#bang minsoo icons

[morsinbird]

✰ · if you save/use, like/reblog credit to 779MW on twitter.

#bang minsoo icons #cap teen top icons #cap icons #teen top icons #teen top #cap #bang minsoo

[asiastuf]

like if u use/save ☘ be honest  

#icon #icons #teen top #icons teen top #bang minsoo #bang minsoo icons #chunji #chunji icons #niel #niel icons #changhyun #changhyun icons #changjo #changjo icons

[olmami-edits]

Bona x C.A.P B&W icons

#bona icons #kim jiyeon icons #c.a.p icons #bang minsoo icons #cosmic girls icons #teen top icons #olmami icons

[siricons]

#𝐬.ιrι _ ˖ dᥱsιgᥒs ぬ . # 𝐦𝐢𝐧𝐬𝐨𝐨 * ιᥴoᥒs …ꜜ ᥣιkᥱ or rᥱbᥣog % ιf 𝕪oᥙ_ sᥲvᥱ © xfᥒᥲ𝐲ᥱoᥒ ¡

#cap icons #minsoo icons #bang minsoo #teen top #teen top icons #icons #kpop icons #kpop group #chunji #niel #changjo #ricky

[lovedholic]

& . ♡ › bang minsoo 。방민수 ৲  requested by @nonexistantsss

by clicking this link you’ll find #100 gif icons of bang minsoo, better known as c.a.p. of teentop. minsoo is 27 years old and a south korean. all the gifs were made and edited by me from scratch.

as always, likes and reblogs are very much appreciated !! i only ask that you credit me when including in gif hunts. if you can, please support me on kofi !!

#bang minsoo gif icons #c.a.p. gif icons #gif icons #krph #& . ♡ › request ⤻ ❪ fulfilled ! ❫

[eottoghe]

HIGH FIVE April 04, 2017

Please please please support these boys and stream their video when it premieres. Let’s make their comeback great and show we appreciate them. They’ve been through a lot and deserve so much for their hardwork. Plus look at that smolder. I swoon.

#teen top #top media #cap #c.a.p #bang minsu #bang minsoo #lee chanhee #chunji #niel #ahn daniel #ricky #yoo changhyun #choi jonghyun #changjo #kpop icons #kpop idols #korean #kpop #new #new music #kpop news #teen top chunji #teen top ricky #teen top l.joe #teen top niel #teen top cap #teen top changjo #high five #angel #angels

[icxxns]

• capjo match icons • capji match icons Like or reblog if you use 💞

#capjo #capji #changjo #cap #teen top #high five #Chunji #matching icons kpop #icxxns #kpop #Bang MinSoo

[kcrph]

► BANG MINSOO GIF ICONS

Under the cut you will find #85 gif icons of Bang Minsoo, aka C.A.P (1992), a member of Teen Top. All of these gifs were made from scratch by Carrie, therefore please do not load into other gif/icon hunts or claim as your own. If you are using these it would be nice if you could like/reblog!

Note: Minsoo is Korean, please cast her correctly!

#bang minsoo gif icons #cap gif icons #c.a.p gif icons #bang minsoo gif hunt #cap gif hunt #bang minsoo* #made by carrie

[thesinglesjukebox]

YOUNG THUG FT. ELTON JOHN - HIGH [6.91] Ground control to Jeffery...

Joshua Copperman: It's 2018, nothing matters, so why not have an Elton John sample on a Young Thug song? Unlike pretty much everything else in any genre, there's real room to breathe in this production. Elton John's lightly saturated "hiiiiigghhh" can slide through to the front and actually make an impact, a trick Alex Tumay and co. use over and over again, but it still manages to work. There isn't much more to the song -- Young Thug's lyrics aren't particularly interesting -- but once again, nothing matters, and if pop music is going to prioritize vibe over any sort of coherent structure from here on out, it might as well be like this. [7]

Alfred Soto: With a credit as incongruous as "A$AP Rocky ft. Stevie Nicks," I slipped out of my boat shoes and let this thing play. Not a duet, which, I suppose, is good news considering the condition of Sir Elton's larynx, but, rather, an interpolation of "Rocket Man" powering a solid Thug track, his best since "Offset," his contribution to Swae Lee's album. With Elton's history of black American fandom, it makes sense that Thug would repay the favor. [6]

