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#ch: irene
warwickroyals · 27 days
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Sunderland's Royal Jewel Vault (18/∞) ♛
↬ Countess Wynn's Meander Tiara
The majority of the tiaras in the Sunderlandian collection were inherited through members of King Louis V's family, mainly previous queens Matilda Mary, Anne, and Katherine. This meander tiara however represents the current Wariwcks' French heritage, as it belonged to Queen Irene's mother, Marguerite Wynn. Countess Wynn was born in 1914 as Marguerite Delphine Lucie Chevrier. She was the eldest of four children born to industrialist  Phillipe Édouard Chervrier (1880 - 1950) and his El Salvadoran wife, Consuelo Romana Gomez (1892 - 1979). Margurite's family claims ancestry from both French and Spanish nobility, although the bulk of their impressive fortune was derived from Phillipe's ceramics factory in the south of France. Much of Margurite's early life was disrupted by the First World War, during which the Chevriers settled in Mexico City with Consuelo's sister. Following the war, Marguerite flourished in high Parisian society, becoming well-versed in the arts and fluent in several languages, including English and Spanish. Expected to marry into the French aristocracy, Marguerite made waves by instead marrying John Wynn (1911 - 1973), a career soldier from Sunderland whose great family had fallen on hard times following the deaths of John's three older brothers in the war. When the couple met in 1931, John was on a mindless trek across Europe, in search of a wealthy bride. Despite their differing backgrounds, Marguerite was smitten by John's optimism and good humour. The pair married a year later, with John even converting to Catholicism to appease Marguerite's parents. Their wedding was held at the Chapel of the Palace of Versailles, one of the last grand society affairs of interwar Paris. The tiara, which featured a Greek key design punctuated by a central emerald-cut yellow diamond, was among Marguarite's wedding gifts. The jewel is ambiguous in origin but is agreed to be an early twentieth-century creation, likely from Cartier. It became a useful tool in Margurite's arsenal as she erupted in Sunderland as one of the country's wealthiest society ladies. Pearlie, as she became known, was noted to be arrogant, intelligent, and ravishing. Pearlie is more "royal" than the rest of us combined. She drenches herself in jewels as if she were the ghost of the last Tsarina. — Queen Katherine, 1970
The Countess owned the tiara until 1968, when she gave it to her youngest daughter, Lady Irene, also as a wedding present. Irene's marriage to the future King Louis V was Pearlie's greatest life achievement and she became increasingly boastful. Maman Wynn, as she was called by the press and public, was known to meddle in royal affairs, especially the personal lives of her daughter and son-in-law. By the early 1980s, she was on bad terms with both. Irene was never seen wearing her mother's tiara, but she kept it in her own personal possession for almost thirty years. In 1997, Irene continued the tradition by gifting the tiara to her only daughter, Princess Jacqueline, ahead of her wedding to Lawrence Belmont. The wedding was coincidently the last public appearance of the old Countess Wynn. She died peacefully at Chester Palace the same winter. Since then, Jacqueline has worn the tiara regularly at state functions and in official portraits. It's among the princess's most cherished pieces.
The Countess Wynn wears the tiara in a portrait, circa October 1943, eight years before the birth of her youngest daughter, Queen Irene
HRH Princess Jacqueline wears the tiara while attending a gala dinner & dance in July 2026
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devilsmenu · 6 months
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@youllalwaysbemyporcelain - Irene & Ji Na
“Tell me where it hurts" Irene told Ji Na. "We all been through the same thing and you flinched at my touch so I know you must be hurt, I have an aid kit here, it'll be quick, I promise" she stated holding the other hand like she meant what she said.
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arrapso · 1 year
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Irene Adler: Masquerade Outfit / Casual Outfit
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isabelpsaroslunnen · 2 months
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You know the posts that periodically make the rounds that say something like "I don't support monarchy as a system except when it comes to Aragorn"?
I don't actually feel that way about Aragorn, in either the book or films (though I much prefer the book character). But I have some sympathy because I very much feel that way about Attolia Irene.
When I read The King of Attolia last December, I was impressed by a lot of things, but the overriding one was that I was deeply invested in the political success of a pair of monarchs. I didn't love it quite as deeply as The Queen of Attolia, mostly because I do not love Eugenides (or anyone) quite as much as Irene, but he's still a fun and deeply engaging character and I was actively rooting for his triumph for the duration of the book.
It's also handled deftly enough that it doesn't feel like I'm being expected to idealize monarchy itself, though—it's more the system that these characters are operating within and around. Costis as the dominant narrative voice helps carry it off, to be sure, but nevertheless, it felt like it was very smoothly done.
