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mugram · 2 months

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"Justice" - Es' Trial One Voice Drama

Jackalope: You understand now, right?

Es: I believe so, yes…

Jackalope: Good! Good! Now, come with me. We have to go now. The prisoners might realize we’re not there yet. Since you prepared, MUGRAM, the first trial begins now! Or whatever! Let’s move!!

Es: Eh–??

: Go where?

Jackalope: Panopticon. It has a panoramic view of the prisoners’ rooms.

Es: Panopticon…?

Jackalope: Your head is a little foggy right? Sorry about that. I’ll explain a few things to you on the way.

Es: Okay. My memory problem won’t interfere with being the Warden.

Jackalope: …

: That’s good to know.

[footsteps]

Jackalope: Hey, Es, can you open the door?

Es: Eh? Can’t you… Right, you’re… never mind. [footsteps]

Jackalope: Look, the only door I can’t open is the one to your bedroom. Other rooms have an entrance for me.

Es: Oh, that’s… nice. Do I really have a… “rabbit” as another Warden?

Jackalope: …

: My feelings, Es… But, yes, I am technically another Warden.

[door opens, the pair walk]

Es: Eh… This hallway is long.

Jackalope: At the end of this passageway is your bedroom. There are various rooms and facilities along the way. Explaining it would take too long, so I’m skipping it, alright?

Es: What’s opposite my room?

Jackalope: My room! You can’t enter without my permission, though.

Es: Eh, I don’t plan on it. Plus, there’s no door big enough for a human anyway.

Jackalope: Oh, that’s true. [more footsteps] This is the prisoners’ shower room. Across is the storage room. Necessities are mostly here.

Es: The prisoners are allowed to go in and out of this passageway?

Jackalope: Yep, they need their necessities, correct?

Es: …

: Mhm.

Jackalope: Anyways, when they’re allowed in the passageway, whether showers should be separated by male and female and so on, the specific rules for their lives are things you decide later.

Es: …I can decide?

Jackalope: Yep! You can decide how MILGRAM is administered. So, if you want to make it heaven or hell, it’s up to you.

Es: I would ask why, but it’s probably because I’m the Warden, right? Even if I can’t remember.

Jackalope: Oh, yes.

Es: Oh, Jackalope. You might have to move faster. I might step on you.

Jackalope: I’m going as fast as I can, alright?! Hold on.

Es: …Sorry.

Jackalope: Anyways, this is the dining hall.

Es: Wait, who prepares the meals? Apart from the two of us, is there anyone else who–

Jackalope: I do.

Es: Oh. Wait– What??

Jackalope: I’m the head chef of MUGRAM. I can make anything you’d like.

Es: How can you even do that?? How do you hold a frying pan or a knife with like… your paws? Hands?

Jackalope: If I hold it firmly, I can.

Es: What…? How does your… fur not get into it??

Jackalope: If it’s molting season, then a lot of it gets in.

Es: What–

Jackalope: Alright, we’re finally at the heart of MUGRAM: the Panopticon.

[door opens]

Es: This is… Panopticon. It’s… a dome?

Jackalope: We’re at the north of the dome. The entrance is at the twelve o’clock position.

Es: So, I’m assuming each door is a prisoner’s room?

Jackalope: Yep, it’s pretty much like a clock. The prisoner number and the times match. Pretty easy to remember, right?

Es: Mhm.

Jackalope: Oh, there’s still some time left. Okay, I think I have time to introduce the prisoners. I’ve only seen their faces, though. [footsteps] So, the one o’clock room, prisoner number one, Mayumi Kubo.

: She has a… serious expression on her face. Honestly, I don’t really know if you’ll learn anything about her.

Es: Well, she’s a murderer. That’s all I need to know, isn’t it?

Jackalope: Yes… But… [sigh] Let’s just move on.

: Next, at two o’clock, prisoner number two, Masaru Iwai. He has an angry expression on his face. If I were you, I’d ensure he didn’t cause too much trouble. He looks like… a young adult. I couldn’t really tell that much, though.

Es: You don’t know the prisoners’ ages?

Jackalope: Ehh… Well, I’m not allowed to look into stuff like that. But, you are. So, figure them out the prisoners for me, will ya? [footsteps] At three o’clock, we have prisoner three, Keisuke Izumi. He looks… normal, I guess. It’s not like he seems shocked or anything; he’s just… normal.

Es: Well, he’s a murderer, isn’t he? I wouldn’t believe that if it were true…

Jackalope: Well, first impressions reveal a lot about a person, so…

Es: Huh. Anyways, the next prisoner is… Prisoner number four is Tomoko Shiratori.

