I say this in the best way, but your characters feel like they're from an obscure but really good piece of media, and you feel like the artist who always draws the two main characters as ghay lovers
i found this piece of promo art for 'Halfbrick Zombies', the a game that would be later reworked into 'Age Of Zombies', on the Halfbrick Network Twitter account. the game in this state looks much more like a survival horror and has a much darker tone than what it ended up becoming. i think i'd really like to see a game featuring Barry with a much more grim life-or-death feel, it'd be super interesting!! it looks super cool and i kinda wish it was released in this form :)
the mdzs manga announcement is a double edged sword bc on one hand i'm so so so so hyped to have a comic-style adaptation that isn't the manhua bc i'm. allergic to the webtoon-esque vertical scroll style + prefer b&w comics to colored ones stylistically. and also japanese manga means maybe japanese anime adaptation which means even more mdzs figures bc the jp figure companies will finally be forced to acknowledge it exists which means maybe we'll get more of characters who aren't wangxian please i beg of you i want lsz at the very least. on the other hand it's big news for the people who watched the jp dub of the donghua w english subs and i absolutely resent that.
btw it's simply hilarious to read accounts of carlos painted as a victorian era orphan who has to plead for Some Scrap Of Affection (daily getting cakes and surprise parties and compliments and cuddles from management and mechanics) and puts on a Brave Face in front of the Humiliation of Leaving Some Space For Charles Il Predestinato Leclerc' Signature on a Cap They Both Have To Sign... and the mental side eye to the reader with the sarcastic reminders that ferrari insists of not picking up a number 1 driver despite all these Clear Signs Of Favoritism (picking out bad photos i guess??)... british comedy truly is something else
do you think newjeans is an sm group (or could very much be one)? i remember when they debut, a lot of the reaction was of that. which is only normal considering newjeans' ceo was a large factor as to why sm is sm.
people point out the members' visuals as sm but hybe is relatively a new company so what holds as their standard is hard to define for now. (taeyeon/irene + kangta/jaejoong/s*won as clear examples of an "SM face"). also, i sometimes forget that some groups are under hybe because there are so fu-cking many now and they're going to debut like 4/5 new groups next year. it literally does not make any sense to me.
other than that, i don't really feel like newjeans gives off an sm vibe? i feel like it has a lot to do with the training system and what each company emphasizes on. it seems that newsjeans is gonna be more dance-focused like all of the other hybe groups. sm groups usually have a distinct vocal color - despite being under the same company, each group holds their own.
slkdjflskdfjslkdfj they are NOTHING like an sm group. like you said, sm has very specific branding in terms music, sound, and visuals, and also in HOW they construct their groups as well. i said it in ask a long time ago, but sm is the only company where i can say that they have a distinctive methodology of how they assemble a group and who has what positions/fills specific archetypes. although a lot of their artists are what would be considered 'all rounders,' sm groups have very specific positions that artists are meant to fill according to how they are assigned and there isn't a lot of deviation from that in group context. there's very little confusion as to who the main vocalists/dancers/centers are. hybe has more of a.............egalitarian approach (well, that's what it translates to, i don't think that's what they intend) where they expect everyone to have an equal level of performance skill and bill groups as being 'performance' oriented, but then they don't have anyone else in a strongly defined other role. like how do you have an obvious main dancer when your whole group can sort of all pass as main dancers? how do you tell who the main vocalist is if you don't have any strong vocalists taking the bulk of the lines and exercising their park n bark privilege? i couldn't tell you what the position of any of the girls in newjeans is unless i looked it up, but i could immediately tell with aespa.
the only thing they have in common is that they have a similar approach to aesthetic branding, and that's literally bc it's the same person doing both.
i might be terrible for feeling like this. but the sheer amount of schadenfreude i have after finding out that freminet is likely going to be a shit unit is through the roof lmao
i genuinely don't understand what capitalist countries stand to gain by fighting each other instead of collaborating economically. like why does the us warmonger against china when we would benefit more from trade? ostensibly it's for moral reasons, but regardless of the veracity of any given claim i think the united states has shown itself to prioritize economic success over human rights on a number of occasions especially during the cold war. i suppose i assume most wars are waged on the grounds of economic gain (natural resources, global political power, straight up money in the form of the military-industrial complex) but you could make an equally solid argument that just as many are waged over purely social and political issues- ethnic and religious conflict, blind nationalism, the whims of a dictator. it just confuses me at times, i guess. i have a hard time believing that the united states is bound and determined to wage war against china over human rights abuses, infringing on other countries sovereignty, and neo-colonialism in africa when we've propped up fascist dictators in many a country who've done far worse. is it literally just the association with communism? because surely whatever evil fuckers actually want war know that china is very far from communist right now. is it just nationalism? the idea that we must be on the top of the totem pole, even if our economy would stand to gain from trade? because i suppose i could believe that, but i think if that was true we wouldn't have gotten to where we are today in the first place. blegh. at the end of the day i am also ignoring the fact that many many different groups of people want war against china for reasons ranging from sinophobic jingoist nationalism to a genuine belief that the united states is a global moral watchdog determined to establish ~democracy~ worldwide. but there is a definite slant to media coverage on china right now, genuine attempts at disinformation, and given that the media in the us is so deeply tied to corporate interests it leads me to believe that there has to be some economic motive here, and it frustrates me that i can't figure out what it is.