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seraphfighter · 29 days
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10 and 15 for the oc ask game!
From this
10. Does your OC have a family tree? Who are their immediate and extended family if you created ones?
I haven't created a family tree for Val, mainly because her parents died when she was young so she doesn't know about them or the rest of her family. Her only immediate family member, Irene, is her older sister who raised her after their parents passed. Irene went missing when Val was 14 and never had the chance to marry or have kids. Hence me not creating a family tree because all her immediate family is gone
15.  Has your OC ever fallen in love before who their intended love interest is, or is the intended love interest their first love?
Val thought she fell in love before Johnny. She only had one other serious relationship before him--Markus, her ex in Atlanta. They were together for almost three years, and during that time he abused her. (She gets her revenge and kills him before fleeing back to Night City). She had no concept of a true, loving relationship until Johnny. And they definitely aren't a shining example of a relationship (they're codependent af and still have their own trauma to work through) but at the end of the day they truly love each other and try to be the best they can be for the other person.
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First meeting vs Last reunion
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white-queen-lacus · 1 year
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In light of YuuMori Part 1 ending... just saying that disappointment still continues. I truly had hoped that chapter 60 would have been something more promising and instead, it seems that following the She**iam b*llsh*it was a better option... yeah, the best truly, honestly. It's true that YuuMori doesn't foreshadow anything but it goes on the flow, but I truly was expecting something better than a "freely and gaily ever after ending" where atonement and death mean "Ok, let's keep on living in the sunlight because we're in a plot armor" and "Ok, let's show two so renowed characters known for their popularity supposedly dead paying a visit during an official meeting like they had been seen the day before"... and then, nobody asked questions. What a missing chance, truly.
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woso-dreamzzz · 3 months
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Illness
Barcelona Femení x Teen!Reader
Summary: You hide an illness
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If you weren't delirious with a fever and sweating bullets, you would have described this moment as the most embarrassing moment of your life.
The semi-final El Clásico was one of the most important of the season and it was such bad luck that you had fallen ill the week before. It was most likely the flu but you never went to any doctor to get it checked out. Instead, you hunkered down in your apartment and refused to leave until you got better.
Only, you never did get fully better. Your immune system was as strong as a wall of feathers so you just decided to channel your inner Oscar winner and pretend you were fine.
You arrived at training every day after taking enough painkillers to fell an ox and hydrate yourself to the point that you were sure that your bladder had to force itself to grow.
It paid off though because you were part of the squad going to Madrid and you caught up on sleep during the train ride so could keep up your façade all the way up to the match day.
Your head was pounding as you finally stepped onto the pitch about ten minutes after half time, sliding easily into Lucy's position as the ball went back into play.
Thankfully, football was an instinct rather than a conscious thought at this point and even with a banging headache, achy limbs and a blocked nose, you played without much issue.
"Hey," Irene said as you took a little break from running to walk over to the corner that was being set up," You okay? You're slower than usual today."
You fanned yourself with your jersey. "Just a little hot."
She gave you an odd look. "It isn't that hot. You haven't been on the pitch for long."
You gave her a shrug and lied straight to her face," Really? I guess I'm just running warm today." You picked up the pace and slotted yourself between Athenea and Olga.
It was almost slow motion as Salma sent a cross into the box. Olga tried to push you forward and away while Athenea's elbow stabbed you straight in the eye.
You dropped like a brick backwards into Olga, who surprised by your sudden weight, dropped you on the floor. Your head banged painfully against the grass and you groaned.
There was a slight ringing in your ears but you couldn't focus on anything but the desperate churning of your stomach. You squeezed your eyes tight to try to stem the swirling but it just made stars explode behind your eyelids as your face throbbed from Athenea's elbow.
Your stomach bubbled up and you felt a hand on your shoulder.
"Hey, kid, you okay?" It was Irene and she jostled you slightly.
That was what did it and you rolled over onto your stomach just in time to surrender your dinner.
You burst into tears, sobbing into the grass.
"Holy shit, y/n," Mariona said," You're burning up! Are you sick?"
"You're sick?!"
You continued to cry into the grass. With your usual caretaker (Alexia) out of the team for the rest of the month, it meant Irene was in charge of you.
You couldn't decide if you would rather Alexia at this moment.
"Go away," You cried into the grass.
"Can't do that," Ingrid said as she crouched over you," The medics are coming to get you."
You turned your head to look at her.
"She got you good, huh?" Ingrid said, her fingers ghosting over your swollen eye.
"Ingrid," You croaked out," My head hurts."
