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#and inescapable ending really
prototypelq · 4 months
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Everything you ever heard about DRG community is true.
I have now been to multiple public (anyone could join) missions, where I started off alone, only to have another rando newbie (player rank like 7, so under 10 hours of playtime, same as me) come join, and, And a player with rank 179 (... let's say from the top of my head, around 100+ hours in the game) joined in to help us. I bet no loot from those missions even matter to those players, the rewards should be too little of use to them. They are just high-level players looking out for newbies and joining their games to help you learn the ropes. It's honestly amazing and super sweet.
It's also extremely fun to just hang around in the lobby with people. I have had several games where me and the team were celebrating our latest mission at the bar/dancefloor, only to then fall prey to engine failure and drop off the game entirely. I feel bad for ghosting those players like that, we did just spend 10 or more minutes doing funny dances together, but I don't regret that time spent together at all. DRG is really magical like that.
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Rock and Stone, you beautiful dwarves!
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it's just that i reeeally don't think it would have been that hard to find a solution to the timeline problem that didn't involve condemning the main character to an eternity trapped in his own solitary personal hell
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myrmica · 5 months
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my reading of lifesteal season 4 is so personal and involved at this point that even if i was going to post more character analysis i would not know where to start. it would require footnotes to documents that don't exist. listen to luddites and lambs by everything everything and you'll get half of it though
#m#lifesteal#there is just such a compelling and clear thematic line between like. okay#first you need to just accept for me the idea that zam as a character is defined by being trapped running both towards and away from#the same object (mapicc)#and then you have to take mapicc as interchangeable with pain in general but specifically an inescapable normalcy of pain#which is caught up in something zam wants and knows he wants which is the “pure/natural” idyllic version of lifesteal#where every fight is fair competition#and what mapicc has done to hurt him more than the actual stalking and murder and all of that is that mapicc refused to fight him on even#ground (by literally invading and destroying his home so that everything becomes battlefield) in a way that offends his most deeply#held values. AND THEN he reads vitalasy's use of the exploits as trying to take that same thing he fundamentally values about lifesteal#away and he gets incredibly angry with vitalasy for hurting the server itself (pvp becomes functionally obsolete for a while there)#so he plays out the eclipse betrayal framing it in his own mind as another situation where he is the victim and vitalasy is the#manipulator/aggressor and falls back into the kind of jumpy paranoid behavior we as the viewer haven't actually seen from him in a very#long time now (late into eclipse when mapicc isn't an active threat anymore he really does stop jumping at shadows the way he used to)#and seems comforted by the familiarity of it if anything. because what vitalasy was asking of him that made him panic and reject it so#badly was to create a new pattern and step out onto unknown ground but he can't do it#and he retreats back to what he knows. so vitalasy isn't WRONG to read what zam does as victimizing himself#and forcing vitalasy into a villain role that is literally what he is doing#but vitalasy on the other end still has his own entire set of things he is not dealing with#and so the relationship created by these two people is doomed by their inability to look themselves in the eye more than any of the actual#facts of the relationship itself#and the thing zam wants lifesteal to be is not and has never been real. the thing vitalasy wants lifesteal to be is also antithetical to#its nature they are both wrong#but zam is wrong in that he wants to return to an idealized imagined past that does not actually exist#(see also vague historical allusions in his castle and his name and him trying after vi's death to cast off violence completely and return#to the land somehow. and the association created incidentally between stone tools and rudimentary technology)#and vitalasy is wrong in that he's trying to create something entirely new that nobody but him actually wants via the exploit#(see the way that once the exploit is 'out of the box' it can't be put back in and the course of the season is set in motion and any attemp#s to fight it and change that course are futile as allegorical to sudden technological advancement being met with violent opposition)
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cloysterbell · 1 year
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I know how it feels Duke, to be fighting to be the person that you want to be when everyone is telling you to be someone else.
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seveneyesoup · 1 year
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new who has emphasized the cybermen as a loss of personhood but they really really have not leaned into the horror of it like they could. there have even been stories of maintaining ones personhood through the conversion but what about the opposite? what about a generation of cybermen that do not hide what they used to be, whose faces are still visible, reflecting an individuality they no longer possess, but that is meaningful to the people they used to belong to? the “ghosts” of doomsday were imagined to be dead loved ones, but what if you saw their face? what if your grandfather was looking you in the face but did not recognize you. what if he offered a way to take away the pain of loss. what if the ordeal was over and the danger was done and the thing piloting his body survived it intact. what if he was right there but you could never, ever have him back. what then
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sonknuxadow · 5 days
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i dont even know enough about what people are doing with sonic.exe these days to have an actual opinion on the concept itself but wow am i tired of it flooding sonic tags on like every site I DONT CAREEEEEEEE
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tswwwit · 2 years
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Yo not only is this Dipper smart and cute and interesting, he's loyal. And genuine loyalty is something Other Bill hasn't experienced in a long time (probably).
