before we pass judgement. To be compassionate, considerate and fair in our dealings with others (bluestartarot). 
That you have a clear, long-term vision of what you want to achieve. You are not rushing things along; instead, you are taking your time to ensuer that you do the best job you can. You know you need a moderate, guided appraoch to reach your goals (biddytarot). 
Other Red-Winged Figures 
Before we begin I’m going to point out that there are a couple other Red-Winged figures amongst the Major Arcana. 
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I’m not aware if nudity in art is allowed on Tumblr so just to be safe, I cut the bottom half of both these cards because they depict nude individuals. 
The tarot card on the right is VI The Lovers and XX Judgement. Out of the two, I think you could perhaps make some connections with Judgement and Hawks but I think that Temperance works the best. 
Symbols of the 14th Arcana
There are quite a few symbols on XIV Temperance, but I’m going to focus on a select few. Interpretations may differ based on the source but I tried to stick with those that were repeated throughout the different websites I read through.
The most important part of this card is the act of pouring water from one cup to another, signifying a balance of duality and a mixture of two separate objects. This is where the card gets its name, the process is called “tempering” which is a slow process to eventually find a perfect middle ground (wemystic).
Other dualities that is represented on this card can be: male/female, spiritual/physical, emotion/logic, conscious/subconscious and subconscious/superconscious (we mystic).
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Temperance revolves around supreme balance. One foot is on land which represents the Earthly, material world and the other is in water, which represents the emotional, subconscious world. 
The winding path leading to the mountains represents the journey through life with its twists and turns. The sun, appearing as a glowing light is a symbol of staying true to one’s life purpose and meaning (biddytarot). 
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Fire/Red wings: Physical passion, anger. Muscles and strength necessary to maintain composure and reach a higher being state. 
Blue water: Emotions, peace, calm. Groundness and refreshment. 
White gown: Pure thought. 
Yellow Iris: Communication, thoughts, learning, feminine/masculine. 
Temperance’s wings are either referred to as “fire wings” or “red wings.”  If we want to make connections to we can argue that his Fierce Wings Quirk is the source of his physical strength, even though he displays some insecurity about his back not being “reassuring” enough for others to depend on. 
Other than his red wings, I don’t think I’m confident enough to draw a clear connection between his appearance and the other prominent colors that appear on Temperance. Hawks’ visor was blue before the anime chose yellow, and he does have the yellow color palette going on. 
However, the meanings of the colors do line up with Hawks’ character. He is a character who is always trying to be calm and collected no matter the situation. Hawks is a character who is constantly seeking, taking in, gathering, and analyzing information. According to the fandom website, Hawks’ surname translates as: “hawk” (taka 鷹) + “see, visible, idea” (mi 見 )
While his first name translates as: “disclose, open, say” (kei  啓) + “enlightenment, understanding” (go  悟).
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Sun: Also appearing as the angel’s third eye, it represents the merging of personal aims with the universe’s plans for the individual. 
So similar to many others, I like to see Endeavor as the sun to Hawks’ Icarus (side note: I also like to see Dabi as Apollo in the Icarus theme). 
The bit about the eye is interesting as well: I believe that eyes play an important role in the story telling with Hawks, Endeavor and other characters. There are interesting similarities between the two characters and the Egyptian Gods Ra and Horus (@/bokunowtv also pointed out some interesting details as well).
Recently, it also seems like Hawks’ storyline will be intertwining with Endeavor’s. Hawks has expressed verbally in Chapter 299: “Starting with my origin, so to speak... Endeavor’s in trouble.” While they did team up professionally as heroes in the past, it seems that Hawks intentions this time will be personal. We have yet to see what he is planning to do and how things might pan out, however this path will probably lead him to Touya. 
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Triangle: Representative of the fire element and holy trinity. 
Although Hawks does not wear a triangle or square on his chest like the angel, it is still interesting to note that he wears the Hero Public Safety Commission’s diamond symbol in about the same place. Again, there is the mention of fire again. 
The Angel
Because Temperance has to do with balance and duality, the angel on the card is both masculine and feminine.
Whether they are just an unnamed angel or a Biblical angel depends on the source you are looking at. However when it comes to identifying them, while one states that it is the Archangel Gabriel, the sources I looked at overwhelmingly pointed towards the Archangel Michael.
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This is very, very interesting considering that the Archangel Michael is the angel who is in all the paintings that people were comparing the cover of Volume 27 with, specifically the painting above: “The Fall of the Rebel Angels” by Luca Giordano.