"I'm sure. That was a nasty fall."
"Hurt before that too."
She made a sympathetic noise as she helped you sit up for the medics to have a proper look at you.
You were escorted straight off when they checked the dilation of your pupils.
Lucy trailed back with you along with Marta, who looked to already be on the phone with Alexia. You knew your caretaker would be watching the match so it wasn't a surprise that she had already called someone the moment you went down.
"Got quite the shiner there," Lucy commented as she inspected your bruised eye," Trying to look like Mapi?"
"At least it isn't bleeding," You said before descending into a coughing fit, thumping at your chest to try and regain your breath.
Lucy laughed but quietened when Marta held the phone out to you. You tried to ignore the sinking feeling you felt when you saw Alexia's contact picture.
You cleared your throat.
"Hola?"
"I knew it!" Alexia declared.
"Know what?" You tried to play dumb even though your whole body protested.
"When I saw you yesterday and you told me you were back to full health! I knew you were lying to me! You're still sick!"
"Barely." Your defence didn't help when you started coughing again.
"You sound horrible," Alexia said bluntly," You're not playing the final. I'll have you benched."
"I'll be benched anyway. I've got a bruise the size of my fucking country on my eye and a concussion, probably."
"We'll have a talk about hiding illness when you get home," Alexia said," And I'll have to leave a message for your captain."
You would have rolled your eyes if it didn't cause a whole new pain to shoot through your skull. Your nose was all blocked up again so the pressure in your head was only mounting. "You're my captain."
"Your national captain."
"Oh, what? You can't tell Leah! She'll go barmy! I'll be lectured for hours!"
"You're being lectured regardless, by me," Alexia said," Now, rest up, drinks lots and I'll see you in a few days."
You didn't even get the chance to watch the end of the match because Marta forced you back to the hotel and into your room.
"No screens," She said when you moved to turn on the tv.
"Well, what else am I meant to do?" You complained, blowing out your nose.
"Well, for one, you can use the bucket on the floor if you feel like you're going to be sick."
"I'm not going to throw up."
"You threw up on the pitch." Marta just had to remind you of the most embarrassing moment of your life and your cheeks flushed red out of embarrassment now instead of your fever.
"But I won't now."
Marta didn't get time to respond because the door to your room got thrown open and Patri sprawled herself next to you on the bed.
"Welcome back to the land of the living," She teased, dumping some chocolate onto your lap.
"Patri," Marta groaned," She's sick and injured. She needs rest."
"She needs company. She's still human. You can't just lock her in her room like she's Rapunzel."
Marta rolled her eyes and swatted at Patri. "She doesn't need you hindering her recovery. Go on, out with you."
"Nah," Patri said as she got comfortable," I think I'll stay here. Besides, y/n wants me to stay."
You sent Marta your most pathetic and sad look.
"Please, Marta?" You begged," I promise she'll help me. It'll be nice to have some company."
Marta sighed deeply. "Fine but just for now. This all might change by the time Alexia gets her."
You groaned and flopped back to lay against your pillows properly. "Don't remind me."
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lucawrites11 · 3 days
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we're back at it because barça stressing me out man so...
my optimal barça line-up and game plan (v ch*lsea)
warning: controversial BUT i justify all my choices
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yeah i forgot to change keira's number and made a typo in paralluelo sorry
My Game Plan:
Okay, first of all, if Graham Hansen is not fully healed. I want and need this instead and because I cannot have a conversation with medical staff, I will be justifying both of these line-ups.
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The Wings:
Left: Ona Batlle and Salma Paralleulo
I think one of Jona's big mistakes last weekend was not having these two on the same wing. It has been deadly all season down that left-hand side for both Spain and Barcelona. It is better on the left but I also will take it on the right-hand side, especially, if Graham Hansen is injured and Rolfö is playing in place of Bronze.
The combo of both their speed is almost impossible any defender to handle and if you think about the Ch*lsea back four that H*yes is likely to put it, their speed combination will be difficult for Charles or Carter to handle as their speed historically has not been able to match the speed of Paralleulo and Batlle. Ultimately, Barcelona's best chances on the weekend came from fast counter attacks and speed getting into the box and, from the past, we know that is something that Paralluelo and Batlle can reliably combine to do either down the left or the right (down the right if Rolfö and Pina are playing)
Right: Lucy Bronze and Caroline Graham Hansen (if fit) / Fridolina Rolfö and Claudia Pina
Honestly, the primary motivation for picking Bronze and Graham Hansen as the preferred starting players is because I would prefer to see Batlle and Paralleulo on the left, however, I am pretty flexible on this wing and would like the fittest players to play and it's obvious that Graham Hansen has been dealing with some sort of injury. If Bronze and Graham Hansen start, I want to see them subbed off for Rolfö and Pina and vice versa.