Rebecca A. Gowns: Elton John sees himself in Young Thug, and now I see it too: the flamboyance, the confidence, the underlying current of sentimentality. Both guys like having fun, doing things with a wink, but never veering too far into irony or cynicism. Some might see this collaboration as unexpected, but from the moment I hit play, it clicked like a jigsaw puzzle -- of course! Of course this is how you use "Rocket Man"! I'm in heaven. [10]

Josh Love: "Rocket Man" finds Elton John's weightless narrator ruminating over all the fellow humans he's left behind on Earth. "High" records his close encounter with the alien, Young Thug. "Rocket Man" may be a powerful and poignant AOR classic, but "High" is the one that actually sounds like floating. Time stands still and gravity ceases to exist while Thugger attempts communication in his strange and fascinating language. [8]

John Seroff: A rare case of the Wikipedia paradox applied to pop music: makes no sense in concept but works in practice. Probably the #2 Elton hip-hop crossover after "Solid Wall of Sound" -- and it's surprisingly close! [8]

Vikram Joseph: A cloud-rap interpolation of "Rocket Man" which actually works pretty well -- to a point -- with a lush soundscape of hazy piano and warm, pillowy beats. Young Thug's versatility makes him sound right in his comfort zone here, as long as you don't listen too closely; the lyrics are pure window dressing, a void of actual content that dulls the song's emotional impact. [6]

Thomas Inskeep: This song has the dullest fucking production. If you're gonna spend the money to license a sample from "Rocket Man," at least do something with it. Young Thug, meanwhile, continues to be one of the least interesting big-name rappers, partially due to the fact that on almost every record he makes, he sounds like his tongue is swollen. [2]

Taylor Alatorre: Even putting aside the fact that this song's existence has been hinted at for the better part of two years, so much of this is so very predictable. Of course Young Thug, the guy whose first radio hit was "Stoner," would sample that particular line from that particular Elton John song, and nothing else. Of course he would harmonize with it in his own trademark way, and of course he would twist its title into a vaguely related non sequitur ("on a private order, I'm a rocket launcher"). Even the beat, which adds some rhythmic flavor but is otherwise content to let the piano balladry do its job, sounds pretty much as you'd imagine. That doesn't mean it all doesn't work on a fundamental level, though. [7]

Julian Axelrod: When I was first getting into rap, the most exciting (and obvious) entry points were the acts repurposing my favorite indie rock hits into something vaguely resembling rap: Chiddy Bang, Childish Gambino, etc. In retrospect, this sound hasn't aged super well. The "Hey, I know that song!" production strategy lets the sample do most of the emotional heavy lifting, and most artists couldn't figure out interesting ways to engage with the source material. But Young Thug always knows how to divine the deeper truth from a beat, even one based around something as ubiquitous as "Rocket Man." Elton's iconic refrain weaves in and out of the mix as Thug winds, warps, and wraps his wail around the decades-old siren call. The cheeky feature credit starts to develop a pathos of its own as the song slowly evolves into a cosmic duet: two trailblazers singing a ballad of isolation from opposite ends of the universe, finding solace in the arms of another icon. [7]

Jacob Sujin Kuppermann: The trick about Young Thug is that he has always been more of a joke than his serious fans claim he is and far more serious than the internet memelords who love him ironically treat him as. At the peak of his powers (the incredible 2015-2016 run between Barter 6 and Jeffery), Thugger had the ability to conjure bizarre and beautiful pieces of rap music into existence by very virtue of his non-seriousness (consider the 11-second ad lib) -- magical realist twists on the standard tropes of trap music. "High" is a pure expression of that ability, revived after a two-year stint in which it felt like Young Thug was trying out a lot of new things without any of them necessarily being good. Sure, its concept does a lot of the heavy lifting here -- "Young Thug ft. Elton John" just makes sense as a concept, given that John's takes on classic rock formalism analogize well with Thugger's on trap. But, in practice, "High" is even better than I expected, in the way "Rocket Man" informs both the world-weary star thematics and the spacey, contemplative aesthetics of the track. The result is endlessly compelling, from the sound of Thugger harmonizing with Elton John on the intro to his second verse, full of the kind of off-the-wall similes that make him so distinctive as a performer. [9]