My analysis first post on Tumblr had to do with pointing out similarities between the Archangel Michael and Hawks, and what that could mean. And my most recent post revisits the possible angel narrative which may be present in Hawks’ story, and how he is referred to as a “fallen angel.”
It’s exciting to see the Archangel Michael pop up again. Michael was also God’s angel of destruction and on XIV Temperance we see him tempering or blending his passionate anger with consicious thought to blend his fiery nature with his super-consciousness with calm (blustartarot). 
Temperance Reversed 
When Tarot cards are reversed, their definitions are flipped over. 
When XIV Temperance meets XV The Devil we see imbalance, disharmony, indifference and lack of empathy. When we preactice excess in our lives without moderation and balance whether it be food, alcohol, drugs, and relationships, we lose ourselves in addiction and bondage (bluestartarot). 
May call for a period of self-evaluation in which you can re-examine your life priorities. Self-healing: by creating more balance and moderation in your life (biddytarot). 
We’ve seen Hawks indulge in something or trip up a couple of times. In Chapter 186, Hawks asks if he can have Endeavor’s leftover food and Endeavor calls him a glutton. Additionally, @/scarletrain1724 has done some analysis on how Hawks is a character who is often seen around or consuming food. 
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And in Chapter 265, Hawks takes Jin’s life. As Dabi states below, “sentiments” tripped him up. Hawks displays a lack of empathy here. He believes that he feels sorry for Jin and wants to help him, but Hawks is actually unable to understand him properly. I would also identify this action as one of Hawks’ narrative Icarus falls. 
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The Moral of Icarus’ Fall  
This all ties in nicely as we see Hawks’ character following an Icarus narrative. There are a handful of “morals” that we the reader are supposed to gain from the Fall of Icarus but I’ll pull an excerpt from the part I’d like to focus on. 
Before taking flight, Daedalus warned his son: 
“Take care to fly halfway between the sun and the sea. If you fly too high, the sun’s heat will melt the wax that bids your wings. If you fly too low, the sea’s mist will dampen the feathers that give you life. Instead, aim for the middle course and avoid extremes.” (The Fall of Icarus - adapted from Metamorphoses by Ovid)
As we all know, Icarus does not heed his father’s warning, whether it be cause he purposely ignored him or forgot and flies up towards the sun. The sun’s heat melts the wax and loosens the feathers on his manmade wings, and he plummets in to the ocean below, drowning. 
Avoid extremes, fly in the middle and seek temperance.
The card that comes before Temperance is XIII Death.
In death we go through transition, a rebirth, changes and with these we come to XIV Temperance for the need to take the time to pause and think. To integrate and blend what we have learned on our journey (bluestartarot). 
So the question to ask is, has Hawks learned anything from his actions or will his story end with him drowning in the ocean? 
To those who were able to make it through this post, thank you! I know that it was really long but I didn’t want to divide it into more than one part. I really appreciate your time and attention! :)
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tenspontaneite · 6 years
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Paper Cranes Q&A 3
Topics covered: ‘disease’ progression, lots of things related to Sai and metaphysics, spiritually sensitive canon characters, What’s Up With Touya’s Weird Soul, technicalities and things and stuff. 20 questions covered in total.
Spoilers for: Up to end of chapter 22. Maybe some very slight hints of things to come.
When exactly will Hikaru begin feeling effects of his Problem?
Well. Uh. Spoilers? But like I said in the notes, it’s not going to get Very Bad during the timeframe of the story. The reincarnation-AU I’ve been planning is another matter entirely though since it’s set at least 15 years later Also while dysautonomia can lead to tremors, which would make it difficult to play Go, different patients may experience very different symptoms based on which parts of the nervous system are damaged first. So…it’s not guaranteed he wouldn’t be able to play Go. It’s just possible that at some point he’d have bad enough tremors to possibly launch Go stones across the room by accident instead of placing them. Or accidentally majorly mess up the stones surrounding where he placed his. Etc.
 If Sai came back, would be be able to fill up Hikaru’s soul and stop the degeneration?
Well, hypothetically, any possessing spirit could do this. Not just Sai. But it works best between physically similar souls – the more similar they are, the easier they mesh. That’s another reason why Sai’s soul-bits stick around like they do. The lingering emotion and intent isn’t the only thing there. Very dissimilar souls would passively damage each other in such a possession, so even a benevolent possessing spirit would have a hard time not hurting its host.