Ultimately, Rolfö and Graham Hansen did not link up well on the wing last weekend and due to injuries they haven't had much time to gel. The better partnerships and pairings in my opinion are Rolfö and Pina and Bronze and Graham Hansen. Bronze was one of the best players as a sub on the weekend and has a lot of experience in these situations and against Chelsea, I think it would be good to use her.
The Defence:
Goalkeeper: Cata Coll
The obvious choice, clearly, the stronger Barcelona goalkeeper at the moment. Confident with her ball at her feet and a good ball-playing keeper with the ability to come out of her goal and act as an eleventh outfield player to overload a Ch*lsea midfield and progress play down the pitch.
Centrebacks: Irene Parades and Ingrid Engen
Taking Ingrid Engen off the pitch at the weekend was a crime, she was the best player and I think if she plays like that again, the only way she is coming off the pitch is surrounded by a medical team. I am serious, she is so fucking good and underrated. Her and Parades are also the strongest centreback pairing that Barcelona has put out all season, there is no doubt in my mind about this and judging my who Jona is resting and playing, there is no doubt in his mind either.
The Midfield/Forwards:
Defensive Midfielder: Keira Walsh
Solid for club and for country in every match. Most underrated player on the pitch and one of, if not, the best defensive midfielder in the world in terms of her ball recovery and blocking the passes. It was clear that Ch*lsea's tactic was too partially mark her out of the game and she needs to be brought into the game more likely by Engen overloading the midfield as an extra player with some forward movement out of the backline.
Central: Alexia Putellas, Aitana Bonmatí and Mariona Caldentey
Alexia and Bonmatí were two of the best players on the pitch on the weekend. They have so much combined experience and talent and are a deadly midfield pairing in the centre of the park. Alexia should've started on the weekend, she changed the game when she came on but there is only so much one player can do. Both she and Aitana have a bad match and come back better and fighting. They live and breathe Blaugrana and seemingly contrary to popular belief play really well together. Their combined fluidity allows each other to have a lot of freedom in the midfield.
Mariona is the strongest choice in that central position. She is best placed as a nine or false nine other than the wing that Jona had her play on the weekend. That position can also be fluid with her ability to drop into the midfield and Alexia's talent or playing that false nine position. She is better at being in the box and finishing chances than anyone else on the team and has a talent for creating space.
I would like to see Patri, Brugts and Vicky come on into the forward/midfield line as subsitutes but given the match could be 90 or 120 minutes, I don't want to apply exact timing as to when those substitutes should be made as that would depend on how the game is going and how it needs to managed.
Due to the fact, I will be in the stadium (in the home end (undercover and still firmly hating Ch*lsea)), I will not provide updates about the subs I think should be made. Only the friends who will likely regret going with me will hear my wonderful commentary and yapping on a level that has the ability to compete with Mapi Leon. But I am taking my camera so you will be all be blessed with some pics (if they are any good).
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ego-osbourne · 4 months
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2023 Art Roundup
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JAN - FEB - MAR - APR - MAY - JUN - JUL - AUG - SEP - OCT - NOV - DEC
(These aren’t entirely indicative of when I posted them, but when I actually finished them.)
These are some of my biggest/favorite projects through each month!
Piece details + Mod-posting below!
JAN - Asteía ; This was one of my first projects of the year that dealt with lighting, and additionally light from multiple sources! I also remember experimenting with backgrounds and how to make a character pop against a semi-detailed background without making them get lost in the piece.
FEB - Mora and Ego ; This was a good project on figuring out how to fill empty space while still keeping the atmosphere of a piece. It was also good perspective practice!
MAR - Sanguine and Ego ; Though I’m no longer too happy with the proportions or lighting of this piece, I still remember having a blast with it. Hearing feedback about them holding hands and Sanguine’s ear getting squished are very fun memories for me.
APR - Miraak and Ego ; This might be my favorite project of the whole year! Though I know I can do backgrounds better now, I remember being pretty confident and happy during the whole process! I think the motion/lighting/effects all came out very well :] ALSO it was the first piece I did with expressive masks for Miraak and Ego! Wahoo!
MAY - Mora and Ego (again) ; Though the last one was my personal favorite, I heard from a couple of friends that THIS was their favorite. Though a pain in the ASS to do, I’m especially happy with all the texture effects. This was also me experimenting with Mora’s design!