Joshua Minsoo Kim: Stelios Phili's stitched-together "Rocket Man"-sampling beat is comfortingly nostalgic and insular, but warm piano chords and a hefty dose of reverb can only do so much to distract from Young Thug's serviceable performance. Thugger's constant growth from the I Came From Nothing mixtapes to Barter 6 was among the most satisfying career arcs of the decade, but he's been on an increasingly noticeable decline for the past couple years. Which makes "High" such a marvel. Not because he's back to delivering the most creative non-sequiturs in rap, or contorting his voice in spectacular new ways, but because the career stasis he's facing pairs well with the drudgery of astronaut life found in Ray Bradbury's "The Rocket Man." This is a song that humanizes Thugger, that helps you empathize with his ingenuity being reduced to banality after all novelty has worn thin. When Thugger sings along with Elton John, he's not just riffing on the stoner analogy, he's embodying the same deflated character who was about to be incinerated by the sun. While Thugger's career may not be over, a new wave of ATL rappers have rendered him a relic of the past. What is "High," then, but a private moment of peace and reflection before his eventual demise? [6]

[Read, comment and vote on The Singles Jukebox ]

#young thug #elton john #music #new music #music video #music writing #music reviews

[rkevent]

The entertainment world is constantly changing to fit the public’s wishes and idol groups are no different. This month trainees will be arranged into groups and they will be swapping sunbae songs with trainees of another company. What does that mean? Trainees of different companies are covering each other’s sunbae artists! Each company is known for having their own style, so this month’s evaluation will focus on a change of concepts to serve as a test of versatility to see how each trainee will do outside of their typical style.

Not only that, but on the last day of the month, groups covering each other’s sunbae artists will gather in Seocho’s theaters and perform in front of coaches from both companies and the trainees whose sunbaes they will be covering. Make sure you meet the expectations of those who know the artists’ whose song you’ll be performing better than anyone!  You will not only be evaluated on your performance skills, but also on your capability to express the concept of your given song. 

For +2 SKILLS TO DISTRIBUTE AS YOU WISH, +2 DEBUT POINTS and +1 WK RELEVANT ACHIEVEMENT, write one 250+ word solo about your muse’s performance for the evaluation. For +2 SKILLS TO DISTRIBUTE AS YOU WISH and +2 DEBUT POINTS, write a four post thread with a member of your group about the preparations for your performance. For +2 CHARISMA and +1 DEBUT POINT, write a four post thread with someone from a group your trainee swapped songs with or a 250+ word solo about your character watching the other trainees cover your sunbaes. Please tag all related posts as #rkjune17eval and have them up before midnight EST on the end of June 30th, 2017. Threads may be continued after the deadline, but they will only be considered for points if the requirements are met before June 30th.

JUNE EVALUATION (for the July 5th verification form)

*write one 250+ word solo about your muse’s performance for the evaluation

[ link to solo ]

+2 ___ POINTS +2 DEBUT POINTS +1WK RELEVANT ACHIEVEMENT (NUMBER OF TIMES TAKEN AND CURRENT TOTAL) NEW DEBUT POINTS TOTAL:

*write at least one four-post thread with another member from your group about the preparations for the stage

[ link to thread ]

+2 ___ POINTS +2 DEBUT POINTS NEW DEBUT POINTS TOTAL:

*write at least one four-post thread with a member of a group you swapped songs with or a 250+ word solo about watching the performance/s of your sunbae song

[ link to thread or solo ]

+2 CHARISMA POINTS +1 DEBUT POINT NEW DEBUT POINTS TOTAL:

Group and song assignments under the cut! Any groups receiving band concepts do not necessarily have to play instruments, they can just mime playing it for the concept, but if they’re able to play they’re welcome to. Back up dancers will not be included in this evaluation, so any choreography including them will either be covered by the trainees or modified to be done without them.