Jackalope: Another serious-looking person. It’s sort of hard to understand these types of people; they never try to reveal anything about themselves unless they have to.

Es: Well, no matter, I’ll figure it out in the end and judge them according to the law–

Jackalope: Eh? According to the law? Well, if we just judged them according to the law, then there’s no point in you being here. [Es makes an annoyed noise] You should make decisions based on your own standards. Even if it's based on sex or love, I have no problem with it.

Es: …Let’s just move on.

Jackalope: Alright. The next prisoner is Shun Minami. They’re around… 25, I believe? She seems oddly happy, which I won’t question. I suppose you’ll have to find out why she seems so happy. Or it could be pretend. I don’t know.

Es: Due south. Six o’clock. We’re halfway through already?

Jackalope: Yep, this is prisoner number six, Daiki Kawaguchi. He looks pretty strong. I’d be careful around him as well. He seems like the type to tell you off if you did something bad.

Es: That sounds like a father, Jackalope.

Jackalope: …

: Okay, I wouldn’t know that, alright? Leave me alone.

: Either way, you’ll find out their true colors eventually.

Es: Sure.

Jackalope: Alright, prisoner number seven, Isamu Takao. He looks pretty kind and nice. I’d believe his expression if his hand wasn’t in a fist. I’d be careful of him as well.

Es: It seems like there are loads of prisoners I have to be careful around. What happens if I get attacked by one of them? It feels awkward to say, but I don’t think I could put up a fight with the likes of Daiki and Isamu.

Jackalope: They can’t attack us, guards. Don’t worry.

Es: Guards? So… It’s not the same for the prisoners? They can attack each other?

Jackalope: Pretty much. That could happen, but it really depends on your judgment. [footsteps] Now, this is prisoner number eight, Mia Fukuda. I believe she’s around your age, Es.

Es: Eh? Around my age?

Jackalope: Yeah. I don’t know if you two would relate because of that, but if it helps you find the truth, then I guess I don’t mind. You need to determine if they’re good people by talking to them. It’s basically your duty as the prison guard.

Es: Oh, I see. So, interrogating them is the only way to determine if I should forgive them or not, even if I don’t want to at all.

Jackalope: You got it!

Es: You sound awfully like a parent, J. [laughs]

Jackalope: Well, I am supervising you, so… [laughs] Anyways, next prisoner. Prisoner number nine, Ryuu Seki. He looks… interesting. I don’t know. He seems like one of those people who pretend to be someone else. I wouldn’t know, I guess.

Es: …Well, that is an interesting comment, isn’t it?

Jackalope: Last is prisoner ten, Sora Mochizuki. She looks exhausted. I’d say make sure she doesn’t pass out on you, but that’d be seriously out of taste. I hope whatever she committed relieved her of her exhaustion.

Es: That’s ten.

Jackalope: And, that’s the end of all of the prisoners I have to introduce. You just have to talk to them afterward and decide things for yourself.

Es: Hey, J?

Jackalope: Hm?

Es: At eleven o’clock, there’s another cell. It’s pretty old, judging by how rusty it is and its lack of a lock.

Jackalope: Ah, don’t worry about it. There’s nothing.

Es: What do you mean there’s nothi– [bell rings] What the hell was that?

Jackalope: It’s finally time for you to finally meet the prisoners face-to-face! If you have any doubts or confusions – anything! – you have to kill them all now. You’re supposed to be the Warden. Don’t hesitate. Make the prisoners respect you and your authority.

Es: Well… I guess, J. I am MUGRAM’s Warden. That’s all I have to know about myself, right? There’s nothing else I have to know. I’m looking forward to it a little… Meeting all the prisoners here and learning of their murders. [Jacklaope makes a noise of understanding.] With my own will, I’ll reveal their sins. I can put some of my feelings aside and decide if I really want to forgive these murderers. I wonder what their thoughts are… I want to know the truth.

Jackalope: …I see, Es.

[mechanical sounds]

Jackalope: Good luck, Es. I believe in you.

Es: I can do this. It’s my first job as the Warden.

[ominous footsteps]

Es: Good day, prisoners. I am Es, your Warden. This is the MUGRAM prison. It exists to judge your sins, all ten of you prisoners. I may not know much about you, but I am aware that you are all murderers – And, that’s all I know. So, from now on, I’ll have you enlighten me about yourselves. Welcome to MUGRAM. Have a nice life in prison.