JUN - Erandur ; Not a particularly complicated/difficult piece, but one that was simply pure fun. Had a blast with lighting effects and atmosphere. It was also a good break from the family trip I was taking at the same time ,:]
JUL - Dagon ; Specifically his revamp! This was my first successful attempt at a (very) muscular body type that I liked! In fact, over the course of the year I’ve been pretty proud of my progress of expanding on body types. This one especially, though, was just very fun!
AUG - Iren and Rakell ; My first dive into a colored + shaded animatic (animation? It’s awful choppy lol)! FAR from perfect, but I was (and still am) so happy with the outcome. I particularly remember enjoying figuring out lines of movement and sound effects for the video.
SEP - Sanguine ; My first (and still only, though hopefully not for long) attempt at making Sanguine intimidating. I think this one is going in the right direction! As far as effects go, I actually had a very tough time with things because of a few layer-merging mishaps, but the final product was well-received!
OCT - The Warden ; After many-a night on Minecraft with friends, I realized just how much I loved the warden, and HAD to draw them. Redesigning characters is one of my absolute favorite things to do, especially when taking minimal details and expanding on them! They were super fun all around.
NOV - Miraak, Serana, Ego, and Ancano ; I’d been meaning to draw the siblings being siblings for a while now, but putting them all on one canvas was more than a little intimidating. I was so happy to have it done, though, and I kinda love seeing their colors clash together.
DEC - Sanguine (again) ; After not drawing him for so long, it was a blast doing so. The moment I was back home for winter break, I was ECSTATIC to get to work on this piece. #1 blorbo
~
This year has been an absolute ride.
I became a mod and then co-owner of the TES server that got me into making TDI and have made some really tight friendships over there (genuinely, anyone reading this who is/was in the cult server, I’m so damn happy to know you).
I’ve done some intense progress on TDI, and even though I didn’t QUITE accomplish my New Years Resolution of posting Ch. 1 this year, hopefully you can understand the drawbacks considering I am… //checks notes/// 70+ chapters in and still going.
I’m in college! Have been for a hot second now, but I’ve been working towards a ministry degree, and have future plans of getting a PhD after my bachelor’s so I can teach at a college level! I don’t think I talk a lot about my irl happenings, but hopefully that gives you an idea of why I might be a liiittle busy when it comes to writing. Ministry is an unforgiving degree when it comes to papers and meetings.
As earlier mentioned, I’ve learned how to do different body types, and am trying to find a good balance between shape language and inclusivity when it comes to bodies! I am… still struggling with feminine anatomy! Admittedly! But I’m willing to keep trying ,:]
And, overall, I (certainly hope I have) improved on my art. I have a much better sense of face shapes, line weights, and consistent details than I did at the beginning of the year. Always learning, but always improving, too!
I hope your year has gone well! Thank you so very much for checking out my blog. Tumblr has been a wonderful thing to get into and has led me to a lot of wonderful people. See you in the new year!
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warwickroyals · 3 months
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Sunderland's Royal Jewel Vault (12/∞) ♛
↬ Queen Matilda Mary's Pearl Fringe Tiara
Out of all the tiaras in Sunderland's royal jewelry box, Queen Matilda's Pearl Fringe is perhaps the most remarkable. The tiara, which Queen Irene once called a wall of diamonds, is instantly recognizable due to its classic design with an intriguing twist. In 1908, the Prince and Princess of Danforth celebrated their silver wedding anniversary. The occasion was a great excuse for lavish celebrations and, more importantly, for Sunderland's courtiers to curry favour with extravagant gifts. Predictably, this turned gift-giving into a fierce competition between aristocratic families, who vied for the most expensive gift. To produce a magnificent gift, a group of prominent women formed an uneasy alliance. The three women included: the Marchioness of Bathurst (wife of the current Conservative prime minister), the Countess of Bloor and the Countess Farnsworth (the paternal great-aunt of the future Tatiana, Princess of Danforth). Pooling their combined wealth, the women were able to afford a major piece of jewelry for the princess. They quarrelled throughout the process, notably over the tiara's design and who would present the gift at Chester Palace, but the princess herself was impressed with their effort. The resulting tiara was a spectacular fringe tiara of white and yellow gold set with diamonds. Much to Matilda's delight, the tiara bore similarities to Queen Caroline's Fringe Tiara, a favourite of her estranged mother-in-law Queen Alexandra. The tiara featured sixty brilliant-set graduated bars and drop pearl toppers which cloud easily removed. Futuring over 400 diamonds, it cost around $7,480. Princess Matilda took an instant liking to the tiara, choosing to debut it at the wedding of her eldest surviving son, the Duke of Woodbine to Lady Anne Sunningdale, in 1913. At the wedding, the tiara generated interest from the press and public, who marvelled at the tiara's dazzling beauty. When Matilda Mary became queen in 1921, it continued to maintain the title of her most recognizable tiara. When Matilda Mary died in 1945, it was inherited by her daughter-in-law Anne. Despite having not one but two other fringe tiaras, wore the tiara consistently throughout her husband's reign. Posing in it for multiple portraits. Queen Anne died in 1973, and along with most of her personal jewels, she bequeathed the tiara to her granddaughter-in-law, Queen Irene. The piece quickly became a central part of Irene’s jewelry collection, being worn frequently throughout Irene and Louis's first European tour in 1973-4 where the press once again gawked at the tiara's enthralling row of diamonds. It is one of the few tiaras Irene has worn consistently throughout her tenure as queen, having appeared during foreign tours, at royal premieres, and at state banquets across the world.