 Are there other spiritually sensitive canon characters?
Kuwabara is the only one I’d class as actually sensitive enough to be aware, so to speak. But there are others who are….predisposed, let’s say, to being sensitive, and becoming more sensitive. That should be talked about relatively soon in the story. Next few chapters maybe.
 What’s up with Touya’s unusual looking soul?
See the above question. It’s highly relevant. The Touya males certainly aren’t the only ones, either.
 Will Touya find out?
Spoilers!
 Will Yashiro find out?
…Spoilers!
 Why was Nurse Furutani so suspicious?
She is good at noticing Obvious Things, like the tension between Hikaru and Touya, and is watchful for any hint that Touya might commit the cardinal sin of Upsetting A Patient or even Causing A Ruckus. After a while she determines that their discussion is probably okay and leaves.
 Is there a way to heal soul damage in a living human?
Absolutely not. It’s a fundamental property of souls anchored in a true physical body that the soul can’t significantly change in form whilst anchored. This includes growing, healing, or changing ‘shape’. Embodied spirits work differently. Reincarnated major spirits and kami work slightly differently.
 Wouldn’t calling out the grid position only work if Touya was on Hikaru’s side of the board?
Now, I’m no experienced Go player, but considering how frequently people might be required to place moves recited by a speaker (e.g. one person reads from kifu, other person places) I always assumed they defaulted to Black’s side of the board, because that would make sense. If anyone more familiar with this stuff than me knows otherwise, do let me know, and I’ll add it to the minor-edits-list.
 Can humans make donations to Hikaru?
I….well…uh….they could??? If you got someone (Hikaru or a spirit) to rip out a chunk of their soul, yes, yes they could. But 1) human souls are far more viscerally entrenched than disembodied souls and it’s far, far more traumatic to remove parts of them than it is for disembodied spirits, 2) the damage to them would never heal until they were dead, and they’d become a possession target without the advantage of Huge Leftover Energy that Hikaru has, and 3) most human souls are like…small. Bits of them are even smaller. They wouldn’t be very useful donations. They’d last like, a few days. Certainly no longer than a week.
 Is Hikaru going to feel better about the early expiration date when he thinks about how Shuusaku died at 33?
Well…no. No? I mean, in general, ‘x person I never knew had it worse’ is not really consolation for ‘my own situation is downright shitty’. And really, while Torajirou would have been Extremely Screwed if Sai ever left him (over ten years of possession, yikes) his death from disease was unpleasant but relatively quick in comparison. I mean. Degenerative diseases are awful, okay.
Also I’m very fond of the way you worded that. ‘Expiration date’. Hah.
 Is it weird that I want to write fanfic of your fanfic?
You know what, no, I don’t think it is. I’m definitely not biased on the matter, nope. Also at some point I’m going to be writing fanfic of my fanfic, so.
 Is Sai aware, wherever he is?
SPOILERS.
 What does Utagawashi’s usual outfit look like?
Like this. https://media.gettyimages.com/photos/shinto-priests-at-meiji-shrine-during-ceremony-picture-id597589563
Basically very similar to what Sai wears. Also that picture contains the priestly baton things that I’ve mentioned in the story a couple of times.
 Does Hikaru get any foxy qualities from the bits of fox soul he’s using as adhesive?
As Hikaru is a Live Human, his soul cannot undergo any significant form changes. The soul bits are extremely personal but can’t influence the nature of Hikaru’s soul.
 Could it be argued that Hikaru’s aptitude for Go comes from Sai’s soul/energy?
No. I would like to outright, unequivocally word-of-author this: Hikaru’s talent is his own. He is good at Go, and has a talent for it. The end.
What could have plausibly been influenced by Sai is his enthusiasm and enjoyment of Go, but only via the same sort of cross-contamination as seeing a friend of yours be really enthusiastic about something. More intense, because he can directly feel the emotions of Sai on the matter, but same concept. As mentioned before, live human souls are highly resistant to forcible form changes. Modification of interests and talents certainly falls under that.
Also plausible: Sai’s instincts and impulses with regard to the game might have carried over during the active possession, which would have helped him learn faster. It would have been very subtle, though. And the traces remaining now are not nearly cohesive and sapient enough to have that sort of effect.
 Would the Gigantic Spirit Boom Pillar be detectable to exorcists/priests outside of the city?
As a rule, no. Hikaru would feel something like that. Probably Kaminaga too, at this point. Anyone else would have to be very close, as very few living humans are that sensitive to the currents in the spirit layer.