In my headcanon, it's a thing that neither Bill has experienced in a long time - if ever. Which makes it compelling! I mean, imagine:
A person who isn't after favors, or power - who doesn't care about your position in the world, whether they think you're some middling jobber of a demon or a literal Nightmare King. Who doesn't want you to do stuff for them, because they've got a stubborn independent streak. Someone who laughs at your jokes only when they actually think they're funny. Who seduces you not because of the advantages it could give them, but because they honestly want to bed you. Someone who disagrees with you - will argue with you - and while there are fundamental differences, it doesn't turn them off.
Despite the fact that they should hate you, or avoid you, do the sensible thing for their species - even with so many escape routes available, they aren't leaving.
Because this someone genuinely, honestly, likes you.
Just because you're... you.
Throw in all the other stuff about Dipper, and Our Bill never stood a chance.
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elytrafemme · 3 months
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also look a lot of stuff went down when i was high and i should have expected some of it but was seriously nobody going to tell me about the pain because like that was INSANE to experience
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legionofpotatoes · 11 months
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just realized what my overarching pet peeve with the triple A visual arms race is - it's the god damn adaptive resolution. it's this umbrella telltale scam that contains all the snake oil we've been slowly fed and gives away the entire false equivalence of trying to one-up the competition by feature bloat on hardware that just doesn't handle it. games are so rammed up the wazoo with ray tracing and global illumination sims and trillion polygon models with performance modes and SSDs sweating for blazing fast speeds that everything just "secretly" runs at upscaled 900p now. and nothing is crisp or legible and anti aliasing is being retooled as a further smokescreen for it and that is our next generation playstation experience. it slowly crept up in the prev gen and absolutely exploded with this gen's idiotic ambitions and we all just took it and now every game looks like fucking mush. I can't believe the scam that's being run here. how do we not care about this trade-off?? seven-year dev cycle games with more polish than a chrome teapot roll out with LOD pop-in on a hero character's hair that dissolves into grain noise when you jerk the camera too much.
I've been exclusively console gaming for the past decade and just happened to need a powerful laptop for work this year - where I've now replayed some of my multiplatform faves. at like low-to-medium settings but with dynamic resolution forced the fuck off and all the masturbatory nonsense switched off and it is an incomparably better experience, and yes, I mean visually - geometry and shape language are legible, art direction is no longer hidden behind a screen of upscaled pixels and beholden to careful resource allocation for set pieces, and it all looks so utterly fine with the reflections and lighting being baked-in instead of mathematically simulated. I don't want to name names and start slinging shit at developers here, it's all a top-down industry issue obviously, but man. such dung being shoveled onto us for seventy dollars and they don't even give you the courtesy to make it legible at 1080p - a small desk computer screen. for fuck's sake. unreal engine 3 games looked fine. what is going on here
Bobbed and weaved for two years trying not to overpay for a PS5 from scalpers, finally got one at market value, and I still have yet to play a seventy dollar game on it that's as legible as its counterpart on a god damn laptop
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swingstep · 1 year
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Please drop mrd theatre au lore????
OH HOO BOY so. genuinely did not remember i never explained that au huh ksjdngd its been a hot minute since ive messed with that one, but lets see what i can dig up for it. as a disclaimer, its kind of an... abstract au, very rough around the edges as well. dont expect it to be anything too concrete WAHAHA
anyhow. tldr:   the mrd theatre au is exactly what it sounds like: the plot of the game described entirely through the lens of a theater production! alternately referred to as the dance au, because... its a musical! major events are described through dance, each piece pushing the story forward with the power of music and expression. literally-- the story won’t move on without it. starring mad rat as the lead role, rat god as the director, and heart as... That One Guy, Sure!
    the abstraction kicks in in its presentation though-- it's told through the framing of a stage-- however, the story itself is Real to the characters. their world is real, and as characters, they see it as such. to everyone else, it's exactly as its namesake: a play. the term "actor" and "character" go hand in hand, practically synonyms. actors are the characters. the narrative is their world. all in all: the theatre au is an inspection of the meaning of Reality and Perception, the meaning of what it is to be a Character or a Person, and a play on Stories and Roles. more under the cut.
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  As it does in canon, the narrative starts with Mad Rat waking up, and Rat God telling him his situation. Y'know, he died, she's giving him a second chance, etc etc. However, she Specifically tells him that he is, in fact, a character in a play and, as someone outside of the narrative, she knows what to do and what paths to follow. As long as he followed her, he'd be able to make it to the end of his story a-ok, and finally get the ending he deserved!