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devilsmenu · 6 months
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@apothmuses - Irene & Kalias
"Oh, sorry, what were you saying? I was overthinking about this maze too much and thinking how people just move on like it's nothing" Irene asked with a sigh.
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inevitably-johnlocked · 3 months
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Five Fics Friday: February 2/24
It's Finally the First Friday in February, and that means it's Five Fics Friday! I hope you enjoy the fics I've chosen for y'all this week! And please give the boosted fic some love! <3 Enjoy!
SIGNAL BOOSTING
Talk down your DNA by avalanching effect (T, 5,384 w., 1 Ch. || Supernatural Elements AU || Witches, Cannibalism, POV John, Spooky, Death, Suicide Attempt) – When him and Harry are 11, their parents take them to an abandoned sawmill for their birthday, and leave them to their own devices. After they learn how to turn it on, Harry pushes him in. Part 1 of Not dead, not alive, but a secret third thing
RECENT MFLs
The Murder of Sir Emory J. Amat by ChrisCalledMeSweetie (T, 14,364+ w., 5/27 Ch. || WiP || Murder of Roger Ackroyd Fusion / 1925 AU || Surprise Ending, Case Fic, POV First Person John) – A Sherlock Holmes mystery, as recounted by Dr. John H. Watson. Can you follow the clues to deduce whodunnit?
Hand In Hand by LipstickDaddy(G, 2,847+ w., 3/? Ch. || WiP || Nail Salon AU || Fluff, Mutual Pining, Friends to Lovers, Happy Ending) – John Watson is home from Afghanistan, and he hasn’t felt entirely himself, entirely human, for weeks. He bumps into Stamford, and John makes an offhand comment about his friend’s “soft academic’s hands.” Stamford slips him the address of a nail shop near Bart’s, and John wonders if something as simple as a manicure might actually help him. Turns out, it’s the best impulse decision he’d ever make.
Maybe We Could Change His Mind by thalialunacy (E, 23,049 w., 5 Ch. || Post-S4, Romance, Banter, Schmoop, Friends to Lovers, Love Confessions, First Kiss/Time, Matchmaker Irene, Late-Life Coming Out, Queer Issues, Queer Friendship, Conversion Therapy Discussion, Texting, Anal / Oral Sex, Parental Sherlock) – John now knows that Irene and Sherlock have been corresponding through burner phones and WhatsApp for years. What he doesn't know is that the 'Oo you're shiny and smart!' hormones wore off long ago, and now they're simply gay besties chatting about life, fashion, and, of course, John. But John doesn't know that, so when Irene appears in their life again just as they get called into a very personal case, he feels the sand start to shift beneath his feet and has no idea why. Luckily, Sherlock will always do what it takes to ensure John gets to solid ground, no matter the cost.
RECENTLY BOOKMARKED LOKIUS FIC
we can stay here (& laugh away the fear) by unintentionallyangsty (T, 11,100 w., 1 Ch. || LOKI SERIES || Lokius, Canon Divergence, TVA Shenanigans, Attention Seeking Behaviour, Praise Kink, Touch Starvation, Pet Names, Angsty Fluff, Romantic Fluff, Emotional Hurt/Comfort, Shyness, Awkward Flirting, Crying, Misunderstandings, Cuddling/Snuggling, Blushing, Depression Mention) – Loki is bad with people and relationships, and tends to assume the worst of every intention and interaction because it's easier in the long-run. Mobius is good with Loki. (Or, two times Loki is spooked off by Mobius' unexpected gentleness and familiarity, and one (1) time the opposite is true).