SPHERE GIRLS & NOVA GIRLS

SPHERE

GROUP A - One More Time by Jewelry

bae joohyun

joo minhee

song jieun

zhou jieqiong

GROUP B - Superstar by Jewelry

choi jinri

jung soojung

kang seulgi

park sunyoung

NOVA

GROUP C - Remember by She’z

jeon hyosung

kim hyuna

lee kaeun

lee minyoung

nam dawon

son naeun

son seungwan

TRC GIRLS & KT GIRLS

TRC

GROUP D - Oh! by Chi Chi

ahn sohee

cheng xiao

jeon jiyoon

jung sooyeon

kim yubin

park sooyoung

yang jiwon

im dayoung if she signs

KT

GROUP E - I Am The Best by Global Icon

jeon soyeon

kim taeyeon

kim yerim

lee hyeri

kim mihyun if she signs

GROUP F - Falling In Love by Global Icon

choi sooyoung

hwang miyoung

jo eunae

kim yulhee

park sunyoung

TRC BOYS & NOVA BOYS

TRC

GROUP G - Be Mine by MYNAME

im jaebum

leechaiyapornkul, chittapon

lee seokmin

kim jiwon

lee jongsuk

park chanyeol

yoo youngjae

nakamoto yuta once he begins training

NOVA

GROUP H - FXXK IT by BIGSTAR

ha huidong

kim seokjin

kunpimook bhuwakul

yoo changhyun

adachi yuto if he signs

ROYAL BOYS & KT BOYS

ROYAL

GROUP I - Lucifer by LC9

byun baekhyun

jung jaehyun

kim sunbin

tuan yien

GROUP J - Venus by SHINHWA

bang minsoo

kim kibum

lee dongmin 

lee seunghwan 

KT

GROUP K - Sadness by SAYYES

jin sungho

kim jongdae

lee taemin

wu yifan

GROUP L - Time Is Up by SAYYES

kang heegun

kwak youngmin

lee jihoon

nam woohyun

park jimin

ROYAL GIRLS & SPHERE BOYS

ROYAL

GROUP M - Fiction by chAOS

kim seolhyun

lee chaerin

lee jihyun

park chaeyoung

yoo shiah

yoon bora

GROUP N - Plz Don’t Be Sad by chAOS

ahn hyojin

jang dahye

jegal seoyoung

lee jieun

lee soohyun

manoban lalisa

SPHERE

GROUP O - I Feel You by H.A.M

choi seungcheol

kim jinwook

kim jonghyun

zhang yixing

GROUP P - Breathe by Brave Girls

hong jonghyun

lee taeyong

oh sehun

#rkjune17eval

[hobitalks]

dá dica de kfc underused? feminino e masculino, por favor?

Pode deixar, meu amor, porque se tem algo que eu amo é meus underused (btw, só avisando, pode ser que esses fcs não tenham tanto resource, já que os underused geralmente não tem muito gif hunt/icons/etc, o que faz com que eles continuem sendo underused é um ciclo vicioso). Ah, e nem todos são coreanos, têm chineses também.

All mah ladieees: Ahn Hyojin (LE do Exid), Ahn Solbin (Laboum), Bae Woohee (Dal Shabet), Cao Lu (Fiestar), Chae Soo Bin (atriz), Go Junhee (atriz), Heo Gayoon (ex-4minute), Jessica Ho (cantora solo), Jang Dahye (cantora solo, Heize), Jeon Jiyoon (ex-4minute/solo), Kim Go Eun (atriz), Kim Hyojung (Hyorin do Sistar), Kim Jiyeon (Cosmic Girls), Kim So Hyun (atriz), Kim Yerin (Lim Kim, do Togeworl e cantora solo), Kwon Nara (Hello Venus), Lee Hi (cantora solo), Lee Suhyun (AKMU), Shin Jimin (AOA), Seo Hyelin (Exid), Park Sodam (atriz), Park Sunyoung (Luna do f(x), Wu Xuan Yi (Cosmic Girls).

Os Boy™: Ahn Jae Hyun (ator), Bang Minsoo (C.A.P. do Teen Top), Cha Hakyeon (N do Vixx), Do Jihan (ator), Hong Siyoung (cantor solo, Giriboy), Huang Zitao (ex-Exo), Jang Hyunseung (ex-Beast), Jung Daehyun (B.A.P.), Jung Ilhoon (BTOB), Kang Min Hyuk (Cnblue, ator), Kim Donghyuk (ikon), Kim Jinwoo (Winner), Kim Jongdae (Chen do Exo), Kim Jonghyun (Shinee), Kim Sungjoo (Uniq), Cha Eunwoo (Astro), Lee Chanhyuk (AKMU), Lee Soo Hyuk (ator),Son Hyunwoo (Shownu do Monsta X), Yoon Doojoon (Highlight), Yoon Sanha (Astro), Zhang Yixing (Exo).

Eu posso ter exagerado um pouco. O pior é que tem mais, mas eu vou deixar só esses por aqui kkkk.