  In the beginning, Rat God starts out with a whole musical number as she narrates the scene (to both the audience and Mad Rat) to catch him up to speed on where he is, who she is, and why he died. As she finishes, hands off the (metaphorical) mic to Mad Rat to get a word in for his debut scene. Unfortunately, Mad Rat, having just recovered from a terminal case of Being Dead, Does Not In Fact Have The Nicest Voice. Seeing this, Rat God quickly interrupts and redirects to another option: Dance. Which is where a major quirk comes in: every character has a specialized dance style!
  Rat gods style is tap/swing, which is what the intro scene Truly is! It's Rat God introducing Mad Rat to the concept of The Show in a duet swing performance. Specifically, in this performance, Rat God takes the lead role in this one for several reasons: 1) She's Extra and Likes Showmanship. 2) She's ensuring Mad Rat goes in the direction he's supposed to-- making sure he's following along. And 3) She's effectively re-teaching Mad Rat how to move after. Y'know. Being Dead. Swing is a heavily motion-focused and improvisational dance: Mad Rat Does Not Know How To Dance. However, Rat God is good enough at it that she can take the lead and turn his stumbles and missteps into motion and flair. It's essentially the tutorial stage!
  The narrative is pretty much the same through the first third of the game, more or less. Mad Rat meets Heart, who doesn't really Dance but rather just cheers him on, and they begin "travelling" together, with periodical "intermissions" where Rat God, off to the side of the stage presents recaps, narration, and questions-- but it's never clear if it's to the audience or Mad Rat. Maybe both. What's really important is the Framing, though. Mad Rat (kind of) acknowledges he is just a Character, but doesn't really Understand it. 
  Despite the knowledge, he still functions through the frame of a Character. He perceives the stage as The World Around Him rather than A Stage, while Rat God is the opposite. This leads to Mad Rat essentially just Following Her Lead. Which ends up just seeming... brazenly reckless and incredibly dangerous-- because Mad Rat doesn't think it will lead to anything. Obviously he's the main character, so he's probably going to just... get to his goal and whatever happens happens, right? Rat God said which way the story goes so... whatever, right?
  Which all culminates at Heart's intervention: Heart notices all of this and gets worried. Whatever this Mess about "shows" and "story" and "directors" is, Mad Rat is still being really really flippant about how many Near Death Experiences he's had (not to mention the whole "Seeing Things That Heart Doesn't" thing.) So he decides to step in.
  This is the first time we ever see Heart dance! He'd always insisted on being moral support/backup for Mad Rat, not really stepping in in any major way. Turns out, he's really good at a lot of dance styles. It's the first time we have a music genre outside of showtunes and the adjacent. It's heart basically trying to tell him that, whatever bullshit about "Narratives" he's following, Mad Rat is still Here. He's still a contributor to the world around him-- he can affect It, and it can affect him. It doesn't matter what he knows about Whatever This Is because it all wont matter if he gets himself into Real Trouble. Which is a convenient segue to the next arc-- they go off-script.
  The following arcs are pretty much just those two figuring out what to do and where they’re going. Mad Rat, up to this point, was just (kind of badly) trying to imitate the swing style from the beginning, but slowly starts figuring out his own specialty on his own. Mad Rat kind of dabbles through a lot, but is Particularly good at breakdance/krump. It’s a bit of a slow process, but he slowly forges his own place in a world he technically does not belong in. 
  All the while, Rat God is suspiciously quiet. They weren’t supposed to go that way, or do any of that, But she could improvise. She passively tried to mess with them from offstage-- changing the background scenery, tossing obstacles after them-- but they just. Kept going. Mad Rat even began Understanding the nature of The Stage and learning how to use that to his advantage, predicting the way things would move or shift, and using that knowledge to move even faster. It was only after Mimolette’s scene (which was Not supposed to be this early in the script, to Rat God’s chagrin,) that she Really started to get particularly miffed. They’d completely gone off-script, avoided Everything she sent after them-- but there was still an ending that needed to be told, and she was going to tell it no matter how messy it was to get there. Which leads to an intervention of her own.
  As the director, she had direct control over a lot of things-- but she herself could never interact with the Narrative. She had no real Hold, as it were. She was barely a concept to the characters in the narrative-- they could not really perceive her. So, she decided to break that rule-- and interact with them directly. Rat God’s scene is incredibly similar to that in canon: Incredibly Chaotic and Hard To Track. She mostly keeps to swing, as that’s her specialty, but regularly switches it up to try and throw Mad Rat off. But things are different than their first dance.