Spirits, though? They live in the spirit layer. I’d say every spirit in Japan and many others further out would have felt the ripples. Any particularly powerful spirit would have felt it on the other side of the globe. Suffice to say, every spirit in Japan knows that Something Big went down, and gossip and word-of-mouth is sufficient for them to know that it was Ancient Demon specifically who went down. There’s...so, so many rumours among spirits, right now.
 Would foxes enjoy soap operas?
Well. Based on individual tastes, I guess? They are generally all quite mischievous by nature and will be far more interested in what they can witness personally or perpetrate personally than in the antics of fictional characters. But that’s subject to individual differences as it is in humans. Some will prefer some types of media to others.
 What will happen to Utagawashi’s shrine now that its aspect of Inari has died? Will a new aspect replace it?
To make a new aspect for that shrine, they’d need to do a ceremony to imbue the shrine with Inari’s essence. So, pretty much, make a new shintai. I think Utagawashi’s chances of making this happen are pretty high, but if he can’t get it done through official channels he’ll probably just team up with an Inari fox to do it himself.
 Do you know that Paper Cranes is the most kudosed Hikago thing on ao3 aside from esama’s multifandom thing?
I check my stats every single day, anon. I am most definitely aware of that. And it’s glorious. You know my thing has approaching twice as many bookmarks as the next closest competitor, right? Like, dude, it’s amazing. You would not believe how often I sit around preening about my story’s stats. And...well, idk, I might be running out of hikago fic readers who haven’t got to my story yet, but if I can get another 1k kudos by the time the story ends I could get genuine first place there. I’m not bothered if not, but it’s definitely something I think about.
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bbq-hawks-wings · 4 years
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I sincerely hope Keigo and Touya didn't meet at the HPSC. Other than finding it unlikely-ish, I don't want Touya intruding on Hawks' backstory in that way. He may already be in it, sorta. But I personally don't like that one. Anyways, had a thought that if they were to meet. Where exactly is that building now? Tokyo? At least if they moved Hawks from Kyushu to Honshu, he'd be closer to the Todoroki's. Its not like they let Hawks live in his old home right? Not with the state of that place.
“I’m hesitant to agree with Keigo and Touya being physically present for the Takami theif capture. Why would Endeavor take a child to a whole other island while on duty, and boom. Now the world knows about Todoroki Touya and I don’t think they do. But Keigo speaks of Endeavor as if he saw his flames shinning personally. Maybe not on TV as I previously thought? If that parent never came home, just the footage and knowing Endeavor stopped him could be considered being saved. You can be a shinning light just from giving hope or relief too right? It’s like respite. 
Back to the other ask, Hawks being in Honshu could kinda explain why he knows Standard Japanese. Sure he’d learn anyways from hearing people who speak it, but also from being in a region that speaks it. Uses it more than Hakata dialect, despite slipping into it sometimes. I wonder if he chose Kyushu for his agency to return to a place he couldn’t grow up in? To be further from the HC? Tokyo too crowded? I mean there’s already so many big name heroes in the other regions. Honshu mostly I’m sure. That’s like half of the top ten. And there’s U.A. Hawks is the only one in Kyushu. Which is also the most distant from other places by both location and language. As if Hawks wasn’t alone and cut off enough already. Though logically it makes sense. Sent four asks, sorry!“
Anon- he-HEY! Anon. Anonanonanoanonaonanon. Look at me. For the past month the overwhelming bulk of my human interaction has been limited to a single toddler who currently only seems to ask for snacks and thinks pulling my hair/climbing all over me is just the best thing in the world.
Don’t you dare apologize about having a detailed discussion about this otherwise pointless thing I am still nonetheless passionate for, personally cannot shut up about, and have almost no one in my immediate circle with whom to talk about it.
This is a lot to cover so I’ll put the rest under the cut and try to break down your argument point by point to respond.
1. You feel like Touya entering Keigo’s story in the way that theory outlines doesn’t feel quite right - either from an emotional standpoint or otherwise.
On this point I would agree, not so much because it has anything to do with Keigo but moreso what it means for Dabi and the way his story has been built up against Endeavor up to this point. Dabi has been built up as a result of Endeavor’s abysmal failure as a hero and a father. While I would certainly argue at this point Dabi has accrued his own hefty laundry list of sins to account for, for him to be “solely” responsible for his own demise doesn’t gel cleanly with the narrative setup so far.