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isabelpsaroslunnen · 1 year
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My best friend and I are both Star Wars fans, and we have an ongoing amicable debate about the merits of A New Hope vs Return of the Jedi.
We tend to agree that ANH is the smoother of the two films in terms of executing its vision and general craft. It doesn't have the unevenness of, say, the somewhat bloated Jabba's Palace sequence or the weird pacing and structure of some aspects of the Battle of Endor sequence. ROTJ, on the other hand, is (in our view) the more ambitious film, and when it does manage to fulfill those ambitions, it's better than almost anything in ANH. The characters are more nuanced, their dynamics are more intense and complex, the great scenes are just, by and large, richer and more evocative. When ROTJ is bad, it's worse than ANH, and when it's good, it's better.
The debate for us is not about whether those things are true, but whether the consistent quality of ANH or the more ambitious and (sometimes) powerful quality of ROTJ is "better." At the end of the day, the distinction is not incredibly important and both of us love both films. But it is interesting, to us, to think about the merits of execution vs ambition in storytelling and craft.
I was thinking about this, of course, because I read The Thief and then The Queen of Attolia in rapid succession, and I feel like there is something of that ANH-ROTJ dynamic between them. The Thief is the smoother, more precisely crafted book, IMO, but The Queen of Attolia is doing so much more.
There's so much development of the characters (especially my favorite, Attolia/Irene), so much more intrigue and just substance, so many wild twists and turns along the way, and the last quarter was both gripping and just swept me off my feet. I loved The Thief, but there's nothing in it that I felt as strongly about as I feel about ... I don't know, 2/3 of QoA.
But I also have some gripes with QoA that I don't really with TT—I think the use of secrets, whodunnit-style semi-unreliability, and unexpected revelations, was structured better or at least more smoothly in TT. There were points in QoA where the "aha! actually, the whole time..." revelations started to feel repetitive to me, and certainly points where I would have preferred to see more onstage development, or at least more hints coming earlier, and less shocking twists.
That said, the escalation of intrigue, the deeper characterization, Eugenides's recovery, the glimpses of young(er) Irene along with her development and fantastic maneuvering, and basically everything Helen chooses to be, made it not only worth the price of admission, but feel like the richer and more substantial work of the two. It's not as "clean" as TT, much as ROTJ is not as clean as ANH, but it does realize many of its ambitions in a more powerful way.
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no-where-new-hero · 7 months
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Time for another Lantern Hill Book club catchup post! I wish I didn't have time to read and gather my thoughts only once a week at this point, but oh well ;(
CH. 9: (I'm pretty sure this is where I left off?)
LMM gets so much mileage out of personifying 60 Gay Street in this chapter, fully appraising us of its unfriendliness and hostility. Absolutely the most vicious house of her canon, I think--a pure extension of Grandmother's personality.
Jane felt that it might help the ache a little if she could only have a talk with mother, but when she tried mother's door it was locked. Jane felt that mother didn't want to talk to her about this and that hurt worse than anything else.
I've already bitched about this paragraph, but I'm going to bitch again. Robin's inability to put herself in her daughter's shoes for 10 seconds and at least TRY not to make this sudden summons seem so scary or overwhelming is so frustrating. If Jane has told her mother how much she likes their frivolous little chats and things and it causes Robin enough pain for Jane to stop confessing this kind of thing to her, Robin SHOULD have the awareness to realize what Jane needs most is an emotional connection with her. Earlier on, Jane is prevented from talking to Robin by Grandmother, but this paragraph kind of explicitly lays out how it isn't just Grandmother's heavy-handedness preventing Robin from being a good mother but Robin's own short-sightedness. Even comforting lies would have been better for Jane at this point.
CH. 10:
Love how LMM has so many jokes about PEI being too small to live on so that people must live in perpetual danger of falling into the sea.
CH. 11:
I don't think we'll actually lose Jody to the orphanage before the end of the book but goodness LMM knows how to pile on the tragedies.
...they drove along over the elfish underground city that comes into view under the black street on a rainy night.
A rare case of LMM being an urban writer. Of course she makes it as magical as she makes her natural landscapes.
She thought Jane quite the dumbest child she had ever encountered.
This constant harping on Jane's purported idiocy feels like such an implicit Maud judgment to me. Like. I feel like the average adult wouldn't be so immediately blunt about an 11-year-old's intellect or lack thereof? Unless it's just different mores since I feel like nowadays an adult would take silence as shyness. But Maud's own ferocious intelligence gives me the impression that she would be very capable of cataloguing people as dumb. (Okay I also just realized that during this time, "dumb" might have been used for people without speech but both Phyllis and Grandmother freely mock Jane for not being very bright which still reinforces my point a bit).