MUSIC VIDEO - Judge, Jury, Executioner

#milgram #milgram oc #ocgram #mugram #MUGRAM -- Voice Drama #// Hey look Es uses Jackalope's nickname even though the writer doesn't at all (i don't know why i did that aueueu)#//if anyone's wondering the MV is going to be released like. in a couple minutes so i'll link the VD to the MV when it releases #The Warden - Es #Jackalope - “J”#// the crimes might be pretty easy to solve and im chill with that #// i didn't put too many details into them #// but i wanna see how people vote :3c #// also yes es' line is different from what it said it was. IT IS INTENTIONAL I SWEA

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amugoffandoms · 7 months

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i got bored and started listening to the song of prisoners trailer and the transition from haruka's vd to his song ayahshfyfhfy oh oh ayauayueue

#mug talks #it's so good but aueueus #milgram #haruka sakurai #sakurai haruka

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jaykinarts · 17 days

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🌻 We are far too young and clever

FINALLLYYYYYYYYYY I FINISHED IT RAHHHHHHHH 'aksjak&/&2₱.@18828IAJAJAKHSLWHXLWJXWIAPAJA 😭😭😭😭 This was a background study with Octane and Lifeline during their childhood playing w Navi in some rich backyard garden thing IDC IDK ANYMORE IM JUST HAPPY ITS DONEEE!!

recently I caught up to apex lore (if uve seen my insta stories ud know I AM TWEAKING) amd Im loterally devastated lifeline and octane r the loml and are why i love apex sm istg I cant do THIS 💀💀💀💀 So I drew this to cope and cradle myself like a baby JAKAJLAVDLWJDKSSKSJS NOTHING HAPPENED GUYS THEY ARE OK 😇😇😇😇 THERE WAS NO TRACKER ON THE RABBITS FOOT 😇😇😇😇😇 😇😇😇😇😇😇😇💀

I cleaned up my artsyyle a bit more and went even more ambitious in this composition (fullbody, background, lighting) god I went crazy LOLLL felt inspired by yourube videos and combined that w my devastation and popped this out AJAJAHAKAHSJHSKSJSKS anyways I feel like I finally have a set artstyle and can work on fixing comms n the like ehehehe

I HOPE U GUYS LIKE THIS CUZ BRO I COOKED SO HARD I THINK IK SOME OF THE LIGHTING DOESNT MAKE SENSE BUT BEAR W MEEE!!! IM SO HAPPY W HOW THIS TURNED OUR BRAH!!! LOOOOOKK AJAY AND OCTAVIO LOOK SO CUTE W LIL NAVIII WAYGGSJUSGHH WAHH AUWHAGJ aUEUEU UEUUWGAKDJLDJCLWJXLSXWOPCOWKFKWLDKDLSB

#apex legends #apex legends fanart #octane #lifeline #octane fanart #lifeline fanart #octavio silva #ajay che #octane apex legends #lifeline apex legends #apex #apex fanart #fanart

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milgram-tournament · 4 months

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MILGRAM Best Song Tournament, Round 1, Match 6 ALL KNOWING AND ALL AGONY vs. TEAR DROP

Propaganda for both options under the cut!

Propaganda for AKAA:

"AKAA is wonderful song with such bitter irony, bc that doesn't look like song someone who was voted inno… And we know more about Haruka! we see his mother! AND "MAKE MY DREAMU COME TRUE"??? NO I AM NOT CRYING YOU ARE CRYING (also I should say this is first song i heard and I love AKAA so, so much <3 let's do it <3)"

---

1. It establishes so much of Haruka's character and backstory that was omitted from Weakness!! It helps shape Haruka's character so much and really helped with voting.

2.THE VOCALS OH MY GOD. This song really lets the voice of Haruka's VA shine!! It has some really nice growls but also has that soft part in the bridge!!

Overall it's just really good I love Haruka Sakurai

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Propaganda for AKAA:

Definitely one of the most hype songs from T2

The vocals are Banging

Absolutely love the taxidermy symbolism

Haruka is a sad little puppy

Everyone stand for the Mommy Issues Athem 🫡

Propaganda for TEAR DROP:

"yuno kashiki enthusiast here anyways tear drop propaganda WE BALL

let's start off with the lyrics! holy fuck, i'm so glad yuno finally got to say what she's wanted to say!!

and she fully shows the fact that she does compensated dating through the lyrics ("the wanted wanting the wanted")

and even if it sounds like she's scolding the audience for the song, she's also scolding her clients! they only perceive her as a certain type of character and deciding that's all she is. She's upset that we decided based on how "naïve" she looked instead of her actual crime (to be honest, I could write a whole analysis into why her murder is perfect for her character anywa) and she doesn't care what will happen to her, she needs her opinions heard

also kinda rap section?? banger fr

THE VISUALS!! GOOD LORD THE VISUALS!!! THEY ARE SO BANGER!!! they're really pretty and gosh i literally don't know what to say, the scene where vampire is in the background and it transitions to yuno sitting on her bed... the pink tinted glasses (YES FUCK I LOVE THAT MAN!!!!) THE COAT!! THOSE INBETWREN SCENES i'm obbing