2. Potentially moving Keigo’s location during childhood/training would put him in closer proximity to the Todoroki’s.
This feels pretty plausible, and I would also be inclined to agree but again probably for different reasons.
A. His previous home was likely at least not conducive to the strict training he was about to go through as you mentioned.
B. For a long-time ward like that it’s probably easier on the organization, family, and child if he lived closer to headquarters where resources were more readily available due to already-present demand (i.e. other trainees).
C. I hesitate to weigh in on the language aspect as I don’t know enough about Japanese dialects, and these in particular, to comment much. I know that some Japanese dialects are so different from standard that even native speakers can have trouble understanding them. Standard Japanese is more than likely used in most media and entertainment across the country, though, (just like standard American English is where I am), so I probably wouldn’t say that’s how he knows it; but it would contribute to him being able to switch more smoothly between. Those introduced to and enforced to speak a specific way in specific circumstances (especially when young) can easily be trained to immediately respond instantly in whatever assigned speech pattern - often naturally doing so after a few short years of practice. It’s code-switching, though the fact that he more naturally falls into the Hakata dialect when comfortable or excitable enough to slip may actually reinforce the idea that he was located in a place where his relaxed, informal speech was Hakata (like at home) and switched to standard when working/training.
For those who aren’t as familiar with Japan’s geography, Kyushu is the southernmost island of Japan, and Honshu is the largest, main island where most of the big-name cities like Tokyo and Kyoto are located. UA Academy is located in the fictional city of Musutafu, Japan which is meant to be close to Tokyo. For the purpose of the argument, we’ll just consider those relevant regions Tokyo-adjacent. We actually don’t have much information as to the official location headquarters for the Hero Public Safety Commission, but just for a common point of reference we can probably assume it’s Tokyo-adjacent as well.
3. Speculation about Endeavor’s role in Keigo’s training/saving him.
This one gets fuzzy because there’s important gaps we’re missing. We know for certain that Keigo saved a street-crossing’s worth of people from a high speed multi-car pileup accident; we have solid evidence to believe that Endeavor and Keigo met face-to-face (even just a glance) when he was a child; we know Endeavor specifically stopped some thief with familial ties of some kind to Keigo, and we know that Endeavor in particular inspired Keigo to be a hero.
What’s fuzzy is the order and timing of these events. In the flashback to Keigo saving those strangers it’s unclear if he was immediately identified as the person who saved them (aside from the description of “a kid”). He was eventually discovered, but “Find this wonder child, quickly!” means there was some amount of searching involved.
It’s unknown if the “thief Takami” was an immediate family member or even just Keigo himself. Given his age at the time, it’s at least suspect that a child that small would single-handedly draw the attention of a top hero without due cause, though with his quirk and given the fact that he was already so adept at using it (which we’ve seen in the series comes from practice) it’s not out of the question to believe that this thief was using Keigo as an accessory to whatever theft was taking place and thus drew Endeavor’s attention.
It’s possible Keigo never met Endeavor face-to-face. It’s possible that Thief Takami directly or indirectly caused the accident either in an altercation with Endeavor or while committing a crime - at which point Keigo swooped in and saved the day. In either case, Endeavor may have been the one to find/recognize Keigo as the hero prodigy or by taking custody of the thief inadvertently revealed Keigo’s identity to the HPSC. While he may have more or less recruited Keigo himself at that point, more than likely in the reporting of the incident, the “wonder child” was rediscovered.
It’s also possible that a string of coincidences and misconceptions led to Endeavor becoming Hawks’ personal inspiration as a hero in a similar way All Might was to Deku - a kid beaten and battered by society with a heart for others has a chance meeting with the hero he admires for specific, intangible reasons to be told from the horse’s mouth “you too can be a hero.” Assuming this, in Keigo’s case it’s tragic in the grand scheme of things as it was a matter of displayed aptitude rather than the spirit of the action that was recognized in Keigo during a time where Endeavor sought mere ability in a youth for his own narcissism to the point of torturing his own young children to attempt to pry it out of them. In other words, while a tiny child like Keigo was still aspiring to ideals over results he associated those qualities with a man who did not embody them and thus subjected himself to a lifetime of coercion under false pretenses even despite the fact his own intentions were pure.
Linking back up to point #1, I feel like that’s more in line with the story Horikoshi is setting up; but we won’t know until we have more information. At this point, I think almost - if not all - our questions will be answered soon. It’s just a matter of being patient for the drip-drip-drip trickle of information we get chapter by chapter every week.
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