#respondidas #fc help #anonymous

[lovedholic]

♡  —  because staff wanted to make content creator’s lives a hundred times harder, here’s a list of all the gif icon packs that i made !!

girl groups

apink jung eunji

cherry bullet  choi yuju

clc  jang yeeun

dreamcatcher  kim bora / sua

everglow  jo serim / onda

g-idle seo soojin 

gugudan  kim sejeong

itzy lee chaeryeong ; shin ryujin

loona  jung jinsol / jinsoul + son hyejoo / olivia hye + wong kahei / vivi + kim hyunjin  + ha sooyoung / yves

lovelyz seo jisoo

mamamoo   jung wheein

red velvet  kim yerim / yeri

the9 kong xu’uer / snow kong + kie xieyin / shaking + yu shuxin / esther yu + zhao xiaotang / lana

weki meki  choi yoojung + jung haerim / elly

boy groups

a.c.e. park junhee

astro  kim myungjin / mj

ateez park seonghwa

ikon  koo junhoe

skz  yang jeongin / i.n. + han jisung

super junior  cho kyuhyun

teentop  bang minsoo / c.a.p.

tvxq  jung yunho

victon jung subin 

soloists

ahn jiyoung

kwon hyunbin / viini

kim hyungseo / bibi 

kevin woo

jeon somi

actresses

seo juhyun / seohyun

shen yue

jung hyosung

ylona garcia

kathryn bernardo

maja salvador

anne curtis

meng ziyi

themes

page theme 01: cherry

#gif icons #krph #rph #rpt #gif icon hunt #testing testing i hope this works #lovetalkrph #masterlists

[teentopicons-blog]

c.a.p icons

reblog or fav if you use/save

follow lolcons

#teen top icons #teentop icons #c.a.p icons #cap icons #bang minsoo icons #kpop icons #twitter icons #idols icons #asian icons #teen top #teentop #c.a.p #cap #bang minsoo #teentopicons

[lovedholic]

Ma'am, your clicking this link for bang minsoo links too a member of loona. Make sure you rest! ♥

omg im sorry i literally copy paste all my templates bc formatting is a b word 😫✋ i am resting very well 💕 i hoped you like the minsoo icons, babe !!

#nonexistantsss #& . ♡ › asks ❪ answered ❫

[thesinglesjukebox]

ALY & AJ - TAKE ME [6.54] Poptimist high school reunion...

Tara Hillegeist: I wish I could say I enjoyed E•MO•TION; I found it flat and unengaging as a whole experience, but I'm really digging this new b-side from those sessions anyway, now that I've got some time and distance and it's not attached to a whole album -- wait, why are you giving me that look? [7]

Joshua Copperman: Considering Aly and AJ are totally different people than they were a decade ago, it's better to treat this as a new artist than as a Potential Comeback Song. Verdict: in a vacuum, it's a lot of fun! I'll even admit that it's a better Carly Rae Jepsen song than "Cut To The Feeling," if not quite to the level of something transcendent like "Your Type." To be fair, the production on "Take Me", by Mike Elizondo, is much more complicated than much of E•MO•TION, which is both a great thing (love the random drum fills that pop up everywhere) and sometimes unnecessary (that whole delayed-beat gimmick gets very repetitive). The lyrics are a lot of fun, but moments like the distorted "first you gotta ask me out" at the bridge are needlessly edgy for what's mostly a casual bop.  [7]

Katie Gill: "But Katie," you say, "this is just a generic electropop jam that's yet another retread of 1980s synthpop! Every electropop group out there thinks that they should use this 1980s synthpop aesthetic!" To which I say, yes, you're right, this is treading water and not bringing anything new to the table, but I'm a sucker for this nonsense, at least it's a well-crafted retread, and I've had "Potential Breakup Song" stuck in my head since 2008 so WHO GIVES A DAMN, new Aly & AJ, let's all celebrate. [7]

Alfred Soto: The point at which rattling synth-pop curdles from pastiche to parody, some might say. Yet "Take Me" is to Carly Rae Jepsen (or Tegan and Sara) what "The Glow of Love" was to Chic. Once again, I credit the charisma of the performers. So they almost get away with it. [6]

Will Adams: There's no chorus. There's no chorus! Just a sinkhole of windswept '80s lite rock that, no matter how explosive it is here, has reached a saturation point amongst so many bubbling under pop acts. St. Lucia's "Dancing On Glass" managed the beat-late drop better, MUNA injected the modern flourishes better, and Carly Rae Jepsen conveyed the emotion better. [4]

