This melody was originally accompanied by the drones and strums of various stringed instruments in Transylvanian Gypsy style. The overall structure and tempo is related to a freylakh but it is performed closer to the local style of csardas.
Fucking my best friend at her home when she called me help her in exam study
Lesbian Step Sister Strap On Sex by the Pool
Seductive chick bends over for men explicit doggy style drilling
Christy Love shows Alex the joy of becoming a geisha that includes education in the art of sensual pleasure
A lo extreme
My best friends busty mom gets fucked by my grandpa
Cum on her big clit
Nerd rubia le gusta la verga en publico
Cory Chase in Free Use Family
Twink gets fucked raw by BBC from Gary Indiana
What pieces does Vice Principal Nero (fail to) play in TAA? (NCT)
4:00 - ?
10:47 - Csardas, by Vittoro Monti
14:28 - 'Spring' from The Four Seasons, by Antonio Vivaldi
17:05 - Hard to tell, but most likely (given the speed): Caprice No. 5, by Nicólo Paganini
TAA P2:
18:09 - ?
These are all of the timestamps I could find, if I've missed any, please do put them in the comments section, and I'll try and have a listen. Alternatively, if you find out what pieces are being screeched at the points where I've put '?', please let me know in the comments.
ok chat i i’ve been thinking a lot of chris. of course. but mostly that he played the piano and violin as a kid and i can visualize him conducting and i feel like that would be really interesting… the music he conducts changing as he loses his mind. he’s a classical music fan for sure but him playing csardas….
Once THE outlet for my thirst for live music and a family focus when Sam did sound and we volunteered, THE FOCAL POINT remains a sentimental favorite. E joins the Morris Dance teams there enthusiastically most weeks, but between my jazz turn and lockdown, we broke the habit. Now they video the concerts and have a YouTube channel, but we don’t stream even the several Celtic or flashy guitar players that I’m curious about even if I wouldn’t go. So that we went to see Ukranian accordionist SERGEY TSUKHAI is something.
Okay, we like accordions and went with a dear friend who is the Morris team’s stalwart on the instrument. Dear friend’s wife helped organize a concert that I went to featuring Martynas Levickis, a prodigy from Lithuania, that I went to and enjoyed. I knew from that show that there would be a stunning eclecticism and that in hands like that, the instrument could do remarkable things.
Sergey Tsukhai has just such hands and he applied them variously to The Girl from Ipanema (the opener), Bach (THE Tocatta and Fugue and a little bit of a flute suite, a Russian folk tune with his wife on a four string small balalaika like instrument, later a Csardas with a Japanese violinist, Vivaldi (Winter which was a bit slushy), various waltzes often from films, other film music, some Roma music, and one Ukranian folk song all done in one long set. He certainly can evoke a full church pipe organ for THE T and F, but also Paris cafes and, best, the village. It’s a huge (35 pounds, we were told) instrument and extremely versatile with layers of sound at once.
Having seen the earlier Martynas Levickis performance, I was somewhat prepared for the eclecticism (Levickis played some very modern European Tradition Art Music composed for the instrument which we didn’t get last night) which has an Eastern European programmatic feel. Of course the focus was on Tsukhai’s virtuosity as it should and genres be damned because it’s all folk music by folks. But Focal Point is a Traditional Arts Center (and Jazz St Louis “upholds the uniquely American art form of jazz” and if, rarely, I go to Powell Hall, I want to see the repertoire and not the Symphony playing film music), so, much as I like virtuosity, this one felt unfocused, the virtuosity an end in itself and not in the service of a tradition. I would have enjoyed being immersed in Ukrainian music, say.
But it was in the service of the tradition of all music. Maybe that’s right. Certainly I am glad to have gotten back to the Focal Point.
There was a cloud over the evening as we tried to eat before hand at a restaurant whose half hour wait to be seated was an hour and who hadn’t served us after another hour despite being told that our food was coming up next a half an hour before we gave up and stormed out. We got protein bars, green drinks, and mixed nuts to tide us over, but that wasn’t the pleasant meal we deserved.
The music did help raise my sugar levels and stem my hanger.
A family friendly concert featuring anime/Disney tracks. A friend from France also came and she’s a big fan of The Promised Neverland so surprised her with Isabella’s Song.
Had a tough audience! Kids are one of the most difficult clients🤣 But they were patient and curious. I’m sure a lot of the pieces (even the Ghibli) were beyond their years, but wanted to perform oldies and classical music too.
They did get excited with YOASOBI’s “Idol” though 😆 I think I’m finally enjoying singing this live!
The year of the dragon = Falkor for me! Besides the kids, I think every generation knew the NeverEnding Story! I love Falkor. So fluffy 😍
Let’s say I’m just carrying/ pushing around dreams
Finished doing a fun show on New Years Day, but the earthquake was a frightening experience, even being so far away from the epicentre. Was high up in a big tower so it shook so hard and long. Disasters are always unexpected but this is still a great shock. I hope you are all safe. Please take care.
This “traditional” is supposed to have originated from Hungary, and is popular in countries such as Serbia, Slovakia, Slovenia, Croatia, Ukraine, Russia, and Poland. Apparently, this dance style was made popular by musical bands to a community in Hungary known as “Romani”. Furthermore, this dance is performed by both males as well as females.