  Mad Rat has a grasp on himself and his goals. Rat God’s plan is already off its rhythm-- it was clear from the start that this was a last-ditch effort on her part to kill him. Despite her still trying to take control, Mad Rat was nothing if not stubborn. He was just as good at deflecting and navigating the scene as she was. But it’s hard to truly get rid of something like Rat God. She isn’t done until the Story was done. There was still a story to be told, so here she stayed. She could keep going as long as he could, and longer. So knowing what he did now, and understanding the circumstance, he did the only think of. The two had, to some extent, switched places: Rat God taking the stance of a Character/Participant in the scene, and Mad Rat seeing the full scope of The Stage and how it worked. The show was still going, so all he had to do was end it. 
  Tricking her into a monologue, he truly exits the frame of the narrative for the first time, grabbing one of the curtain ropes and letting it free, closing the curtains on the stage-- with Rat God behind them. And... silence. In the end, it was just the closed curtains, the audience, and Mad Rat and Heart in front of them. They saw the audience, truly, for the first time-- that larger force constantly watching over him from beyond his view, pushing the show forward not of their own actions, but of their presence alone. This is who it was all for. And seeing this, Mad Rat makes the decision... to ignore them. 
  They weren’t important anymore. The show was over-- the audience had no more use here. No more power here. They meant nothing to him. Nothing to them. He has one last talk with Heart-- they knew they weren’t alone, not truly-- but all that mattered right then was just the two of them. What they’d seen, what they’d been through-- it all had to come to an end eventually. But not by the hand of someone who had no stake in their story-- in their lives. Mad Rat gets to make his own choice about his future: And with no story left to tell... he gets up, and walks off the stage. 
   The Story Is Over.
#pikasks#mrd theatreAU#long post#no fandomtags we die like men#anyhow. thanks for enabling another essay of an infodump ur a real one <333 kdjgnkdjf#this au means The World to me but because its so... [waves arms around.] its very hard to explain in a way that feels Correct.#a lot of it is Vibes alone. feelings and concepts and notions of motion and song. as it is in canon too i think.#as with canon; its a play on tiers of personhood and control-- of who truly gets to choose fate; or if it really exists at all.#its about grabbing on with such fervor that the fabric of the world around you bends to your will.#about the inescapability of Role and Expectation; of Progress and Actions. how nobody in this story; truly; could choose how it ended.#not alone; at least.#rat god is equally bound to her role as director. she has no sway in this world. no matter how deeply she may want it.#the difference between her and mad rat is something tragic; to me.#two people in such similar roles reacting so differently they mirror each other perfectly.#surrender to a role you have no control of and hope it eventually benefits you-- or fight tooth and nail against forces stronger than you.#but these are the tags. im just waxing poetic at this point.#if you want a more clear read of the vibes this was inspired and started entirely by the mrd piano medley by tmsy.#please go check it out it slaughters me. id point out a specific part but its kind of all of them.#anyhow. thanks for reading and also enabling me. have a lovely day !! <33
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willowcrowned · 2 years
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it’d be fun to read something high fantasy from you! you know, robes, ancient lore, homoerotic undertones or overtones, etc
i hate to inform you of this but unfortunately I'm categorically incapable of writing high fantasy because almost all the high fantasy I've read is either a bad rip off of or a commentary on tolkien's work and I just don't have enough to say about middle earth to make a book out of it
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grapesodatozier · 1 year
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the experience of being a st fan on tumblr who doesn’t have any strong feelings past “yeah he’s cool I like him” about steve eddie or will is a little funny ngl. not a negative experience but it is a little bit like opening a bag of candy and the bag is just like 80% orange and grape. like yeah okay that’s good but like can I get some more cherry and lemon and lime please like I only really want a little bit of orange and grape I’m glad the people who like orange and grape are having fun but there’s only like two thoughtful pieces about mike and nancy and el cherry pieces in here and it would be cool to have some more. and then you have to make your own homemade cherry candy which is fun and rewarding and I can appreciate the love and hard work that went into making the orange and the grape candies but sometimes you just wanna open the bag to some cherry already there yknow
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amrv-5 · 11 months
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how we doing succession nation
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nerdyenby · 1 year
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Going insane about the life series, how is that *gestures wildly* not scripted???
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eugeniedanglars · 2 years
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having scrolled 2 seconds of discourse i can say with 100% certainty that the secret to liking stranger things 4 vol 2 is not caring about the parts of the show that seemingly everyone on tumblr cares about
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szczylpierdolony · 1 year
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my parents want me to get the docs and are offering to get them for me as a christmas present but uhhhh idkkk theyre still expensive and my main concern is till that ill stop wearing the old ones :(((
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