David Sheffieck: Not only is this better than a reunion song from a mid-range Radio Disney contributor has any right to be, it's an easy qualifier as one of the best of the ongoing, apparently-inexhaustible '80s (or "'80s") trend. Aly & AJ's synths may be a bit familiar, but if the opening chords start them at a deficit then the Tears for Fears chime of the guitar and stadium-filling echo on the snare are inspired enough to make up for it. And the lyric would manage if they didn't: it's a demand, a plea, an unsuppressed urge that erupts into the over-driven, staccato shriek of the song's hook. That hook is unique, and uniquely arresting; I'll happily sit through another year of MOR synthpop for a bit like the pseudo-Clearmountain Pauses surrounding it. They're vertiginous moments, as if the song needs to regain its balance before pushing forward, pulsing and distorted and sparklingly irresistible. [10]

Claire Biddles: Love it as I do, this warm '80s synth template has been filled by so many acts in the past year that it takes real charisma, or a banging chorus, or preferably both, to keep me interested. "Take Me" doesn't have either, and the screeching, try-hard vocals of Aly and/or AJ are at odds with their chill surroundings: a juxtaposition that's grating rather than subversive. [3]

Nortey Dowuona: Wandering synth pads over limp drums and a suddenly sliding bass slipping through the ghostly parts of a decently written song about going out with someone cool. [5]

Katherine St Asaph: Closest thing to a new Sky Ferreira single it looks like we're going to get. [6]

Ashley John: "It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it ... and then the warmth and richness and fine reality of hunger satisfied ... and it is all one." (The Art of Eating by M. F. K. Fisher.) "I know that you would want it/ If I could sink my teeth into you" ("Take Me" by Aly & AJ.) [7]

Stephen Eisermann: Aly & AJ won me over so many years ago with their iconic "Potential Breakup Song," so I came in ready to enjoy this. Thankfully, these two didn't disappoint. The interesting structure of the song -- one that relies primarily on the sisters' delivery and the music to sell the story of a woman's internal monologue during a far too long "talking phase" -- tries its best to carry the song all the way to excellence, but the lack of any concrete details do make it difficult to fully immerse in the song's universe. Still, their delivery is cold enough to fell their hurt and see the resentment on the horizon; a beautiful, heartbreaking picture is painted, however blurry, and sometimes filling in the details with pieces from your memory is  more cathartic anyway.  [7]

Alex Clifton: As one of maybe thirty people who have obsessively checked Aly & AJ's Wikipedia page for the past, err, nine years to see when they were ever going to release a new album -- yeah, we got the gorgeous, haunted "Hothouse", but that never led to an official LP -- I was ecstatic to hear that they'd be returning this fall. I tried so hard not to get my hopes up unnecessarily, but it turns out I needn't have worried at all. "Take Me" is fully engrossing. I can't focus on anything else as I listen to it. Aly & AJ have taken a page out of Carly Rae Jepsen's 80s-inspired E•MO•TION songbook rather than Taylor Swift's glossed-over pop, which pays off tremendously. The verses are lyrically Spartan, but as soon as AJ yells "WHEN YOU GONNA TAKE ME OUT?" I'm caught up in the moment, shot with the same desperation. Like Jepsen before them, the girls cut right to the feeling and leave me needing more. [8]

Joshua Minsoo Kim: Is there anything quite like the process of courtship? No, not with a person, but with a song. When I first heard "Take Me," its chorus genuinely surprised me -- the constantly shifting synthesizers and dramatic drum fills were technicolor lights flashing before my eyes, compounding on the shock I had already felt from the go-for-broke "WHEN YOU GONNA TAKE ME OUT!" It was a good first impression to say the least, so I decided to investigate further. In an effort to fully understand what the song had to offer, I spent numerous hours listening, dancing, and singing along to it in various settings. I've become less obsessed recently, primarily listening to it during my work commute. Those listens have become crucial, though, and it's only now that I've begun to really appreciate it. If there's anything I've learned from my time spent with perfume, it's that I need to be willing to submit myself to art, to let it become a part of my identity beyond a mere signpost of personal taste. And as such, listening to "Take Me" has become an essential part of my morning ritual. And the joy that overflows from "Take Me"'s coquettish vocals and lyrics have shaped how I (want to) act throughout the day. Last Friday, I was standing near the back of my classroom and inadvertently started singing the first lines of "Take Me" while doing a little dance. One of my students looked up and said, "What are you doing Mr. Kim?" "Oh you know," I chuckled, "I'm just in a really good mood." [8]

[Read, comment and vote on The Singles Jukebox ]

#Aly & AJ