AND THE INSTRUMENTAL!! PLEASE IM BEGGING YOU ALL LISTEN TO THE INSTRUMRNTAL OF HER SONG THERES SO MANY SMALL DETAILS!! SIRENS, TEAR DROPS RAHHH THE CLAPS/CLICKING TJE TECHNO PIANO GUITAR??? THE INSTRIMENTS I CANT NAME I THINK THEY ALL HAVE SOME READON OF BEING IN THE SONG AND I WILL FIND OUT IN AN ANAKYSIS POST I JUDT LOVE IT AUEUEU

literally tear drop is the banger ever i listen to this shit religiously thank you for listening to my tear drop propaganda"

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-Yuno’s voice. Enough said. -The imagery in the MV is brilliantly used, and doesn’t shy away from the horrors of Yuno’s line of work. -Vampire cameo!!! -Almost Lo-Fi vibes to the instrumental?? I can’t really explain it but it’s a vibe and I’m 100% here for it,

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"For teardrop: The pink aesthetic in the MV as a whole makes it super nice to look at :D"

#milgram #milgramtournament #yuno kashiki #kashiki yuno #haruka sakurai #sakurai haruka #sorry for the delay!

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teethcritter · 7 months

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Hihihihihihih teetfh youre so so swag and cool forever okay just wanted you to know ^_^

HIIIHIHIH HI BEE HIIII IR SO BALLER I LOVE U THANK YOUW AUEUEU

#ask

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r0b0-writes · 2 years

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Random cuddle headcanon: When he's feeling touch-starved Sweet WILL find any excuse to snuggle Cap'n, even in the middle of an argument. He'll say he tripped, he likes Cap's fabric softener, or even that he caught an ILOVEYOU virus, but really he just likes how soft Cap'n's hugs are.

AUEUEU

My heart! My heart! Arrows!! In my heart!!

A long time ago I had a (now abandoned fic) where Sweet gets bit by a 'Love Bug' and it does make them super cuddly. But alas,, too many projects make me burn out, so it had to be scrapped. Makes me so happy to hear others have similar ideas.

Sweet and Cap definitely share the 'I don't want you to know I want to cuddle' trait. Neither is great at hiding it, but Cap's a bit better than Sweet is.

Sweet will say it's the fabric softener and cuddle up to his side. Trying to be casual, but he's blushing. And Cap can't help to tease just a little, not too much tho, cuz he doesn't want Sweet to leave. And Sweet will either feign ignorance or pretend to leave, hoping Cap might pull him back. It's that feeling of feeling wanted and the closeness in the moment. They both just relax for a few moments, no taunts or teases. Just a few moments of being in each other's company.

#rsjhgfiu #i'm a sucker for these types of things #feeling the safety to seek out (albeit pretend not to) comfort and/or affection #living vicariously through them #[r0b0.respond]

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kashikiyuno-official · 4 months

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– // RAHH sorry everyone I passed out hard after school because I haven't been feeling too hot will respond to everything now!!

– // this might also mean I won't stay up as late to respond (I have regrets aueueu)

#– partake in the truth

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hunny-bxscuit · 2 years

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your oc is such a simping material 😳 can we have more of them.. 🤲

down bad, aren't we? /j

this bitch has been sitting in my files for too long.

#hngdnsb i gotta draw them interacting with other animatronics aueueu #especially djmm #bc i love djmm #and moon #Dice and Moon would be unhinged night guards kekw AHEM #lore? what lore lol /j #fnaf oc #my art #hunny answers #for aesthetic purposes he doesn't like putting eyes on his screen just mouths and only mouths 🚪🚶‍♂️#also they can play vynil discs with their claws #and they aren't allowed to hold customers bc of how sharp it is #hunny ocs #Pluffin Dice

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milgram-tournament · 3 months

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MILGRAM Best Song Tournament, Round 2, Match 4 TEAR DROP vs. BACKDRAFT

Propaganda for both options under the cut!

Propaganda for TEAR DROP:

"yuno kashiki enthusiast here anyways tear drop propaganda WE BALL

let's start off with the lyrics! holy fuck, i'm so glad yuno finally got to say what she's wanted to say!!

and she fully shows the fact that she does compensated dating through the lyrics ("the wanted wanting the wanted")

also kinda rap section?? banger fr

literally tear drop is the banger ever i listen to this shit religiously thank you for listening to my tear drop propaganda"

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"For teardrop: The pink aesthetic in the MV as a whole makes it super nice to look at :D"

Propaganda for BACKDRAFT:

"Backdraft may be a minute shorter than Bring It On, but it’s still over three minutes long, and it makes up for the lost minute with a complex form. The “Pressure! Pressure!” might be the only part that truly repeats.