CH. 12:
Getting a lot of echoes of other LMM books in here:
She drew herself away and took in the lady with one of her straight, deliberate glances. (such an Emily Starr gesture) …but that dreadful old car of his broke down half-way." (Andrew appears to have bought his car from the same place as Barney Snaith) Perhaps the "Janie" was the last straw. Jane was not going to be "Janied." (Aunt Irene is giving a weird combination of Aunt Laura and Aunt Ruth.)
Aunt Irene is intensely creepy in a way I can't quite put a finger on. Well, I can--she's as possessive and judgmental as Grandmother, just more sugary. But their appraising and judging qualities are the same. Also the obsession with love meaning jealousy is really coming through as a motif here: Grandmother's jealous posessiveness of Robin, Robin thinking Andrew was jealous of Jane, Irene thinking Robin was jealous of her and Andrew's closeness, Irene's unnecessary attachment to Andrew. She seems to be twisting everyone's emotions around and then blaming them for things that don't seem to be there.
And I was always so fond of your mother…but…well, I don't quite think she ever really liked me.
This is the first sign of sense in Robin that I've seen so far.
CH. 13:
...in which Jane continues to have traumatic mealtimes with gaslighting adults.
More parallels to other LMM media! First we have Andrew "Kenneth Howard" Stuart to rival Barney "John Foster" Snaith, because beloved writers being your very close kin abound in the LMMverse as much as forgotten heirs to wealthy corporations being your neighbors abound in kdramas, apparently. Second, we have familial phrenology to catalogue the features inherited a la Emily Starr, as well as a lot of bald-faced commentary on appearances, and the Douglas Starr energy in Andrew is intensifying. I have to say Jane's acceptance and love of him feels a bit sudden--and I'm not entirely sure how much I approve of this bit:
Would he be disappointed because she was not pretty? Would he think her mouth too big?
immediately after her resolution not to be "bright and fresh for anybody." Will need to keep mulling over this.
CH. 14:
Aunt Irene made a fuss over dad. She purred over him...actually purred. And dad liked her purring and her honey-sweet phrases just as well as he had liked her cake. Jane saw that clearly.
For all that LMM adores and elevates cats, she manages to infuse untold amounts of disgust into describing people as purring in a way I find fascinating. I will never move on from how she describes Teddy "purring and scintillating" for Ilse, and here she's using it to illustrate Irene's corrosive sucking-up to Andrew. Jane again knows her onions about human psychology.
"She's got a secretive strain in her, Andrew, that I confess I don't like." "Knows how to keep her own counsel, eh?" said dad. "It's more than that, Andrew. She's deep...take my word for it, she's deep. Old Lady Kennedy will never be dead while she is alive.
More Aunt Ruth and Aunt Elizabeth type lines: "sly and deep" and "your grandfather Archibald won't be dead as long as you're live" make a comeback here.
And the rest of the chapter feels so much like Barney and Valancy heading to Mistawis: the way Andrew talks about his life (their tones are very similar), Jane's feeling of peace and freedom at Brookview. A small spotted dog in place of Good Luck and Banjo.
I also now have a strong craving to try wild-strawberry jam.
CH. 15:
This happens to be one of the days when I like myself reasonably well.
What a mood? This line suddenly made me like Andrew way more.
Once I took you down and dipped you in it, to the horror of…of several people. You were properly baptized before that in the Anglican church in Charlottetown…but that was your real baptism. You are the sea's child and you have come home."
Okay, I REALLY like Andrew in this chapter. I think in a paragraph like this I can kind of catch the glimpse of why he seems similar to Dean Priest. This is such a Dean thing to do and a Dean thing to talk about. Ditto with finding a magic house. Andrew lacks the cynicism of the Barney/Dean type, but he has their whimsy--possibly closer to Dean with it than Barney.
It's also very peculiar because Barney/Valancy, Emily/Dean, and Jane/Andrew all feel like they work around similar conversations and emotional connections despite being different relationships. One is romantic, one is romantic/platonic but also slightly familial, one is entirely familial, and yet they all cling to similar themes. Emily and Jane talk about who they resemble to Dean and Andrew. Setting up a domestic space becomes a plot point. Valancy and Jane are entirely happy with their author beloveds, yet feel a little insecure about how much that happiness and love is reciprocated. They travel by car to escape the peering judgments of society.
I will do my best to keep up with the book club from here, since things have gotten very interesting very quickly.
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little shit x cinnamon roll
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