Genuinely don't want to get too deep into the whole AI art controversy because - as I mentioned in the tags of that post I reblogged before - I'm personally familiar with the issue in that I build AI as part of my job, but I'm not personally familiar with the issue in that I am not someone who relies on making art to survive (I do art as a hobby but obviously the artists who have more to fear from the development of AI like this are the ones who, you know, do it for a living).
I definitely see why people are concerned and in general I'd say this issue plays into the wider issue of "what happens if a robot/AI/etc takes my job" which is, I suppose, something we as a society have been facing since... the Industrial Revolution? Thereabouts? And it's not my place to speak on that since I haven't done thorough research on the matter, but I certainly understand the concern - hell, there already exist AIs that can write working code, for all I know my job could be at risk one day.
That being said, on a professional level I'm irked at the person who wrote "AI IS EVIL" in the notes of a post on the matter that I saw.
AI is a tool, my dude. Nothing more, nothing less. Whether it's used for good or evil depends wholly on the people who make it and the people who use it.
it's the most annoying thing to me.. i work so hard to ignore it otherwise because it's stupid and i don't want to unfollow anyone who posts stuff i really like and want on my dash because of one show (that they usually don't even post about)!!! but then when they do post it feels like i didn't curate my dash well because that's content i can't help but despise i just cannot outsmart my hate no matter how much i want to and then they post all that and it's like YOU'RE TEARING ME APAHRT LEESA
There's a super famous singing festival in italy that airs for a week every year. This year, one of the singers, Ghali, did some very remarkable things on that stage. Ghali was born in Italy from Tunisian parents, his career has been going on for a while, but this was his first time on that stage.
He made a song where he references Palestine where he sings: "how can you say everything is fine down here, where in order to trace borders with imaginary lines you bomb an hospital, for a piece of land or for a piece of bread there is no peace" . He also did a medley, singing also in arabic for the first time in the history of the festival.
Last night, during the final, he ended his performance asking to "stop the genocide!" I don't have to tell you that there's absolutely nothing pro-Palestine on italian media... and he used the biggest stage he could use to say that.
Today on a tv programme he was accused by the Isra*li ambassador of spreading hate and violence, to which he replied with those words in the following video (credits to the person who translated it here):
The italian TV broadcaster quickly posted a press release to distance themselves from this speech and to reiterate their whole support to Isr*el lol Towards the end of this tv programme, a few hours after Ghali said what you can hear in this video, they read the press release out loud. This is how Isra*li propaganda works everywhere, thanks to the complicity of our governments.
Just want to post about him because he really risked it all and I appreciate him incredibly for everything he did...if only everyone could do the same. And fuck italy and its fascist government.
spring day never latches on to a permanent face. it takes the form of the people i miss whom i have no way of reconnecting with. ever since i read that message in my inbox, it has taken the form of you, kesya.
Every single time I see a take that amounts to "if you write about X happening, or like fiction where X happens, you like X" I'm reminded of this one time I was at a casual friends house as a young kid. We were in her room, pretending to "be orphans" escaping from an evil orphanage and having to take care of each other and fend for ourselves. It was all very Little Orphan Annie/All Dogs Go to Heaven and based on the 80s pop media.
And this girl's mom comes in, hears what we're playing and gets all MAD and UPSET. She says that if we play act something, it's because we want it to happen. So her daughter must WANT HER TO DIE.
First off lady, we were 6 year year olds, so take it down several notches. We barely had a concept of mortality for fucks sake. She made us feel so guilty and ashamed, because she was taking our game personally.
Now I have a 5 year old. And sometimes she looks at me and says "pretend you're dead, and I have to -" Whatever it is. Some adult task she's assigned herself.
And it's just so transparently obvious that she's practicing the idea of having to do things on her own. Which is exactly what 5 year olds are supposed to do. I actually find it very flattering that the only way she can envision me not being available to help her is to be literally deceased. Otherwise, obviously, she wouldn't have to do scary hard things alone.
It's a natural coping mechanism. She's self-soothing about what would happen if I wasn't there by play-acting independence in a perfectly safe environment. She's also practicing skills she needs, and making up excuses for practicing them on her own, without taking on the responsibility of being able to do them by herself all the time yet.
Humans mentally rehearse bad this in their brains all the time. We can do that by ruminating- going over worries over and over again, which tends to lead to anxiety and helplessness and depression. Or we can do it with a sense of play- by recognizing that the fiction is fiction and we can dip our toe into these experiences and expose ourselves to bad things without actually being injured.
My daughter does not want me dead. And I don't want bad things to happen in real life. But fiction and pretend help me face the horrors of the world and think about them without collapsing or messing myself up mentally.