At the beginning, Fuuta is showing off, acting cool. Then the music slows down as he ponders his verdict. Then the music picks up the pace again and gets more and more frantic as the consequences of his actions catch up to him.

See that structure in the three distinct verses that sound nothing like anything else in the song: cool, contemplative, and “oh no, what have I done”.

The “chorus” (burn burn!) never stays the same. You’ve got the “cool” first chorus. Then you have the muted second chorus as it sinks in that Fuuta’s victim was a middle-school girl, which leads into the tense final chorus (which is twice as long as the first) as the victim and Fuuta both burn.

The instrumental and the spoken-word from the beginning combine in the end, changing the mood of the stanza from confident and showy to panicked and desperate.

And the words… You can hear the wordplay in the last stanza, even if you don’t understand it.

Appreciate this chaotic masterpiece of a song."

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- Fuuta being very cocky at first before realizing how fucked he is (it is kinda funny) - The use of spray cans and overall graffiti symbolism, it’s so good - The multiple eyes and people off camera showing how paranoid Fuuta has become, it’s really well done without being obvious - The name backdraft meaning when a fire deprived of oxygen gets a sudden influx of it. A kind of metaphor for what Fuuta did. Then it being shown through a spray can explosion, aaaa it’s really cool! - Fuuta’s overall look changing, being more realistic on how he actually looks contrasting Bring It On’s idealistic version of himself - Es at the end!! The only time Es shows up in a prisoner’s MV!!! And they looks so damn cool - Also the entire eye thing referencing the audience, he perceives us lmfao

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"Back draft is incredible because it not only has great visual symbolism with the use of the spray cans but its visual symbolism shows a progression from ‘Bring it on’. In ‘Bring it on’ the channelling is glorious , fuuta is surrounded by people and fuuta idealised himself (taller , better teeth , better posture ect) , the people he cancelled were portrayed as these powerful rpg monsters but now in back now the channelling is portrayed as vandalism a crime as destructive , the ally is empty we only ever see others as hands or his victim fuuta is alone and fuuta is no longer idealising his appearance and his mind is now portraying his victim as a harmless cutesy drawing. This shows a change in how fuuta views his crime between T1 and T2. It wasn’t glorious, it wasn't justified , he was at fault. The fire being recontextsied as something out of control , all consuming and out of control which is the opposite of how it was portrayed in ‘Bring it on’ we really see how the vote has changed fuuta."

"There are so many things in the song that show a progression "

-“ deliciously scorched till your mouth waters” > “I don’t want any more”

-fuuta spray paints the camera hen as the end es spray paints him/the camera

-the pressure graffiti changing

"There’s so many interesting details like the applause towards the start of the song , the personality in the subtitles like them going from “Burn , burn!” To “burn , burn?” But the pressure’s punctuation mark stayed the same: “pressure , pressure!” , the way FIRE is the only word in full caps till LIES. The thumbs down fuuta does during “the fights up here! Come up to the ring and face me!” Part which is like his T1 art , the way the lighting changes from green towards the start and becomes red by the end (stop go colours) , The way fuuta is constantly interacting with the camera , spray painting it twice and kicking it."

"Backdraft actually makes amazing use of the camera , things are often shown from the (camera)audience’s perspective rather than us seeing the events removed. We are there like we are the ones doing it/looking through the eyes of the person doing it. When fuuta/the others spray paint the graffiti of his victim and the ice gorilla it's from the audience’s perspective , we don’t see them do it, we see it like we are doing it. When the spraypaint can explodes it's like it’s exploding in our face and then when es spray paints fuuta at the end they are spray painting the camera(audience). "

"Backdraft makes the most references to the voting system and uses it well to make the audience re-examine if they really are any different. Aren’t we using little information and inferences to hold people accountable for crimes we have no stake in? Aren’t we causing unintended harm? Aren’t we judging them from the safety of our screens? "

"And on a more silly level"

-ARTHUR CONANT GOES SO HARD IN THE VOCALS!!!! COME ON LISTEN TO BURN BURN AND TELL ME THIS MAN ISN’T GIVING IT HIS ALL!

-cat mouth fuuta :3 how can you not love cat mouth fuuta?

-lowpolydog designed amazing graffiti

#milgramtournament #milgram #fuuta kajiyama #kajiyama fuuta #yuno kashiki #kashiki yuno

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