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#and also him changing pronouns in the day i picked up dazai (which happens a couple of months later)
originalartblog · 7 months
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does this count as angst or
companion piece for this Storm Bringer AU here
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silvanable · 3 years
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Hi! I saw your requests were open! This might be really specific, but it would mean the world to me if I could request Dazai, Mozart, Shakespeare, Leo and Theo from Ikevamp with an s/o that comes out to them as panromantic and nonbinary? I'm so sorry it's so specific, I've just been coming out to a lot of people recently ('cause I've found out I'm nonbinary ^^) I'm curious about what their reaction would be. Thank you, take care!
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congratulations darling! i am so happy for you that you have found who you are and are able to express that with others. from one non-gender defining person to another, i send all my love.
i took this as the boys’ s/o comes out to them after meeting them. hope i did this justice and sorry for such a long wait hun!
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↪  GUIDELINES
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ー DAZAI OSAMU
his s/o had been meaning to tell him something, which they mentioned off handedly a few nights ago.
dazai was all ears but between his writing and his s/o’s work helping sebastian around the manor, they had not had the time.
dazai is himself, per usual.
meaning he is airy and teasing as he practically breezes through the day.
he actually forgot that his s/o had something important to tell him, especially because if it was direly important they would have told him already.
so it slipped from his mind.
constantly being interrupted and unable to tell him, did not settle well with his s/o though.
over the days they grew increasingly more anxious, as their resolve from before starts to chip away.
that is until they mention is again to dazai, who promptly forgot.
his s/o blurts it all out in one go, a mixture of emotions causing the outburst.
at first dazai does not understand and he makes that clear when he asks for his s/o to elaborate.
it takes some time, with several odd comparisons to understand from dazai, but eventually he does get it.
he finds his s/o’s confession intriguing, as the future seems far more curious and open.
he messes up from time to time but even as forgetful as he appears, dazai does his best to correct himself.
he never wants to devalue his s/o and how they want to be perceived or referred to as.
he still uses nicknames when talking to them, toshiko-san being the prominent one.
will correct others if they say something wrong or to upset his s/o about their gender.
he’s very mild about it, stating the facts rather airily but there’s an edge of a warning hidden in it.
he adores his s/o regardless and love them no matter what.
they were able to accept and love him for who and what he was, therefore he sees no issues in reciprocating the same affection.
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ー LEONARDO DA VINCI
there were all sorts of things leonardo had come across in his years and more he had heard from comte from his travels through the door.
leo’s s/o was one of those rarities that, unlike before, had stumbled through the magic door from a distant future.
when he had first met them, they were curious and amusing, and he found them to be pleasant company.
of course he had asked questions, on occasions, about the future which was normally the result of his s/o offhandedly mentioning how people revered his work.
the day his s/o approached him and asked if they could talk, fidgeting and nervous, made him worry.
he had grown quite comfortable with his s/o and he had hoped they felt the same.
when the two finally sit down, his s/o has a hard time really finding their words.
leo waits patiently for them though, which eventually encourages them to speak.
they manage to explain that they had been in thought over themselves for some time, even before they traveled back through the door.
the discovery of themself was that not only did they find they had romantic inclinations towards people of all genders, but they themself did not fall into the normal binary.
out of all the suitors leo has the most relaxed response.
he is silent for a short while, while his s/o is busy twisting their sleeves, before he finally begins to ask questions.
most of the questions he asks his s/o are regards to what it means, how this effects them personally, and what more he needs to understand.
he is fairly good about their pronouns and any mistakes he makes he will apologize and correct.
sees his s/o no different, as they are who they are, and he adores them regardless.
they are unique and special to him no matter what.
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ー THEODORUS VAN GOGH
despite theo’s persona of being very outwardly gruff and standoffish, he is quite sweet.
still, even knowing that his s/o was having a hard time talking to him about something very important.
something they had finally figured out about themself.
theo is as perceptive as they come though, so the tense nature of his s/o did not go unnoticed by him.
it was one evening when he was returning from work that he found his s/o out in the garden that he decided now was the time to ask them.
they were a bit tense at first, unsure of how to explain exactly what was going on.
theo reassured them, no matter what, that they could talk to him if something was bothering them.
with that encouragement his s/o decided to bite the bullet and tell him.
the words, if they could even be called that, let their lips in a panicked rush that ended with a “please don’t be mad!”
theo genuinely has to ask them to repeat what they said, slower.
they manage, one more time, to say it again, this time at an understandable speed.
after a few questions, theo seems to grasp the subject.
his first response, in fact, is to tell his s/o not to let arthur not lest the writer drag them out to the bar to join him in picking up girls.
he is very respectful towards his s/o pronouns.
would absolutely practice by himself so he could show them how dedicated he is to showing that he loves them regardless.
if his s/o decided to change their appearance, to appear less gendered, he would support.
while he might not have the best advice, he’s willing to try his best for his s/o to make them comfortable.
regardless he loves them and they’re perfect to him either way, so long as they are themself.
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ー WILLIAM SHAKESPEARE
shakespeare is probably the most curious out of them about his s/o.
so when his s/o says they have something to tell him in the middle of their afternoon tea, he is all ears.
his s/o starts off, reiterating that they are from the future, and some things are different, more people have a better understand of themselves and who they are.
he is probably the easiest to explain to about being panromantic and nonbinary.
shakespeare, while often very vocal, seems to actually stay silent to absorb all that he’s being told.
when his s/o is finished he asks questions, as the topic has piqued his interest.
absolutely would make a comment about how women are beautiful and delicacies of this world, meant to be admired.
he uses this as the base line for understand that his s/o sees many people, of all forms, very beautiful.
would have no problem with using their pronouns correctly.
shakespeare would be curious to learn more about their gender as well, how one discovers themself like his s/o did.
this boy would most certainly go out of his way to adjust his s/o wardrobe for them.
this man is a theater vamp, you can’t tell me he does not have a ginormous walk-in closet in his villa with a huge array of outfits.
catch  our dear will actually using gender neutral terms in his plays from time to time.
one particular play he has yet to finish follows a young, beautiful lead who none can define without great respect and admiration.
he happens to be very equip for genderless poetry to his s/o too.
shakespeare knows how to spin words that inspire emotions and his s/o does that to him, so much he has to shower them with verses.
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ー WOLFGANG AMADEUS MOZART
talking to wolf is not always the easiest task, as he is quite reserved and silent himself but that was never an issue between him and his s/o.
until his s/o gets too nervous about something very important that they want to say.
it was not that his s/o was worried about what he would think or say, but still they could not shake the general nerves.
it was always a process and part of it was his s/o rationalizing and gathering up their courage.
wolf is probably the easiest to tell.
his s/o explaining their romantic attractions and gender perception of themself does not earn much more then confusion.
he has his s/o explain, asking questions here and there to get a better grasp of the topic.
one thing that does start him is when it clicks that his s/o is attracted to all persons romantically.
he feels a little threatened by that, as if suddenly that means anyone could win the affections of his s/o.
really it just makes him feel a little insecure.
other than that he has no issues.
he does bring it up to his s/o some time later though.
it takes some time to convince him that just because they are panromantic does not mean they will fall for anyone.
especially when they were already in love with him.
wolf does his best to stick to his s/o pronouns. he is probably one of the most diligent ones in the manor.
he practices with himself in his room too.
absolutely will correct the other residents when they use the wrong pronouns.
the usual quiet and reserved wolf will interrupt conversation to make sure they know his s/o prefers to be referred differently.
that surprises everyone, since it’s so out of character.
 but it also shows how much he is dedicated to his s/o and their happiness.
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